Difference between revisions of "The Blindman"

From Monoskop
Jump to navigation Jump to search
(Created page with "'''The Blind Man''' was an art and Dada journal published by the New York Dadaists in 1917, being edited by Marcel Duchamp, Beatrice Wood and [[Henri-Pierre Roché...")
 
Line 14: Line 14:
  
 
* [http://www.toutfait.com/issues/issue_3/Collections/girst/Blindman/index.html Scans of the Issue 1 at Tout-fait]
 
* [http://www.toutfait.com/issues/issue_3/Collections/girst/Blindman/index.html Scans of the Issue 1 at Tout-fait]
* [http://sdrc.lib.uiowa.edu/dada/blindman/index.htm Scans of the Issue 2 in SDRC]
+
* [http://digital.lib.uiowa.edu/cdm/compoundobject/collection/dada/id/24826/rec/1 Scans of the Issue 2 in SDRC] [http://sdrc.lib.uiowa.edu/dada/blindman/]
  
 
==Literature==
 
==Literature==

Revision as of 22:10, 7 March 2014

The Blind Man was an art and Dada journal published by the New York Dadaists in 1917, being edited by Marcel Duchamp, Beatrice Wood and Henri-Pierre Roché.

Henri-Pierre Roche, Beatrice Wood, and Mina Loy contributed to the first, Independents' Number issue; Walter Arensberg (Axiom, Theorem, poems), Gabrielle Buffet-Picabia (Marie Laurencin, essay), Robert Carlton (Bob) Brown (poems), Frank Crowninshield (letter), Charles Demuth (For Richard Mutt, poem), Marcel Duchamp, Charles Duncan (poem), an essay about Louis Michael Eilshemius, Mina Loy (prose), Louise Norton (essay), Francis Picabia (Medusa, poem), Joseph Stella (Coney Island, picture), Frances Simpson Stevens (1894-1976) (poem), Alfred Stieglitz (Fountain by R. Mutt, photography; letter) and Clara Tice (drawing) to the second. The magazine only saw two editions to publication.

Volume 2 is best known for the group's reaction to the rejection of Duchamp's Fountain to a 1917 unjuried art show.

Issues

The Blindman: Independents' Number 1 (Apr 1917). Download.
The Blind Man 2 (May 1917). Download.

Literature

External links


Avant-garde and modernist magazines

Poesia (1905-09, 1920), Der Sturm (1910-32), Blast (1914-15), The Egoist (1914-19), The Little Review (1914-29), 291 (1915-16), MA (1916-25), De Stijl (1917-20, 1921-32), Dada (1917-21), Noi (1917-25), 391 (1917-24), Zenit (1921-26), Broom (1921-24), Veshch/Gegenstand/Objet (1922), Die Form (1922, 1925-35), Contimporanul (1922-32), Secession (1922-24), Klaxon (1922-23), Merz (1923-32), LEF (1923-25), G (1923-26), Irradiador (1923), Sovremennaya architektura (1926-30), Novyi LEF (1927-29), ReD (1927-31), Close Up (1927-33), transition (1927-38).