Difference between revisions of "China"

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* Paul Gladston, ''[http://libgen.rs/book/index.php?md5=1CCED6E379BD950C3F77F41B31372AB6 Contemporary Chinese Art: A Critical History]'', London: Reaktion Books, 2014, 318 pp, [http://aaaaarg.fail/thing/5744c64d9ff37c3782f92872 ARG]. [https://aaa.org.hk/en/collections/search/library/contemporary-chinese-art-a-critical-history] {{en}}
 
* Paul Gladston, ''[http://libgen.rs/book/index.php?md5=1CCED6E379BD950C3F77F41B31372AB6 Contemporary Chinese Art: A Critical History]'', London: Reaktion Books, 2014, 318 pp, [http://aaaaarg.fail/thing/5744c64d9ff37c3782f92872 ARG]. [https://aaa.org.hk/en/collections/search/library/contemporary-chinese-art-a-critical-history] {{en}}
 
* Paul Gladston, ''[http://libgen.rs/book/index.php?md5=9DBC78ABF229B8F5BE020C0C01D942CD Deconstructing Contemporary Chinese Art: Selected Critical Writings and Conversations, 2007-2014]'', Springer, 2016. {{en}}
 
* Paul Gladston, ''[http://libgen.rs/book/index.php?md5=9DBC78ABF229B8F5BE020C0C01D942CD Deconstructing Contemporary Chinese Art: Selected Critical Writings and Conversations, 2007-2014]'', Springer, 2016. {{en}}
 +
* Franziska Koch, ''Die chinesische Avantgarde und das Dispositiv der Ausstellung. Konstruktionen chinesischer Gegenwartskunst im Spannungsfeld der Globalisierung'', Bielefeld: transcript, 2016, 746 pp. [https://www.transcript-verlag.de/978-3-8376-2617-9/die-chinesische-avantgarde-und-das-dispositiv-der-ausstellung/ Publisher]. Review: [https://doi.org/10.1162/artm_r_00365 Hopfener] (ARTMargins). {{de}}
 
* William Schaefer, ''[http://library.memoryoftheworld.org/#/book/ff26fffe-63f7-4c0a-9439-ec3e56663eb5 Shadow Modernism: Photography, Writing, and Space in Shanghai, 1925-1937]'', Duke University Press, 2017, 292 pp. {{en}}
 
* William Schaefer, ''[http://library.memoryoftheworld.org/#/book/ff26fffe-63f7-4c0a-9439-ec3e56663eb5 Shadow Modernism: Photography, Writing, and Space in Shanghai, 1925-1937]'', Duke University Press, 2017, 292 pp. {{en}}
 
* Sasha Su-Ling Welland, ''[http://library.memoryoftheworld.org/#/book/8b072182-21b7-4c17-9d96-f5ef1b69f725 Experimental Beijing: Gender and Globalization in Chinese Contemporary Art]'', Duke University Press, 2018. {{en}}
 
* Sasha Su-Ling Welland, ''[http://library.memoryoftheworld.org/#/book/8b072182-21b7-4c17-9d96-f5ef1b69f725 Experimental Beijing: Gender and Globalization in Chinese Contemporary Art]'', Duke University Press, 2018. {{en}}
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* Sasha Su-Ling Welland, ''[http://libgen.rs/book/index.php?md5=5148A40D094EBBA4FC701AEB1B9444F9 Experimental Beijing: Gender and Globalization in Chinese Contemporary Art]'', Durham: Duke University Press, 2018, 153 pp. Review: [https://journals.openedition.org/critiquedart/36650 Poinsot] (Critique d'art). {{en}}
 
* Sasha Su-Ling Welland, ''[http://libgen.rs/book/index.php?md5=5148A40D094EBBA4FC701AEB1B9444F9 Experimental Beijing: Gender and Globalization in Chinese Contemporary Art]'', Durham: Duke University Press, 2018, 153 pp. Review: [https://journals.openedition.org/critiquedart/36650 Poinsot] (Critique d'art). {{en}}
 
* Meiqin Wang, ''[http://library.memoryoftheworld.org/#/book/0b662161-17c6-4798-bb72-a1d56a27075e Socially Engaged Art in Contemporary China: Voices From Below]'', Routledge, 2019. {{en}}
 
* Meiqin Wang, ''[http://library.memoryoftheworld.org/#/book/0b662161-17c6-4798-bb72-a1d56a27075e Socially Engaged Art in Contemporary China: Voices From Below]'', Routledge, 2019. {{en}}
 +
* ''Uncooperative Contemporaries: Art Exhibitions in Shanghai in 2000'', London: Afterall Books, with Asia Art Archive and Center for Curatorial Studies, Bard College, 2020. [https://www.afterall.org/publications/uncooperative-contemporaries-art-exhibitions-in-shanghai-in-2000/ Publisher]. Review: [https://doi.org/10.1162/artm_r_00365 Hopfener] (ARTMargins). {{en}}
 
* Peggy Wang, ''The Future History of Contemporary Chinese Art'', University of Minnesota Press, 2021, 256 pp. [https://www.upress.umn.edu/book-division/books/the-future-history-of-contemporary-chinese-art Publisher]. {{en}}
 
* Peggy Wang, ''The Future History of Contemporary Chinese Art'', University of Minnesota Press, 2021, 256 pp. [https://www.upress.umn.edu/book-division/books/the-future-history-of-contemporary-chinese-art Publisher]. {{en}}
 
* Jian Zhang, Bruce Robertson (eds.), ''[https://library.oapen.org/handle/20.500.12657/41199 Complementary Modernisms in China and the United States: Art as Life/Art as Idea]'', Brooklyn, NY: punctum books, 2020, 696 pp. {{en}},{{cn}}
 
* Jian Zhang, Bruce Robertson (eds.), ''[https://library.oapen.org/handle/20.500.12657/41199 Complementary Modernisms in China and the United States: Art as Life/Art as Idea]'', Brooklyn, NY: punctum books, 2020, 696 pp. {{en}},{{cn}}

Latest revision as of 22:54, 15 January 2024

Theatre[edit]

  • Liang Luo, The Avant-Garde and the Popular in Modern China: Tian Han and the Intersection of Performance and Politics, University of Michigan Press, 2014, 386 pp. Introduction.

Visual art, Contemporary art[edit]

Artists, movements[edit]

  • Kinetic art: Wen-Ying Tsai
  • Stars group: Ai Weiwei, Wang Keping, Li Shuang, Huang Rui, Ma Desheng.
  • Xiamen Dada: Huang Yong Ping, Lin Jiahua, Jia Yaoming, Yu Xiaogang, Xu Chengdou.
  • Rational painting: Wang Guangyi, Shu Qun, Ren Jian, Liu Yan, Zhang Peili, Geng Jianyi, Wang Qiang.
  • Cynical realism: Yue Minjun, Fang Lijun, Yu Xiaogang, Yang Shaobin, Wang Jinsong, Song Yonghong.
  • Political pop: Wang Guangyi, Yu Youhan, Wang Ziwei, Feng Mengbo, Zhang Peili, Wei Guangqing, Qiu Zhijie.

Resources[edit]

Exhibitions (with dedicated websites)[edit]

Catalogues[edit]

  • Inside Out: New Chinese Art, ed. Minglu Gao, University of California Press, 1998. Gao's essay. [3] [4] (English)
  • Reinterpretation: A Decade of Experimental Chinese Art, 1990-2000. The First Guangzhou Triennial, eds. Wu Hung, Huangsheng Wang, and Buyi Feng, Guangzhou: Guangdong Art Museum, 2002, 545 pp. The three main themes of the exhibition are "Memory and Reality,' "Self and Environment," and "Global and Local." Excerpt: "'Experimental Exhibitions' of the 1990s". Commentary: Hung (Yishu). [6] (English)
    • 首屆廣州當代藝術三年展 - 重新解讀: 中國實驗藝術十年, Guangzhou: Guangdong Museum of Art, 2002, 545 pp. [7] (Chinese)
  • Chinese Maximalism / Zhongguo ji duo zhu yi, ed. Minglu Gao, Chongqing Publishing House, with University at Buffalo Galleries and China Millennium Monument Museum, 2003, 123 pp. [8] (English)/(Chinese)
  • Echoes: Chengdu New Visual Art Documentary Exhibition 1989-2007 / 回響: 成都新視覺藝術文獻展 1989-2007, Chengdu: Sichuan Art Publishing Company, 2007, 222 pp. Exh. held at A Thousand Plateaus Art Space. [9] (Chinese)/(English)
  • Avant-Garde China: 20 Years of Chinese Contemporary Art, Tokyo: The National Art Center, and Osaka: The National Museum of Art, 2008, 184 pp. [10] (Japanese)/(English)
  • Action in China: Performance Art from 1980s to 1990s / 中國行動：八十年代到九十年代的行為藝術, ed. Pulin Wen, Beijing: Beijing Windhorse Mass Medium, 2009, 45 pp. [11] (Chinese)/(English)
  • On Yunnan: A Branch of Chinese Contemporary Art Since the 1990s / Chu yun nan ji: 90 nian dai yi lai de zhong guo dang dai yi shu zhi yi mai [出雲南記：90年代以來的中國當代藝術之一脈], ed. YE Yongqing (葉永青), Hong Kong: Beijing Center for the Arts Publishing House, 2010, 198 pp. Features around 40 works by 14 Yunnan-based artists. Exh. held 27 Mar-9 May 2010. [12] (Chinese)/(English)
  • A Constellation of Stars, Huang Rui and Ma Desheng: Art Editors 1978-1983 / 星星點點: 黃銳和馬德升的美編活動 1978-1983, Beijing: Hadrien de Montferrand Gallery, 2013, 212 pp. [13] (English)/(Chinese)
  • Art and China after 1989: Theater of the World, ed. Alexandra Munroe, New York: Guggenheim Museum, 2017, 324 pp. Features 150 works by 70 artists and collectives from 1989-2008. Texts by Jane DeBevoise, Katherine Grube, Lu Mingjun, Stephanie H. Tung, Anthony Yung, Xiaorui Zhu-Nowell. Exh. held 6 Oct 2017-7 Jan 2018. Publisher. (English)

Anthologies[edit]

Monographs[edit]

Journal issues[edit]

  • Journal of Contemporary Chinese Art, Intellect, since 2014. Three numbers per year. [21] (English)
  • Contemporaneity 4: "Open Ground Blog", forew. Gao Minglu, 2015. Special section with selection of four papers from Madeline Eschenburg and Ellen Larson's blog. (English)/(Chinese)

Selected essays[edit]

Theses[edit]

Documentary film[edit]

  • From Jean Paul Sartre to Teresa Teng: Cantonese Contemporary Art in the 1980s, dir. Jane DeBevoise, Claire Hsu, Phoebe Wong, and Anthony Yung, 2010, 50 min. [23]

Underground and experimental poetry[edit]

Sound art[edit]

Media art[edit]

Cities
Events
  • eArts Festival, Shanghai, 2006-2010.
  • Synthetic Times, Beijing, 2008.
  • Invisible City Transmediale, Beijing, 2010.
  • Creators Project, UCCA 798, annually from 2010 to 2013.
  • Encode and Decode, Beijing, 2011.
  • Translife New Media Art Triennial, Beijing, 2011.
  • Motion is action, Beijing, 2013.
  • "ThingWorld", New Media Art Triennial, Beijing, 2014
Institutes
  • Chronus Art Center, Shanghai
  • Transmedia Department, China Academy of Arts
  • School of creative media, City University Hongkong
  • School of Design, Tsinghua University
  • TASML
  • Digital Art department, Central Academy of Media Arts
  • New Media Art department, Renmin University

Media theory[edit]

Resources[edit]


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