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Welcome to [[Monoskop:About|Monoskop]], the [[media art and culture]] wiki.
 
  
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==Media library==
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Welcome to [[About Monoskop|Monoskop]], a wiki for arts and studies.
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* [[Gabor_Body#De_occulta_philosophia_.28Philo-Clip.29|Gábor Bódy: De occulta philosophia (Philo-Clip)]], video, 1983, [[Gabor_Body#Eurynom.C3.A9_t.C3.A1nca_.28Dancing_Eurynome.2C_Mytho-Clip.29|Eurynomé tánca (Dancing Eurynome, Mytho-Clip)]], video, 1985. [[Gabor_Body#Walzer_.28Lyric-Clip.29|Walzer (Lyric-Clip)]], video, 1985.
 
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* [[Jan_Kucera#Burleska_.28Burlesque.29|Jan Kučera: Burlesque]], 5 min, 1932.
 
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* [[Alexandr_Hackenschmied#Bez.C3.BA.C4.8Deln.C3.A1_proch.C3.A1zka_.28Aimless_Walk.29|Alexandr Hackenschmied: Aimless Walk]], 8 min, 1930. [[Alexandr_Hackenschmied#Na_Pra.C5.BEsk.C3.A9m_hrad.C4.9B_.28Prague_Castle.29|Prague Castle]], 11 min, 1932. [[Alexandr_Hackenschmied#Meshes_of_the_Afternoon|Meshes of the Afternoon]], 13 min, 1943. [[Alexandr_Hackenschmied#The_Private_Life_of_a_Cat|The Private Life of a Cat]], 22 min, 1945.
 
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* [[Laszlo_Moholy-Nagy#Works_3|László Moholy-Nagy: Impressionen vom alten marseiller Hafen (vieux port)]], 10 min, 1929. [[Laszlo_Moholy-Nagy#Works_3|Lichtspiel, Schwarz-Weiss-Grau]], 6 min, 1930.
 
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* [[Jiri Lehovec#Divotvorn.C3.A9_oko_.28Magic_Eye.29|Jiří Lehovec: The Thaumaturgic Eye]], 10 min, 1939. [[Jiri Lehovec#Rytmus_.28Rhythm.29|Rhythm]], 13 min, 1941.
 
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* [[Cenek_Zahradnicek#M.C3.A1j_.28May.29|E.F. Burian, Čeněk Zahradníček: May]], 9 min, 1936.
 
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* [[Andrzej_Korzynski#Possession_.281981.29|Andrzej Korzyński: Possession]], soundtrack, CD, 1981.
 
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* [[Eugeniusz_Rudnik#DJ_Lenar_-_Re_Press_.282012.29|DJ Lenar: Re:PRESS]], reconstructed works by Eugeniusz Rudnik, 2012.
 
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* [[Katalin_Ladik#O-pus|Katalin Ladik, Imre Póth, Attila Csernik: O-pus]], 8 min, 1972.
 
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* [[Robert_Adrian_X#Danube_Connection|Danube Connection]], Electronic Communication Happening for fax, two telephone lines and a picture-phone, organised by Robert Adrian X and ARTPOOL, 5 min, 1993.
 
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* [[W._G._Sebald#Patience_.28After_Sebald.29|Grant Gee: Patience (After Sebald)]], 83 min, 2012.
 
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* [[Milan_Knížák#Broken_Music|Milan Knížák: Broken Music]], 3 editions, 1979-1989.
 
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* [[CECM/Anthology_of_Slovak_Electroacoustic_Music|Anthology of Slovak Electroacoustic Music 1966-1991 and 1989-1994]], 3-CD, 1992/94.
 
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* [[Dušan Hanák#Works|Dušan Hanák: A Day of Joy]], TV documentary, 22 min, 1972.
 
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* [[Symphony of Sirens|Baku: Symphony of Sirens: Sound Experiments in The Russian Avant-Garde. Original Documents and Reconstructions of 72 Key Works of Music, Poetry and Agitprop from the Russian Avantgardes (1908-1942)]], 72 MP3s with texts, 153 min.
 
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* [[Chris_Marker#The_Owl.27s_Legacy_.28L.27H.C3.A9ritage_de_la_chouette.29|Chris Marker: The Owl's Legacy]], France/Greece, col., Beta sp, Television Mini-Series, 13 episodes x 26 min, 1989.
 
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* [[Henryk_Berlewi#Works|Henryk Berlewi: Mechano-Faktura]], selected works, 1920s-60s.
 
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* [[Otakar_V%C3%A1vra#The_Light_Penetrates_the_Dark_.28Sv.C4.9Btlo_pronik.C3.A1_tmou.29|Otakar Vávra: The Light Penetrates the Dark (Světlo proniká tmou)]], 35mm, 4 min, 1931.
 
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* [[Zbigniew_Rybczyński#Media|Zbigniew Rybczyński: Media]], 35mm, Se-Ma-For Łódź, 1980.
 
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* [[Zbigniew_Rybczyński#The_Square_.28Kwadrat.29|Zbigniew Rybczyński: The Square (Kwadrat)]], 35mm, 3'30", PWSFTviT Łódź, 1972.
 
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* [[Gábor_Bódy#Four_Bagatelles_.28N.C3.A9gy_Bagatell.29|Gábor Bódy: Four Bagatelles (Négy Bagatell)]], 35mm, 28 min, 1975.
 
  
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==Latest news==
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<gallery mode=packed heights=300px style=" margin:auto">
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[[Image:Chladni_1830_Akustik_Table_8.jpg|left|thumb|220px|[[Ernst_Chladni#Chladni_figures_.28Klangfiguren.29|Chladni figures]], 1802.]]
 
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[[Image:JE_Purkyne_kinesiskopic_disc.jpg|left|thumb|220px|[[Jan_Evangelista_Purkyně#Perception_of_space_and_movement.2C_photomicrography_.281827.E2.80.9353.29|Kinesiscopic disc]] with the portraits of Jan Evangelista Purkyně, 1865.]]
 
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[[Image:Petzvals_camera.png|left|thumb|220px|[[Joseph_Petzval#Optics|''Voigtländer'' camera]] with Joseph Petzval's lens, 1840.]]
 
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* New articles: [[Alexander Hackenschmied]], [[Jiří Lehovec]] (August 2013).
 
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* Monoskop was part of [http://www.kuda.org/en/series-discussions-archivelive-archiveunarchive-and-public-library-workshop An Archive/Live Archive/UnArchive and Public Library workshop], with Kenneth Goldsmith (UbuWeb), Simon Worthington (Mute Magazine), Marcell Mars (Public Library), and kuda.org. The event was held in [[Novi Sad]], Serbia. (15-16 July 2013)
 
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* New entry: [[Postmedia]]. (12 June 2013)
 
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* Monoskop Log is featured at the online exhibition ''[http://espacevirtuel.jeudepaume.org/erreur-dimpression-1674/ Erreur d'impression/Publier à l'ère du numérique]'' [Print Error/Publishing in the Digital Age], curated by [[Alessandro Ludovico]] at the ''Espace Virtuel'' of Jeu de Paume, Paris. The exhibition runs from October 2012 through March 2014. ''Culture Mobile'' portal provides [http://www.culturemobile.net/artek/erreur-impression-une-expo-virtuelle/monoskop-log-dusan-barok-20002013 additional coverage].
 
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* New featured article: [[Ernst Chladni]]. (May 2013)
 
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* New featured articles: [[Jan Evangelista Purkyně]], [[Stefan Morawski]], [[P. K. Engelmeyer]], [[Joseph Murgas]], [[Ludwig Angerer]], [[Ede Kozics]], [[Eduard Schreiber]]. (April 2013)
 
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* [http://www.a4.sk/program/2013-03-22-20-00 Monoskop will be discussed] in the ''Krakatoa'' talk series organised by [[Mladý pes]] initiative at [[A4 - Zero Space]] in [[Bratislava]], on March 22, 2013.
 
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* Another [[Media:Monoskop_v_sieti_Rozhovor_Michala_Murina_s_Dusanom_Barokom_2012.pdf|interview about Monoskop]] appeared in the new issue of [http://www.profilart.sk/ ''Profil: Contemporary Art Magazine''] (4/2012), in Slovak. (March 2013)
 
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* New featured articles: [[Štefan Anián Jedlík]], [[Joseph Petzval]]. (March 2013)
 
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* [http://www.stanica.sk/2013/02/26/alef-0/ Monoskop was discussed] at the [[Stanica]] cultural centre in [[Žilina]] as part of a new discussion series ''Alef 0'', moderated by [[Zuzana Husárová]]. (28 February 2013)
 
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* New featured articles: [[Dušan Hanák]], [[Dvizheniye]]. (February 2013)
 
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* ''Neural'' magazine published an [[Media:Dusan_Barok_Interview_Neural_2013.pdf|interview about Monoskop]] in its 44th issue, entitled ''Post-Digital Print''. (January 2013)
 
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* [[Media:Bobnic_Robert_Smrke_Jurij_Sepetavc_Jasmina_Monoskop.pdf|An interview about Monoskop]] with Robert Bobnič and Jurij Smrke of a legendary Ljubljana-based student magazine [http://www.tribuna.si/ ''Tribuna''], in Slovenian. (January 2013).
 
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* New featured articles: [[Zbigniew Rybczyński]], [[Gábor Bódy]], [[Otakar Vávra]], [[Henryk Berlewi]], [[László Moholy-Nagy]], [[Milan Grygar]]. (23 October 2012)
 
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* Monoskop was presented at the andragogy seminar at University of Prešov, and later that same day at Wave club in [[Prešov]] within [[CyberTalks]] series. (15 October 2012)
 
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* [[Media:Monoskop.column.TheWire.Nov2012.jpg|The Wire magazine takes on Monoskop]]. (October 2012)
 
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* [[Symposium|Unlimited Editions]] - A public discussion on personal collecting and media archiving. Launch of the Monoskop library. 5 July 2012, TENT, Rotterdam.
 
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* A two-year [[Remake]] project which built upon Monoskop research produced a travelling exhibition, conference, performance evenings, workshop series, bilingual magazine, and an issue of open-access student journal. [[Remake|Documentation can be found here]]. (June 2012)
 
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* Monoskop was [http://www.msuv.org/index.php?option=com_content&view=article&id=271%3Apredavanja-prezentacije-projekata-monoskop-i-nove-tendencije&lang=en presented] at The Museum of Contemporary Art of Vojvodina in [[Novi Sad]], as part of [http://digitizing-ideas.hr/ Digitizing Ideas] project. (18 April 2012)
 
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* [[Monoskop/Brno_2012_talk|Monoskop talk]] at the Remake conference in [[Brno]], Czech Republic. (11 April 2012)
 
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* Featured articles: [[Vladimir Bonačić]], [[Steina and Woody Vasulka]], [[Bulat Galeyev]], [[Stanisław Dróżdż]], [[Nicolas Schöffer]], [[Jozef Malovec]]. (16 March 2012)
 
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* [[Remake|REMAKE: REthinking Media Art in K(C)ollaborative Environments]] [http://www.dum-umeni.cz/en/vystava/remake exhibition] opened in [[Brno]], Czech Republic. Remake is an international art project taking place between June 2010 and May 2012. Its aim is to foster creation and presentation of contemporary works inspired by the history of media arts. The project’s final part is an international touring exhibition which is currently shown at The Brno House of Arts. The project builds upon a long-running collaborative research of media art histories, [[Monoskop:About|Monoskop]]. Remake was started by several cultural organisations coordinated by [[Atrakt Art]] with an intention to create and present the contemporary art works inspired by history of media arts in the East-Central Europe. --[[User:Dusan|dusan]] 15:20, 11 March 2012 (CET)
 
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* The first public presentation of the [[Monoskop/Zagreb 2011 talk|Monoskop media archive]], at the [http://najave.razmjenavjestina.org/2011/12/01/g33koskop-seminar-03-12-2011-1500-o-arhivi-i-knjiznici/ G33koskop] seminar in [[Mama]], [[Zagreb]]. --[[User:Dusan|dusan]] 3 December 2011
 
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* Monoskop was presented at the [http://www.goethe.de/ins/ee/prj/gtw/ueb/kbe/en8140048.htm Gateways: Workshop for Curators from Central and Eastern Europe] in [[Tallinn]] by [[Mária Rišková]]. --October 2011
 
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* Monoskop was presented at the [[New Media Art & Digital Art Meeting Point]] seminar in [[A4 - Zero Space]], [[Bratislava]]. [[Media:Barok.monoskop.talk.bratislava.18-5-2011.pdf‎|PDF of the talk (Slovak)]]. --[[User:Dusan|dusan]] 18 May 2011
 
  
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{{Media art and culture}}
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{{Cities}}
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{{Countries}}
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<div style="float: left; width: 48%">
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Ukeles_Mierle_Laderman_1973_Washing_Tracks_Maintenance_Outside.jpg|link=Performance|[[Performance]]
  
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== Site news ==
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Grof_Ferenc_2021_Das_Kapital_Raum_2_39.jpg|link=1990s|[[1990s]]
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<small>
 
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* Support of the [http://www.mediawikiwidgets.org/Twitter Twitter widget] enabled. You can now embed a twitter feed on your profile. (11 March 2012)
 
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* Monoskop moves to a new domain: http://monoskop.org. Old links are preserved. (5 March 2012)
 
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* New categories: [[:Category:3D printing|3D printing]], [[:Category:Circuit bending|Circuit bending]] (10 December 2011)
 
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* New categories: [[:Category:Internet activism|Internet activism]], [[:Category:Data activism|Data activism]], [[:Category:Copyright activism|Copyright activism]], [[:Category:FLOSS|FLOSS]], [[:Category:Filesharing|Filesharing]] (4 December 2011)
 
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* Monoskop wiki now supports embedding videos from Youtube, Vimeo, Blip.tv, Google Video, UStream, and basically any publicly accessible website (using HTML5 video tag), as well as documents from Google Books, Scribd, and SlideShare, image searches and slideshows from Flickr, and stills from Google Maps and Google Street View. See [http://www.mediawikiwidgets.org/Widgets_Catalog#Widgets_available MediaWikiWidgets manual] to learn how. (16 November 2011)
 
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* Entry about [[:Category:Electromagnetism|Electromagnetism]] (May 2011)
 
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* Entry about [[:Category:SuperCollider|SuperCollider]] (September 2010)
 
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* Entry about [[:Category:Film labs|Film labs]] (June 2010)
 
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* Entry about [[:Category:Hauntology|Hauntology]] (May 2010)
 
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* Entry about [[:Category:Surf clubs|Surf clubs]] (April 2010)
 
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* Research of history of [[Media_art_in_CEE|media arts and culture in Central and Eastern Europe]]. (2009)
 
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* Realising there are almost 100 users or so registered, we did small improvements in user profiles. Using your profile (find [[Special:Userlist|here]]) you can now share what you have been working on, message others, etc. (28 July 2008)
 
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</small></div><div style="float: left; width: 4%">&nbsp;&nbsp;</div><div style="float: left; width: 48%">
 
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==Sister projects==
 
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* [[Monoskop Log]], writings on art, culture, and media technology.
 
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* [[Remake]], REthinking Media Art in K(C)ollaborative Environments
 
  
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== Wiki ==
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The Years Without Art 1990-1993 c1989.png|link=Art_and_activism|[[Art and activism|Activism]]
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[[Monoskop:About|Monoskop]] is a wiki where anyone can edit any article and have those changes posted immediately. Learn [http://en.wikipedia.org/wiki/Wikipedia:How_to_edit_a_page how to edit pages].
 
  
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==Design==
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The_worlds_protected_areas_2015.jpg|link=Anthropocene|[[Anthropocene|Degrowth]]
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Current Monoskop skin was inspired by [http://www.movingbrands.com/?category_name=wikipedia-work#img5 Moving Brands' Wikipedia Identity proposal] and [[Michael Murtaugh]]'s customized MediaWiki Monobook skin, and uses [http://www.typotheque.com/fonts/fedra_sans Fedra Sans] font designed by [[Peter Biľak]], along with [http://www.google.com/webfonts/specimen/GFS+Neohellenic Greek Font Society's Neohellenic] font for the headlines.
 
  
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== Hosting ==
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Bibliotecha_Stuff_Youll_need.jpg|link=Free software|[[Free software|Free software, libre culture]]
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Monoskop runs on [http://www.mediawiki.org MediaWiki] software, and is hosted by the [http://multiplace.org/wiki/doku.php?id=server Sanchez] free art server, maintained by [[Multiplace]].
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Radio_Punctum_.jpg|link=Community radio|[[Community radio]]
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Ono_Yoko_Grapefruit_1964.jpg|link=Artists publishing|[[Publishing]]
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</gallery>
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==Log2==
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{{#ask:[[Series:Log]]
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|?Posted on
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}}
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==Files==
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<DynamicPageList>
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namespace            = file
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ordermethod          = created
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order                = descending
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shownamespace        = false
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mode                = gallery
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imagesperrow        = 5
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imagewidth          = 240
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galleryshowfilesize  = yes
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galleryshowfilename  = yes
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</DynamicPageList>
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[[Monoskop:Recent files|{{inf}}]]
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==Edits==
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<div class=threecol>
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<DynamicPageList>
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namespace            = mainspace
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ordermethod          = lastedit
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count                = 30
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</DynamicPageList>
 
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</div>
  
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__NOTOC__ __NOEDITSECTION__
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[[Monoskop:Recent edits|{{inf}}]]
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==Pages==
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<div class=threecol>
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<DynamicPageList>
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namespace            = mainspace
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ordermethod          = created
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count                = 30
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</DynamicPageList>
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</div>
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[[Monoskop:Recent pages|{{inf}}]]
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==Log3==
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<div class=threecol>
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{{:Log3}}
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</div>
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[[Base:Mastodon|Mastodon:]] [[Mastodon::https://post.lurk.org/@monoskop]]
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[[Log3|{{inf}}]]
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==wiki==
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<gallery mode=packed heights=300px style=" margin:auto">
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Maciunas_George_ed_Fluxus_1_box_version.jpg|link=Fluxus|[[Fluxus]]
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The_Situationist_Times_5_1964.jpg|link=Situationists|[[Situationist International]]
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Rosler Martha 1975 Semiotics of the Kitchen.jpg|link=Video|[[Video]]
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Marey_1894_Falling_cat.jpg|link=Experimental_film|[[Experimental film|Film]]
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Fuer_Augen_und_Ohren_1980.jpg|link=Sound_art|[[Sound art|Sound]]
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Varlez_Robert_Suites_2016.jpg|link=Conceptual_comics|[[Conceptual comics|Comics]]
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Sa_Neide_1968_Transparencia.jpg|link=Women_in_concrete_poetry|[[Poetry]]
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<!-- Sister projects -->
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Hinton_et_al_2006_p_7.jpg|link=Neural_aesthetics|[[AI]]
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Valie_Export_1967-68_Abstract_Film_No_1.jpg|link=Expanded cinema|[[Cinema]]
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Lippard_Lucy_R_Six_Years_The_Dematerialization_of_the_Art_Object_from_1966_to_1972_1973.jpg|link=Conceptual art|[[Conceptual art]]
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Kay_Emma_1999_Worldview.jpg|link=Conceptual_writing|[[Conceptual writing|Writing]]
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[[Monoskop:Contents|{{inf}}]]
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[[Series:Monoskop]] __NOTOC__ __NOEDITSECTION__

Revision as of 11:46, 9 May 2024

Welcome to Monoskop, a wiki for arts and studies.

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File:Worlding A Harvested Glossary for Social Justice in Arts Education and Beyond 2024.pdf

Worlding A Harvested Glossary for Social Justice in Arts Education and Beyond 2024.jpg
Wor(l)ding
A Harvested Glossary for Social Justice in Arts Education and Beyond

convened by Michelle Teran, Ali Şahin, Kari Robertson, Pablo Lerma

"Wor(l)ding: A Harvested Glossary for Social Justice in Arts Education and Beyond is a glos­sary of references harvested from discourses of equity, diversity, inclusivity, social justice, and social practices, not only in an arts edu­ cation context, but also as part of broader, systemic urgencies.

Words are contextualised through a praxis of referencing the many writers, thinkers, artists, and creators who have deeply engaged with, or even coined, the terms in this publi­ cation. Multiple interconnected struggles are interwoven through and within the voices that are present in this glossary. This approach acknowledges that we already have all the tools and words we need; the work is not to innovate or invent, but to amplify and connect.

Wor(l)ding emerges in a time of institutional cultures of austerity, against a global backdrop of rising fascism in the Global North and horrific imperialist, neo­colonial violence (in Congo, Gaza, Sudan, Tigray, and many other places). At moments such as these, it is vital to take stock of where we are, and to share what tools, allies, and words we have."

HumDrumPress is a collaboration-based publisher. Roles and responsibilities are therefore shared by all parties, within their individual capacities. The following persons contributed in a multitude of ways to making this publication possible: Golnar Abbasi, Fyn van Ast, Lila Athanasiadou, Clara Balaguer, Selçuk Balamir, Milena Bonilla Galeano, Sofia Boschat-Thorez, Teana Boston-Mammah, Leana Boven, Wibke Bramesfeld, Hayfaa Chalabi, Seecum Cheung, Bibi Fadlalla, Gabriel Fontana, Amy Gowen, Aimeric Guerre, Sami Hammana, Diana Ioniţă, Sumia Jaama, Jelien de Jong, Carmen José, Maaike Knopert, Jessy Koeiman, Pablo Lerma, Alfrida Martis, Skye Maule-O’Brien, Nova Mensach, Alina Najum, Rosa Pons-Cerdà, Ilinca Ryo Radoi, Izzy Ramos, Kari Robertson, Pris Roos, Ali Şahin, Sara Sallam, Ana dos Santos, Bobby Sayers, Iris Schutten, Irina Shapiro, Ioana Stoilkova, Michelle Teran, Amy Suo Wu. 

 First edition co-published by HumDrumPress and Meteoro Editions, 2024
 ISBN 978-90-83423-12-8
 Free Art License
 335 pages
 PDF (1mb)

2024-10-29

File:Rousseau Gregoire Sternfeld Nora eds Radio as Radical Education 2024.pdf

Rousseau Gregoire Sternfeld Nora eds Radio as Radical Education 2024.jpg

Radio as Radical Education

Edited by Gregoire Rousseau and Nora Sternfeld

"Welcome dear listeners and readers. Today, we’re presenting the book Radio as Radical Education. It brings together the voices and ideas of people who have worked on, with and in radio while understanding their radio projects as education projects or understanding radio as radical education."

With contributions by Alessandra Pomarico, Anja Steidinger, Damien Pollard, Eddie Choo Wen Yi, Giulia Crisci, Gregoire Rousseau, Julia Stolba, Minerva Juolahti, Nikolay Oleynikov, Nora Sternfeld, Özge Açıkkol, Seda Yıldız

Design and Concept: Maja Redlin

Coordination: Malin Kuht

Proofreading: Faith Gibson

Translation: Anthony DePasquale 

 A collaboration between HFBK Hamburg and Station of Commons
 Published by Station of Commons, Helsinki, October 2024
 ISBN ePDF 9781350030237
 Creative Commons Attribution 4.0 License CC-BY-SA
 108 pages
 PDF (2mb)

Project, via. Book launch.

2024-10-09

File:Zamotka zine 2024.pdf

Zamotka zine 2024.jpg
Zamotka

compiled by Freefilmers

"Zamotka is a kind of wrap made by spreading hummus on lavash flatbread and adding toppings of your liking, which was popularised by Mariupol’s underground creative scene in 2017–2018.

It is also the name given to a self-published zine that explores grassroots food practices, communal dining, food related trauma caused by the war and its social and personal dimensions in the context of Mariupol’s devastation. To honour this legendary wrap and personal memories of the city, Freefilmers have compiled a series of visual and textual contributions in Zamotka." 

 Nychka Lishchynska: literary editing of the zine, text project coordination, interviews.
 Sashko Protiah: coordination, project management.
 Natasha Tseliuba: art and photo project coordination, design, zine layout.
 Concept and implementation: Freefilmers
 Published January 2024

2024-07-22

File:Oroza Ernesto Rikimbili une etude sur la desobeissance technologique et quelques formes de reinvention 2009.pdf

Oroza Ernesto Rikimbili une etude sur la desobeissance technologique et quelques formes de reinvention 2009.jpg

Rikimbili: une étude sur la désobéissance technologique et quelques formes de réinvention

by Ernesto Oroza

"Quand nous acceptons le critère bourgeois qui sanctionne la nécessité comme indigne et celui qui exprime ses besoins comme faible et vulgaire, nous participons à la réduction systématique de la créativité et de la liberté qui pourrait se traduire dans la culture contemporaine." (Ernesto Oroza)

“PLOUGHSHARES AS TECHNOLOGICAL DISOBEDIENCE (CUBA)
Cite du design is a broad church. Whilst hordes of courtiers flocked around the Minister like starlings at sunset, copies of a subversive new book, by Ernesto Oroza, were being distributed by Cite’s publications team. Rikimbili – “a study of technological disobedience and other forms of re-invention” – describes how Cubans have adapted and recycled industrial objects during fifty years of US sanctions. The book’s title, Rikimbili, is named after a two-wheeled vehicle that started its life as a bicycle. The book is subversive because, for me anyway, it describes the kind of design we’ll be doing in the coming age of scarcity industrialism (a phrase of John Michael Greer). Design shows filled with shiny objects, by contrast, are best perceived as historical events about a pardigm that has passed. Write direct to obtain your copy of Rikimbili to: emilie.chabert at citedudesign dot com.” (John Thackara) 

 Publisher Publications de l'Université de Saint-Étienne, Saint-Étienne, 2009
 Translated by Nicole Marchand-Zanartu
 French
 ISBN 978-2-86272-527-7
 67 pages
 PDF (8mb)

Video interview (8 min, 2013). Research blog (est. 2016). Author. Publisher.

See also

2024-07-17

File:Archiving Activism in the Digital Age 2024.pdf

Archiving Activism in the Digital Age 2024.png

Archiving Activism in the Digital Age

Edited by Daniele Salerno and Ann Rigney

"The archiving of social movements has long contributed to their cultural impact. Given the wide availability of digital tools for the making and storing of records, ‘autonomous’ archiving is today becoming a significant part of the activist toolkit itself. In parallel, professional archiving has undergone significant change, leading to more participatory and community-based practices that belie the idea of ‘the Archive’ as an institution merely serving the interests of the state.

This collection brings together academics, archivists, and activists to explore some of the many new sites where activist archives are being produced at the present time. With case studies ranging between Turkey, Afghanistan, the UK, Spain, the Netherlands, and the US, it offers new insights into the opportunities and challenges posed by digitization as well as into the tensions between autonomy and long-term sustainability. It shows above all the potential of archives to become sites of renewed critical engagement."

Contributors: Michelle Caswell, Özge Çelikaslan, Rosemary Grennan, Flore Janssen, Kera Lovell, Eline Pollaert, Ann-Katrine Schmidt Nielsen, Paul van Trigt, Daniel Villar-Onrubia. 

 Publisher Institute of Network Cultures, Amsterdam, May 2024
 INC Theory on Demand #52
 ISBN 9789083328287
 Creative Commons BY-NC-SA 4.0 License
 153 pages
 PDF (9mb), EPUB (9mb)

Publisher.

2024-05-17

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