Difference between revisions of "Praesens"

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[[Image:Praesens_2.jpg|thumb|258px|Cover of the ''Praesens'' journal, No. 2]]
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[[Image:Praesens_1_Jun_1926.jpg|thumb|258px|''Praesens'' journal, No. 1 (June 1926), cover.]]
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The Praesens group was founded on the initiative of [[Szymon Syrkus]], and gathered a group of architects and painters. In June [[1926]], the group published the first issue of its magazine, of the same title ''Praesens''. Among the members of the group were the architects Syrkus, [[Józef Szanajca]], and [[Bohdan Lachert]]; painters and former members of [[Blok]], [[Władysław Strzemiński]] and [[Henryk Stażewski]]; and sculptor [[Katarzyna Kobro]]. Syrkus outlined the programme of the group, “By way of experiment, the architectonic approach provides new opportunities, not only artistic as it might seem, but also social. For architecture changes the social pattern, as the social pattern changes architecture.” Similarly to the Blok group, Praesens published many articles of the international avant-garde in its journal. In October 1926, the group opened its first exhibition in Zacheta Gallery in [[Warsaw]]. A year later, in 1927, the group co-organized the [[Machine Age Exposition]] in [[New York City]] showcasing the works of its members, [[Stanisław Brukalski]], [[Józef Malinowski]], Strzemiński, Syrkus, [[Henryk Oderfeld]], Lachert, [[Lech Niemojewski]], Stażewski, and Szanajca. Just as in the Blok group, different views regarding art were upheld by the architects and by Strzemiński and his friends, Stażewski and Kobro. Strzemiński yet again dismissed the utilitarian basis of the architects’ programme and left the group in 1929. Stażewski and Kobro followed Strzemiński and also left the Praesens.
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[[Image:Praesens_2.jpg|thumb|258px|''Praesens'' 2 (May 1930), cover.]]
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The Praesens group was founded on the initiative of the architect [[Szymon Syrkus]] who was joined by the fellow architects [[Józef Szanajca]] and [[Bohdan Lachert]], painters and former members of [[Blok]], [[Władysław Strzemiński]] and [[Henryk Stażewski]], and sculptor [[Katarzyna Kobro]].
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In June [[1926]], the group published the first issue of its magazine, of the same title ''Praesens''. Syrkus outlined the programme of the group, “By way of experiment, the architectonic approach provides new opportunities, not only artistic as it might seem, but also social. For architecture changes the social pattern, as the social pattern changes architecture.” The second issue followed in May 1930. Many articles of the international avant-garde appeared in the journal.  
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In October 1926, the group opened its first exhibition in Zacheta Gallery in [[Warsaw]]. A year later, in 1927, the group co-organized the [[Machine-Age Exposition]] in [[New York City]] showcasing the works of its members, [[Stanisław Brukalski]], [[Józef Malinowski]], Strzemiński, Syrkus, [[Henryk Oderfeld]], Lachert, [[Lech Niemojewski]], Stażewski, and Szanajca.  
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Just as previously in the Blok group, different views regarding art were upheld by the architects and by Strzemiński and his friends, Stażewski and Kobro. Strzemiński yet again dismissed the utilitarian basis of the architects’ programme and left the group in 1929. Stażewski and Kobro soon followed him.
  
 
; Praesens group, interiors of the Treasury Pavilion, PWK, Poznań, 1929.
 
; Praesens group, interiors of the Treasury Pavilion, PWK, Poznań, 1929.
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* [http://pl.wikipedia.org/wiki/Praesens Praesens at Polish Wikipedia]
 
* [http://pl.wikipedia.org/wiki/Praesens Praesens at Polish Wikipedia]
 
* http://circle.ubc.ca/bitstream/handle/2429/12755/ubc_2002-0162_fixed.pdf
 
* http://circle.ubc.ca/bitstream/handle/2429/12755/ubc_2002-0162_fixed.pdf
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{{Avant-garde journals}}
  
 
[[Category:Constructivism]]
 
[[Category:Constructivism]]
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[[Category:Avant-garde journals]]

Revision as of 01:50, 21 December 2013

Praesens journal, No. 1 (June 1926), cover.
Praesens 2 (May 1930), cover.

The Praesens group was founded on the initiative of the architect Szymon Syrkus who was joined by the fellow architects Józef Szanajca and Bohdan Lachert, painters and former members of Blok, Władysław Strzemiński and Henryk Stażewski, and sculptor Katarzyna Kobro.

In June 1926, the group published the first issue of its magazine, of the same title Praesens. Syrkus outlined the programme of the group, “By way of experiment, the architectonic approach provides new opportunities, not only artistic as it might seem, but also social. For architecture changes the social pattern, as the social pattern changes architecture.” The second issue followed in May 1930. Many articles of the international avant-garde appeared in the journal.

In October 1926, the group opened its first exhibition in Zacheta Gallery in Warsaw. A year later, in 1927, the group co-organized the Machine-Age Exposition in New York City showcasing the works of its members, Stanisław Brukalski, Józef Malinowski, Strzemiński, Syrkus, Henryk Oderfeld, Lachert, Lech Niemojewski, Stażewski, and Szanajca.

Just as previously in the Blok group, different views regarding art were upheld by the architects and by Strzemiński and his friends, Stażewski and Kobro. Strzemiński yet again dismissed the utilitarian basis of the architects’ programme and left the group in 1929. Stażewski and Kobro soon followed him.

Praesens group, interiors of the Treasury Pavilion, PWK, Poznań, 1929.
  • Praesens Group Interiors of the Treasury Pavilion PWK Poznan 1929 1.jpg
  • Praesens Group Interiors of the Treasury Pavilion PWK Poznan 1929 2.jpg
  • Praesens Group Interiors of the Treasury Pavilion PWK Poznan 1929 3.jpg
  • Praesens Group Interiors of the Treasury Pavilion PWK Poznan 1929 4.jpg

See also

External links


Avant-garde and modernist magazines

Poesia (1905-09, 1920), Der Sturm (1910-32), Blast (1914-15), The Egoist (1914-19), The Little Review (1914-29), 291 (1915-16), MA (1916-25), De Stijl (1917-20, 1921-32), Dada (1917-21), Noi (1917-25), 391 (1917-24), Zenit (1921-26), Broom (1921-24), Veshch/Gegenstand/Objet (1922), Die Form (1922, 1925-35), Contimporanul (1922-32), Secession (1922-24), Klaxon (1922-23), Merz (1923-32), LEF (1923-25), G (1923-26), Irradiador (1923), Sovremennaya architektura (1926-30), Novyi LEF (1927-29), ReD (1927-31), Close Up (1927-33), transition (1927-38).

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