Difference between revisions of "Le Coeur à barbe"

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'''Le Coeur à barbe: journal transparent''' is an one-issue newspaper prepared by [[Tristan Tzara]] in April 1922 in reply to [[André Breton]]'s attacks on him in the March 2nd issue of ''Comoedia''. Published by Au Sans Pareil in Paris.
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'''Le Coeur à barbe: journal transparent''' is a single-issue newspaper issued by [[Tristan Tzara]] in April 1922 in response to [[André Breton]]'s attacks on him in the March 2nd issue of ''Comoedia''. Published by Au Sans Pareil in Paris.
  
 
Contributors: Paul Éluard, Georges Ribemont-Dessaignes, Tristan Tzara, Erik Satie, Theodor Fraenkel, Vitorio Huidobro, Benjamin Péret, Philippe Soupault, Rrose Sélavy (Marcel Duchamp), André Breton and others.
 
Contributors: Paul Éluard, Georges Ribemont-Dessaignes, Tristan Tzara, Erik Satie, Theodor Fraenkel, Vitorio Huidobro, Benjamin Péret, Philippe Soupault, Rrose Sélavy (Marcel Duchamp), André Breton and others.

Revision as of 10:00, 25 March 2016

Le Coeur à barbe: journal transparent is a single-issue newspaper issued by Tristan Tzara in April 1922 in response to André Breton's attacks on him in the March 2nd issue of Comoedia. Published by Au Sans Pareil in Paris.

Contributors: Paul Éluard, Georges Ribemont-Dessaignes, Tristan Tzara, Erik Satie, Theodor Fraenkel, Vitorio Huidobro, Benjamin Péret, Philippe Soupault, Rrose Sélavy (Marcel Duchamp), André Breton and others.

Issues

Le Coeur à barbe 1 (Apr 1922). 8 pages, 22.5 x 14 cm. Download.

The above PDF is sourced from Blue Mountain Project.

Links


Avant-garde and modernist magazines

Poesia (1905-09, 1920), Der Sturm (1910-32), Blast (1914-15), The Egoist (1914-19), The Little Review (1914-29), 291 (1915-16), MA (1916-25), De Stijl (1917-20, 1921-32), Dada (1917-21), Noi (1917-25), 391 (1917-24), Zenit (1921-26), Broom (1921-24), Veshch/Gegenstand/Objet (1922), Die Form (1922, 1925-35), Contimporanul (1922-32), Secession (1922-24), Klaxon (1922-23), Merz (1923-32), LEF (1923-25), G (1923-26), Irradiador (1923), Sovremennaya architektura (1926-30), Novyi LEF (1927-29), ReD (1927-31), Close Up (1927-33), transition (1927-38).