Difference between revisions of "Monoskop"

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Revision as of 11:46, 9 May 2024

Welcome to Monoskop, a wiki for arts and studies.

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File:Worlding A Harvested Glossary for Social Justice in Arts Education and Beyond 2024.pdf

Worlding A Harvested Glossary for Social Justice in Arts Education and Beyond 2024.jpg
Wor(l)ding
A Harvested Glossary for Social Justice in Arts Education and Beyond

convened by Michelle Teran, Ali Şahin, Kari Robertson, Pablo Lerma

"Wor(l)ding: A Harvested Glossary for Social Justice in Arts Education and Beyond is a glos­sary of references harvested from discourses of equity, diversity, inclusivity, social justice, and social practices, not only in an arts edu­ cation context, but also as part of broader, systemic urgencies.

Words are contextualised through a praxis of referencing the many writers, thinkers, artists, and creators who have deeply engaged with, or even coined, the terms in this publi­ cation. Multiple interconnected struggles are interwoven through and within the voices that are present in this glossary. This approach acknowledges that we already have all the tools and words we need; the work is not to innovate or invent, but to amplify and connect.

Wor(l)ding emerges in a time of institutional cultures of austerity, against a global backdrop of rising fascism in the Global North and horrific imperialist, neo­colonial violence (in Congo, Gaza, Sudan, Tigray, and many other places). At moments such as these, it is vital to take stock of where we are, and to share what tools, allies, and words we have."

HumDrumPress is a collaboration-based publisher. Roles and responsibilities are therefore shared by all parties, within their individual capacities. The following persons contributed in a multitude of ways to making this publication possible: Golnar Abbasi, Fyn van Ast, Lila Athanasiadou, Clara Balaguer, Selçuk Balamir, Milena Bonilla Galeano, Sofia Boschat-Thorez, Teana Boston-Mammah, Leana Boven, Wibke Bramesfeld, Hayfaa Chalabi, Seecum Cheung, Bibi Fadlalla, Gabriel Fontana, Amy Gowen, Aimeric Guerre, Sami Hammana, Diana Ioniţă, Sumia Jaama, Jelien de Jong, Carmen José, Maaike Knopert, Jessy Koeiman, Pablo Lerma, Alfrida Martis, Skye Maule-O’Brien, Nova Mensach, Alina Najum, Rosa Pons-Cerdà, Ilinca Ryo Radoi, Izzy Ramos, Kari Robertson, Pris Roos, Ali Şahin, Sara Sallam, Ana dos Santos, Bobby Sayers, Iris Schutten, Irina Shapiro, Ioana Stoilkova, Michelle Teran, Amy Suo Wu. 

 First edition co-published by HumDrumPress and Meteoro Editions, 2024
 ISBN 978-90-83423-12-8
 Free Art License
 335 pages
 PDF (1mb)

2024-10-29

File:Rousseau Gregoire Sternfeld Nora eds Radio as Radical Education 2024.pdf

Rousseau Gregoire Sternfeld Nora eds Radio as Radical Education 2024.jpg

Radio as Radical Education

Edited by Gregoire Rousseau and Nora Sternfeld

"Welcome dear listeners and readers. Today, we’re presenting the book Radio as Radical Education. It brings together the voices and ideas of people who have worked on, with and in radio while understanding their radio projects as education projects or understanding radio as radical education."

With contributions by Alessandra Pomarico, Anja Steidinger, Damien Pollard, Eddie Choo Wen Yi, Giulia Crisci, Gregoire Rousseau, Julia Stolba, Minerva Juolahti, Nikolay Oleynikov, Nora Sternfeld, Özge Açıkkol, Seda Yıldız

Design and Concept: Maja Redlin

Coordination: Malin Kuht

Proofreading: Faith Gibson

Translation: Anthony DePasquale 

 A collaboration between HFBK Hamburg and Station of Commons
 Published by Station of Commons, Helsinki, October 2024
 ISBN ePDF 9781350030237
 Creative Commons Attribution 4.0 License CC-BY-SA
 108 pages
 PDF (2mb)

Project, via. Book launch.

2024-10-09

File:Zamotka zine 2024.pdf

Zamotka zine 2024.jpg
Zamotka

compiled by Freefilmers

"Zamotka is a kind of wrap made by spreading hummus on lavash flatbread and adding toppings of your liking, which was popularised by Mariupol’s underground creative scene in 2017–2018.

It is also the name given to a self-published zine that explores grassroots food practices, communal dining, food related trauma caused by the war and its social and personal dimensions in the context of Mariupol’s devastation. To honour this legendary wrap and personal memories of the city, Freefilmers have compiled a series of visual and textual contributions in Zamotka." 

 Nychka Lishchynska: literary editing of the zine, text project coordination, interviews.
 Sashko Protiah: coordination, project management.
 Natasha Tseliuba: art and photo project coordination, design, zine layout.
 Concept and implementation: Freefilmers
 Published January 2024

2024-07-22

File:Oroza Ernesto Rikimbili une etude sur la desobeissance technologique et quelques formes de reinvention 2009.pdf

Oroza Ernesto Rikimbili une etude sur la desobeissance technologique et quelques formes de reinvention 2009.jpg

Rikimbili: une étude sur la désobéissance technologique et quelques formes de réinvention

by Ernesto Oroza

"Quand nous acceptons le critère bourgeois qui sanctionne la nécessité comme indigne et celui qui exprime ses besoins comme faible et vulgaire, nous participons à la réduction systématique de la créativité et de la liberté qui pourrait se traduire dans la culture contemporaine." (Ernesto Oroza)

“PLOUGHSHARES AS TECHNOLOGICAL DISOBEDIENCE (CUBA)
Cite du design is a broad church. Whilst hordes of courtiers flocked around the Minister like starlings at sunset, copies of a subversive new book, by Ernesto Oroza, were being distributed by Cite’s publications team. Rikimbili – “a study of technological disobedience and other forms of re-invention” – describes how Cubans have adapted and recycled industrial objects during fifty years of US sanctions. The book’s title, Rikimbili, is named after a two-wheeled vehicle that started its life as a bicycle. The book is subversive because, for me anyway, it describes the kind of design we’ll be doing in the coming age of scarcity industrialism (a phrase of John Michael Greer). Design shows filled with shiny objects, by contrast, are best perceived as historical events about a pardigm that has passed. Write direct to obtain your copy of Rikimbili to: emilie.chabert at citedudesign dot com.” (John Thackara) 

 Publisher Publications de l'Université de Saint-Étienne, Saint-Étienne, 2009
 Translated by Nicole Marchand-Zanartu
 French
 ISBN 978-2-86272-527-7
 67 pages
 PDF (8mb)

Video interview (8 min, 2013). Research blog (est. 2016). Author. Publisher.

See also

2024-07-17

File:Archiving Activism in the Digital Age 2024.pdf

Archiving Activism in the Digital Age 2024.png

Archiving Activism in the Digital Age

Edited by Daniele Salerno and Ann Rigney

"The archiving of social movements has long contributed to their cultural impact. Given the wide availability of digital tools for the making and storing of records, ‘autonomous’ archiving is today becoming a significant part of the activist toolkit itself. In parallel, professional archiving has undergone significant change, leading to more participatory and community-based practices that belie the idea of ‘the Archive’ as an institution merely serving the interests of the state.

This collection brings together academics, archivists, and activists to explore some of the many new sites where activist archives are being produced at the present time. With case studies ranging between Turkey, Afghanistan, the UK, Spain, the Netherlands, and the US, it offers new insights into the opportunities and challenges posed by digitization as well as into the tensions between autonomy and long-term sustainability. It shows above all the potential of archives to become sites of renewed critical engagement."

Contributors: Michelle Caswell, Özge Çelikaslan, Rosemary Grennan, Flore Janssen, Kera Lovell, Eline Pollaert, Ann-Katrine Schmidt Nielsen, Paul van Trigt, Daniel Villar-Onrubia. 

 Publisher Institute of Network Cultures, Amsterdam, May 2024
 INC Theory on Demand #52
 ISBN 9789083328287
 Creative Commons BY-NC-SA 4.0 License
 153 pages
 PDF (9mb), EPUB (9mb)

Publisher.

2024-05-17

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Mastodon: https://post.lurk.org/@monoskop

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