Monoskop:Contents
Visual art | ||
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Movements – 1990s – East Central Europe – Writers – Historians – Care – Museums – References. |
Sound and Music communities of practice |
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Music magazines, Radio art, Pirate radio, Community radio, Electroacoustic music, Computer music, Sound art, Field recording, Noise, Cassette culture, Max/MSP, Pure Data, SuperCollider, Net radio, Live coding, Writers. Art and culture, Contents, Index, About. |
Moving Image communities of practice in film and video |
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Early cinema, Experimental film, Expanded cinema, Video art, Live cinema, Film labs, Media archives, Community television, Demoscene, VJing, VVVV, Live coding, Writers. Art and culture, Contents, Index, About. |
Literature groups, movements, cultures |
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Avant-garde and modernist magazines, Artists' publishing, Vorticism, Dada, Zenitism, Estridentismo, Surrealism, Concrete poetry, Zine culture, Afrofuturism, Shadow libraries, Code poetry, Conceptual writing, Alternative literature, Conceptual comics. Art and culture, Contents, Index, About. |
Cities alternative base |
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Amsterdam, Bergen, Berlin, Bratislava, Budapest, Kyiv, London, New York, Oslo, Paris, Prague, Rotterdam, Seoul, Tokyo, Vienna, Warsaw, Zagreb |
- Writers
- Janneke Adema
- Adilkno
- Theodor Adorno
- Philip E. Agre
- Louis Althusser
- Karel Slavoj Amerling
- André Gorz
- Clemens Apprich
- Hannah Arendt
- Rudolf Arnheim
- Inke Arns
- Roy Ascott
- Alain Badiou
- Mikhail Bakhtin
- Richard Barbrook
- Roland Barthes
- Georges Bataille
- Gregory Bateson
- Jean Baudrillard
- Tilman Baumgärtel
- Alexander Gottlieb Baumgarten
- Konrad Becker
- @xgz
- Guy van Belle
- Jonathan Beller
- Walter Benjamin
- Max Bense
- Franco Berardi
- John Berger
- Henri Bergson
- Lauren Berlant
- David M. Berry
- Josephine Berry
- Ina Blom
- Alexander Bogdanov
- Jean-Louis Boissier
- Norbert Bolz
- Josephine Bosma
- Bertolt Brecht
- Andreas Broeckmann
- Susan Buck-Morss
- Mercedes Bunz
- John Cage
- Vito Campanelli
- Manuel Castells
- André Chastel
- Wendy Hui Kyong Chun
- Gabriella Coleman
- John Amos Comenius
- Mario Costa
- Florian Cramer
- Jonathan Crary
- Douglas Crimp
- Critical Art Ensemble
- Jozef Cseres
- Sean Cubitt
- Nina Czegledy
- Dieter Daniels
- Hans-Christian Dany
- Jodi Dean
- Régine Debatty
- Régis Debray
- Annet Dekker
- Manuel DeLanda
- Gilles Deleuze
- Philippe Descola
- Sean Dockray
- Martin Dodge
- Mladen Dolar
- Ricardo Dominguez
- Sher Doruff
- Johanna Drucker
- Timothy Druckrey
- Christina Dunbar-Hester
- Knut Ebeling
- Lorenz Engell
- Hans Magnus Enzensberger
- Wolfgang Ernst
- Elena Esposito
- Frantz Fanon
- Harun Farocki
- Silvia Federici
- Vilém Flusser
- Devin Fore
- Hal Foster
- Michel Foucault
- Ursula Franklin
- Andrea Fraser
- Matthew Fuller
- Alexander R. Galloway
- Bernard Dionysius Geoghegan
- Charlie Gere
- Lisa Gitelman
- Andrew Goffey
- Lucien Goldmann
- Kenneth Goldsmith
- David Golumbia
- Olga Goriunova
- David Graeber
- Oliver Grau
- Marina Gržinić
- Martin Hägglund
- Wolfgang Hagen
- Gary Hall
- Byung-Chul Han
- Donna Haraway
- Frank Hartmann
- André-Georges Haudricourt
- Eric A. Havelock
- N. Katherine Hayles
- Linda Dalrymple Henderson
- Jochen Hörisch
- Erich Hörl
- Ute Holl
- Brian Holmes
- Eva Horn
- Kathy Rae Huffman
- Erkki Huhtamo
- Alexandra Hui
- Yuk Hui
- Eleni Ikoniadou
- Anthony Iles
- Harold Innis
- Lilly Irani
- Roman Jakobson
- Adrian Johns
- Ben Kafka
- Douglas Kahn
- Immanuel Kant
- Denisa Kera
- Derrick de Kerckhove
- Matthew G. Kirschenbaum
- Friedrich Kittler
- Dmitry Kleiner
- Alexander Kluge
- Eric Kluitenberg
- Sybille Krämer
- Markus Krajewski
- Chris Kraus
- Rosalind E. Krauss
- Machiko Kusahara
- Katja Kwastek
- Ernesto Laclau
- Susanne Langer
- Bruno Latour
- Brenda Laurel
- Teresa de Lauretis
- Maurizio Lazzarato
- Claude Lévi-Strauss
- Lucy R. Lippard
- Ramon Llull
- Alanna Lockward
- Sylvère Lotringer
- Geert Lovink
- Alessandro Ludovico
- Niklas Luhmann
- Jean-François Lyotard
- Adrian Mackenzie
- Catherine Malabou
- André Malraux
- Lev Manovich
- Aymeric Mansoux
- Herbert Marcuse
- Armand Mattelart
- Shannon Mattern
- Svitlana Matviyenko
- Nancy Mauro-Flude
- Marshall McLuhan
- Armin Medosch
- Joshua Meyrowitz
- Walter Mignolo
- Petar Milat
- Trinh T. Minh-ha
- W. J. T. Mitchell
- Alla Mitrofanova
- Shintaro Miyazaki
- Stefan Morawski
- Evgeny Morozov
- Fred Moten
- Chantal Mouffe
- Roswitha Müller
- Nat Muller
- Bonnie Nardi
- Ted Nelson
- Norie Neumark
- Sianne Ngai
- Arndt Niebisch
- Helen Nissenbaum
- Rodrigo Nunes
- Jussi Parikka
- Luciana Parisi
- Matteo Pasquinelli
- Simon Penny
- Miklós Peternák
- Claus Pias
- Décio Pignatari
- Piotr Piotrowski
- Sadie Plant
- Mark Poster
- Elizabeth Povinelli
- Prague school
- Paul B. Preciado
- Rita Raley
- Jacques Rancière
- Gerald Raunig
- Laurence A. Rickels
- Florian Rötzer
- Suely Rolnik
- Avital Ronell
- Antoinette Rouvroy
- Legacy Russell
- Nils Röller
- Ferdinand de Saussure
- Mirko Tobias Schäfer
- Wolfgang Schivelbusch
- Florian Schneider
- Trebor Scholz
- Erhard Schüttpelz
- Pit Schultz
- Keiko Sei
- Olga Sezneva
- Paula Sibilia
- Bernhard Siegert
- Kaja Silverman
- Gilbert Simondon
- Peter Sloterdijk
- Vivian Sobchack
- Johan Söderberg
- Susan Sontag
- Étienne Souriau
- Boaventura de Sousa Santos
- Felix Stalder
- Isabelle Stengers
- Bruce Sterling
- Hito Steyerl
- Bernard Stiegler
- Bernd Stiegler
- Olga Suslova
- Tiziana Terranova
- Klaus Theweleit
- Georg Christoph Tholen
- Ovidiu Ţichindeleanu
- Sherry Turkle
- Fred Turner
- Petr Uhl
- Peter-Paul Verbeek
- Jelena Vesić
- Paul Virilio
- Miloš Vojtěchovský
- Lioudmila Voropai
- McKenzie Wark
- Peter Weibel
- Peter Lamborn Wilson
- Stephen Wilson
- Hartmut Winkler
- Geoffrey Winthrop-Young
- Richard Wright
- Sylvia Wynter
- Simon Yuill
- Siegfried Zielinski
- Raimar Zons
- Joanna Zylinska
Avant-garde, modernism, 20th century art |
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- Ludwig Angerer
- Arkzin
- Arseny Avraamov
- Mikhail Bakhtin
- Henryk Berlewi
- Gábor Bódy
- Vladimir Bonačić
- Étienne-Louis Boullée
- Bertolt Brecht
- Lucius Burckhardt
- Jack Burnham
- Ernst Chladni
- Leon Chwistek
- Devětsil
- Stanisław Dróżdż
- Dvizheniye
- Viking Eggeling
- Sergei Eisenstein
- P. K. Engelmeyer
- Alexandra Exter
- Harun Farocki
- Fluxus
- Naum Gabo
- Bulat Galeyev
- Aleksei Gan
- Kenneth Goldsmith
- Milan Grygar
- Alexandr Hackenschmied
- Dušan Hanák
- Oskar Hansen
- Francisco Infante
- Štefan Anián Jedlík
- György Kepes
- Velimir Khlebnikov
- Alexander Kluge
- Milan Knížák
- Katarzyna Kobro
- Ede Kozics
- Nikolai Kulbin
- Jiří Lehovec
- El Lissitzky
- Tomás Maldonado
- Kazimir Malevich
- Jozef Malovec
- MaMa
- Manakis brothers
- Chris Marker
- Voldemārs Matvejs
- Vladimir Mayakovsky
- Gustav Metzger
- Trinh T. Minh-ha
- Lucia Moholy
- László Moholy-Nagy
- Abraham Moles
- Jozef Murgaš
- Nettime
- New Tendencies
- Lev Nussberg
- Zdeněk Pešánek
- Joseph Petzval
- Lyubov Popova
- Prometei
- Jan Evangelista Purkyně
- Alexander Rodchenko
- Aldo Rossi
- Raymond Roussel
- Zbigniew Rybczyński
- Arnold Schoenberg
- Nicolas Schöffer
- Stefan Sebök
- Situationist International
- Robert Smithson
- Varvara Stepanova
- Władysław Strzemiński
- Zdeněk Sýkora
- Josef Svoboda
- Mieczyslaw Szczuka
- Vladimir Tatlin
- Karel Teige
- Steina and Woody Vasulka
- Otakar Vávra
- Dziga Vertov
Avant-garde and modernist magazines | ||
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Poesia (1905-09, 1920), Der Sturm (1910-32), Blast (1914-15), The Egoist (1914-19), The Little Review (1914-29), 291 (1915-16), MA (1916-25), De Stijl (1917-20, 1921-32), Dada (1917-21), Noi (1917-25), 391 (1917-24), Zenit (1921-26), Broom (1921-24), Veshch/Gegenstand/Objet (1922), Die Form (1922, 1925-35), Contimporanul (1922-32), Secession (1922-24), Klaxon (1922-23), Merz (1923-32), LEF (1923-25), G (1923-26), Irradiador (1923), Sovremennaya architektura (1926-30), Novyi LEF (1927-29), ReD (1927-31), Close Up (1927-33), transition (1927-38). |
Full list | ||
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Entretiens politiques et littéraires (1890-93), Moderní revue (1894-1925), Volné směry (1897-1948), Mir iskusstva (1898-1904), Vesy (1904-09), Poesia (1905-09, 1920), Zolotoe runo (1906-10), The Mask (1908-29), Apollon (1909-17), Ukraïnska khata (1909-14), Der Sturm (1910-32), Thalia (1910-13), Rhythm (1911-13), Trudy i dni (1912), Simbolul (1912), The Glebe (1913-14), Ocharovannyi strannik (1913-16), Revolution (1913), Blast (1914-15), The Little Review (1914-29), Futuristy (1914), Zeit-Echo (1914-17), The Egoist (1914-19), L'Élan (1915-16), 291 (1915-16), Orpheu (1915), La Balza futurista (1915), MA (1916-25), SIC (1916-19), flamman (1916-21), The Blindman (1917), Nord-Sud (1917-18), De Stijl (1917-20, 1921-32), Dada (1917-21), Klingen (1917-20, 1942), Noi (1917-25), 391 (1917-24), Modernisme et compréhension (1917), Anarkhiia (1917-18), Iskusstvo kommuny (1918-19), Formiści (1919-21), S4N (1919-25), La Cité (1919-35), Aujourd'hui (1919), Exlex (1919-20), L'Esprit nouveau (1920-25), Orfeus (1920-21), Action (1920-22), Proverbe (1920-22), Ça ira (1920-23), Zenit (1921-26), Kinofon (1921-22), Het Overzicht (1921-25), Jednodńuwka futurystuw (1921), Nowa sztuka (1921-22), Broom (1921-24), Život (1921-48), Creación (1921-24), Jar-Ptitza (1921-26), New York Dada (1921), Aventure (1921-22), Spolokhi (1921-23), Gargoyle (1921-22), Veshch/Gegenstand/Objet (1922), Kino-fot (1922-23), Le Coeur à barbe (1922), Die Form (1922, 1925-35), 7 Arts (1922-28), Manomètre (1922-28), Ultra (1922), Út (1922-25), Dada-Jok (1922), Dada Tank (1922), Dada Jazz (1922), Mécano (1922-23), Contimporanul (1922-32), Zwrotnica (1922-23, 1926-27), Secession (1922-24), Stavba (1922-38), Gostinitsa dlya puteshestvuyuschih v prekrasnom (1922-24), Putevi (1922-24), Klaxon (1922-23), Akasztott Ember (1922-23), MSS (1922-23), Perevoz Dada (1922-49), Egység (1922-24), L'Architecture vivante (1923-33), Merz (1923-32), LEF (1923-25), G (1923-26), The Next Call (1923-26), Russkoye iskusstvo (1923), Disk (1923-25), Irradiador (1923), Surréalisme (1924), Almanach Nowej Sztuki (1924-25), La Révolution surréaliste (1924-29), Blok (1924-26), Pásmo (1924-26), DAV (1924-37), Bulletin de l'Effort moderne (1924-27), ABC (1924-28), CAP (1924-28), Athena (1924-25), Punct (1924-25), 75HP (1924), Le Tour de Babel (1925), Periszkop (1925-26), Integral (1925-28), Praesens (1926, 1930), Sovremennaya architektura (1926-30), bauhaus (1926-31), Das neue Frankfurt (1926-31), L'Art cinématographique (1926-31), Dokumentum (1926-27), Kritisk Revy (1926-28), Novyi LEF (1927-29), i 10 (1927-29), Nova generatsiia (1927-30), ReD (1927-31), Dźwignia (1927-28), Tank (1927-28), Close Up (1927-33), Horizont (1927-32), transition (1927-38), Discontinuité (1928), Munka (1928-39), Quosego (1928-29), Urmuz (1928), Unu (1928-32), Revista de Antropofagia (1928-29), 50 u Evropi (1928-29), Documents (1929-30), L'Art Contemporain - Sztuka Współczesna (1929-30), Adam (1929-40), Art concret (1930), Zvěrokruh (1930), Alge (1930-31), Le Surréalisme au service de la révolution (1930-33), Levá fronta (1930-33), Kvart (1930-37, 1945-49), Nová Bratislava (1931-32), Linja (1931-33), Spektrum (1931-33), Nadrealizam danas i ovde (1931-32), Ulise (1932-33), Die neue Stadt (1932-33), Mouvement (1933), PLAN (1933-36), Karavan (1934-35), Ekran (1934), Axis (1935-37), Acéphale (1936-39), Telehor (1936), aka (1937-38), Plastique (1937-39), Plus (1938-39), Les Réverbères (1938-39). |
Art and design schools | ||
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Bauhaus (Weimar, Dessau, Berlin, 1919-33), Vitebsk Popular Art Institute (Vitebsk, 1919-22), VkHUTEMAS (Moscow, 1920-26), School of Arts and Crafts (Bratislava, 1928-39), Black Mountain College (Black Mountain/NC, 1933-57), Ulm School of Design (Ulm, 1953-68), Academy of Media Arts (Cologne, est. 1990), Piet Zwart Institute (Rotterdam, est. 2001) |
Art exhibitions and events | ||
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Second Spring Exhibition of OBMOKhU (Moscow, 1920-21), Congress of International Progressive Artists (Düsseldorf, 1922), Congress of the Constructivists and Dadaists (Weimar, 1922), First Russian Art Exhibition (Berlin, 1922), New Art Exhibition (Vilnius, 1923), Zenit Exhibition (Belgrade, 1924), Contimporanul Exhibition (Bucharest, 1924), Machine-Age Exposition (New York, 1927), a.r. International Collection of Modern Art (Łódź, 1931), New Tendencies (Zagreb, 1961-73), The Responsive Eye (New York, 1965), 9 Evenings: Theatre and Engineering (New York, 1966), Cybernetic Serendipity (London, 1968), Live In Your Head: When Attitudes Become Form (Bern, 1969), Information (New York, 1970), Software - Information Technology: Its New Meaning for Art (New York, 1970), Documenta 5 (Kassel, 1972), Pictures (New York, 1977), Biennial of Dissent (Venice, 1977), Les Immatériaux (Paris, 1985), Magiciens de la Terre (Paris, 1989), Hybrid Workspace (Kassel, 1997) |
Countries avant-garde, modernism, experimental art, media culture, social practice |
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Albania, Argentina, Armenia, Australia, Austria, Azerbaijan, Belarus, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Central and Eastern Europe, Chile, China, Croatia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Hungary, Iceland, India, Indonesia, Iran, Ireland, Italy, Japan, Kazakhstan, Kosova, Latvia, Lebanon, Lithuania, Luxembourg, Malta, Mexico, Moldova, Montenegro, Morocco, Netherlands, North Macedonia, Norway, Pakistan, Peru, Poland, Portugal, Romania, Russia, Serbia, Spain, Slovenia, Slovakia, South Korea, Sweden, Switzerland, Turkey, Ukraine, United Kingdom, United States |
Monoskop | ||
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