DAV

DAV was a Slovak leftist magazine edited by journalist and lawyer Vladimír Clementis and published from 1924-1937. The magazine was dedicated to art, philosophy, literature and politics. It introduced Surrealism, modernist architecture and avant-garde poetry into Slovakia. During its early ears, until 1929, the magazine was focusing on socialist art and cultural politics, later to expand its attention to broader political, social, economic and ideological issues.

From its beginning, the collaborators included literary critic and journalist Daniel Okáli, poet, writer, translator and playwright Ján Rob Poničan, Peter Jilemnický, Ladislav Novomeský, Ladislav Szántó, poet and literary critic Eduard Urx, Jozef Tomášik-Dumín, Jarko Elen, Jozef Zindra, and others. During its final years, a younger generation of contributors included Gustáv Husák, Alexander Matuška, Michal Chorváth, Jozef Rybák and Andrej Bagar.

Issues

DAV 1 (Winter 1924), ed. Ľudo Obtulovič. PDF (51 mb).

DAV 2 (Spring 1925), ed. Ľudo Obtulovič. 28 cm. PDF (71 mb).

Issue 1 was assembled from scans on DAV DVA. Issue 2 is sourced from Bibliotheque Kandinsky.

Anthologies

• DAV. Próza slovenskej ľavicovej avantgardy, ed. Michal Habaj, Bratislava: KPTL, 2023. [1] [2] (Slovak)

Literature

• Štefan Drug, DAV a davisti, Bratislava: Obzor, 1965. (Slovak)
• Ján Rozner, Davisté a jejich doba, 1966, 173 pp. (Czech) [3]
• Štefan Drug, Listy o Dave, Bratislava: Tatran, 1975. (Slovak)
• Štefan Drug, Od robotníckej poézie k DAVu, Bratislava: Slovenský spisovateľ, 1976. (Slovak)
• Emil Polák, "Odišiel posledný davista", Nové slovo, 20 Jul 2011. (Slovak)
• Lukáš Perný, "Kultúrny koncept davistov: komparácia konceptu Novomeského a členov DAVu" & "Davistický koncept vedy, umenia, kultúry a filozofie", chs. 2.1.5 & 2.1.6 in Perný, Kultúrna revolúcia Laca Novomeského: Ladislav Novomeský o kultúre, umení a politike, Bratislava: Spoločnosť Ladislava Novomeského, 2017, pp 45-51, HTML. (Slovak)
• Lukáš Perný, "DAV – prvý slovenský pokrokový časopis v Československu", Blog.Pravda.sk, 31 Jul 2017. (Slovak)
• Michal Habaj, "Ľavá vpred. Prvý ročník revue DAV (1924-1925)", Slovenská literatúra 64:4, 2017, pp 269-283. (Slovak)

See also

• Slovakia#Avant-garde

Links

• DAV on Wikipedia-SK
• Davisti on Wikipedia-SK
• http://bibliofilie.webnode.sk/knihy-dav-u/

	Avant-garde and modernist magazines
Poesia (1905-09, 1920), Der Sturm (1910-32), Blast (1914-15), The Egoist (1914-19), The Little Review (1914-29), 291 (1915-16), MA (1916-25), De Stijl (1917-20, 1921-32), Dada (1917-21), Noi (1917-25), 391 (1917-24), Zenit (1921-26), Broom (1921-24), Veshch/Gegenstand/Objet (1922), Die Form (1922, 1925-35), Contimporanul (1922-32), Secession (1922-24), Klaxon (1922-23), Merz (1923-32), LEF (1923-25), G (1923-26), Irradiador (1923), Sovremennaya architektura (1926-30), Novyi LEF (1927-29), ReD (1927-31), Close Up (1927-33), transition (1927-38).

	Full list
Entretiens politiques et littéraires (1890-93), Moderní revue (1894-1925), Volné směry (1897-1948), Mir iskusstva (1898-1904), Vesy (1904-09), Poesia (1905-09, 1920), Zolotoe runo (1906-10), The Mask (1908-29), Apollon (1909-17), Ukraïnska khata (1909-14), Der Sturm (1910-32), Thalia (1910-13), Rhythm (1911-13), Trudy i dni (1912), Simbolul (1912), The Glebe (1913-14), Ocharovannyi strannik (1913-16), Revolution (1913), Blast (1914-15), The Little Review (1914-29), Futuristy (1914), Zeit-Echo (1914-17), The Egoist (1914-19), L'Élan (1915-16), 291 (1915-16), Orpheu (1915), La Balza futurista (1915), MA (1916-25), SIC (1916-19), flamman (1916-21), The Blindman (1917), Nord-Sud (1917-18), De Stijl (1917-20, 1921-32), Dada (1917-21), Klingen (1917-20, 1942), Noi (1917-25), 391 (1917-24), Modernisme et compréhension (1917), Anarkhiia (1917-18), Iskusstvo kommuny (1918-19), Formiści (1919-21), S4N (1919-25), La Cité (1919-35), Aujourd'hui (1919), Exlex (1919-20), L'Esprit nouveau (1920-25), Orfeus (1920-21), Action (1920-22), Proverbe (1920-22), Ça ira (1920-23), Zenit (1921-26), Kinofon (1921-22), Het Overzicht (1921-25), Jednodńuwka futurystuw (1921), Nowa sztuka (1921-22), Broom (1921-24), Život (1921-48), Creación (1921-24), Jar-Ptitza (1921-26), New York Dada (1921), Aventure (1921-22), Spolokhi (1921-23), Gargoyle (1921-22), Veshch/Gegenstand/Objet (1922), Kino-fot (1922-23), Le Coeur à barbe (1922), Die Form (1922, 1925-35), 7 Arts (1922-28), Manomètre (1922-28), Ultra (1922), Út (1922-25), Dada-Jok (1922), Dada Tank (1922), Dada Jazz (1922), Mécano (1922-23), Contimporanul (1922-32), Zwrotnica (1922-23, 1926-27), Secession (1922-24), Stavba (1922-38), Gostinitsa dlya puteshestvuyuschih v prekrasnom (1922-24), Putevi (1922-24), Klaxon (1922-23), Akasztott Ember (1922-23), MSS (1922-23), Perevoz Dada (1922-49), Egység (1922-24), L'Architecture vivante (1923-33), Merz (1923-32), LEF (1923-25), G (1923-26), The Next Call (1923-26), Russkoye iskusstvo (1923), Disk (1923-25), Irradiador (1923), Surréalisme (1924), Almanach Nowej Sztuki (1924-25), La Révolution surréaliste (1924-29), Blok (1924-26), Pásmo (1924-26), DAV (1924-37), Bulletin de l'Effort moderne (1924-27), ABC (1924-28), CAP (1924-28), Athena (1924-25), Punct (1924-25), 75HP (1924), Le Tour de Babel (1925), Periszkop (1925-26), Integral (1925-28), Praesens (1926, 1930), Sovremennaya architektura (1926-30), bauhaus (1926-31), Das neue Frankfurt (1926-31), L'Art cinématographique (1926-31), Dokumentum (1926-27), Kritisk Revy (1926-28), Novyi LEF (1927-29), i 10 (1927-29), Nova generatsiia (1927-30), ReD (1927-31), Dźwignia (1927-28), Tank (1927-28), Close Up (1927-33), Horizont (1927-32), transition (1927-38), Discontinuité (1928), Munka (1928-39), Quosego (1928-29), Urmuz (1928), Unu (1928-32), Revista de Antropofagia (1928-29), 50 u Evropi (1928-29), Documents (1929-30), L'Art Contemporain - Sztuka Współczesna (1929-30), Adam (1929-40), Art concret (1930), Zvěrokruh (1930), Alge (1930-31), Le Surréalisme au service de la révolution (1930-33), Levá fronta (1930-33), Kvart (1930-37, 1945-49), Nová Bratislava (1931-32), Linja (1931-33), Spektrum (1931-33), Nadrealizam danas i ovde (1931-32), Ulise (1932-33), Die neue Stadt (1932-33), Mouvement (1933), PLAN (1933-36), Karavan (1934-35), Ekran (1934), Axis (1935-37), Acéphale (1936-39), Telehor (1936), aka (1937-38), Plastique (1937-39), Plus (1938-39), Les Réverbères (1938-39).