Difference between revisions of "Georgia"
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* [[Ketevan Kintsurashvili]],[http://www.kjartbooks.com/the-zdanevich-brothers.html ''The Zdanevich Brothers: Kirill and Ilia (The Polish Traces in the Georgian Avant-Garde)''], Tbilisi: KJ Artbooks, 2019. | * [[Ketevan Kintsurashvili]],[http://www.kjartbooks.com/the-zdanevich-brothers.html ''The Zdanevich Brothers: Kirill and Ilia (The Polish Traces in the Georgian Avant-Garde)''], Tbilisi: KJ Artbooks, 2019. | ||
| − | * [[Ketevan Kintsurashvili]],[http://www.kjartbooks.com/david-kakabadze-z.html ''Z, The Plastic Ornament of the Epoch: David Kakabadze''], Warsaw: PWN, 2018. | + | * [[Ketevan Kintsurashvili]],[http://www.kjartbooks.com/david-kakabadze-z.html ''Z, The Plastic Ornament of the Epoch: David Kakabadze''], Warsaw: PWN, 2018. |
* [[Ketevan Kintsurashvili]],[http://www.kjartbooks.com/deda-ena---h2so4.html ''From Deda Ena to H2SO4: at the Origins of Georgian Avant-Garde Books''], Wroclaw: KEW, 2018. | * [[Ketevan Kintsurashvili]],[http://www.kjartbooks.com/deda-ena---h2so4.html ''From Deda Ena to H2SO4: at the Origins of Georgian Avant-Garde Books''], Wroclaw: KEW, 2018. | ||
* [[Ketevan Kintsurashvili]], [http://www.kjartbooks.com/the-peacock-s-tail.html ''The Peacock's Tail, Modernism: Georgian Performance 1912-1936''], PWN, Warszawa, Poland, 2018 | * [[Ketevan Kintsurashvili]], [http://www.kjartbooks.com/the-peacock-s-tail.html ''The Peacock's Tail, Modernism: Georgian Performance 1912-1936''], PWN, Warszawa, Poland, 2018 | ||
* [[Ketevan Kintsurashvili]],[http://www.kjartbooks.com/david-kakabadze-2013.htm ''David Kakabadze''], Tbilisi: Bakur Sulakauri Publishing House, 2013. | * [[Ketevan Kintsurashvili]],[http://www.kjartbooks.com/david-kakabadze-2013.htm ''David Kakabadze''], Tbilisi: Bakur Sulakauri Publishing House, 2013. | ||
| + | * [[Ketevan Kintsurashvili]],''David Kakabadze: Georgian Modern Artist and Inventor'', New York: Nova, 2013. | ||
* [[Ketevan Kintsurashvili]],''David Kakabadze, A 20th Century Classic'', Monograph, Tbilisi: Saari, 2006. | * [[Ketevan Kintsurashvili]],''David Kakabadze, A 20th Century Classic'', Monograph, Tbilisi: Saari, 2006. | ||
* Olga Zhgenti, [http://www.docstoc.com/docs/41763706/Georgian-avant-garde-cinema-of-the-stormy-twenties---Georgian "Georgian Avant-Garde Cinema of the Twenties - from Anarchy to Totalitarianism"] | * Olga Zhgenti, [http://www.docstoc.com/docs/41763706/Georgian-avant-garde-cinema-of-the-stormy-twenties---Georgian "Georgian Avant-Garde Cinema of the Twenties - from Anarchy to Totalitarianism"] | ||
Revision as of 13:11, 14 April 2023
Avant-garde
- 1912, Niko Pirosmani’s art discovered by the local artists Ilia and Kirill Zdanevich and the Russian Painter Mikhail Le-Dantiu
- 1917, Flowering of literary modernism. In the years following the October Revolution an influx of Russian writers, poets and artists to the Georgian capital Tbilisi.
- 1917, Establishment of the Fantastic Tavern (Fantasticheskii kabachok), where Russian and Georgian avant-garde poets and artists recite, perform, and lecture together.
- 1917, Cabaret Chimaera [Khimerioni] opens in Tbilisi. Designed by Sergei Sudeikin, Lado Gudiashvili and Davit Kakabadze it becomes a meeting place for members of the Russian and Georgian artistic community and brings together both Georgian and Russian art.
- 1917, The "Futurist Syndicate", the first manifestation of the Tbilisi avant-garde. It is dominated by the organizing presence of the Muscovite Aleksei Kruchenykh and attracts local artists such as Lado Gudiashvili, the resident Armenian futurist Kara-Dervish, and the Zdanevich brothers Ilia and Kirill.
- Kruchenykh joins forces with the Zdanevich brothers to form the futurist group Forty-One Degrees.
- F/NAGT (ill. Rodchenko, Zdanevich), KruchenykhObesity of Roses and Lacquered Tights, Terentev’s Fakt (both with covers by Zdanevich) and To Sofiia Grigorievna MelnikovaLado Gudiashvili exhibits 80 paintings showing Futurist influence
- 1924-28 The Georgian futurists publish three journals, all shortlived: H2SO4 (the formula for sulphuric acid), Lit'erat'ura da skhva (Literature and the Rest), and Memartskheneoba (Leftness).
- Resources
- Modernism.ge, resource on Georgian avant-garde.
- Literature
- Ketevan Kintsurashvili,The Zdanevich Brothers: Kirill and Ilia (The Polish Traces in the Georgian Avant-Garde), Tbilisi: KJ Artbooks, 2019.
- Ketevan Kintsurashvili,Z, The Plastic Ornament of the Epoch: David Kakabadze, Warsaw: PWN, 2018.
- Ketevan Kintsurashvili,From Deda Ena to H2SO4: at the Origins of Georgian Avant-Garde Books, Wroclaw: KEW, 2018.
- Ketevan Kintsurashvili, The Peacock's Tail, Modernism: Georgian Performance 1912-1936, PWN, Warszawa, Poland, 2018
- Ketevan Kintsurashvili,David Kakabadze, Tbilisi: Bakur Sulakauri Publishing House, 2013.
- Ketevan Kintsurashvili,David Kakabadze: Georgian Modern Artist and Inventor, New York: Nova, 2013.
- Ketevan Kintsurashvili,David Kakabadze, A 20th Century Classic, Monograph, Tbilisi: Saari, 2006.
- Olga Zhgenti, "Georgian Avant-Garde Cinema of the Twenties - from Anarchy to Totalitarianism"
Film
- Publications
- Discovering Georgian Cinema, ed. Susan Oxtoby, University of California, 2014, 38 pp. Brochure. [1]
New media art, Media culture
Cities: Tbilisi.
| Countries avant-garde, modernism, experimental art, media culture, social practice |
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Albania, Argentina, Armenia, Australia, Austria, Azerbaijan, Belarus, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Central and Eastern Europe, Chile, China, Croatia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Hungary, Iceland, India, Indonesia, Iran, Ireland, Italy, Japan, Kazakhstan, Kosova, Latvia, Lebanon, Lithuania, Luxembourg, Malta, Mexico, Moldova, Montenegro, Morocco, Netherlands, North Macedonia, Norway, Pakistan, Peru, Poland, Portugal, Romania, Russia, Serbia, Spain, Slovenia, Slovakia, South Korea, Sweden, Switzerland, Turkey, Ukraine, United Kingdom, United States | ||
