Ivor Diosi

Born	Northern Pannonia
Lives in	Europa

_ID_ is an internationally recognized, award-winning cybershaman and Dasein-alchemist. Operates at the intersections of art, science and new technologies, in the fields of neurocinema, bio-art and hybrid art, uses mixed realities, machine vision, artificial life, simulacra, synthetic and virtual entities.

His main obsessions are identity, the existence of space-time, the emergence of organic life and consciousness. His works and installations are renown for merging biomorph and evolutionary aesthetic, scientific knowledge, technical sophistication, strong critical concepts, and powerplay with the processes of observation and perception.

Ivor is the founder of _humane after people_ - an art-science group addressing questions of the future of the human condition, aiming for a machine-unreadable humanity, creating the future Humane Other. They strive to detach from socially conditioned perception and our simian legacy as much as possible, and focus on what really matters: the human being as autonomous conscience in the unvoid.

Working since 1989 (C64 demoscene) and exhibiting hybrid art internationally since 1997 at over a hundred venues, festivals, museums and galleries around the world, including ZKM Zentrum für Kunst und Medientechnologie, The LUMEN Prize World Tour (2014-15), NESTA/FutureFest London, Fundación Telefónica VIDA / ARCO Art Fair Madrid, Japan Media Arts Festival / Metropolitan Museum of Photography Tokyo, CyNETART Dresden, Ars Electronica Linz, transmediale Berlin, ISEA International Symposium on Electronic Art ('08 Singapore), New York Institute of Technology, Kinetica London, amber Art and Technology Festival Istanbul, VIPER Basel, SVA NYDS New York Digital Salon, ENTER Festival Prague and Multiplace Bratislava. Covered by the Leonardo Journal, Leonardo/OLATS, Flash Art, Intel+VICE The Creators Project, ARTE TV and BBC, mentioned on leading cyber-culture portals Digicult, Rhizome, Turbulence, Nettime, Amber Platform and media-arts-numeriques, listed in ARTECA and DICCAN.

Ivor has received a number of international awards and distinctions, most notably the prestigious CyNETART / Stiftung für Kunst & Kultur International Award (DE), an Artistic Production Incentive endowed by Fundación Telefónica (ES), Nominations at ZKM International Media Art Awards (DE) and ACA Media Arts Awards Japan, a World Tour Selection at LUMEN Prize 'The Global Award for Digital Art', honorable mentions at VIDA Art and Artificial Life International Awards (ES) and transmediale (DE); and has been noted by a number of highest authority new media and art-science theoreticians and curators.

Ivor has created several pioneering works and is the only author coming from Slovakia, who has been systematically presenting on the global cyberculture scene for over two decades, while also achieving significant international accolades and worldwide recognition. Between 2004-2009 he has worked as creative technologist in dancetech, most notably for a co-production with Ballet Preljocaj, and for D.A.N.C.E. Network Europe, helmed by Frédéric Flamand, William Forsythe, Wayne McGregor and Angelin Preljocaj. Since 2007 he has been an associate of body>data>space London, working with creative director Ghislaine Boddington, recipient of the 2017 SAT Montreal IX Immersion Experience Visionary Pioneer Award. He has been, since 2016, a member of several Advisory Boards at the Lifeboat Foundation, and in 2019-2020 he was an Artist/Researcher at the Ars Electronica Futurelab, marking the first time ever an artist from any of the former communist countries held such a position full-time.

--->>> Ivor's Highlights Site

Key Works

2013-WIP The Qualia Project

Qualia driven by brain-computer interface 2019

The Qualia Project #008-001 still

Interactive screens with built-in optical face tracking. The artworks react to face movement and gaze - the cyberscapes morph and transform when they feel onlookers' eyes.

Our perception of art is overwhelmingly driven by factors like where a work is displayed and who is viewing it. The evolution of modern art if anything has conditioned viewers to adopt the position that they can and ought to assign an interpretation of their own preference to any and all art. The Qualia project aims to turn this status quo around by empowering the artworks with perception of their own.

Equipped with computer vision technology and a symbolic grain of sentience, the artworks actively observe their observers and change their form and way of presenting themselves in response to their surroundings.

Qualia is a term used in philosophy to refer to individual instances of subjective, conscious experience. It derives from a Latin word meaning "what sort" or "what kind". This unfamiliar term denotes something that could not be more familiar: the ways things seem to each of us, to our particular singular selves. One of the broader definitions is "the 'what it is like' " character of mental states. The way it feels to an autonomous individual entity to have states of feeling pain, seeing a color, hearing a tone.

Instances of human consciousness are unique entities in the unvoid and the Qualia Project artworks choose to present themselves to each according to their own will, to each observer differently. As we continuously construct our own realities through the very act of perception, the Qualia Project introduces a turn of this paradigm, the worx actively instancing unstable, fluxuous, perception-elusive realities, inspired by the sciences of quantum chromodynamics and cellular biology.

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2008-15 molding the signifier (_humane after people_)

molding the signifier 2.0 - ConceptArt 2015

molding the signifier - data flow scheme

Art/Science Augmented Life

an overwhelming amount of cells in our body do not have human DNA - we are a mere host, a topography, for billions of bacteria and fungi. Much as we're convinced that our brains run the show, all the while our microbiomes alter our drives, desires, and behaviors to support their own reproduction and evolution. Just as biome networks, are complex data systems beginning to have points of view, and forms of agency that are beyond human comprehension? What exactly IS a human in the light of current science and technology? We need a re-definition of intelligence, agency, consciousness and sentience in ways that go way beyond the anthropomorphic.

"molding the signifier" is an interdisciplinary project on the intersections of art, cybernetics, ecology, linguistics and biology. It draws from a wide array of particular fields, including theories of consciousness, neurolinguistics, cell research and the study of mental illness. It offers multiple layers of irony and a discursive, confrontational and emotionally charged approach as to what constitutes (human) consciousness and how we perceive what is human from a perspective that is very sensitive to the problem of “uncanny valley” – language.

"molding” draws from state-of-the-art biochemical theories that approach the body as a functional conglomerate of myriads of previously autonomous biological agents. The body is understood as a complex ecosystem into itself, like a microcosmic galactical empire with vast holdings and expanses, with billions of different inhabitants, each interdependent but also fighting for power and influence, with consciousness rising as a consequent emergent phenomenon of this microcosmos.

An important observation is that body-ecosystems occurring in nature have no clearly delineated boundaries, a fact which is very counter-intuitive to our everyday experience of our bodies being “whole” and separate from everything else.

Body-ecosystems are in fact ripe with entry points, permeable membranes of every kind, from the physical to the psychological. Body-ecosystems are every-day at war, fighting invasions of foreign agents – from virii to memes, conducting vastly complex exchanges of biochemical information, and updating their microcodes and along with it the emergent “system database” on the go. But sometimes an invasion is successful, and the foreign virality ends up reprogramming the eco-code to serve its own purposes.

The installation deploys an external biological agent to infiltrate and disrupt the body-ecosystem of a virtual human, resulting in a state that we regular humans can perceive as mental illness. A well known game character has been chosen to be deconstructed as the actor, as that is how most people today are introduced to and come to know virtual humans. This is in effect intended as a social commentary on a culture that is hungry for simulated experiences, yet is stuck on its own evolutionary conditioning – the problem described as the “uncanny valley”.

Data from a contaminated biologic culture (a mold species growing in a petri dish) are continuously monitored via a digital microscope and measured with a set of bioelectric sensors. This real-time input is gradually interspersed into the neuronal logic that govern facial recognition (of exhibition visitors), and the virtual human visualization/simulation, combined with emotion expression and speech synthesis.

The virtual human’s apparent manifestation thus comprises a hybrid bio-electrical/cybernetic system – three virtual eco-bodies in the process of being infiltrated by a biological agent. The system evolves in time – at the beginning, the virtual humans have a reasonably high level of mimetic semblance to humans as we know them – they act as convincing conscious persons, engaging visitors in eye contact and speaking to them. Different emotions appear on the virtual faces, depending on the degree to which the facial recognition likes or dislikes the situation in the room.

These processes are over time slowly disrupted by the growing contamination, resulting in increasing levels of perceived digital madness. The virtual humans’ facial features start to twitch and contort with increasing intensity, and glossolalia (speaking in tongues) gradually phases out comprehensible speech.

Production was supported by Fundación Telefónica and Institute of Intermedia Prague

2005 ID Engines vert.ego

Concept Description

2003 ID Engines #05 Home Dictate

Concept+Documentation Video

1998-2001 dingir

Concept Description

1994-98 homogene

homogene detail01

homogene 1997

homogene detail02

A pioneering work, inspired by science and philosophy which later gave rise to transgenic art and bio-art, homogene is an interactive installation that explored the possible implications of genetically combining humans with animal and plant DNA, at a time when legality of cloning, and violations of moral and ethical codes of conduct in bio-engineering were widely and fiercely discussed for the first time.

homogene is the speculative result of how synthetic biology might satisfy biological urges of the human species while complying versus circumventing societal restraints.

Would the possibility of bio-engineering and then a growing a plant that closely resembles your parent, help? The result being something that is not quite human but that is also not just a plant. It is a combination of the purity that exists in both, the essence of affection one has for their close relative and the serene joy one receives from planting a tree.

Speakers are built-in inside the sculptures themselves and an overhead camera tracks the movement of people around the objects. They react with sound, the expression of the artwork (behaviour of the soundscape) depends on the behaviours and choices of those engaged with it.

The observer becomes an interactant, and the interactant becomes a co-creator: the process of engaging with the installation results in a co-construction of the artwork (and of the artwork's meaning). The sequential experience of the work is different for each participant, and many facets of the work are not immediately available, but appear during the time spent with it.

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Awards / Distinctions

• 2019 Ars Electronica Futurelab, Linz - Full-time Artist/Researcher 2019-20 | WEBARCHIVE

• 2016 TRANS(e)MISSION Czech-Norway Partnership for Digital Media, Prague/Trondheim - TRANS(e)MISSION Award

• 2016 KIBU Innovation Lab, Budapest - Creative Residency [CANCELLED due to EU Project partner's collapse]

• 2015 Europeana Space 'Hacking the <Dancing> Body' Hackathon, Prague - Czech Republic Winner + European Finalist

• 2014 CyNETART Media-Art Festival, Dresden - CyNETART International Award 2014 | ARCHIVE | PDF

• 2014 LUMEN Prize "The Global Award for Digital Art" - Finalist + LUMEN World Tour 2014-15 Selection | ARCHIVE | JPG

• 2012 Japan Media Arts Awards 2012, Tokyo - Jury Selections (Digital) Art Division | ARCHIVE | PDF

• 2012 Institute Of Intermedia, Prague - Artist/Researcher In Residence

• 2011 Fundación Telefónica VIDA 13.2 Art and Artificial Life International Awards, Madrid - Artistic Production Incentive | PDF

• 2006 VIPER 2006 Internationales Festival, Basel - Official Selection / Nomination VIPER Award “Processing” Section

• 2004 CIANT Centre for Arts and New Technologies, Prague - Artist/Researcher In Residence

• 2004 transmediale.04 "Fly Utopia!", Berlin - Honorary Mention Interactive Section | PDF

• 2003 Split International New Film and Media Festival, Split - Posebna Nagrada (Special Award) New Media | WEBARCHIVE

• 2003 ZKM International Media Art Awards 2003 “Constructed Life”, Karlsruhe - Nomination Interactive Art Section | PNG

• 2001 Fundación Telefónica VIDA 4.0 A-Life Art International Awards, Madrid - Mención Honorífica | PDF

• 2001 ACA (Japan) Media Arts Awards, Tokyo - Jury Selection / Nomination Digital Art (Interactive) Division | PDF

• 2001 SVA NYDS Digital Salon 2001, New York - Official Selection

• 1997 Honeywell Futurist Award '97, München - Winner Eastern Europe + Global Finalist

Exhibitions / Events

• 2021 "Donate Yourself” / One Cell At A Time, with body>data>space, King’s College and Royal College of Art, London, UK
• 2021 "Donate Yourself” / One Cell At A Time, with body>data>space, University of Oxford, Oxford, UK
• 2021 "Donate Yourself” / One Cell At A Time, with body>data>space, University of Cambridge, Cambridge, UK
• 2021 "Donate Yourself” / One Cell At A Time, with body>data>space, Newcastle University, Newcastle, UK
• 2020 "Immersify Deep Space 8K” / Ars Electronica Festival 2020, Ars Electronica Center, Linz, AT
• 2019 "BR41N.IO” @ The Brainstorms Festival, Colosseum 21, Wien, AT
• 2019 "BR41N.IO” @ 'Out Of The Box' Ars Electronica Festival 2019, Post-City, Linz, AT
• 2016 404 International Festival of Art and Technology, ECU Rosario / Buenos Aires, AR
• 2016 "The Sentimental Machine" STATE Festival 2016, Das Kühlhaus, Berlin, DE
• 2016 "FutureFest 2016" Powered by NESTA, Tobacco Dock, London, UK
• 2016 "The Games Europe Plays" / BODY<>TECH, Stephen Lawrence Gallery, University of Greenwich, London, UK
• 2015 “TRANS(e)MISSION 2015 - Ivor Diosi / Silver”, Ex-Post Culture Space, Prague, CZ
• 2015 “Ivor Diosi - molding the signifier”, CIANT International Centre for Art and New Technologies, Prague, CZ
• 2015 Lumen World Tour Show, Crypt Gallery, St Pancras Church, London, UK
• 2015 "Entering the Interface" / SoftControl, presentation with CIANT, DOX Centre for Contemporary Arts, Prague, CZ
• 2015 "HOLODodekaeder X", presentation with Renate Quehenberger and Jo Siamon Salich, SALoTTo Kunstsalon, Wien, AT
• 2015 "Ivor Diosi - the Qualia Project" Window Galleries, Canary Wharf, London, UK
• 2015 Lumen World Tour Show, Gallery 5&33 Art’otel, Amsterdam, NL
• 2014 "Andy Warhol 2015", Pop Art Center Foundation, Prague, CZ
• 2014 Lumen World Tour Show, New York Institute of Technology, NYC, USA
• 2014 "CYNETART 2014" Trans-Media Academy Hellerau, Dresden, DE
• 2014 "the Qualia Project" permanent exhibition Gallery39, Canary Wharf, London, UK
• 2014 "Lumen Highlights", FCA, Canary Wharf, London, UK
• 2014 Lumen World Tour Show, Onassis Cultural Centre, Athens, GR
• 2014 Lumen Prize 2014 Opening, Llandaff Cathedral, Cardiff, UK
• 2014 “FabLab”, presentation with CIANT, DOX Centre for Contemporary Arts, Prague, CZ
• 2013 16th Japan Media Arts Festival (2012) The National Art Center, Tokyo, JPN
• 2012 “Ivor Diosi - molding the signifier”, Institute of Intermedia / ČVUT, Prague, CZ
• 2011 “VIDA 13.2 Art and Artificial Life” / ARCO Art Fair, Fundación Telefónica, Madrid, ES
• 2010 “roll over, Prime Minister”, massive public participation event, Prague, CZ
• 2009 “Robots and Avatars” Powered by NESTA, with body>data>space, London, UK
• 2009 amber’09 “(un)Cyborgable?” Art and Technology Festival, Abud Efendi Konağı, Istanbul, TR
• 2009 "European Tele-Plateaus" / Enter4 International Art Science Technology Festival, Prague, CZ
• 2009 "IMMEDIATE Immersive Telematic Performance", with CIANT, DOX Centre for Contemporary Arts, Prague, CZ
• 2009 “Hallerstein” / ASEM Arts Festival, Culture Palace of the Nationalities, performance with Kibla, Beijing, CN
• 2009 “Hallerstein” National Theatre Slovenia, performance with Kibla, Maribor, SLO
• 2009 Kinetica Art Fair 2009, performance with body>data>space, London, UK
• 2008 ReSET Festival "CIANT 10 Years Of Evolution", Palác Akropolis, Prague, CZ
• 2008 CYNETart_08, Trans-Media Academy Hellerau, Dresden, DE
• 2008 “Ludic Times” ISEA 2008 Art Camp, Singapore, SG
• 2008 “PostMe_NewID” ICA London, performance with body>data>space, London, UK
• 2008 “Virtual Physical Bodies” Centre des Arts Enghien, Enghien-les-Bains, Paris, FR
• 2008 “IMMEDIATE”, performance with CIANT and Kibla, Maribor, SLO
• 2007 "e-Golems" II Argentinean-Czech Biennial, with CIANT, Buenos Aires, AR
• 2007 “BioArt / LILITH” Academy of Fine Arts Prague, with Pavel Smetana and CIANT, Prague, CZ
• 2007 “Ivor Diosi - humane persistance” CIANT Gallery, Prague, CZ
• 2007 "E.T.U.D.E." ArtExpress Lamparna, performance with CIANT, Labin, HR
• 2006 "TransGenesis" Art-Science Festival, Academy of Sciences, Prague, CZ
• 2006 "Echoes Of Enter" Školská Gallery, Prague, CZ
• 2006 NIVAF'06 International Video Art Festival, presented by Katarína Rusnáková, Nagano, JPN
• 2006 “runaway” Gallery Priestor for Contemporary Arts, Bratislava, SK
• 2006 "E.T.U.D.E." Laboratory for Mixed Realities, performance with CIANT, Köln, DE
• 2006 “Syntapiens – Avatar – Umbot”, performance with Noordung, Ljubljana, SLO
• 2006 “Final Countdown”, with Archila Vimmi, Školská Gallery, Prague, CZ
• 2006 VIPER 2006 Internationales Festival, Kunsthalle, Museum für Gegenwartskunst, Basel, CH
• 2006 “Chlap, hrdina, duch, stroj” Medium Gallery, Bratislava, SK
• 2005 ENTERmultimediale 2 Festival of Art and New Technologies, Prague, CZ
• 2005 “Arc Nomade” Ecole Superieure D’Art, with CIANT, Aix-en-Provence, FR
• 2005 "V.I.R.U.S", performance with CIANT, Ballet Preljocaj and Noordung, Prague, CZ
• 2005 Multiplace IV “bezOBRAZie / Media S-Cream”, GJK Gallery, Trnava, SK
• 2005 “Metro” Gallery Priestor for Contemporary Arts, Bratislava, SK
• 2004 “ALTERNE” Laval Virtuel, Laval, FR
• 2004 Images Festival, Toronto, CA
• 2004 transmediale.04 "Fly Utopia!", Berlin, DE
• 2003 "SHIFT" imagespassages Arts Visuels et Numériques Contemporains, Annecy, FR
• 2003 8th International Festival of New Film and Media, Split, HR
• 2003 "FILMSphere" Multiplace 2 Festival, Buryzone + Czech Center, Bratislava, SK
• 2003 “Constructed Life” ZKM International Media Art Festival 2003, Karlsruhe, DE
• 2002 MuseumsQuartier, presentation with Gallery Priestor for Contemporary Arts, Wien, AT
• 2002 “Slovak Photography 1925–2000”, Municipal Library Gallery, Prague, CZ
• 2002 "New Media Nation" Multiplace Festival, Buryzone, Bratislava, SK
• 2002 “Ivor Diosi - mixed reality” Gallery Priestor for Contemporary Arts, Bratislava, SK
• 2001 4th Japan Media Arts Festival Metropolitan Museum of Photography, Tokyo, JPN
• 2001 "Takeover - Who's Doing the Art of Tomorrow" Ars Electronica 2001 (Participant), Linz, AT
• 2001 "Computer Space 2001" XIII-th International Computer Art Forum, SCAS Computer Art Center, Sofia, BG
• 2001 “NYDS New York Digital Salon 2001” SVA Visual Arts Museum, New York, USA
• 2001 “VIDA Life 4.0” ARCO Art Fair / Fundación Telefónica, Madrid, ES
• 2001 DMF Digital Media Festival 2001 Quezon City / Manila, PH
• 2001 “Slovak Photography 1925–2000” Slovak National Gallery, Bratislava, SK
• 2001 6th International Festival of New Film and Media, Split, HR
• 2000 ACA (Japan) Media Arts Festival, Metropolitan Museum of Photography, Tokyo, JPN
• 2000 "Next Sex" Ars Electronica 2000 (Participant), Linz, AT
• 1999 "Telecom’99" Palexpo, Geneva, CH
• 1997 "Ivor Diosi - homogene", Zvolen Castle, Zvolen, SK
• 1997 "Futurist'97 Awards" München, DE

Grants / Commissions

• 2021-22 "One Cell At A Time" A co-operation of body>data>space with The Human Cell Atlas consortium

................ Wellcome Trust Research Enrichment Grant 218597/Z/19/Z – commissioned artist and creative technologist

• 2020-21 "DATUM" A co-operation of body>data>space with the University of Greenwich

................ Innovate UK’s Sustainable Innovation Fund (SIF) Project 76336 – commissioned artist and creative technologist

• 2019-20 "Immersify" Cutting Edge Tools For The Next Generation Of Immersive Media, immersify.eu

................ Horizon 2020 Project H2020-ICT-2016 762079 - full-time employed artist and creative technologist

• 2016 "Hack The Brain" Arts and Sciences of Brain and Neural Computer Interface, hackthebrain-hub.com

............ Horizon 2020 Project H2020-FETOPEN-2015 686987 – commissioned artist and creative technologist

• 2016 "The Games Europe Plays" A EUNIC LONDON Network of Cultural Institutes Project

............ London Czech Centre, Finnish Institute, British Council & Arts Council England - exhibition travel support (FutureFest 2016)

• 2016 "FutureFest 2016" Immersive Experiences Exploring the Future, www.futurefest.org

............ Event from NESTA, UK’s leading Innovation Agency – commissioned artist and creative technologist

• 2015-16 "TMIAAA Trust Me I Am An Artist" Ethical Issues in Art and Science Collaboration, trustmeimanartist.eu

................ Creative Europe Project – participating artist and speaker

• 2015-16 "ACDC Augmented City / Digital City" The Space for Digital Creative Citizenship

................ Creative Europe Project – commissioned artist and creative technologist

• 2015 Europeana Space 'Hacking the <Dancing> Body' Hackathon, europeana-space.eu

............ EU ICT Competitiveness and Innovation Framework Project GA-621037 – commissioned artist and creative technologist

• 2015 "TRANS(e)MISSION" Partnership Program for Digital Media, transemission.net

............ EEA Norway Grants Project – commissioned artist and speaker

• 2015 "Soft Control" Art, Science and Public Awareness Interconnected, softcontrol.info

............ Creative Europe Project – participating artist and speaker

• 2014 "VETLICAT" Linking Creativity & Advanced Technology, vetlicat.net

............ EC Leonardo Da Vinci Transfer of Innovation Project – participating artist and commissioned speaker

• 2011 Fundación Telefónica, Madrid - artistic production incentive grant
• 2009-11 "Robots and Avatars" Collaborative and Inter-Generational Futures, robotsandavatars.net

................ NESTA & EC Culture 2007 Project – commissioned artist

• 2009-10 "ETP European Tele-Plateaus" Transnational Sites of Encounter and Co-Production, european-tele-plateaus.eu

................... EC Culture 2007 Project – participating artist

• 2008-09 "PostMe_NewID" The Post-Human Condition of Modern Europeans, postme-newid.net

................... EC Culture 2007 Project – commissioned artist and speaker

• 2008-09 "D.A.N.C.E." Dance Apprentice Network aCross Europe, www.danceeurope.net

................... EC Culture 2007 Project – commissioned creative technologist

• 2008-09 "Hallerstein" Intermedia Performance, www.hallerstein.net

................... EC Culture 2007 Project – commissioned artist

• 2008-09 "IMMEDIATE" Immersive Media Dance Integrating in Telematic Environments

................... EC Culture 2007 Project – participating artist

• 2007-08 "TiE Travel In Europe", European Commision Culture 2000 Project - commissioned artist
• 2005-06 "E.T.U.D.E." Electronic Theatre in Virtual Dramatic Environments

................... European Commision Culture 2000 Project – commissioned artist

• 2004–05 CIANT Centre for Arts and New Technologies, Prague - Artist In Residence
• 2004-05 "ALTERNE" Alternative Realities in Networked Environments, www.alterne.info

................... EC IST Technology Framework Project IST-2001-38575 – commissioned artist and creative technologist

• 2004-05 "e-AGORA" Virtual Platform for Performing Arts, www.e-agora.info

................... European Commision Culture 2000 Project – commissioned artist

• 2001 Slovak Republic Ministry of Culture, exhibition travel grant (NYDS Digital Salon 2001)
• 1992 Erasmus Scholarship, international exchange at Leiden University, NL

Papers / Talks

• 2020 Diego Felix de Souza, Ali Nikrang, Clemens Scharfen, Ivor Diosi, Mikołaj Węgrzynowski, Erik Sundén, "IMMERSIFY Cutting Edge Tools For The Next Generation Of Immersive Media": Report on Immersive Media Player Integration, Immersify Horizon 2020 Project H2020-ICT-2016 762079, June 2020 (English) | PDF

• 2019 Artist Presentation and Talk, "The Human Connectome And The Qualia Project", BR41N.IO @ The Brainstorms Festival, Colosseum 21, Wien, AT, September 27-28, 2019

• 2019 Artist Presentation, "M.A.D. A.I. Mutually Assured Destruction", BR41N.IO @ Ars Electronica Festival 2019, Post-City, Linz, AT, September 7-8, 2019

• 2017 Ivor Diosi, "Molding the Signifier - Codesculpting the Possible Shapes of a Future Consciousness", Leonardo Volume 50, Issue 1, p.80-81, The MIT Press, February 2017 (JA 4th October 2016, DOI 10.1162/LEON_a_01355) (English)

• 2016 Artist Presentation and Talk, "molding the signifier, biological implications for human and beyond-human consciousness", "State of Emotion - The Sentimental Machine", STATE Festival 2016, Berlin, DE, November 3-5, 2016

• 2016 Artist Presentation and Talk, "molding the signifier, biological implications for human and beyond-human consciousness", FutureFest 2016, FutureFest by NESTA, the UK’s innovation foundation, London, UK, 17-18 September 2016

• 2016 Artist Presentation and Talk, "molding the signifier - A contemporary multidisciplinary approach to creating Art/Science", BODY<>TECH Colloquium, University of Greenwich, London, UK, July 7, 2016

• 2016 Ivor Diosi, "Molding the Signifier - Codesculpting the Possible Shapes of a Future Consciousness", Leonardo/OLATS The International Society for the Arts, Sciences and Technology On-Line, Website, May 2016 (English)

• 2015 Artist Presentation, Europeana Space 'Hacking the <Dancing> Body' Hackathon 2015, CIANT Centre for Art and New technologies, Prague, CZ, November 2, 2015

• 2015 Panel Member, TRANS(E)MISSION Exposed - Ethical ART-SCI, Ex Post Cultural Centre, Prague, CZ, November 18, 2015

• 2015 Artist Presentation and Talk, "molding the signifier", Trust me, I’m an Artist, Ex Post Cultural Centre, Prague, CZ, November 19, 2015

• 2015 Artist Presentation and Talk, "HOLOstage - Holograms, Virtual Realities and Avatars", SALoTTo Wiener Kunstsalon, Wien, AT, April 2015

• 2014 Artist Presentation and Talk, "Unreal Master Class - Presentation of Works 1999-2014 and Musings on the Notion of Interactive Metaphor", Serious Gaming - Seriously?, A VETLICAT (Vocational and Educational Training, Linking Creativity & Advanced Technology) Event, Era Svět Innovation Center, Prague, CZ, December 16, 2014

• 2014 Award Speech, "molding the signifier" @ CyNETART Awards 2014, CyNETART Festival, Dresden, DE, November 14, 2014

• 2014 Panel Member, What is CynetArt?, CyNETART Festival, Dresden, DE, November 16, 2014

• 2009 Artist Presentation and Forum Talk, Robots and Avatars Forum – Our Colleagues of the Future?, Robots and Avatars / NESTA robotsandavatars.net, London, UK, November 25, 2009

• 2009 Artist Presentation and Talk, (un)Cyborgable?, amber Art and Technology Festival, Istanbul, TR, November 8, 2009

• 2009 Artist Presentation, Networked Creativity, ENTER Festival, Prague, CZ, April 22, 2009

• 2008 Artist Presentation and Panel Member, "The Post-Human Condition of Modern Europeans", Post Me_New ID Conference, CyNETART Festival, Dresden, DE, October 31 - November 02, 2008

• 2008 Artist Presentation and Talk, "Hacking Game Engines to Create Interactive Artworks", ‘Ludic Times’ The Art of Gaming, ISEA 2008, Singapore, July 24, 2008

• 2007 Artist Presentation, Bodies and Devices, MutaMorphosis Conference / ENTER Festival, Prague, CZ, November 9, 2007

• 2006 Artist Presentation and Panel Member, BioArt, TransGenesis Festival and Conference, Prague, CZ, November 10, 2006

• 2006 Artist Presentation and Panel Member (Teleconference), "Game Engines/Social Engines - POLYLOGUES II. Session about game engines, their social and political aspects" (AccessGrid Teleconference Documentation), CIANT International Centre for Art and New Technologies, Prague AccessGrid Node Archive, Website, March 2006 (English) <VIDEO DOWNLOAD>

• 2005 Panel Moderator, "Game Engines in Artistic Context", EnterMultimediale 2, ENTER Festival, Prague, CZ, May 12, 2005

• 2005 Artist Presentation, Talk and Panel Member, "Game Modifications: From Art to Political Subversions and Vice Versa", EnterMultimediale 2, ENTER Festival, Prague, CZ, May 11, 2005

• 2004 Artist Presentation and Talk, "Algorithms Modeling the Dynamics of Human Social Interactions", transmediale.04 Fly Utopia!, transmediale Festival, Berlin, DE, February 6 2004

• 2003 Artist Presentation and Talk, "Home Dictate! - Constructed Social Life", Konstruiertes Leben, ZKM International Media Art Awards, ZKM Zentrum für Kunst und Medientechnologie, Karlsruhe, DE, November 2003

• 2002 Artist Presentation and Talk, "Interacting with Identity", Multiplace / New Media Nation, Multiplace New Media Event, Bratislava, SK, April 2002

Bibliography > Books

• Andreas J. Hirsch, Editors: Horst Hörtner, Roland Haring, Hideaki Ogawa, "Alchemists of the Future" Ars Electronica Futurelab The First 25 Years and Beyond, Hatje Cantz Verlag GmbH, Germany, ISBN: 978-3-7757-5139-1, p.279, Project mentions & illustrations: p.73, p.32-36, p.84-85, p.88-89, 2021 (English) | PDF

• Andreas J. Hirsch, Editors: Gerfried Stocker, Diethard Schwarzmair "Creating the Future – A Brief History of Ars Electronica 1979-2019", Hatje Cantz Verlag GmbH, Germany, ISBN: 978-3-7757-4580-2, Illustrations: p.38, 2019 (English) | PDF (Excerpt)

• Gerfried Stocker, Christine Schöpf, Hannes Leopoldseder (Editors), "CyberArts 2019" Prix Ars Electronica "ARS ELECTRONICA 2019 Festival for Art, Technology and Society" (Winning Works Catalogue), Hatje Cantz Verlag GmbH, Germany, ISBN: 978-3-7757-4577-2, p.246, 2019 (English) | PDF

• Gerfried Stocker, Christine Schöpf, Hannes Leopoldseder (Editors), "Out Of The Box" The Midlife Crisis Of The Digital Revolution "ARS ELECTRONICA 2019 Festival for Art, Technology and Society" (Festival Catalogue), Hatje Cantz Verlag GmbH, Germany, ISBN: 978-3-7757-4576-5, p.4, 2019 (English) | CATALOGUE PDF

• Bronaċ Ferran, Carla Rapoport (Editors), "The 2014 Lumen Prize Exhibition Catalogue" (PAGE (the Bulletin of the Computer Arts Society) Special Issue), Computer Arts Society (CAS) / The British Computer Society (BCS), June 2015 (English) | CATALOGUE PDF

• Thecla Schiphorst (Foreword), Susan Broadhurst, Josephine Machon (Editors), "Identity, Performance and Technology: Practices of Empowerment, Embodiment and Technicity", Palgrave Studies in Performance and Technology, Palgrave Macmillan, ISBN: 978-0230298880, November 2012 (English) <Google Books Preview>

• Katarína Rusnáková, "Rozšírené spôsoby diváckej recepcie digitálneho umenia (Extended Ways of Viewer Reception of Digital Art)", Fakulta výtvarných umení, Akadémia umení v Banskej Bystrici (Academy of Arts Banská Bystrica), ISBN: 978-8089078929, 2011 (Slovensky (Slovak))

• Mei Si, David Thue, Elisabeth André, James Lester, Joshua Tanenbaum, Veronica Zammitto (Editors) et al., Michal Bída, Cyril Brom, Markéta Popelová, Rudolf Kadlec (Paper Authors), "Interactive Storytelling: 4th International Conference on Interactive Digital Storytelling, Proceedings ICIDS 2011 Vancouver Canada", Springer, ISBN: 978-3642252891, p.337, December 2011 (English) <Google Books Preview>

• Hannes Högni Vilhjálmsson, Stefan Kopp, Stacy Marsella, Kristinn R. Thorisson (Editors), Michal Bída, Cyril Brom, Markéta Popelová (Paper Authors), "Intelligent Virtual Agents: 11th International Conference, IVA 2011, Reykjavik, Iceland, September 15-17, 2011. Proceedings", Springer, ISBN: 978-3642239748, p.425, September 2011 (English) <Google Books Preview>

• Ekmel Ertan, Özlem Alkış, Nafiz Akşehirlioğlu (Editors), "(un)Cyborgable? amber’09 Sanat ve Teknoloji Festivali / Art and Technology Festival", Body-Process Art Association Istanbul, Exhibition catalogue, ISBN: 978-605-88807-0-2, 2010 (English, Türkçe (Turkish)) | CATALOGUE PDF

• Franziska Schroeder (Editor) et al. (Isabelle Choinière, Carla Montez Fernandes, Stephan Jürgens, Kazuhiro Jo, Atau Tanaka, Michael Takeo Magruder, Frank Millward, Lisa Newman, Rachel O’Dwyer, Alain B. Renaud, Desmond Traynor, Simon Waters, Dane White), "Performing Technology: User Content and the New Digital Media", Cambridge Scholars Publishing, ISBN: 978-1-4438-1445-4, 2009 (English) <PDF Excerpt>

• Ghislaine Boddington, Dominique Roland, Emmanuel Cusiniere (Editors) et al. (Dominique Roland, Yacov Sharir, Susan Broadhurst, Maurice Benayoun, Hellen Sky, John Knell, Stephan Koplowitz, Michael Takeo Magruder, Roy Ascott, Armando Menicacci), "Virtual/Physical Bodies: Corps Virtuels/Physiques", Centre des Arts Enghiens-les-Bains Paris, ISBN: 978-2916639093, 2009 (English) <Amazon>

• Luka Dekleva, Huiqin Wang, Aleksandra Kostič, "Hallerstein, intermedijska uprizoritev (Hallerstein Intermedia Performance)", Association for Culture and Education KIBLA, Edition TOX, with Multimedia DVD, 2009 (Slovenski (Slovenian))

• Meta Štular (Editor) et al. (Masaki Fujihata, Steve Dixon, Yacov Sharir, Ghislaine Boddington, Thomas Dumke, Peter Tomaž Dobrila, Pavel Sedlák), "Post Me_New ID: The Posthuman Condition of Modern Europeans", Association for Culture and Education KIBLA, Edition TOX, with Multimedia DVD, 2009 (English) | PDF

• Andreas Broeckmann, Thomas Munz (Editors), "tm*20 register / 20 Jahre transmediale (20 Years of transmediale)", Akademie der Künste Berlin (Verlag), ISBN: 978-3-88331-108-1, 2007 (English, Deutsch)

• Katarína Rusnáková, "História a teória mediálneho umenia na Slovensku (History and Theory of Media Art in Slovakia)", AFAD Press, Academy of Fine Arts Bratislava, ISBN: 80-89259-04-9 with DVD, pp.220,257-263, 2006 (Slovensky (Slovak)) | PDF (no OCR)

• Denisa Kera, Pavel Sedlák (Editors) et al. (Lenka Dolanová, Jaroslav Balvín ml., Michal Mariánek, Michal Rybka, Friedrich Kirschner, Mária Rišková), "EnterMultimediale 2 Festival of Art and New Technologies" (Catalogue), ENTER Festival of Art and New Technologies Prague, May 2005 (English, Česky (Czech)) | CATALOGUE PDF

• Katarína Rusnáková (Editor), "V toku pohyblivých obrazov: Antológia textov o elektronickom a digitálnom umení v kontexte vizuálnej kultúry (In the Stream of Moving Images: An Anthology of Texts on Electronic and Digital Art in the Context of Visual Culture)", AFAD Press, Academy of Fine Arts Bratislava, ISBN: 978-8088675976, pp.54, 2005 (Slovensky (Slovak)) <Google Books> | PDF (no OCR)

• Barbara Könches, Peter Weibel (Editors), "Konstruiertes Leben / Constructed Life / Internationaler Medienkunstpreis 2003. Szenarien der Fiktion zwischen Computergames, Cyber-Sex, Nanobytes, Robotic Arts / International Media Art Award 2003. Fiction Scenarios between Computer Games, Cyber-Sex, Nanobytes and Robotic Arts", ZKM Zentrum für Kunst und Medientechnologie Karlsruhe, Exhibition catalogue with CD-ROM/DVD, ISBN: 3-928201-30-1, 2003 (Deutsch, English) | JPG (Cover only)

• Aurel Hrabušický, Václav Macek, "Slovenská Fotografia 1925-2000: Moderna, Postmoderna, Postfotografia (Slovak Photography 1925-2000: Modernism, Post-Modernism, Post-Photography)", Slovenská Národná Galéria (Slovak National Gallery), ISBN: 978-8080590581, January 2002 (English, Slovensky (Slovak)) <Amazon>

• Hannes Leopoldseder, Christine Schöpf (Editors), "Cyberarts 2001 (Prix Ars Electronica 2001 International Compendium)", ORF Österreichischer Rundfunk, Springer Science & Business Media, ISBN: 978-3211836286, p.222, September 2001 (English) <Amazon> <Google Books Preview>

• Hannes Leopoldseder, Christine Schöpf (Editors), "Cyberarts 2000 (Prix Ars Electronica 2000 International Compendium)", ORF Österreichischer Rundfunk, Springer Science & Business Media, ISBN: 978-3211834985, p.254, September 2000 (English) <Amazon> <Google Books Preview>

Bibliography > Articles / Mentions

2017-2021

• Northumbria University Press, "Digital Art Trail Explores Decisions on Organ and Body Tissue Donation" (mention as body>data>space), Northumbria University, Institution Website, November 2021 (English)

• The Crack Magazine (Editorial), "Donate Yourself" (mention as body>data>space), The Crack Magazine www.thecrackmagazine.com, Online Magazine, November 2021 (English)

• Eventbrite (Editorial), "Donate Yourself - An Augmented Reality Artists Tour" (mention as body>data>space), www.eventbrite.com, Online News Service, November 2021 (English)

• Claire Dupree, Narc Magazine, "Art & Lit: One Cell At A Time Online Exhibition" (mention of "Donate Yourself"), Narc Magazine narcmagazine.com, Print Magazine, Issue 178, p.30, November 21, 2021 (English)

• Claire Dupree, Narc Magazine, "News: One Cell At A Time Online Exhibition" (mention of "Donate Yourself"), Narc Magazine narcmagazine.com, Online Magazine, October 2021 (English)

• Pressat, "Art And Science Unite to Explore the Intricacies of the Human Body (Press Release) (mention of "Donate Yourself"), Pressat, Online Press Service, October 2021 (English)

• body-data-space, "Donate Yourself Project" (Press Release), body>data>space London Interactive Design Collective, Institution Website, October 2021 (English)

• Dr Stacey Pitsillides, "Donate Yourself" (Project Presentation), digitaldeath.eu, Personal Website, October 2021 (English)

• Dr Stacey Pitsillides, "Donate Yourself" (Project Presentation), The Human Cell Atlas humancellatlas.org/onecellatatime.org, Institution Website, October 2021 (English)

• Wellcome Sanger Institute Press, "One Cell At A Time: Donate Yourself" (Project Page), Wellcome Sanger Institute (Cambridge, UK), Institution Website, October 2021 (English)

• The Human Cell Atlas Press, "One Cell At A Time: Donate Yourself" (Project Page), The Human Cell Atlas humancellatlas.org/onecellatatime.org, Institution Website, October 2021 (English)

• The Human Cell Atlas Press, "One Cell At A Time" (Main Project Site), The Human Cell Atlas humancellatlas.org/onecellatatime.org, Institution Website, October 2021 (English)

• Ghislaine Boddington (body-data-space), "The Internet of Bodies—alive, connected and collective: the virtual physical future of our bodies and our senses" (IN: AI & Society Journal of Knowledge, Culture and Communication), DOI doi.org/10.1007/s00146-020-01137-1, AI & Society Journal, Springer Publishing, Website, 08 February 2021 (English)

• body-data-space, "body>data>space :: Who We Are" (Core Team as of December 2020), body>data>space London Interactive Design Collective, Website, December 2020 (English)

• The Ars Electronica Festival Press, "Out Of The Box" Ars Electronica 2019 Festival for Art, Technology and Society (About), Ars Electronica, Institution Website, December 2019 (English)

• Ankita Anand, "Future Consciousness, IN: Computational Arts Research", MA Computational Arts (Thesis Research), Goldsmiths 2018-2019, Personal Website, October 26, 2018 (English)

• Annick Bureaud, "What’s Art Got to Do with It? Reflecting on Bioart and Ethics from the Experience of the Trust Me, I’m an Artist Project", Leonardo Volume 51, Issue 1, p.85-86, The MIT Press Journals, Massachusetts Institute of Technology, February 2018 (English)

• Ondřej Cakl, "Molding the Signifier by Ivor Diosi: An All-too-Human Victor", Leonardo Volume 50, Issue 1, p.82-83, The MIT Press Journals, Massachusetts Institute of Technology, February 2017 (English)

2016

• body-bytes, "Body-Bytes steht als Symbolbegriff", body-bytes.de, Website, November 2016 (Deutsch)

• NESTA UK Innovation Agency, FutureFest, "FutureFest 2016 Highlights" (VIDEO), NESTA UK Innovation Agency, Vimeo Channel, Website, cuts @ 0:06, 0:08, 2:03, November 2016 (English)

• Mitteldeutscher Rundfunk, "Magie aus dem Computer - "Cynetart"-Festival für Computerbasierte Kunst in Hellerau 10.-16.11. 2016" / (Direct Link Picture Gallery), MDR Mitteldeutscher Rundfunk mdr.de, TV+Radio+Online News, Website, November 2016 (Deutsch)

• STATE Festival, "STATE of Emotion - The Sentimental Machine" (Festival Theme + Statement) / STATE Festival 2016 Participants / Ivor Diosi (Bio) / Molding the signifier (Project Brief), STATE Festival 2016 Berlin, Website, October 2016 (English)

• Digby Warde-Aldam, "Is this the way they say the future's meant to feel? Review: An art critic experiences the installations at FutureFest" (Review), The Long+Short Digital Magazine, Website, October 2016 (English)

• Alistair Cohen, "FutureFest 2016 London" (Vlog), Alistair Cohen YouTube Channel, segment @ 9:30-10:26, October 2016 (English)

• Creative Disturbance, Creative Disturbance By ArtSciLab at UT Dallas (PODCASTS @ iTunes), iTunes, internet platform, October 2016 (English)

• Tiru Thiruvilangam / LIFT Festival, "FutureFest 2016" (Review), LIFT Festival London, Website, September 2016 (English)

• Samuel Fry / Create Hub, "FutureFest explored how we’ll love, work, play and thrive" (Review), Create Hub Online Innovation and Digital Industries News Platform, Website, September 2016 (English) | <VIDEO Direct Link>

• Kim Loliya / IntelligentHQ, "Insect Ice-Cream, Job-Sharing and Death at FutureFest 2016", IntelligentHQ intelligenthq.com Online News Platform, Website, September 2016 (English)

• BBC News, "The latest bionic technology goes on show in London ahead of first ever Cybathlon" <VIDEO>, BBC British Broadcasting Corporation, TV+Online News, Website, segment @ 00:20-27, September 2016 (English)

• FutureFest, "Thanks everyone for making 2016 a great FutureFest!", FutureFest Powered by NESTA UK Innovation Agency, Website, September 2016 (English)

• Cyprus High Commission Cultural Section London, "FutureFest – The Games Europe Plays" (Reblog), Cyprus High Commission culturalchc.co.uk, Website, September 2016 (English)

• Austrian Cultural Forum, "FutureFest – The Games Europe Plays" (Event Programme), Austrian Cultural Forum, Website, September 2016 (English)

• IntelligentHQ, "FutureFest Is Back With Future Love", IntelligentHQ intelligenthq.com Online News Platform, Website, September 2016 (English)

• FutureFest, "Molding the Signifier A multi-layer interactive installation exploring the concept of Artificial Insanity" (Event Programme), FutureFest Powered by NESTA UK Innovation Agency, Website, September 2016 (English)

• Terry Barlow, "The Games Europe Plays BODY<>TECH" (Review), Personal Blog, Website, September 2016 (English)

• Laura Boggia, "Posthuman Body and Interactivity: an international project in the time of Brexit" / "Posthuman Body e Interattività: un progetto internazionale in tempo di Brexit", Juliet Art julietartmagazine.com, Print + Online Magazine, August 31st, 2016 (English, Italiano) | PDF

• Czech Centres / Česká Centra, "Ivor Diosi at FutureFest" / "Ivor Diosi na FutureFestu" (Press Release), Czech Cultural Centre London, Website, August 2016 (English, Česky (Czech))
• body-data-space, "The Games Europe Plays at FutureFest" (Press Release), body>data>space Artistic Collective London, Website, August 2016 (English)

• Open Wetlab / Waag Society, "Trust Me I’m An Artist - Ivor Diosi at Ex-Post Contemporary Art Space Prague" <VIDEO Documentation>, Waag Society Amsterdam, Vimeo Video, August 2016 (English)

• Kevin Holmes, "Bacteria Genome Dresses and Judgmental Robots Probe Tech Boundaries", Intel+VICE Magazine The Creators Project thecreatorsproject.vice.com, Online Magazine, July 2016 (English, Español) / "Bacteria Genome Dresses and Judgmental Robots Probe Tech Boundaries" (Reblog), Notey Online News Platform notey.com, Website, August 2016 (English) / "Bacteria Genome Dresses and Judgmental Robots Probe Tech Boundaries" (Reblog), ArtSlam Online News artsslam.com, Website, August 2016 (English)

• Louise Rumble, "‘Molding the Signifier’ Created by Ivor Diosi (Review)", South London Artmap, News Website, August 2016 (English)

• Digicult, "The Games Europe Plays. BODY-TECH" (Reblog), Digicult digicult.it Online Platform, Website, July 2016 (English)
• media-arts-numeriques, "07.07 > 26.08.2016 - The Games Europe Plays – BODY space" (Reblog), media-arts-numeriques Online News Platform, Website, July 2016 (English)
• Rhizome, "The Games Europe Plays <> Body Tech" (Reblog), Rhizome rhizome.org Online Platform, Website, July 2016 (English)

• Lisa Devaney, Hai Media Group, "Opening this week: The Games Europe Plays – BODY <> TECH" (Reblog), Hai Media Group Online News Platform, Website, July 2016 (English) / IntelligentHQ, "The Games Europe Plays – Body <>Tech" (Reblog), IntelligentHQ intelligenthq.com Online News Platform, Website, July 2016 (English)

• Grendel Games, "Grendel Games during The Games Europe Plays" / "Grendel Games tijdens The Games Europe Plays", Grendel Games Leeuwarden, Website, July 2016 (English, Nederlands)

• University of Greenwich, "Blood, bacteria and art in new exhibition at University of Greenwich", University of Greenwich, Website, July 2016 (English)
• South London Artmap, "Exhibition: Stephen Lawrence Gallery (The Games Europe Plays – BODYTECH)", South London Artmap, News Website, August 2016 (English)
• CEEL, "Multimedia Exhibition: The Games Europe Plays <> Body Tech", CEEL Central and Eastern European London Review ceel.org.uk, Website, July 2016 (English)

• Art Update, "Czech Centre London: Newsletter – July/August 2016" (Event Calendar), Art Update Contemporary Art News London, Website, July 2016 (English)
• British Council, "Games Europe Plays BODY <>TECH show in Greenwich" (Event Calendar), British Council London, Website, July 2016 (English)

• Czech Centres / Česká Centra, "The Games Europe Plays <> Body Tech" / "Evropské hrátky <> Body Tech" (Press Release), Czech Cultural Centre London, Website, July 2016 (English, Česky (Czech)) | WEBARCHIVE
• Istituto Italiano di Cultura Londra, "The Games Europe Plays – BODY TECH" (Press Release), Istituto Italiano di Cultura London, Website, July 2016 (English)
• University of Greenwich / Stephen Lawrence Gallery, "The Games Europe Plays – BODY <> TECH" (Press Release), University of Greenwich Galleries, Website, July 2016 (English)
• EUNIC London, "The Games Europe Plays – BODY <> TECH" (Press Release), EUNIC (European Union National Institutes for Culture) London, Website, July 2016 (English)
• body-data-space, "The Games Europe Plays – BODY <> TECH" (Press Release), body>data>space Artistic Collective London, Website, July 2016 (English)

• Lifeboat Foundation, "Ivor Diosi joins Media and Arts Board @ Lifeboat Foundation - what's New", Lifeboat Foundation, Website, June 2016 (English)

• Bobbie Farsides, Anna Dumitriu, Annick Bureaud, "Trust Me, I’m an Artist", Leonardo Volume 49, Issue 3, p.262-263, The MIT Press Journals, June 2016 (English)

• Creative Disturbance, "Ivor Diosi" <PROFILE Page>, Creative Disturbance creativedisturbance.org, The University of Texas at Dallas, ArtSciLab of the Arts and Technology Program, Website, May 2016 (English, Deutsch, Español, Français, Português, العربية (Arabic), Bahasa, বাংলা (Bengali), 日本語 (Japanese), 한국어 (Korean))

• CIANT International Centre for Art and New Technologies, "Trans(e)Mission Workshop III. Praha 16.-19.11.2015" <VIDEO Documentation>, CIANT Prague, Vimeo Video, segment @ 00:00-02:02, May 2016 (English)

• Annick Bureaud, Ondřej Cakl, "Molding the Signifier, as Seen by the Curator" (PODCAST), AudiOLATS @ Creative Disturbance, Podcasts of The International Society for the Arts, Sciences and Technology, Website, May 2016 (English, Deutsch, Español, Français, Português, العربية (Arabic), Bahasa, বাংলা (Bengali), 日本語 (Japanese), 한국어 (Korean)) | <Podcast #56 @iTunes>

• Annick Bureaud, Ivor Diosi, "Molding the Signifier, as Seen by the Artist" (PODCAST), AudiOLATS @ Creative Disturbance, Podcasts of The International Society for the Arts, Sciences and Technology, Website, May 2016 (English, Deutsch, Español, Français, Português, العربية (Arabic), Bahasa, বাংলা (Bengali), 日本語 (Japanese), 한국어 (Korean)) | <Podcast #52 @iTunes>

• TMIAAA Trust Me, I'm an Artist, TMIAAA Trust Me, I'm an Artist Podcasts, Leonardo/OLATS The International Society for the Arts, Sciences and Technology On-Line, Website, May 2016 (English)

• Ondřej Cakl, "Molding the Signifier by Ivor Diosi: An All-Too-Human Victor", Leonardo/OLATS The International Society for the Arts, Sciences and Technology On-Line, Website, May 2016 (English)

• TMIAAA Trust Me, I'm an Artist, TMIAAA Trust Me, I'm an Artist Articles by the Artists and Curators, Leonardo/OLATS The International Society for the Arts, Sciences and Technology On-Line, Website, May 2016 (English)

• Eckhardt Lili, "Kiterjesztett város - kulturális értékek közvetítése a városi térben kiterjesztett valóság segítségével (Augmented City - Mediation of Cultural Values in Urban Space Using Augmented Reality)" (Presentation PDF), Kitchen Budapest, IN: Museum 2.0 Conference Proceedings, Budapest, April 2016 (Magyar (Hungarian))

• Hetty Blades / Digital Meets Culture, "Dance Hackathon, from Prague to London", digitalmeetsculture.net, Culture News, February 2016 (English)

• CIANT International Centre for Art and New Technologies, "Hacking the <Dancing> Body Prague Hackathon 20.-21.11.2015" <VIDEO Documentation>, CIANT Prague, Vimeo Video, segment @ 01:50-03:45, February 2016 (English)

2015

• TMIAAA Trust Me, I'm an Artist, "Journal Entry: Molding the Signifier", TMIAAA Developing Ethical Frameworks for Artists, Cultural Institutions and Audiences Engaged in the Challenges of Creating and Experiencing New Art Forms in Biotechnology and Biomedicine in Europe, Creative Europe Project, Online Newsletter, December 2015 (English)

• Annick Bureaud, "Trust Me, I'm an Artist - Journal de Bord (Diary) - Installation artistique ou simulation d'expérience scientifique?", Leonardo/OLATS The International Society for the Arts, Sciences and Technology On-Line, Website, November 2015 (Français) / "Molding the Signifier » Ivor Diosi – Trust Me, I’m An Artist - Installation artistique ou simulation d’expérience scientifique?", Annick Bureaud, Director of Leonardo/OLATS, annickbureaud.net, Website, November 2015 (Français)

• Julia Gleich, "Prague (Dance) Hackathon – We Won", Gleich Dances gleichdances.org, Website, November 2015 (English)

• Europeana Space EU, "Hacking the <Dancing> Body - Prague Hackathon 2015" (Overview and Programme), Europeana Space EU Horizon 2020 Project europeana-space.eu, Website, November 2015 (English)

• Leonardo/OLATS, "Create! Program! Force to Live!", Leonardo The International Society for the Arts, Sciences and Technology On-Line, Website, November 2015 (English)

• Waag Society, "Trust Me I'm an Artist - Ivor Diosi", Waag Society Institute for Art, Science and Technology, Website, November 2015 (English)

• Digital Meets Culture, "TRANS(E)MISSION Exposed – Exhibition in Prague", digitalmeetsculture.net, Culture News, November 2015 (English) / "TRANS(E)MISSION Exposed Verdernisáž" (Reblog), culturenet.cz Online News, Website, November 2015 (Česky (Czech))

• CIANT International Centre for Art and New Technologies, "Molding the Signifier Exposed", CIANT Prague, Online Newsletter, November 2015 (English) / TRANS(e)MISSION, "Molding the Signifier Exposed" (Reblog), TRANS(e)MISSION Norway-Czech Partnership Program for Digital Media, Website, November 2015 (English)

• TMIAAA Trust Me, I'm an Artist, "Ivor Diosi (Artist)", TMIAAA Developing Ethical Frameworks for Artists, Cultural Institutions and Audiences Engaged in the Challenges of Creating and Experiencing New Art Forms in Biotechnology and Biomedicine in Europe, Creative Europe Project, Online Newsletter, November 2015 (English)

• TRANS(e)MISSION, "Immersive Installation, Generative Art, Interactive 3D Design Workshop", TRANS(e)MISSION Norway-Czech Partnership Program for Digital Media, Website, November 2015 (English)

• Ex-Post Culture Space, "TRANS(e)MISSION Mezinárodní Fórum o Etice a Biotechnologiích (International Forum on Ethics and Biotechnologies)", Ex-Post Culture Space, Prague, Online Newsletter, October 2015 (Česky (Czech))

• CIANT International Centre for Art and New Technologies, "Create! Program! Force to Live! / Trust Me, I’m an Artist" (Exhibition / Event Programme), CIANT Prague, Online Newsletter, October 2015 (English, Česky (Czech))

• CIANT International Centre for Art and New Technologies, "TRANS(e)MISSION EXPOSED Towards Better Human via Digital...? / Ethical Sci-Art Panel" (Exhibition / Event Programme), CIANT Prague, Online Newsletter, October 2015 (English, Česky (Czech)) / "TRANS(e)MISSION EXPOSED" (Reblog), heyevent.com Cultural Blog, October 2015 (English, Česky (Czech))

• Artlyst, "The Lumen Art Prize Gallery In The Crypt", Artlyst 'The Independent Voice of Contemporary Art', Cultural News Website, May 2015 (English)

• Carla Rapoport (Director), Trystan Williams, Cecilie Waagner Falkenstrøm, Anqi Zhou (Curators), The LUMEN Prize 2014 Final Show (Curator Statements), LUMEN Prize "The Global Award for Digital Art" / University of the Arts London, Camberwell College of Art, Website, May 2015 (English) | PDF

• TheCube Innovation Community @ WeCreate NYC, "To Do / To See: Lumen Prize Exhibit at Crypt Gallery", wecreatenyc.com, Culture and Technology Blog, May 2015 (English)

• Beckett Mufson, "Command a Butterfly Swarm in a New Motion-Tracking Installation" / "Dirige una multitud de mariposas en esta nueva instalación controlada por movimiento", Intel+VICE Magazine The Creators Project thecreatorsproject.vice.com, Online Magazine, May 2015 (English, Español)

• W24 TV / "Mein Wien TV", "Salotto Vienna 20.04.2015" (Interview), W24 TV w24.at, Internet TV, segment @ 09:20-21:00, April 2015 (Deutsch)

• Soft Control, "Enter the Interface" (Symposium Programme), Soft Control softcontrol.info, Creative Europe Project Consorcium Website, April 2015 (English)

• Digital Meets Culture, "Entering the interface in DOX 24.4" (Translated Reblog), Digital Meets Culture digitalmeetsculture.net, Culture News, April 2015 (English)

• DOX Center for Contemporary Art Prague, "Rozhraní (Interface)" (Symposium Programme), DOX, Website, April 2015 (Česky (Czech)) / "Panelová diskuze Rozhraní DOX" (Reblog), culturenet.cz Online Culture News, Website, April 2015 (Česky (Czech))

• CIANT International Centre for Art and New Technologies, "Rozhraní / Enter the Interface" (Symposium Programme) / "Enter the Interface!" (Event Documentation), CIANT Prague, Online Newsletter, April 2015 (English, Česky (Czech))

• eSeL.at "Kunst kommt von Kommunizieren!", "HOLOstage / Salotto-Talk+Show mit den Medienkünstlern Jo Siamon Salich, Ivor Diosi, und Thomas Dumke" (Reblog), esel.at Cultural Blog, April 2015 (Deutsch) / "Artist Talk mit Katrin Kampmann + HOLOstage part I mit Ivor Diosi" (Reblog), heyevent.com Cultural Blog, April 2015 (Deutsch)

• SALoTTo Wiener Kunstsalon, "HOLOstage - Holograms, Virtual Realities and Avatars / Show + Talk with Ivor Diosi, Jo Siamon Salich and Thomas Dumke", SALoTTo Wiener Kunstsalon salotto-vienna.net, Cultural News, April 2015 (English, Deutsch)

• Sandra Gawlowski, "Inspiration: Kunst Mit Vollem Bewußtsein (Inspiration: Art with Full Consciousness)", Pure Perfection Agency pureperfection.com, Company Website, February 2015 (Deutsch)

• The City Magazine, "Visual Arts - Window Galleries - Ivor Diosi", The City Magazine, February 2015 Issue, Runwild Media Group, London, Print + Online Magazine, February 2015, p.100, (English)

• Canary Wharf Magazine, "Visual Arts - Window Galleries - Ivor Diosi", Canary Wharf Magazine, February 2015 Issue, Runwild Media Group, London, Print + Online Magazine, February 2015, p.96, (English) | JPG (SCAN)

• Canary Wharf Window Galleries, "Ivor Diosi Exhibition", Canary Wharf Group PLC, Website, February 2015 (English) | PNG (Screenshot) | "Window Galleries: Ivor Diosi" (Reblog), LineUpNow lineupnow.com, Online Magazine, February 2015 (English)

• Sheena K, "Live Interaction With Art", FAQD For All Questions Different Magazine faqd.net, Online Magazine, January 2015 (English)

• NewsCentral by exsees, "Face Tracking Tech Lets This Artwork Stare at You" (Reblog), NewsCentral by exsees, Online Magazine, January 2015 (English)

• Becky Chung, "Face Tracking Tech Lets This Artwork Stare at You" / "Per Face-Tracking starrt dieses Kunstwerk seine Betrachter an" / "Deze bewegende kunstwerken volgen je door de kamer via gezichtsherkenning", Intel+VICE Magazine The Creators Project thecreatorsproject.vice.com, Online Magazine, January 2015 (English, Deutsch, Nederlands)

2014

• CYNETART 2014 Media Monitoring Collection PDF, 2014 (Deutsch)

• VETLICAT Vocational and Educational Training, Linking Creativity & Advanced Technology, "Serious Gaming - Seriously? / Ivor Diosi: Unreal Master Class" (Documentation), VETLICAT Consortium, Website, December 2014 (English)

• LIFO / Art Section, "68 εντυπωσιακά έργα του Lumen Prize σε υψηλή ευκρίνεια (68 Stunning Works of Lumen Prize A Changing Art Form and Imaginative Images)" LIFO Magazine lifo.gr, Online Magazine, December 2014 (Έλληνικά (Greek))

• Mitteldeutscher Rundfunk, "18. Cynetart-Festival in Hellerau" / (Direct Link Picture Gallery), MDR Mitteldeutscher Rundfunk mdr.de, TV+Radio+Online News, Website, November 2014 (Deutsch)

• Follow a Museum, "CYNETART – das Medien-Kunst-Festival", Follow a Museum followamuseum.de, Online News Site, November 2014 (Deutsch)

• Ramona Ackermann, "Cynal zu Gast - Gesprächsrunde mit den Künstlern von CYNETART (Cynal on a Visit - Discussion with the Artists of CYNETART)", Cynal cynal.de, Online Magazine, November 2014 (Deutsch)

• ArtPorts, "CYNETART 2014 – 18. Internationales Festival für computergestützte Kunst und transdisziplinäre Medienprojekte in Dresden", ArtPorts artports.com, Online Magazine, November 2014 (Deutsch)

• Das Erste Nachtmagazin, News Segment on CYNETART 2014 (TV Broadcast), ARD Das Erste TV Germany, November 14, 2014 (Deutsch) | PNG

• ARTE Creative, Cynetart-Festival 2014 (TV Broadcast), ARTE TV creative.arte.tv, November 13, 2014 (Deutsch)

• Lisa Breit, "Cynetart-Festival 2014", ARTE Creative / ARTE TV creative.arte.tv, Online Magazine, November 2014 (Deutsch)

• Deborah Hustić, Neja Tomšič, Alain Bieber, Andreas Ullrich, Martin Bricelj Baraga (Jury), CYNETART International Media-Art Award 2014 - Jury Statement (_humane after people_), CYNETART International Media-Art Festival Dresden, Website, November 2014 (English, Deutsch) | MIRROR | PDF

• Carla Rapoport (Director), Clarrie Wallis, Douglas Dodds, Tessa Jackson, Bruce Wands, Michael Fukushima, Jeremy Gardiner (Jury), LUMEN Prize 2014 (Jury and Statements), LUMEN Prize "The Global Award for Digital Art", Website, October 2014 (English)

• VAMOS, "Gamesy jsou vážná věc! (Games are Serious Business!" (Translated Reblog: Serious Gaming - Seriously?), getvamos.com, Online News Blog, October 2014 (Česky (Czech))

• CIANT International Centre for Art and New Technologies, "Serious Gaming - Seriously?" (Invite) / "Serious Gaming - Seriously?" (Documentation) / "Ivor Diosi: Unreal Master Class - Presentation of Works 1999-2014 and Musings on the Notion of Interactive Metaphor" <VIDEO Documentation>, CIANT Prague, Website, October 2014 (English)

• Ondřej Cakl, "On Artificial Worlds and Image Manipulation with Pavel Smetana and Ivor Diosi (S Pavlem Smetanou a Ivorem Diosim o umělých světech a manipulaci obrazu)", Fotograf Magazine #23 "artificial worlds", Print and Online Magazine, June 2014 (English, Česky (Czech)) <iTunes>

• CIANT International Centre for Art and New Technologies, "3D Printing & Scanning Workshop at DOX Centre for Contemporary Art" <VIDEO Documentation>, CIANT Prague, Website, February 2014 (English)

2011-2013

• Tereza Simandlová, "CIANT a jeho role v mezinárodní novomediální výměně (CIANT and its Role in International Exchange in New Media", Student Research Paper, New Media Studies, Charles University Prague, 2012-13 (Česky (Czech)) | PDF

• Jiří Tichý, "Princip interaktivity v české audiovizuální instalaci po roce 2000 (Principle of Interactivity in Czech Audiovisual Installation after 2000)", Bachelor Thesis, Masarykova Univerzita Brno, 2012 (Česky (Czech))

• Yukie Kamiya, Aomi Okabe, Shiro Takatani, Kenya Hara, Masahiro Miwa (Jury), Japan Media Arts Awards 2012 - Jury Statement - _humane after people_, Japan Media Arts Festival Tokyo, Website, December 2012 (English, 日本語 (Japanese))

• Katarína Rusnáková, "O odvahe súčasného vizuálneho umenia na Slovensku zbaviť sa estetickej autonómie (On the Courage of Contemporary Visual Art In Slovakia to Get Rid of Esthetic Autonomy)", Jazdec Magazine Year IV Issue 1, pp 4-5, Galéria Cypriána Majerníka Bratislava, January-March 2012 (Slovensky (Slovak))

• Mónica Bello Bugallo, Jens Hauser, Karla Jasso, Sally Jane Norman, Simon Penny, Nell Tenhaaf, Francisco Serrano Martínez (Jury), "Fundación Telefónica announces the winners of VIDA 13.2, the international art and artificial life contest" (MISSING), Fundación Telefónica Madrid, Website and Newsletter, October 2011 (English) | ARCHIVE

• Mónica Bello Bugallo, Jens Hauser, Karla Jasso, Sally Jane Norman, Simon Penny, Nell Tenhaaf, Francisco Serrano Martínez (Jury), VIDA 13.2 Art and Artificial Life International Awards Call for Entries / Statement of Purpose (MISSING), Fundación Telefónica Madrid, Website, July 2011 (English) | EXCERPT @ Wired | PDF Excerpt

• Juraj Ondráš, "Deformácia, Multiplikácia a Mix Reality - Svetoví autori očami interaktívneho umenia (Deformation, Multiplication and Mixed Reality - World Authors through the Eyes of Interactive Art)", Bachelor Thesis, Akadémia Umení v Banskej Bystrici (Academy of Arts Banská Bystrica), 2011 (Slovensky (Slovak))

2006-2010

• amber Art and Technology Festival, amber’09 ETKİLEŞİMLİ YERLEŞTİRMELER (Interactive Installations) (Exhibition Documentation) | amber’09 ATÖLYELER (Atelier / Workshops) (Documentation), amber Art and Technology Festival Istanbul amberfestival.org, Website, 2010 (English, Türkçe (Turkish))

• NESTA UK Innovation Agency, body-data-space, "Robots And Avatars" Participant Pack (Catalogue), NESTA UK Innovation Agency, Print Publication, pp 7-9, January 2010 (English)

• fundalina, "Amber Sanat ve Teknoloji Festivali (amber Art and Technology Festival)", fundalina.com, Online News Site, November 2009 (Türkçe (Turkish))

• amber Art and Technology Festival, "(un)Cyborgable? amber’09 Art and Technology Festival" - Theme Statement | <ARCHIVE Snapshot> | "amber’09 Art and Technology Festival - Exhibition Program" | <ARCHIVE Snapshot> | "amber’09 Art and Technology Festival - Artists" | <ARCHIVE Snapshot>, amber Art and Technology Festival Istanbul amberfestival.org, Website, November 2009 (English, Türkçe (Turkish))

• amber Art and Technology Festival, "Ivor Diosi - Orla Ray" (amberFestival Exhibition Program) amber Art and Technology Festival Istanbul amberfestival.org, Website, November 2009 (English, Türkçe (Turkish)) | <ARCHIVE Snapshot>

• European Tele-Plateaus, "European Tele-Plateaus (Reports Archive)" / "ETP Phase 1 :: Workshop in Prague" / "ETP phase 1 :: field report", European Tele-Plateaus EU Culture Project Consorcium, Website, Dresden - Prague - Madrid - Norrköping, 2009 (English)

• Michael Takeo Magruder, "The Vitruvian World: a case study in creative hybridisation of virtual, physical and networked space." (PDF), Turbulence turbulence.org, Website, June 2009 (English)

• Annie Spinster, "Interactive Digital Media Unreal Tournament Art", London Metropolitan University, Master Thesis Research, Website, 2009 (English)

• Annie Spinster, "Virtual Worlds for Virtual Lives", London Metropolitan University, Master Thesis Research, Website, 2009 (English) | PDF

• VoTV / Dailymotion, Coverage of Virtual / Physical Bodies (Corps Virtuels / Physiques) Exhibition, dailymotion.com, segment JT27112008 @ 05:00, Online TV, November 2008 (Français)

• Sasha Spasic "Virtual Physical Bodies", Personal Blog, October 2008 (English)

• Jo-Anne Green, "Virtual / Physical Bodies (Corps Virtuels / Physiques)", Turbulence turbulence.org, Website, October 2008 (English)

• CDA Centre des Arts Enghien-Les-Bains "Virtual Physical Bodies Exhibition Dossier de Presse" (Press Release), CDA Centre des Arts Enghien-Les-Bains, October 2008 (Français) | PDF

• body-data-space, "Virtual Physical Bodies Exhibition, Enghien-les-Bains, Paris, 9th October 2008 – 11th January 2009", body>data>space Artistic Collective London, Website, October 2008 (English)

• KIBLA Multimedijski Center, "Post Me_New ID", KIBLA Multimedia Center Maribor, Website, October 2008 (English)

• Gina Haraszti, "Art Camp and ISEA", KIBU Kitchen Budapest New Media Center, Website, August 2008 (English, Magyar (Hungarian))

• Asia-Europe Art Camp, "Ludic Times | The Art of Gaming The 6th Asia-Europe Art Camp Resource Persons", ISEA 2008 / Asia-Europe Art Camp, Website, July 2008 (English)

• Ivor Diosi, "Unreal Tournament in Art > Workshop by Ivor Diosi", ISEA 2008 / Asia-Europe Art Camp, Website, June 2008 (English)

• Jan Rylich, "Ivor Diosi", Flash Art CZ-SK No.9, July-October 2008 (Česky (Czech)) | MIRROR | PDF

• Pavel Sedlák, "Nové umění z kráteru (New Art from the Crater)", Flash Art CZ-SK No.9, July-October 2008 (Česky (Czech)) | MIRROR | PDF
• Pavel Sedlák, "Umění z kráteru (Art from the Crater)", A2 Magazine No.40/08, October 2008 (Česky (Czech)) | PDF

• Mária Rišková, "Agónia a extáza umenia nových médií (Agony and Extasy of New Media Art)", Flash Art CZ-SK No.9, July-October 2008 (Slovensky (Slovak)) | MIRROR | PDF

• Lucia Udvardyová, "CIANT", Flash Art CZ-SK No.9, July-October 2008 (Česky (Czech)) | MIRROR | PDF

• Cati Vaucelle, "Transgenesis", Architectradure architectradure.com, Online Magazine, March 2008 (English)

• Diana Majdáková, "Digitálny obraz v slovenskom výtvarnom umení 20.storočia (The Digital Image in Slovak Fine Art of the 20th Century)", Comenius University Bratislava, Master Thesis, 2008 (Slovensky (Slovak)) | PDF

• Martina lvičičová, "Internet - nové umelecké médium (Internet - New Art Medium)", Bachelor Thesis, Masarykova Univerzita Brno, 2008 (Slovensky (Slovak))

• Denisa Kera, Petr Tomaides, "Transgenesis – Umělci v laboratořích (Artists in Laboratories)", Česká Televize (Czech TV) Online, Website, October 2007 (Česky (Czech))

• Pavel Bourek, "ivor diosi - humane persistence : experimenty s dvěma realitami (experiments with two realities)", XMAG techno.pop Magazine #98, pp 29, October 2007 (Česky (Czech)) | PDF

• Radio Wave, "Galerie Ciant představuje Castanedize - Rozhovor s Ivorem Diosi (Gallery Ciant Presents Castanedize - Interview with Ivor Diosi)" (With Sound), Český Rozhlas (Czech Radio) Online, Website, October 2007 (Česky (Czech))

• Erik Sikora, "Radšej byť dnes interaktívny (Rather be interactive today)", SME.sk, Print and Online News, October 2007 (Slovensky (Slovak))

• Denisa Kera, Pavel Sedlák (Curators), "Generation 2.0 at "e-Golems" II Argentinean-Czech Biennial" (Agenda), Ministerio de Relaciones Exteriores (Foreign Office) Argentina, September 2007 (English) | PDF

• Prague TV, CIANT International Centre for Art and New Technologies Prague, "Interview: Ivor Diosi", Prague TV, Website, September 2007 (English), "Interview: Ivor Diosi" (Translated Blog Repost) scena.cz, Website, September 2007 (Česky (Czech))

• Josef Meszáros, "Kombinovaná realita poprvé v Galerii CIANT (Mixed Reality for the first time in Ciant Gallery)", scena.cz, Website, September 2007 (Česky (Czech))

• CIANT International Centre for Art and New Technologies Prague, "Humane Persistence" (Exhibition Description), Website, September 2007 (English)

• Jan Rylich, "Reportáž: TransISTor 2007 (Report: TransISTor 2007)", doupe.cz, Online Magazine, Website, July 2007 (Česky (Czech))

• TIMEin, "Umění + technologie + vaše smysly = CIANT (Art + Technologies + Your Senses = CIANT)", TIMEin Magazine, May 2007 (Česky (Czech)) | JPG

• Česká Televize, Týden v kultuře 5. ledna 2007 (The Week in Culture 5th January 2007), Česká Televize (Czech TV) Online, Website, January 2007 (Česky (Czech))

• Pavel Smetana, lilith (brain-in-the-machine) (2006) (Project Description), Personal Website, 2006 (English) / <VIDEO Presentation>

• ScienceWorld.cz, "Týden vědy a techniky 2006 - Umělěcký festival TransGenesis (Week of Science and Technology 2006 - TransGenesis Art Festival (Programme))", ScienceWorld.cz, Online Magazine, November 2006 (Česky (Czech))

• Denisa Kera, Pavel Sedlák, Petra Vargová (Curators), TransGenesis Festival (Statement of Purpose), TransGenesis Artist List, transgenesis.cz, Website, November 2006 (English, Česky (Czech)) | PDF

• Makoto Maruyama, NIVAF 2006 The 1st Nagano International Video Art Festival Programme, Website, October 2006 (English) | PDF

• Jan Rylich, "Ozvěny TransISToru (Echoes of TransISTor)", hrej.cz, Online Magazine, Website, July 2006 (Česky (Czech))

• Jan Rylich, "Jaká je budoucnost počítačových her? (What is the Future of Computer Games?)", lupa.cz, Online Magazine, Website, June 2006 (Česky (Czech))

• TransISTor, "TransISTor 2006 Session 01 : 3D Virtual Environments, Game Creation and Storytelling", TransISTor EU Culture 2007 Project, Website, June 2006 (English)

• Juraj Čarný / SPACE/Gallery Priestor for Contemporary Arts, "runaway", (Exhibition Programme), SPACE/Gallery Priestor for Contemporary Arts, crazycurators.org Webarchive, May 2006 (Slovensky (Slovak))

• Jan Rylich, "Hry a jejich sociální aspekty (Games and their Social Aspects)", lupa.cz, Online Magazine, Website, April 2006 (Česky (Czech))

• Markéta Horešovská, "Výstava představuje projekty spojující technologie a umění (Exhibition Presenting Projects Connecting Technologies and Art)" (Archila Vimmi), archiweb.cz, Online Magazine, Website, March 2006 (Česky (Czech))

• expats.cz, "Final Countdown - Audiovisual exhibit from Archila Vimmi", expats.cz, Website, March 2006 (English)

• SME Bratislava, "Keď je chlap hrdina, duch a stroj (When a Man is Hero, Spirit and Machine)", SME Online sme.sk, Website, January 2006 (Slovensky (Slovak))

2000-2005

• Denisa Kera, Ivor Diosi, "ALT & CTRL SPACE: new forms of the city and global society in the age of games" (MISSING), Zlatý řez Architecture Magazine No.28 'MetaCity', 2005 (English, Česky (Czech))

• Václav Macek (Curator), "Ivor Diosi - VERT.EGO", Mesiac fotografie 2005 (Month of Photography 2005), Stredoeurópsky dom fotografie (Central European House of Photography) Bratislava, Online Newsletter, September 2005 (English, Slovensky (Slovak))

• Bohuš Získal, "Festival ENTERmultimediale 2 : Multimediální umělecké projekty opět v Praze (Festival ENTERmultimediale 2 : Multimedia Art Projects Again in Prague)", PIXEL Magazine No.103-104, July-August 2005 (Česky (Czech)) | JPG

• Adam Zbiejczuk, Eduard Piňos, "Ti, kteří tančí s dráty (Those Who Dance with Wires)", CLICK! Magazine No.7/05, July 2005 (Česky (Czech)) | PDF (no OCR)

• Annick Rivoire, "Prague en rade", Liberation, Culture Section, Print News, 06 June 2005 (Français) | JPG
• Annick Rivoire, "Coulage de Iconoclastes à Prague", Liberation, Culture Section, Print News, 17 May 2005 (Français)

• Denisa Kera, Tomáš Pospiszyl, "Teorie joysticku: počítačové hry jako umění 21.století (Joystick Theory: Computer Games as the Art of the 21st Century)", Týden tyden.cz Culture Section, Print and Online News, ISSN: 1240-9940, May 2005 (Česky (Czech)) | PDF (no OCR)

• eArch, "ENTERmultimediale2 | Festival umění a nových technologií", Online Magazine, earch.cz, May 2005 (Česky (Czech))

• Oliver Rehák, "Festival Enter Multimediale ukáže svet nového umenia (Festival Enter Multimediale will Show the World of New Art", SME sme.sk, Print News and Website, May 2005 (Slovensky (Slovak))

• Denisa Kera, Pavel Sedlák (Curators), "Ivor Diosi - vert.ego", ENTER Festival of Art and New Technologies Prague, Online Catalogue, May 2005 (English, Česky (Czech))
• Denisa Kera, Pavel Sedlák (Curators), "Pavel Smetana with Ivor Diosi and CIANT - LILITH", ENTER Festival of Art and New Technologies Prague, Online Catalogue, May 2005 (English, Česky (Czech))
• Denisa Kera, Pavel Sedlák (Curators), "V.I.R.U.S. Multimedia Dance Performance", ENTER Festival of Art and New Technologies Prague, Online Catalogue, May 2005 (English, Česky (Czech))
• Denisa Kera, Pavel Sedlák (Curators), "Archila Vimmi - YMCA Tournament", ENTER Festival of Art and New Technologies Prague, Online Catalogue, May 2005 (English, Česky (Czech))

• ALTERNE, "LILITH (Project Description and Review)", ALTERNE Alternative Realities in Networked Environments Consortium, Website, May 2005 (English)

• Vladimír Beskid (Curator), "BezOBRAZie / MEDIA S-CREAM" (Curatorial Statement), GJK Galéria Jána Koniarka, Website, April 2005 (Slovensky (Slovak))

• Jeffrey Jacobson, Michael Lewis, "Game Engine Virtual Reality with CaveUT" (PDF), IEEE Computer Society, April 2005 (English)

• Michaela Sečanská, "Elektronické umenie na Slovensku po roku 1990 (Electronic Art in Slovakia after 1990)" (MISSING), Katedra dejín umenia a kultúry, Trnavská univerzita, Trnava, Master Thesis, 2004 (Slovensky (Slovak))

• Jiří Nebeský, "Umění z laboratoře (Art from the Laboratory)", Palác Akropolis Prague, Online Newsletter, 2004 (Česky (Czech)) | PDF

• divadlo.cz, "Workshop e-Agora - Sdílená Virtuální Prostředí pro Divadlo", divadlo.cz, Online News, November 2004 (Česky (Czech))

• Juraj Čarný / SPACE/Gallery Priestor for Contemporary Arts, "Metro", (Exhibition Programme), SPACE/Gallery Priestor for Contemporary Arts, crazycurators.org Webarchive, June 2004 (Slovensky (Slovak))

• Martin Kopta, "Modifikace Unreal Tournamentu od Ivora Diosiho (Ivor Diosi's Unreal Mods)" (Reblog), lupa.cz, Online News, April 2004 (Česky (Czech))

• PiDiBi, "Ivor Diosi: Home Dictate & Unreal Mods", websky.cz, Online News, April 2004 (Česky (Czech))

• eldar, "Jitro kouzelníků - Kyberumění (The Dawn of Wizards - CyberArt)", Rádio Akropolis Prague, Online Radio and Newsletter, April 2004 (Česky (Czech))

• Daniel Grúň, "What it Means to Travel by Metro in Bratislava (Metro: Exhibition, Gallery Priestor for Contemporary Arts)", Divus / Umělec Magazine No.2 2004, divus.cz, Print Magazine and Website, February 2004 (English, Slovensky (Slovak))

• Ventsislav Zankov, "transmediale.04: Nominations for the Awards", CTRL-Z ctrl-z.org, Online Magazine, January 2004 (English)

• Denisa Kera, "Transmediale 04 – Art as Downright Babbling and Political Failure (Transmediale 04 – umění jako korektní bláboly a politická selhání)", Divus / Umělec Magazine No.1 2004, divus.cz, Print Magazine and Website, January 2004 (English, Česky (Czech))

• Andreas Broeckmann (Director), Tapio Mäkelä, Fiona Raby, Yvonne Wilhelm (Jury), transmediale.04 Fly Utopia! Jury Statement, transmediale Festival Berlin, Website (Archive), January 2004 (English) | PDF

• Barbara Könches (Curator), ZKM International Media Art Award 2003 - The 50 Best, ZKM Zentrum für Kunst und Medientechnologie Karlsruhe, Website, November 2003 (Deutsch)

• Peter Weibel (Director), Barbara Könches (Curator), Ursula Frohne, Woody Vasulka, Jean Gagnon, Masaki Fujihata (Jury), "internationaler\medien\kunst\preis 2003 »Konstruiertes Leben: Szenarien der Fiktion zwischen Computergames, Cyber-Sex, Nanobytes, Robotic Arts« - Die 50 Besten" / "Hintergrund" / "Ausstellung", ZKM Zentrum für Kunst und Medientechnologie Karlsruhe, Website (Archive), November 2003 (Deutsch)

• imagespassages, Shift Video Art Programme, imagespassages arts visuels et numériques contemporains, Website, October 2003 (Français)

• Cécile Burnichon, "Video Interview with Ivor Diosi about Aneta Mona Chisa", imagespassages arts visuels et numériques contemporains, Vimeo Video, October 2003 (English)

• Peter Weibel (Director), Barbara Könches (Curator), ZKM :: International Media Art Award 2003 Constructed Life: Scenarios of Fiction among computer games, cyber-sex, nanobytes and robotic arts - Competition Announcement, ZKM Zentrum für Kunst und Medientechnologie Karlsruhe, Website (Archive), 2003 (English)

• Mária Rišková (Curator) et al., "New Media Nation. Festival of Festivals" (Catalogue), Buryzone Bratislava, 2003 (English, Slovensky (Slovak))

• Denisa Kera, "Národ nových médií (New Media Nation)", Softwarové Noviny 04/2003, p.91, April 2003 (Česky (Czech)) | PDF

• Lizzy Le Quesne, "Slovak Photography Is Developing a Reputation - Review: Slovak Photography 1925-2000, Prague City Gallery, December 2002-April 2003", Transitions Magazine Online tol.org, Website, April 2003 (English)

• Petra Štefánková, "Ivor Diosi - virtuálna realita a interaktívne inštalácie (Virtual Reality and Interactive Installations)", animacia.sk, Website, 2003 Slovensky (Slovak)

• Daniel Langlois, Sarah Cook, Daniel Dion, Antoni Muntadas, Jean Gagnon (Jury), The Daniel Langlois Foundation Collection - Anthologie 2003, La Fondation Daniel Langlois pour l'Art, la Science et la Technologie Montreal, Website, 2003 (English, Français)

• Daniela Chlapíková, "Ivor-Rozhovor pre 5D" (Interview), InZine inzine.sk / inzine.cz / Gratex, Online Magazine, December 2002 (Slovensky (Slovak)) | PDF

• Nina Czegledy, "Mittle Europe: Recent Cultural Initiatives", Y01 Year Zero One Forum, Website, October 2002 (English)

• Hushegyi Gábor, "Recenzió: Modern – posztmodern – posztfotográfia, A szlovákiai fotóművészet 1925–2000, Szlovák Nemzeti Galéria, Pozsony, 2001.11.3.–2002.2.10 (Review: Modern - Postmodern - Postphotography, Slovak Art Photography 1925–2000, Slovak National Gallery Bratislava)", Kalligram Publishing, Website, May 2002 (Magyar (Hungarian))

• Multiplace, Multiplace New Media Event (Festival Program), Website, April 2002 (Slovensky (Slovak))

• Juraj Čarný, "Ivor Diosi - interaktívne inštalácie, virtuálna realita, umelý život (Interactive Installations, Virtual Reality, Artificial Life) Curatorial Description", Gallery SPACE for Contemporary Arts, Website, April 2002 (Slovensky (Slovak))

• Zuzana Žalmanová, "Ivor Diosi - homo universale", Profil súčasného výtvarného umenia 02-2002 (Profil Contemporary Art Magazine), February 2002 (Slovensky (Slovak)) | PDF

• Ladislav Hrbáček, "An Anthology of Five Generations of Slovak Photography - Review: Slovak Photography 1925–2000" (MISSING), Fotograf Magazine #1 "face", 2002 (English, Česky (Czech)) | PDF (Excerpt)

• Daniel Canogar, Machiko Kusahara, Rafael Lozano-Hemmer, Sally Jane Norman, Nell Tenhaaf (Jury), VIDA 4.0 Artificial Life Art International Competition - Jury Statements, Fundación Telefónica Madrid, Website, November 2001 (English) <nettime.org Archive> / VIDA 4.0 Artificial Life Art International Competition - Ivor Diosi E/BONE - ¡Castanedize! Dingir 2.0, Fundación Telefónica Madrid, Website, November 2001 (English)

• Nisar Husain Keshvani, "The Multimedia Art Asia Pacific (MAAP) Festival, Digital Media Festival (DMF) & the fAf Screening Program", Personal Website, October 2001 (English)

• Fatima Lasay, DMF Digital Media Festival 2001 Programme, University of Philippines College of Fine Arts, October 2001 (English) | PDF

• Roger F. Malina (Executive Editor), Victor Acevedo, Jeremy Gardiner, Christiane Paul, Mark Tribe, Bruce Wands (Jury), Ninth New York Digital Salon (Jury, Juror's Statements, Gallery Artworks, Exhibiting Artists), Leonardo Journal Vol.34 Issue 5, p521, 459, 460, 474-510, 518-519, The MIT Press, October 2001 (English) <JSTOR PDF> <Project Muse PDF>

• Hiroshi Harashima, Daizaburo Harada, Koji Ito, Machiko Kusahara, Haruhiko Shono, Yu Suzuki, Noriyuki Tanaka (Jury), ACA 4th Media Arts Awards 2000 Jury Statement (MISSING), Japan Media Arts Festival Tokyo, Website, March 2001 (English, 日本語 (Japanese)) | PDF (Confirmation Only)

• The OpenEEG Project, "ID Engines #08 :: Hesed (by Ivor Diosi)" (Project Description/Review), openeeg.sourceforge.net, Website, 2001 (English)

• Ivor Diosi, "TradeShow" (Project Description), monoskop.org, Website, 1996/2016 (English)

• Ivor Diosi, "Total Entartete" (Project Description), monoskop.org, Website, 1993/2016 (English)

Links

• Ivor's Highlights Site
• http://ivor-diosi.tumblr.com (Visual Blog)
• http://vimeo.com/ivr
• The Qualia Project @ Vimeo
• http://www.behance.net/_ID_

• Ivor's Profile @ Lifeboat Foundation
• Ivor's Profile @ DICCAN Dictionary of Digital Art
• Ivor's Profile @ ARTECA MIT