Bio art

Pages

• The Arts & Genomics Centre
• Bio Art Research Coalition of Syracuse
• Bioart Society
• BioTehna
• Heather Dewey-Hagborg
• Ivor Diosi
• Anna Dumitriu
• Marc Dusseiller
• Hackteria
• Natalie Jeremijenko
• Cecilia Jonsson
• Eduardo Kac
• Akihiro Kubota
• Laboratorium
• Špela Petrič
• Boryana Rossa
• Robertina Šebjanič
• Maja Smrekar
• Saša Spačal
• Stelarc
• Transnatural

Bioart Society, Mediamatic Biotoop, [1]

Publications

• Ars Electronica 1993. Genetische Kunst. Künstliches Leben / Genetic Art. Artificial Life, eds. Karl Gerbel and Peter Weibel, Linz: PVS-Verleger, 1993, 445 pp. (German)/(English)

• Ars Electronica 1997. Fleshfactor. Informationsmaschine Mensch / Flesh Factor, eds. Christine Schöpf and Gerfried Stocker, Vienna: Springer, 1997, 447 pp. (German)/(English)

• Oliver Grau, "Lebendige Bilder schaffen. Virtuelle Realität, Artificial Life und Transgenic Art", in Dschungel. Sammeln, Ordnen, Bewahren. 7 Hügel. Von der Vielfalt des Lebens zur Kultur der Natur, eds. B.-M. Baumunk and J. Joerges, Berlin: Henschel, 2000, pp 47-53. (German)

• Kunstforum International 157: "Klone und Mutanten. Transgene Kunst I", Nov-Dec 2001. [2] (German)

• Kunstforum International 158: "Der erfundene Zwilling. Transgene Kunst II", Jan-Mar 2002. [3] (German)

• Suzanne Anker, Dorothy Nelkin, The Molecular Gaze: Art in the Genetic Age, Cold Spring Harbor, NY: Cold Spring Harbor Laboratory Press, 2004.

• Eduardo Kac, Telepresence and Bio Art: Networking Humans, Rabbits and Robots, forew. James Elkins, University of Michigan Press, 2005, 311 pp.

• Jens Hauser, "Bio Art: Taxonomy of an Etymological Monster", in Hybrid: Living in a Paradox (Ars Electronica 2005), eds. Gerfried Stocker and Christiane Schöpf, Ostfildern-Ruit, Hatje Cantz, 2005, pp 181-192.

• Inter 94: "L'art biotech et le posthumain", Fall 2006. (French)

• Eduardo Kac (ed.), Signs of Life: Bio Art and Beyond, MIT Press, 2007, 420 pp.

• Beatriz da Costa, Kavita Philip (eds.), Tactical Biopolitics: Art, Activism, and Technoscience, MIT Press, 2008, 504 pp.

• Melentie Pandilovski, Art in the Biotech Era, Experimental Art Foundation, 2008.

• Ingeborg Reichle, Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art, pref. Robert Zwijnenberg, trans. Gloria Custance, Vienna: Springer, 2009, xxix+422 pp. TOC & Preface, Illustrations. [4]

• Dmitry Bulatov (ed.), Evolution Haute Couture: Art and Science in the Post-Biological Age (Part 1: Practice), Kaliningrad: National Centre for Contemporary Arts, 2009.

• George Gessert, Green Light: Toward an Art of Evolution, MIT Press (Leonardo), 2010.

• Robert Mitchell, BioArt and the Vitality of Media, Seattle: University of Washington Press, 2010.

• Ruth G. West, "Working With Wetware", in Context Providers: Conditions of Meaning in Media Arts, eds. Margot Lovejoy, Christiane Paul, and Victoria Vesna, Intellect Books, 2011.

• Allison Kudla, Biological Systems Art: Artistic Research into the Algorithms of Living Systems, University of Washington, 2011. Dissertation.

• William Myers, BioDesign: Nature + Science + Creativity, Thames & Hudson, 2012.

• Folio 4: "Soft Control: Art, Science and the Technological Unconscious", Maribor, 2012. (Slovenian),(English)

• Dmitry Bulatov (ed.), Evolution Haute Couture: Art and Science in the Post-Biological Age (Part 2: Theory), Kaliningrad: National Centre for Contemporary Arts, 2013.

• Biowładza i bioaktywizm. Sztuka w dobie posthumanizmu / Biopower and Bioactivism: Art in the Age of Posthumanism, ed. Grzegorz Klaman, Gdańsk: Academy of Fine Arts in Gdańsk, 2013, 195 pp. Exh. cat. [5] (Polish)/(English)

• Laura Beloff, Erich Berger, Terike Haapoja (eds.), Field_Notes - From Landscape to Laboratory - Maisemasta Laboratorioon, Printon Printinghouse, 2013.

• Alexandra Daisy Ginsberg, Jane Calvert, Pablo Schyfter, Alistair Elfick, Drew Endy (eds.), Synthetic Aesthetics: Investigating Synthetic Biology's Designs on Nature, MIT Press, 2014.

• Regine Rapp, Christian de Lutz (eds.), Art and the Biological Sublime in the 21st Century, Blurb, 2015. On the [macro]biologies & [micro]biologies series which took place at Art Laboratory Berlin between 2013-2015.

• Annick Bureaud, Roger F. Malina, Louise Whiteley (eds.), Meta-Life: Biotechnologies, Synthetic Biology, ALife and the Arts, MIT Press (Leonardo), 2014, 691 pp. Web companion. Review: Etxeberria (Leonardo).

• William Myers, Bio Art: Altered Realities, London: Thames & Hudson, 2015.

• Anne Byerley, Derrick Chong, "Biotech Aesthetics: Exploring the Practice of Bio Art", Culture and Organization 21:3, 2015, pp 197-216.

• Magdalena Sick-Leitner, "There Is No Bio Art! Interview with Jens Hauser", Ars Electronica Blog, 2 Jun 2015.

• Ali K. Yetisen, Joe Davis, Ahmet F. Coskun, George M. Church, and Seok Hyun Yun, "Bioart", Trends in Biotechnology 33:12, Dec 2015, pp 724-734.

• Lindsay Kelley, Bioart Kitchen: Art, Feminism and Technoscience, London and New York: I.B. Tauris, 2016.

• Marc Jimenez, Art et technosciences. Bioart - neuroesthétique, Paris: Klincksieck, 2016, 112 pp. (French)

• Jens Hauser, "Biomediality and Art", in Recomposing Art and Science: Artists-in-Labs, eds. Irene Hediger and Jill Scott, Berlin: De Gruyter, 2016, pp 201-219.

• Assimina Kaniari (ed.), Institutional Critique to Hospitality: Bio Art Practice Now, Athens: Grigoris Books, 2017, 190 pp. Review: Terranova (Leonardo).

• Carsten Strathausen, Bioaesthetics: Making Sense of Life in Science and the Arts, University of Minnesota Press, 2017, 320 pp. [6]. Review: Galati (Leonardo).

• Eva Šlesingerová, "Bioart a sciart. Proplétání věcí, těl a technologií", Sešit pro umění, teorii a příbuzné zóny 23, Prague: VVP AVU, 2017, pp 40-60. (Czech)

• Jennifer Johung, Vital Forms: Biological Art, Architecture, and the Dependencies of Life, University of Minnesota Press, 2019, 200 pp. [7]

• Living Object / Živi objekt, ed. Alenka Trebušak, Ljubljana: City Art Gallery Ljubljana, 2020, 146 pp. Exh. cat. Texts: Laura Benítez Valero, Ingeborg Reicle, Alenka Trebušak. Exhibition. Publisher. (English)/(Slovenian)

• Sylwia Szykowna, "Bio art w świecie sztuki", Sensus Historiae 38:1, 2020, pp 39-52. (Polish)

• AI & Society 36(4): "Bio-art", Dec 2021, pp 1313-1394.

• Ars Electronica 2022: Welcome to Planet B. A different life is possible. But how?, eds. Gerfried Stocker and Markus Jandl, Linz: Ars Electronica, 2022, 415 pp. Festival.

• Caroline A. Jones, Natalie Bell, Selby Nimrod (eds.), Symbionts: Contemporary Artists and the Biosphere, MIT Press, 2022, 232 pp. Publisher. Exhibition. Exhibition.

• BioMedia: The Age of Media with Life-like Behavior, ed. Peter Weibel, Leipzig: Spector Books, 2022, 320 pp. Virtual exhibition. Exhibition. [8]

• A Garage School of Medicine, Rotterdam, 2024, 27 pp.

• Publications on bio art at Monoskop Log

Resources

• Arch-ive, an open source digital platform that aggregates, preserves, publishes, distributes and contextualizes a variety of information, knowledge and documentation on art with a focus on biomedia. Project by Hangar. [9]

Bibliography

• https://synthbioart.texashats.org/bibliography/

See also

DIY biology

	Visual art
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