Difference between revisions of "Indonesia"
Jump to navigation
Jump to search
| (2 intermediate revisions by the same user not shown) | |||
| Line 4: | Line 4: | ||
* https://books.lumbung.space/ | * https://books.lumbung.space/ | ||
| + | |||
| + | * [[Yogyakarta]] | ||
| + | |||
| + | * [https://ruangrupa.id/ Ruangrupa] | ||
| + | |||
| + | * [[Gustaff Harriman Iskandar]] | ||
| + | |||
| + | * [[Harun Farocki]] | ||
| + | |||
| + | |||
| + | {{Countries}} | ||
Latest revision as of 23:27, 22 September 2023
- Joshua Barker, "Interkom in Indonesia: Not Quite an Imagined Community", in Siegel, James T. and Kahin, Audrey R. (eds.), Southeast Asia over Three Generations. Essays Presented to Benedict R. O’G. Anderson, Ithaca, NY: Southeast Asia Program, Cornell University, 2003, pp 383-396. [1] [2] [3]
- Reinaart Vanhoe, Also-Space, From Hot to Something Else How Indonesian Art Initiatives Have Reinvented Networking, Eindhoven: Onomatopee, 2016, 96 pp. [4]
| Countries avant-garde, modernism, experimental art, media culture, social practice |
||
|---|---|---|
|
Albania, Argentina, Armenia, Australia, Austria, Azerbaijan, Belarus, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Central and Eastern Europe, Chile, China, Croatia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Hungary, Iceland, India, Indonesia, Iran, Ireland, Italy, Japan, Kazakhstan, Kosova, Latvia, Lebanon, Lithuania, Luxembourg, Malta, Mexico, Moldova, Montenegro, Morocco, Netherlands, North Macedonia, Norway, Pakistan, Peru, Poland, Portugal, Romania, Russia, Serbia, Spain, Slovenia, Slovakia, South Korea, Sweden, Switzerland, Turkey, Ukraine, United Kingdom, United States | ||
