Difference between revisions of "Remake"
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==Magazine== | ==Magazine== | ||
+ | [[Image:34remakecover.png|right|250px|frameless]] | ||
+ | '''3/4 magazine, No. 27-28 (2012)'''<br> | ||
+ | '''Special issue on media art history: Remake''' (English/Slovak) | ||
− | + | Special bilingual issue of [[3/4|3/4 magazine]] dedicated to media art history. Serves as a catalogue of a travelling exhibition Remake. It also brings, for the first time, selection of interviews done by Dušan Barok with personalities and media art and culture history-makers [[Diana McCarty]], [[Michal Murin]], [[Călin Man]], [[Rasa Smite]] and [[Raitis Smits]]. Interviews are complemented by a passage from monograph about Steina and Woody Vasulka, entitled Dialogue with Daemons of Tools by art historian Lenka Dolanová, views on art scenes in Ukraine and Iceland and appendix showing the process of development of works for Remake exhibition. | |
− | [ | + | Editor: [[Barbora Šedivá]]<br> |
+ | Editor-in-chief: [[Slávo Krekovič]]<br> | ||
+ | Contributing editors: [[Dušan Barok]], [[Katarína Gatialová]], [[Oliver Rehák]], [[Mária Rišková]], [[Catherine Lenoble]]<br> | ||
+ | Publisher: [[Atrakt Art]], Bratislava, Slovakia<br> | ||
+ | ISSN 1335-5309<br> | ||
+ | 134 pages | ||
+ | [http://34.sk/archiv.php#27 View HTML version]<br> | ||
+ | [http://34.sk/pdf/34_27-28_Remake.pdf Download PDF]<br> | ||
+ | [http://issuu.com/dusanson/docs/34_27-28_remake View on Issuu]<br> | ||
+ | [http://www.scribd.com/doc/94116667/3-4-magazine-No-27-28-2012-Special-issue-on-media-art-history-Remake View on Scribd] | ||
− | + | ==Journal== | |
+ | [[Image:Tim-ezin-remake.jpg|right|250px|frameless]] | ||
+ | '''TIM – Teorie Interaktivních Médií, No. 4: Remake (2012)''' (Czech) | ||
+ | |||
+ | TIM ezin je odborný magazín studentů oboru Teorie interaktivních médií Masarykovy univerzity v Brně. Číslo 4 je věnované tématu REMAKE a také aktuálnímu projektu REMAKE z dílny Sdružení pro aktuální umění a kulturu Atrakt Art. | ||
+ | |||
+ | Projekt, který je založen na kolaborativní produkci a mezinárodní prezentaci nových uměleckých prací, inspirovaných bohatou historií mediálního umění v Evropě, představuje tematické východisko článků druhého čísla ezinu TIM. | ||
+ | |||
+ | Klíčová slova: remake, remix, remixability, postprodukce, apropriace, znovu provedení (reenactment), koláž, montáž, pastiš, postmodernismus, vizuální kultura, DJ culture, nová historiografie, produsage, prosumer technologies, autorské právo, open source, free software. | ||
+ | |||
+ | Editors [[Zuzana Kobíková]], [[Jana Horáková]]<br> | ||
+ | Publisher Ústav hudební vědy Filozofické fakulty Masarykovy univerzity, Brno<br> | ||
+ | Creative Commons Attribution 3.0 License<br> | ||
+ | ISSN 1805-2606 | ||
+ | |||
+ | [http://www.phil.muni.cz/journals/index.php/tim/issue/view/19 View online]<br> | ||
+ | [http://www.phil.muni.cz/~kacurak/tim/TIMezin_TIMe_4_REMAKE_2012_KOMPLETNIVYDANI.pdf Download issue in a single PDF] |
Revision as of 22:31, 5 June 2012
REMAKE / REthinking Media Art in K(C)ollaborative Environments
“Postproduction artists are agents of the evolution, the specialized workers of cultural reappropriation. [...] Now what is at stake is to positivize the REMAKE, to articulate uses, to place forms in relation to each other, rather than to embark on the heroic quest for the forbidden and the sublime that characterized modernism.“ (Nicolas Bourriaud: Postproduction)
REMAKE is an Atrakt Art project funded by Culture Programme of the EU. It is aimed at collaborative production and international presentation of new artworks, inspired by the rich history of European media art. The project is building on a research conducted in the recent years by a group of art theorists, called MONOSKOP (initiated by Dušan Barok), a collaborative research on new media art and electronic culture in Europe. The research examines also the social context of historical developments in new media art in Europe (with special focus on Central and Eastern Europe): analysis of sociopoetic conditions of art and technology crossings from 1960s to 2000s draws upon the undertakings in experimental and avantgarde film, performance art, computer art, video art, experimental music, sound art, and media theory.
The aim of the REMAKE project (2010-2012) is to enhance this on-going research in an appealing, playful and artistically-challenging way: by producing and presenting a set of up-to-date artworks which will be inspired by particular well-known (but also forgotten) pieces of media art history in different European countries. The public outputs will be supervised and the artistic selection conducted by outstanding as well as young media art curators from several countries invited by the project coorganizers. An important part of the project is circulation of ideas and connection to universities, research and education. Therefore, project will involve not only well-known artists, but also gifted young generation including art students and their teachers.
REMAKE focuses on creating artworks, collaborative shows and academic events in selected centers for contemporary art of Europe. The project consists of workshops, artistic residencies, public shows (exhibitions in Brno, Cluj, Nantes, Reykjavik, multimedia performances in Bratislava, Brno and other venues), university lectures and public discussions supporting mobility of lecturers/artists, as well as „collaborative lectures“ and other presentation formats combining theory and practice.
Project page: http://remakeme.eu
- All parts below still in progress ::
Contents
Exhibition
The main visible outcome and public achievement of the project will be the exhibition in The Brno House of Arts (from 6th March till 15th April 2012, The House of Lords from Kunstat, http://www.dum-umeni.cz), and interesting parts of the exhibition will take place in May 2012 in Bratislava(SK) and Cluj (RO).
- More information
- Exhibition guide
- Remake blog
- http://www.dum-umeni.cz/en/vystava/remake
- http://remakeme.eu/exhibition
- http://multiplace.org/blog/?tag=festival+2012
Works
- Remake/Exhibition/Work 1 / Z. Husárová a Ľ. Panák / I : * ttter
- Remake/Exhibition/Work 2 / Lia Perjovschi / Subjective Media Art History
- Remake/Exhibition/Work 3 / A. Boleslavský / Hi Woody
- Remake/Exhibition/Work 4 / Aleksandra Hirszfeld / Infotainment
- Remake/Exhibition/Work 5 / J.Bellanger, G.Brunet, C.Doutriaux, C.Lenoble / ReCYSP1
- Remake/Exhibition/Work 6 / A. Prior, D. Strang / Distributed Presence
- Remake/Exhibition/Work 7 / J. Šicko, M. Rišková / Hit Bonačić
- Remake/Exhibition/Work 8 / The Lost Horse Gallery project / Lucid Light Comp.#2
- Remake/Exhibition/Work 9 / R. Loskot / Záznamy přítomnosti
- Remake/Exhibition/Work 10 / Standuino
Profiles of the authors of remade works
Stanisław Dróżdż, Steina and Woody Vasulka, Nicolas Schöffer, Guy Debord, Jozef Malovec, Vladimir Bonačić, Bulat Galeyev, Stanislav Filip.
Other proposals and notes to the exhibition
Some original artworks - TO BE REMADE:
- GABOR BODY – COMPUTER FILM (1976)
- VLADIMIR BONACIC - COMPUTER-CONTROLLED DYNAMIC OBJECTS (1968-71)
- STANISLAV DROZDZ - COMPUTER-GENERATED CONCRETE POETRY (1970s)
- EDWARD IHNATOWICZ – ROBOTIC SCULPTURES (1968-73)
- ANDRÁS MONORY-MÉSZ – CYBERPUNK FILM (1990)
- WOODY VASULKA & STEINA VASULKA – EXPERIMENTAL VIDEO (1970-2000)
Workshops
- Standuino (by Václav Peloušek, Ondrej Merta)
- Standuino workshop, Bratislava
Conference
Concerts
Video and photo gallery
- Video
- REMAKE: komentář k tvůrčí strategii, by Ivan Flores
- Remake report, by Patrick Sedlaczek, Artycok.tv
- Remake opening II, by Markétka Cilečková
- Photo galleries
- Remake opening, by Martina Uhlířová
- Remake 2, by Martina Uhlířová
- Remake opening, by Barbora Linková
- Remake opening, by Jakub Hamerský
- Standuino / Remake 3, by Andrej Boleslavsky
- Remake 3: Standuino, by Martina Uhlířová
- Conference, by Martina Uhlířová
- Concerts, by Martina Uhlířová
- Standuino workshop, Bratislava
- Remake I. opening, Bratislava
- Remake I. opening, Bratislava
- Concerts in Bratislava: Dokuro / Agnes Szelag & The Norman Conquest (USA), Poo (SK), [1] by Branislav Grebečí
- Concerts in Bratislava: Dokuro / Agnes Szelag & The Norman Conquest (USA), Poo (SK), by Gabriela Žigová
Magazine
3/4 magazine, No. 27-28 (2012)
Special issue on media art history: Remake (English/Slovak)
Special bilingual issue of 3/4 magazine dedicated to media art history. Serves as a catalogue of a travelling exhibition Remake. It also brings, for the first time, selection of interviews done by Dušan Barok with personalities and media art and culture history-makers Diana McCarty, Michal Murin, Călin Man, Rasa Smite and Raitis Smits. Interviews are complemented by a passage from monograph about Steina and Woody Vasulka, entitled Dialogue with Daemons of Tools by art historian Lenka Dolanová, views on art scenes in Ukraine and Iceland and appendix showing the process of development of works for Remake exhibition.
Editor: Barbora Šedivá
Editor-in-chief: Slávo Krekovič
Contributing editors: Dušan Barok, Katarína Gatialová, Oliver Rehák, Mária Rišková, Catherine Lenoble
Publisher: Atrakt Art, Bratislava, Slovakia
ISSN 1335-5309
134 pages
View HTML version
Download PDF
View on Issuu
View on Scribd
Journal
TIM – Teorie Interaktivních Médií, No. 4: Remake (2012) (Czech)
TIM ezin je odborný magazín studentů oboru Teorie interaktivních médií Masarykovy univerzity v Brně. Číslo 4 je věnované tématu REMAKE a také aktuálnímu projektu REMAKE z dílny Sdružení pro aktuální umění a kulturu Atrakt Art.
Projekt, který je založen na kolaborativní produkci a mezinárodní prezentaci nových uměleckých prací, inspirovaných bohatou historií mediálního umění v Evropě, představuje tematické východisko článků druhého čísla ezinu TIM.
Klíčová slova: remake, remix, remixability, postprodukce, apropriace, znovu provedení (reenactment), koláž, montáž, pastiš, postmodernismus, vizuální kultura, DJ culture, nová historiografie, produsage, prosumer technologies, autorské právo, open source, free software.
Editors Zuzana Kobíková, Jana Horáková
Publisher Ústav hudební vědy Filozofické fakulty Masarykovy univerzity, Brno
Creative Commons Attribution 3.0 License
ISSN 1805-2606