Difference between revisions of "Photography"
Jump to navigation
Jump to search
m (Text replacement - "libgen.io/book/" to "gen.lib.rus.ec/book/") |
|||
| Line 39: | Line 39: | ||
===Historisation=== | ===Historisation=== | ||
| − | * Henry Hunt Snelling, ''The History and Practice of the Art of Photography'', New York: G.P. | + | * Henry Hunt Snelling, ''[https://archive.org/details/ost-art-the_history_and_practice_of_the_art_of_p The History and Practice of the Art of Photography]'', New York: G.P. Putnam, 1849, [http://aaaaarg.fail/ref/21650948a3cead057d7056390f719790 ARG]. {{en}} |
| − | * Georges Potonniée, '' | + | * Georges Potonniée, ''[http://gallica.bnf.fr/ark:/12148/bpt6k6117287h.r=Histoire%20de%20la%20d%C3%A9couverte%20de%20la%20photographie Histoire de la découverte de la photographie]'', Paris: Paul Montel, 1925, [https://archive.org/details/HistoireDeLaDecouverteDeLaPhotographieParGeorgesPotonniee1925 IA], [http://aaaaarg.fail/ref/ee5e6b58748364691f012450574a1d92 ARG]. {{fr}} |
** ''The History of the Discovery of Photography'', trans. Edward Epstean, New York: Arno Press, 1973. {{en}} | ** ''The History of the Discovery of Photography'', trans. Edward Epstean, New York: Arno Press, 1973. {{en}} | ||
| − | * Josef Maria Eder, ''Geschichte der Photographie'' | + | * Josef Maria Eder, ''Geschichte der Photographie'', [http://digi.ub.uni-heidelberg.de/diglit/eder1932bd1 vol. 1] & [http://digi.ub.uni-heidelberg.de/diglit/eder1932bd2 vol. 2], 4th ed., Halle (Saale): Wilhelm Knapp, 1932. {{de}} |
| − | ** ''History of Photography'', trans. Edward Epstean, New York: Dover | + | ** ''[https://archive.org/details/EderHistoryPhotography History of Photography]'', trans. Edward Epstean, New York: Dover, 1945; 1972. {{en}} |
| − | * Lucia Moholy, ''A Hundred Years of Photography, 1839-1939'', Middlesex | + | * Lucia Moholy, ''A Hundred Years of Photography, 1839-1939'', Middlesex: Harmondsworth, 1939. {{en}} |
| − | * Joseph Solomon Friedman, '' | + | * Joseph Solomon Friedman, ''[https://archive.org/details/ost-art-historyofcolorph00frierich History of Color Photography]'', Boston: American Photographic Publishing Company, 1944. {{en}} |
| − | * Beaumont Newhall, ''[http://monoskop.org/log/?p=11179 The History of Photography: From 1839 to the Present Day]'', New York: The Museum of Modern Art, 1949, 256 pp; 5th ed., 1982. {{en}} | + | * Beaumont Newhall, ''[http://monoskop.org/log/?p=11179 The History of Photography: From 1839 to the Present Day]'', New York: The Museum of Modern Art, 1949, 256 pp; 5th ed., 1982. Catalogue. {{en}} |
** [http://monoskop.org/log/?p=11179 ''Historia de la fotografia''], trans. Homero Alsina Thevenet, 2002. {{es}} | ** [http://monoskop.org/log/?p=11179 ''Historia de la fotografia''], trans. Homero Alsina Thevenet, 2002. {{es}} | ||
* Helmut Gernsheim with Alison Gernsheim, ''L.J.M. Daguerre: The History of the Diorama and the Daguerreotype'', New York: Dover, 1968. {{en}} | * Helmut Gernsheim with Alison Gernsheim, ''L.J.M. Daguerre: The History of the Diorama and the Daguerreotype'', New York: Dover, 1968. {{en}} | ||
| − | * Helmut Gernsheim with Alison Gernsheim, ''The History of Photography From the Earliest Use of the Camera Obscura in the Eleventh Century up to 1914'', | + | * Helmut Gernsheim with Alison Gernsheim, ''[https://archive.org/details/aa052-TheHistoryOfPhotography The History of Photography From the Earliest Use of the Camera Obscura in the Eleventh Century up to 1914]'', Oxford University Press, 1955; rev.ed., Thames & Hudson, 1969. {{en}} |
| − | |||
| − | |||
* Aleksander Maciesza, ''[http://monoskop.org/log/?p=7950 Historia fotografii polskiej w latach 1839–1889]'', Plock: Towarzystwo Naukowe Płockie, 1972, 83 pp. {{pl}} | * Aleksander Maciesza, ''[http://monoskop.org/log/?p=7950 Historia fotografii polskiej w latach 1839–1889]'', Plock: Towarzystwo Naukowe Płockie, 1972, 83 pp. {{pl}} | ||
| − | * Robert M. Doty | + | * Robert M. Doty, Minor White, ''Photography in America'', New York: Random House, 1974. Catalogue. {{en}} |
| − | * Aaron Scharf, ''Pioneers of Photography: An Album of Pictures and Words'', New York: Harry N. Abrams, 1976 | + | * Aaron Scharf, ''[[Media:Scharf_Aaron_Pioneers_of_Photography_1976.pdf|Pioneers of Photography: An Album of Pictures and Words]]'', New York: Harry N. Abrams, 1976. {{en}} |
| − | * | + | * John H. Hammond, ''The Camera Obscura: A Chronicle'', Bristol: Adam Hilger, 1981. {{en}} |
| − | * | + | * Ian Jeffrey, ''Photography: A Concise History'', New York: Thames and Hudson, 1981. {{en}} |
| − | * | + | * Peter Galassi, ''[[Media:Galassi_Peter_Before_Photography_Painting_and_the_Invention_of_Photography_1981.pdf|Before Photography: Painting and the Invention of Photography]]'', New York: Museum of Modern Art, 1981. Catalogue. {{en}} |
| − | + | * Jean-Luc Daval, ''Histoire d'un art: la photographie'', Genève: Skira, 1982, 268 pp. [https://www.erudit.org/culture/liberte1026896/liberte1032573/30505ac.pdf Review]. {{fr}} | |
| − | + | ** ''Photography: History of an Art'', trans. R.F.M. Dexter, New York: Skira/Rizzoli, 1982. {{en}} | |
| − | * Jean-Luc Daval, ''Histoire | ||
| − | ** ''Photography | ||
* Jonathan Green, ''American Photography: A Critical History 1945 to the Present'', New York: Harry N. Abrams, 1984. {{en}} | * Jonathan Green, ''American Photography: A Critical History 1945 to the Present'', New York: Harry N. Abrams, 1984. {{en}} | ||
| − | * Naomi Rosenblum, ''A World History of Photography'', New York: Abbeville, 1984; rev.ed., 1989; 3rd | + | * Naomi Rosenblum, ''[[Media:Rosenblum_Naomi_A_World_History_of_Photography_3rd_ed_1997.pdf|A World History of Photography]]'', New York: Abbeville, 1984; rev.ed., 1989; 3rd ed., 1997. {{en}} |
| − | * John Pultz, ''The Body and the Lens: Photography 1839 to the Present'', New York: Harry N. Abrams, 1995 | + | * John Pultz, ''[[Media:Pultz_John_Body_and_the_Lens_Photography_1839_to_the_Present_1995.pdf|The Body and the Lens: Photography 1839 to the Present]]'', New York: Harry N. Abrams, 1995. {{en}} |
| − | * C. Săvulescu, ''Cronologia ilustrată a | + | * C. Săvulescu, ''Cronologia ilustrată a fotografiei din Romania. Perioada 1834-1916'', Bucharest: Asociaţia Artiştilor Fotografi, 1985. {{ro}} |
| − | * Mike Weaver, Daniel Wolf, ''The Art of | + | * Mike Weaver, Daniel Wolf, ''The Art of Photography, 1839-1989'', Yale University Press, 1989. {{en}} |
* Richard Bolton (ed.), ''Contest of Meaning: Critical Histories of Photography'', MIT Press, 1989, 432 pp. [http://mitpress.mit.edu/books/contest-meaning] {{en}} | * Richard Bolton (ed.), ''Contest of Meaning: Critical Histories of Photography'', MIT Press, 1989, 432 pp. [http://mitpress.mit.edu/books/contest-meaning] {{en}} | ||
| − | * Pierre-Jean Amar, ''La photographie | + | * Pierre-Jean Amar, ''La photographie: histoire d'un art'', Paris: Edisud, 1993. {{fr}} |
| − | * Eva Weber, ''Pioneers of | + | * Eva Weber, ''Pioneers of Photography'', New York: Smithmark, 1995. {{en}} |
* Heinz K. Henisch, Bridget A. Henisch, ''The Painted Photograph, 1839-1914: Origins, Techniques, Aspirations'', Pennsylvania State University, 1996. {{en}} | * Heinz K. Henisch, Bridget A. Henisch, ''The Painted Photograph, 1839-1914: Origins, Techniques, Aspirations'', Pennsylvania State University, 1996. {{en}} | ||
| − | * Pierre-Jean Amar, ''Histoire de la photographie'', Paris: | + | * Pierre-Jean Amar, ''Histoire de la photographie'', Paris: PUF, 1997. {{fr}} |
| − | * | + | * Pierre-Jean Amar, ''Le photojournalisme'', Paris: Nathan-Université, 2000. {{fr}} |
| − | * | + | * Quentin Bajac, ''L'Image révélée: l'invention de la photographie'', Paris: Gallimard, 2001, 160 pp. [http://www.gallimard.fr/Catalogue/GALLIMARD/Decouvertes-Gallimard/Decouvertes-Gallimard/Arts/L-Image-revelee] {{fr}} |
| − | * | + | * Michael Gray, Arthur Ollman, Carol McCusker, ''First Photographs: William Henry Fox Talbot and the Birth of Photography'', New York: powerHouse Books, 2002. {{en}} |
| − | + | * Mary Warner Marien, ''Photography: A Cultural History'', Upper River Saddle, N.J.: Prentice Hall, 2002. {{en}} | |
| − | |||
| − | |||
| − | |||
| − | * Mary Warner Marien, ''Photography: | ||
* Clément Chéroux, ''[http://monoskop.org/log/?p=8682 Fautographie. Petite histoire de l'erreur photographique]'', Crisnée: Yellow Now, 2003, 183 pp. {{fr}} | * Clément Chéroux, ''[http://monoskop.org/log/?p=8682 Fautographie. Petite histoire de l'erreur photographique]'', Crisnée: Yellow Now, 2003, 183 pp. {{fr}} | ||
| − | * Martin Parr | + | * Martin Parr, Gerry Badger, ''The Photobook: A history'', 2 vols., London/New York: Phaidon, 2004 & 2006. {{en}} |
| − | * Quentin Bajac, ''La photographie: l'époque moderne 1880-1960'', Paris: Gallimard | + | * Quentin Bajac, ''La photographie: l'époque moderne 1880-1960'', Paris: Gallimard, 2005. {{fr}} |
| − | * William Johnson, Mark Rice, Carla Williams, Therese Mulligan | + | * William Johnson, Mark Rice, Carla Williams, Therese Mulligan, David Wooters, ''A History of Photography: From 1839 to the Present'', Cologne/London: Taschen, 2005. {{en}} |
* P.C. Bunnell, ''Inside the Photograph: Writings on Twentieth-Century Photography'', Aperture, 2006. [http://artandarchaeology.princeton.edu/research/faculty-bookshelf/inside-the-photograph] {{en}} | * P.C. Bunnell, ''Inside the Photograph: Writings on Twentieth-Century Photography'', Aperture, 2006. [http://artandarchaeology.princeton.edu/research/faculty-bookshelf/inside-the-photograph] {{en}} | ||
| − | |||
| − | |||
* Aurora Király (ed.), ''Fotografia în arta românească contemporană: tendinţe în România după 1989'', Bucharest: Unarte, 2006, [http://gen.lib.rus.ec/book/index.php?md5=23BD677ADC2A4332EC69888B78BDE01A PDF], [https://archive.org/details/PhotographyInContemporaryArtTrendsInRomaniaAfter1989 IA]. {{ro}} | * Aurora Király (ed.), ''Fotografia în arta românească contemporană: tendinţe în România după 1989'', Bucharest: Unarte, 2006, [http://gen.lib.rus.ec/book/index.php?md5=23BD677ADC2A4332EC69888B78BDE01A PDF], [https://archive.org/details/PhotographyInContemporaryArtTrendsInRomaniaAfter1989 IA]. {{ro}} | ||
| − | * Quentin Bajac | + | * Quentin Bajac, Clément Chéroux, ''Collection Photographs: A History of Photography Through the Collections of the Centre Pompidou, Musée National d'Art Moderne'', Göttingen: Steidl / Paris: Centre Pompidou, 2007. Catalogue. {{en}}/{{fr}} |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | * | + | * Matthew S. Witkovsky, ''Foto: Modernity in Central Europe, 1918-1945'', intro. Peter Demetz, Washington, DC: National Gallery of Art, and London: Thames & Hudson, 2007, xxix+278 pp. Catalogue. {{en}} |
| − | * | + | * Ute Eskildsen, Florian Ebner and Bettina Kaufmann, ''Street & Studio: An Urban History of Photography'', London: Tate, and New York: Harry N. Abrams, 2008. {{en}} |
| − | * | + | * Dominique de Font-Reaulx, ''The Daguerreotype'', Paris: Musee d'Orsay, 2008, [https://archive.org/details/aa106-TheDaguerreotype IA]. Catalogue. {{en}} |
| − | * | + | * Françoise Heilbrun, ''A History of Photography: The Musée d'Orsay Collection, 1839-1925'', Paris: Flammarion, 2009. {{fr}}/{{en}} |
| − | * | + | * Jorge Ribalta, ''[https://monoskop.org/log/?p=17317 Universal Archive: The Condition of the Document and the Modern Photographic Utopia]'', Barcelona: MACBA, 2008, 99 pp. Catalogue. {{en}},{{ca}},{{es}} |
| − | * | + | * Václav Macek, ''The History of European Photography, 1900-1938'', Bratislava: Central European House of Photography, 2010. {{en}} |
| − | * | + | * Daniel Girardin, Christian Pirker, Yaniv Benhamou, ''Controversies: A Legal and Ethical History of Photography'', Arles: Actes Sud, and Lausanne: Musée de l'Élysée, 2012. {{en}} |
* Kaja Silverman, ''[http://monoskop.org/log/?p=16627 The Miracle of Analogy or The History of Photography, Part 1]'', Stanford University Press, 2015, 203 pp. {{en}} | * Kaja Silverman, ''[http://monoskop.org/log/?p=16627 The Miracle of Analogy or The History of Photography, Part 1]'', Stanford University Press, 2015, 203 pp. {{en}} | ||
| Line 169: | Line 153: | ||
** [[Flusser#Flusser1985|more translations]] | ** [[Flusser#Flusser1985|more translations]] | ||
| − | + | * Eduardo Cadava, ''Words of Light: Theses on the Photography of History'', Princeton University Press, 1997. {{en}} | |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | * Eduardo Cadava, ''Words of Light: Theses on the Photography of History'', | ||
* Quentin Bajac, ''Tableaux vivants. Fantaisies photographiques victoriennes, 1840-1880'', Réunion des Musées Nationaux, 1999. {{fr}} | * Quentin Bajac, ''Tableaux vivants. Fantaisies photographiques victoriennes, 1840-1880'', Réunion des Musées Nationaux, 1999. {{fr}} | ||
| − | |||
| − | |||
* David Green, Joanna Lowry (eds.), ''[http://monoskop.org/log/?p=6354 Stillness and Time: Photography and the Moving Image]'', Photoworks / Photoforum, 2005, 183 pp. {{en}} | * David Green, Joanna Lowry (eds.), ''[http://monoskop.org/log/?p=6354 Stillness and Time: Photography and the Moving Image]'', Photoworks / Photoforum, 2005, 183 pp. {{en}} | ||
| − | |||
| − | |||
* Jacques Derrida, [http://archive.org/details/JacquesDerridaCopyArchiveSignatureAConversationOnPhotography2010 ''Copy, Archive, Signature: A Conversation on Photography''], ed. Gerhard Richter, trans. Jeff Fort, Stanford University Press, 2010, 67 pp. {{en}} | * Jacques Derrida, [http://archive.org/details/JacquesDerridaCopyArchiveSignatureAConversationOnPhotography2010 ''Copy, Archive, Signature: A Conversation on Photography''], ed. Gerhard Richter, trans. Jeff Fort, Stanford University Press, 2010, 67 pp. {{en}} | ||
| Line 191: | Line 165: | ||
* François Laruelle, ''[http://monoskop.org/log/?p=6835 Photo-Fiction, a Non-Standard Aesthetics]'', trans. Drew S. Burk, Minneapolis, MN: Univocal, 2012, 85 pp. {{en}} | * François Laruelle, ''[http://monoskop.org/log/?p=6835 Photo-Fiction, a Non-Standard Aesthetics]'', trans. Drew S. Burk, Minneapolis, MN: Univocal, 2012, 85 pp. {{en}} | ||
| − | + | * Shawn Michelle Smith, ''At the Edge of Sight: Photography and the Unseen'', Duke University Press, 2013, 312 pp. {{en}} | |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | * Shawn Michelle Smith, ''At the | ||
| − | * John Berger, ''Understanding a Photograph'', ed. & intro. Geoff Dyer, Aperture, 2013, 256 pp. {{en}} | + | * John Berger, ''Understanding a Photograph'', ed. & intro. Geoff Dyer, Aperture, 2013, 256 pp. Previously uncollected writings on photography. {{en}} |
| − | * Lisa Saltzman, '' | + | * Lisa Saltzman, ''[http://gen.lib.rus.ec/book/index.php?md5=17905da4d80dbd58d187109a4f8285ce Daguerreotypes: Fugitive Subjects, Contemporary Objects]'', University of Chicago Press, 2015. {{en}} |
===Other=== | ===Other=== | ||
Revision as of 09:27, 19 August 2016
View from the Window at Le Gras is the oldest surviving camera photograph. Created by Nicéphore Niépce in 1826 or 1827 at Saint-Loup-de-Varennes, it shows parts of the buildings and surrounding countryside of his estate, Le Gras, seen from a high window, made using a camera obscura. It was the result of an 8-hour exposure.
Portrait of Nahui Olin by Edward Weston, 1924.
Contents
Pages
- 291
- Berenice Abbott
- František Abrahamovič
- Yuri Abramochkin
- William Ackland
- Sarah Angelina Acland
- Costică Acsinte
- Antoine Samuel Adam-Salomon
- Ansel Adams
- Robert Adamson
- Olympe Aguado
- Sofia Ahlbom
- Joseph Albert
- Pavel Albieri
- Casiano Alguacil
- Fratelli Alinari
- Giuseppe Allegri
- Edward L. Allen
- Timothy Allen
- Darogha Ubbas Alli
- Marie-Alexandre Alophe
- Mads Alstrup
- Jane Fulton Alt
- Robert Altman
- Gioacchino Altobelli
- Pierre-Jean Amar
- Antoni Amatller
- Hubertus von Amelunxen
- Cornelis Hendrik van Amerom
- Georges Ancely
- Domenico Anderson
- James Anderson
- Thomas Andrew
- Bert Andrews
- Ludwig Angerer
- Thomas Annan
- Ottomar Anschütz
- Edward Anthony
- Eugène Appert
- Frederick Scott Archer
- Félix Arnaudin
- Hippolyte Arnoux
- Eduard Isaac Asser
- Eugène Atget
- Anna Atkins
- Pau Audouard
- James Aurig
- Richard Avedon
- George Barnard
- Catharine Weed Barnes
- Geoffrey Batchen
- David Bate
- Antonio Beato
- Felice Beato
- Bernd and Hilla Becher
- Alexandru Bellu
- John Berger
- Iosif Berman
- Ilse Bing
- Werner Bischof
- Karl Blossfeldt
- Irena Blühová
- Jean-François Bonhomme
- Vane Bor
- Mathew Brady
- Anton Giulio Bragaglia
- James Bragge
- Brian Brake
- Brassaï
- Francis Bruguière
- Peter Bunnell
- Burton Brothers
- Michal Burza
- Julia Margaret Cameron
- Robert Capa
- Henri Cartier-Bresson
- Jack Cato
- Graham Clarke
- Gregory Colbert
- George S. Cook
- Charles Cros
- Edward Curtis
- Louis Daguerre
- Branibor Debeljković
- František Drtikol
- Josef Maria Eder
- Alfred Eisenstaedt
- Jonas Ekeberg
- Peter Henry Emerson
- Elliott Erwitt
- Walker Evans
- Constant Alexandre Famin
- Andreas Feininger
- Roger Fenton
- Joan Fontcuberta
- Hollis Frampton
- Gisèle Freund
- Jaromír Funke
- Peter Galassi
- Alexander Gardner
- Carl Christoph Friedrich Geiger
- Helmut Gernsheim
- James F. Gibson
- Andreas Groll
- Hervé Guibert
- Philip Haas
- Alexandr Hackenschmied
- Anneliese Hager
- Philippe Halsman
- Florence Henri
- Tim Hetherington
- David Octavius Hill
- Karol Hiller
- Lewis Hine
- Kati Horna
- Horst P. Horst
- Nicolae Ionescu
- William Henry Jackson
- Pierre Janssen
- Libuše Jarcovjáková
- Gertrude Kaesebier
- Andrey Osipovich Karelin
- Basile Kargopoulo
- André Kertész
- Fernand Khnopff
- Kouzlo staré fotografie
- Ede Kozics
- Germaine Krull
- Zofia Kulik
- James Lafayette
- Jean Lauzon
- Jiří Lehovec
- Annie Leibovitz
- Alexander Liberman
- El Lissitzky
- John Loengard
- Lumière brothers
- Father Mackey
- Yanaki and Milton Manaki
- Roxana Marcoci
- Étienne-Jules Marey
- Samoilă Mârza
- James McDonald
- Lajos Mezey
- Gjon Mili
- Tina Modotti
- Lucia Moholy
- László Moholy-Nagy
- Eadweard Muybridge
- Nadar
- Paul Nadar
- James Nasmyth
- Natalia LL
- Beaumont Newhall
- Nicéphore Niépce
- Sonya Noskowiak
- Carl Gustav Oehme
- Ogawa Kazumasa
- Jacob Olie
- Timothy O'Sullivan
- Joaquim Insley Pacheco
- David Prakel
- John Pultz
- Achille Quinet
- Jean Raoul
- Man Ray
- John Reekie
- Oscar Gustave Rejlander
- Marcia Resnick
- Jaroslav Rössler
- Naomi Rosenblum
- Martha Rosler
- Ed Ruscha
- Andrew J. Russell
- Zygmunt Rytka
- Jean Baptiste Sabatier-Blot
- Alfred Sache
- John Edward Sache
- August Sander
- Steven Sasson
- Aaron Scharf
- Allan Sekula
- Joaquim Possidónio Narciso da Silva
- Slit-scan
- Katrina Sluis
- Ré Soupault
- Jo Spence
- Julian Stallabrass
- Edward Steichen
- Harvey Stein
- Alfred Stieglitz
- Dennis Stock
- Paul Strand
- John Szarkowski
- Carol Szathmari
- Isaac West Taber
- William Henry Fox Talbot
- Gerda Taro
- Karel Teige
- Franciszka and Stefan Themerson
- John Thomson
- Théodore Tiffereau
- Louis Tinayre
- Tomishige Rihei
- Eugène Trutat
- Pierre Trémaux
- Ludovico Tuminello
- Peter Turner
- Uchida Kuichi
- Ueno Hikoma
- Zsuzsi Ujj
- Ukai Gyokusen
- Ulay
- Auguste Vacquerie
- George Valentine
- Bertha Valerius
- Carl Van Vechten
- Ferenc Veress
- Louis Vert
- Louis Vignes
- Jean-Marie Villard
- Joseph Villard
- Julien Vallou de Villeneuve
- Eugène Villette
- Hermann Wilhelm Vogel
- Samuel Walker
- Alfred Henry Wall
- Jeff Wall
- Charles Walter
- Andy Warhol
- Augustus Washington
- Carleton Watkins
- Alex Webb
- Liz Wells
- Brett Weston
- Edward Weston
- Nicoline Weywadt
- John Adams Whipple
- Jesse Harrison Whitehurst
- George Washington Wilson
- Charles David Winter
- Eugen Wiškovský
- Joel-Peter Witkin
- William de Wiveleslie Abney
- Yokoyama Matsusaburo
- Zangaki brothers
- Jules Ziegler
- Heinrich Zille
Selected publications
William Henry Fox Talbot, The Pencil of Nature, 1844, PDF. First photographic book, with 24 calotypes.
László Moholy-Nagy, Malerei, Fotografie, Film, 1925/27, Log.
László Moholy-Nagy, Von Material zu Architektur, 1929, Log.
Gyorgy Kepes, Language of Vision: Painting, Photography, Advertising-Design, 1944/69, Log.
Chronophotography
Eadweard Muybridge, Animal Locomotion, 11 vols., 1887, JPGs.
- Eadweard Muybridge, Animal Locomotion, 11 vols., Philadelphia: University of Pennsylvania, 1887, 781 plates. (English)
Avant-garde, Modernism
- László Moholy-Nagy, Malerei, Fotografie, Film, Munich: Albert Langen, 1925, 115 pp; 2nd ed., 1927, 140 pp. Incl. "Dynamik der Gross-Stadt", pp 116-129. (German)
- Painting Photography Film, trans. Janet Seligman, London: Lund Humphries, 1969. (English)
- more translations
- Albert Renger-Patzsch, Die Welt ist schön. Einhundert photographische Aufnahmen, Munich: Kurt Wolff, 1928; other ed., Munich: Einhorn, 1928. Photo book. [1] Reception.
- August Sander, Antlitz der Zeit. Sechzig Aufnahmen Deutscher Menschen Des 20. Jahrhunderts, Munich: Transmare, 1929. Photo book. [2] [3]
- Franz Roh, Jan Tschichold, Foto-Auge: 76 Fotos der Zeit / Œil et photo: 76 photographies de notre temps / Photo-Eye: 76 Photos of the Period, Stuttgart: Wedekind, 1929, 18+[76] pp. [4] [5] [6] [7] (German)/(French)/(English)
- Werner Gräff, Es kommt der neue Fotograf!, Berlin: H. Reckendorf, 1929. [8] (German)
- László Moholy-Nagy, Von Material zur Architektur, Munich: Albert Langen, Bauhausbücher 14, 1929, 241 pp; facsimile repr., Mainz and Berlin: Florian Kupferberg, 1968, 251 pp. (German)
- The New Vision: From Material to Architecture, trans. Daphne M. Hoffman, New York: Breuer Warren and Putnam, 1930; exp.rev.ed. as The New Vision and Abstract of an Artist, New York: George Wittenborn, 1947, 92 pp. (English)
- more translations
- Gyorgy Kepes, Language of Vision: Painting, Photography, Advertising-Design, intro. Siegfried Giedion and Samuel Ichiye Hayakawa, Chicago: Paul Theobald, 1944; rev.ed., Chicago: Paul Theobald, 1964. (English)
Historisation
- Henry Hunt Snelling, The History and Practice of the Art of Photography, New York: G.P. Putnam, 1849, ARG. (English)
- Georges Potonniée, Histoire de la découverte de la photographie, Paris: Paul Montel, 1925, IA, ARG. (French)
- The History of the Discovery of Photography, trans. Edward Epstean, New York: Arno Press, 1973. (English)
- Josef Maria Eder, Geschichte der Photographie, vol. 1 & vol. 2, 4th ed., Halle (Saale): Wilhelm Knapp, 1932. (German)
- History of Photography, trans. Edward Epstean, New York: Dover, 1945; 1972. (English)
- Lucia Moholy, A Hundred Years of Photography, 1839-1939, Middlesex: Harmondsworth, 1939. (English)
- Joseph Solomon Friedman, History of Color Photography, Boston: American Photographic Publishing Company, 1944. (English)
- Beaumont Newhall, The History of Photography: From 1839 to the Present Day, New York: The Museum of Modern Art, 1949, 256 pp; 5th ed., 1982. Catalogue. (English)
- Historia de la fotografia, trans. Homero Alsina Thevenet, 2002. (Spanish)
- Helmut Gernsheim with Alison Gernsheim, L.J.M. Daguerre: The History of the Diorama and the Daguerreotype, New York: Dover, 1968. (English)
- Helmut Gernsheim with Alison Gernsheim, The History of Photography From the Earliest Use of the Camera Obscura in the Eleventh Century up to 1914, Oxford University Press, 1955; rev.ed., Thames & Hudson, 1969. (English)
- Aleksander Maciesza, Historia fotografii polskiej w latach 1839–1889, Plock: Towarzystwo Naukowe Płockie, 1972, 83 pp. (Polish)
- Robert M. Doty, Minor White, Photography in America, New York: Random House, 1974. Catalogue. (English)
- Aaron Scharf, Pioneers of Photography: An Album of Pictures and Words, New York: Harry N. Abrams, 1976. (English)
- John H. Hammond, The Camera Obscura: A Chronicle, Bristol: Adam Hilger, 1981. (English)
- Ian Jeffrey, Photography: A Concise History, New York: Thames and Hudson, 1981. (English)
- Peter Galassi, Before Photography: Painting and the Invention of Photography, New York: Museum of Modern Art, 1981. Catalogue. (English)
- Jean-Luc Daval, Histoire d'un art: la photographie, Genève: Skira, 1982, 268 pp. Review. (French)
- Photography: History of an Art, trans. R.F.M. Dexter, New York: Skira/Rizzoli, 1982. (English)
- Jonathan Green, American Photography: A Critical History 1945 to the Present, New York: Harry N. Abrams, 1984. (English)
- Naomi Rosenblum, A World History of Photography, New York: Abbeville, 1984; rev.ed., 1989; 3rd ed., 1997. (English)
- John Pultz, The Body and the Lens: Photography 1839 to the Present, New York: Harry N. Abrams, 1995. (English)
- C. Săvulescu, Cronologia ilustrată a fotografiei din Romania. Perioada 1834-1916, Bucharest: Asociaţia Artiştilor Fotografi, 1985. (Romanian)
- Mike Weaver, Daniel Wolf, The Art of Photography, 1839-1989, Yale University Press, 1989. (English)
- Richard Bolton (ed.), Contest of Meaning: Critical Histories of Photography, MIT Press, 1989, 432 pp. [9] (English)
- Pierre-Jean Amar, La photographie: histoire d'un art, Paris: Edisud, 1993. (French)
- Eva Weber, Pioneers of Photography, New York: Smithmark, 1995. (English)
- Heinz K. Henisch, Bridget A. Henisch, The Painted Photograph, 1839-1914: Origins, Techniques, Aspirations, Pennsylvania State University, 1996. (English)
- Pierre-Jean Amar, Histoire de la photographie, Paris: PUF, 1997. (French)
- Pierre-Jean Amar, Le photojournalisme, Paris: Nathan-Université, 2000. (French)
- Quentin Bajac, L'Image révélée: l'invention de la photographie, Paris: Gallimard, 2001, 160 pp. [10] (French)
- Michael Gray, Arthur Ollman, Carol McCusker, First Photographs: William Henry Fox Talbot and the Birth of Photography, New York: powerHouse Books, 2002. (English)
- Mary Warner Marien, Photography: A Cultural History, Upper River Saddle, N.J.: Prentice Hall, 2002. (English)
- Clément Chéroux, Fautographie. Petite histoire de l'erreur photographique, Crisnée: Yellow Now, 2003, 183 pp. (French)
- Martin Parr, Gerry Badger, The Photobook: A history, 2 vols., London/New York: Phaidon, 2004 & 2006. (English)
- Quentin Bajac, La photographie: l'époque moderne 1880-1960, Paris: Gallimard, 2005. (French)
- William Johnson, Mark Rice, Carla Williams, Therese Mulligan, David Wooters, A History of Photography: From 1839 to the Present, Cologne/London: Taschen, 2005. (English)
- P.C. Bunnell, Inside the Photograph: Writings on Twentieth-Century Photography, Aperture, 2006. [11] (English)
- Aurora Király (ed.), Fotografia în arta românească contemporană: tendinţe în România după 1989, Bucharest: Unarte, 2006, PDF, IA. (Romanian)
- Quentin Bajac, Clément Chéroux, Collection Photographs: A History of Photography Through the Collections of the Centre Pompidou, Musée National d'Art Moderne, Göttingen: Steidl / Paris: Centre Pompidou, 2007. Catalogue. (English)/(French)
- Matthew S. Witkovsky, Foto: Modernity in Central Europe, 1918-1945, intro. Peter Demetz, Washington, DC: National Gallery of Art, and London: Thames & Hudson, 2007, xxix+278 pp. Catalogue. (English)
- Ute Eskildsen, Florian Ebner and Bettina Kaufmann, Street & Studio: An Urban History of Photography, London: Tate, and New York: Harry N. Abrams, 2008. (English)
- Dominique de Font-Reaulx, The Daguerreotype, Paris: Musee d'Orsay, 2008, IA. Catalogue. (English)
- Françoise Heilbrun, A History of Photography: The Musée d'Orsay Collection, 1839-1925, Paris: Flammarion, 2009. (French)/(English)
- Jorge Ribalta, Universal Archive: The Condition of the Document and the Modern Photographic Utopia, Barcelona: MACBA, 2008, 99 pp. Catalogue. (English),(Catalan),(Spanish)
- Václav Macek, The History of European Photography, 1900-1938, Bratislava: Central European House of Photography, 2010. (English)
- Daniel Girardin, Christian Pirker, Yaniv Benhamou, Controversies: A Legal and Ethical History of Photography, Arles: Actes Sud, and Lausanne: Musée de l'Élysée, 2012. (English)
- Kaja Silverman, The Miracle of Analogy or The History of Photography, Part 1, Stanford University Press, 2015, 203 pp. (English)
Theory and philosophy
- Pierre Bourdieu, Un art moyen. Essais sur les usages sociaux de la photographie, 1965. (French)
- Photography: A Middle-brow Art, trans. Shaun Whiteside, 1990. (English)
- Susan Sontag, On Photography, New York: Farrar, Straus & Giroux, 1977, 207 pp; RosettaBooks, 2005. (English)
- Roland Barthes, La chambre claire: note sur la photographie, Paris: Gallimard/Seuil, 1980, 194 pp. (French)
- Camera Lucida: Reflections on Photography, trans. Richard Howard, Farrar, Straus and Giroux, 1982, 119 pp. (English)
- more translations
- Victor Burgin (ed.), Thinking Photography, 2nd ed., Macmillan, 1982. (English)
- Vilém Flusser, Für eine Philosophie der Fotografie, European Photography, 1983, 58 pp; 1989; 1997; 2006. (German)
- Towards A Philosophy of Photography, ed. Derek Bennett, Göttingen: European Photography, 1984, 62 pp. (English)
- more translations
- Vilém Flusser, Ins Universum der technischen Bilder, Göttingen: European Photography, 1985; 1992; 1996. (German)
- Into the Universe of Technical Images, trans. Nancy Ann Roth, University of Minnesota Press, 2011, 224 pp. (English)
- more translations
- Eduardo Cadava, Words of Light: Theses on the Photography of History, Princeton University Press, 1997. (English)
- Quentin Bajac, Tableaux vivants. Fantaisies photographiques victoriennes, 1840-1880, Réunion des Musées Nationaux, 1999. (French)
- David Green, Joanna Lowry (eds.), Stillness and Time: Photography and the Moving Image, Photoworks / Photoforum, 2005, 183 pp. (English)
- Jacques Derrida, Copy, Archive, Signature: A Conversation on Photography, ed. Gerhard Richter, trans. Jeff Fort, Stanford University Press, 2010, 67 pp. (English)
- François Laruelle, The Concept of Non-Photography, Urbanomic/Sequence Press, 2011. (English)
- François Laruelle, Photo-Fiction, a Non-Standard Aesthetics, trans. Drew S. Burk, Minneapolis, MN: Univocal, 2012, 85 pp. (English)
- Shawn Michelle Smith, At the Edge of Sight: Photography and the Unseen, Duke University Press, 2013, 312 pp. (English)
- John Berger, Understanding a Photograph, ed. & intro. Geoff Dyer, Aperture, 2013, 256 pp. Previously uncollected writings on photography. (English)
- Lisa Saltzman, Daguerreotypes: Fugitive Subjects, Contemporary Objects, University of Chicago Press, 2015. (English)
Other
- John Szarkowski, The Photographer's Eye, New Yor: MoMA, 1966; 1980; 2007; 2009, PDF. (English)
- Pierre Bonhomme, La Photographie à la croisée des chemins, Paris: de la Manufacture, 1990. (French)
- Georges Didi-Huberman, Invention of Hysteria: Charcot and the Photographic Iconography of the Salpetriere [1982], trans. Alisa Hartz, MIT Press, 2003, 373 pp. (English)
- Antiquity and Photography: Early Views of Ancient Mediterranean Sites, Los Angeles: Getty, 2005, 226 pp. (English)
- George M. Craven, Object and Image, An Introduction to Photography New Jersey: Prentice Hall, Englewood Cliffs, 1990. (English)
- Carol Armstrong, Scenes in a Library: Reading the Photograph in the Book, 1843–1875, Cambridge: MIT Press, 1998. (English)
- Photo / Graphics, Paris: Jeu de Paume, 2008, 45 pp. (English)
- Louis Kaplan, The Strange Case of William Mumler, Spirit Photographer, University of Minnesota Press, 2008, 288 pp. (English)
- Pierre Bonhomme, L'art de la mer: anthologie de la photographie maritime depuis 1843, Arthaud, 2009. (French)
- Mark Durden, Fifty Key Writers on Photography, London: Routledge, 2013. (English)
- Bibliographies
- Kelley Wilder, "History of Photography", Oxford Bibliographies, 2014. (English)
Exhibitions online
- Foto: Modernity in Central Europe, 1918-1945, NGA, 2007.
- Object:Photo, MoMA's 1920s-30s photography collection, 2014.
Links
- History in Images by Travis Lovell, 2010.
