Difference between revisions of "Net radio"
Jump to navigation
Jump to search
| (8 intermediate revisions by the same user not shown) | |||
| Line 1: | Line 1: | ||
==Keywords== | ==Keywords== | ||
| − | net | + | net audio, netmusic, streaming media |
==Pages== | ==Pages== | ||
| − | <div class="dpl" style="-moz-column-count: | + | <div class="dpl" style="-moz-column-count:4; -webkit-column-count:4; column-count:4;"> |
<DynamicPageList> | <DynamicPageList> | ||
| − | category = | + | category = Net radio |
ordermethod = sortkey | ordermethod = sortkey | ||
order = ascending | order = ascending | ||
| Line 11: | Line 11: | ||
</div> | </div> | ||
| − | == Events == | + | ==Events== |
| − | * | + | * [http://re-lab.net/netradio/workshop01/07/index.html Net.radio events] |
| − | == | + | ==Literature== |
| − | * | + | |
| + | * Geert Lovink, [http://web.archive.org/web/20060422010833/http://www.locative.net/tcmreader/index.php?endo;lovink-x "Principles of Streaming Sovereignty"], in ''TCM Locative Reader'', 2004. | ||
| + | |||
| + | * Elena Razlogova, [http://elenarazlogova.org/wp-content/uploads/Razlogova_Freeform-Radio-and-the-History-of-Music-Streaming_2022.pdf "Freeform Radio and the History of Music Streaming"], in ''The Oxford Handbook of Radio Studies'', eds. Michele Hilmes and Andrew Bottomley, Oxford University Press, 2023. About WFMU’s early experiments in “streaming” music via telephone, gopher, and web. [http://elenarazlogova.org/?page_id=487] | ||
==Resources== | ==Resources== | ||
| Line 21: | Line 24: | ||
==See also== | ==See also== | ||
| − | [[ | + | [[Community radio]], [[Net art]], [[Radio art]], [[Sound art]], [[Pirate radio]] |
| − | {{ | + | {{Sound and Music}} |
| − | |||
Latest revision as of 09:15, 8 April 2023
Keywords[edit]
net audio, netmusic, streaming media
Pages[edit]
- Art Servers Unlimited
- AudioHyperspace
- Backyard Radio
- Catalyst Radio
- Convex tv
- Micz Flor
- Fluid Radio
- FM@dia
- Adam Hyde
- Imagine Radio 2.0
- Lemurie TAZ
- Micro.fm
- Net.Congestion
- Net.Radio Days
- New Radio and Performing Arts
- Orang
- Pararadio
- Radia
- Radio Copernicus
- Radio Helsinki
- Radio Jeleni
- Radio Kameleon
- Radio Kinesonus
- Radio Ozone
- Radio Tlis
- RadioART
- Radioqualia
- Radioswap.net
- Reboot.fm
- Resonance
- RIXC/Net radio
- Pit Schultz
- Skeleton Sweep
- Spectrum Radio
- Tilos Rádió
- Touch Radio
- Xchange
Events[edit]
Literature[edit]
- Geert Lovink, "Principles of Streaming Sovereignty", in TCM Locative Reader, 2004.
- Elena Razlogova, "Freeform Radio and the History of Music Streaming", in The Oxford Handbook of Radio Studies, eds. Michele Hilmes and Andrew Bottomley, Oxford University Press, 2023. About WFMU’s early experiments in “streaming” music via telephone, gopher, and web. [1]
Resources[edit]
See also[edit]
Community radio, Net art, Radio art, Sound art, Pirate radio
| Sound and Music communities of practice |
||
|---|---|---|
|
Music magazines, Radio art, Pirate radio, Community radio, Electroacoustic music, Computer music, Sound art, Field recording, Noise, Cassette culture, Max/MSP, Pure Data, SuperCollider, Net radio, Live coding, Writers. Art and culture, Contents, Index, About. | ||
