Difference between revisions of "Apollon"

From Monoskop
Jump to navigation Jump to search
 
(8 intermediate revisions by the same user not shown)
Line 1: Line 1:
'''Apollon''' (Apollo), a literary journal. It was founded in 1909 by critic S. K. Makovsky, and named after the Ancient Greek God of Sun, Light and Art. In 1909-10 it came out on a monthly basis as a supplement of the Literaturny Almanakh, afterwards with the frequency of ten editions a year. The editorial office was located at 24 Moika River Embankment, later - at 26 Razyezzhaya Street. I. F. Annensky, А. N. the Benois, Vyacheslav I. Ivanov, critic А. L. Volynsky developed the journal's concept. Among others [[Аlexander Blok]], V. Y. Bruce, Мaximilian А. Voloshin, М. А. Kuzmin, Nikolay S. Gumilev, G. I. Chulkov, B. М. Eichenbaum, B. V. Tomashevsky, art critics and artists L. S. Bakst, N. N. Vrangel, М. V. Dobuzhinsky, N. N. Evreinov, [[Vsevolod Meyerhold]], [[Nikolay Punin]] contributed to the Apollon. The journal became a discussion panel for contemporary literature, painting, architecture, music, dance, prosody and literary translation issues. The journal published a lot of copies of the works of Russian and international artists and articles about them. The chronicle of Аpollon gives an extensive record of Russian (especially St. Petersburg's) and European contemporary cultural life. Until 1913 Apollon predominantly focused on symbolism; in January of 1913 it published the Manifestos of Acmeism by Gumilev and S. M. Gorodetsky, yet welcoming adherents of various literary trends. The Apollon's editorial office (24 Moika River Embankment; 8 Razyezzhaya Street) used to host meetings of the Society for the Zealots of the Poetic Word (Poetry Academy). In 1917 the printing of ''Apollon'' was ceased. [http://www.encspb.ru/object/2855735095?lc=en]
+
'''Apollon''' (Аполлон; Apollo) was a literary journal founded in 1909 by critic S. K. Makovsky. In 1909-10 it came out on a monthly basis as a supplement of the ''Literaturny Almanakh'', afterwards with the frequency of ten editions a year. The editorial office was located at 24 Moika River Embankment, later - at 26 Razyezzhaya Street, St Petersburg. I. F. Annensky, А. N. the Benois, Vyacheslav I. Ivanov, critic А. L. Volynsky developed the journal's concept. Among others [[Аlexander Blok]], V. Y. Bruce, Мaximilian А. Voloshin, М. А. Kuzmin, Nikolay S. Gumilev, G. I. Chulkov, B. М. Eichenbaum, B. V. Tomashevsky, art critics and artists L. S. Bakst, N. N. Vrangel, М. V. Dobuzhinsky, N. N. Evreinov, [[Vsevolod Meyerhold]], [[Nikolay Punin]] contributed to the ''Apollon''. The journal became a discussion panel for contemporary literature, painting, architecture, music, dance, prosody and literary translation issues. The journal published a lot of copies of the works of Russian and international artists and articles about them. The chronicle of Аpollon gives an extensive record of Russian (especially St. Petersburg's) and European contemporary cultural life. Until 1913 ''Apollon'' predominantly focused on symbolism; in January of 1913 it published the Manifestos of Acmeism by Gumilev and S. M. Gorodetsky, yet welcoming adherents of various literary trends. The <i>Apollon</i>'s editorial office (24 Moika River Embankment; 8 Razyezzhaya Street) used to host meetings of the Society for the Zealots of the Poetic Word (Poetry Academy). In 1917 the printing of ''Apollon'' was ceased. [http://www.encspb.ru/object/2855735095?lc=en (Source)]
 
   
 
   
* [http://imwerden.de/cat/modules.php?name=books&pa=last_update&cid=29 Scans of the full run of ''Apollon'']
+
; Issues
 +
* [http://imwerden.de/razdel-2029-str-1.html Scans of issues from 1909-13]
 +
* ''[[Media:Apollon literaturnyy almanakh 1912.pdf|Apollon: literaturnyy almanakh]]'', St Petersburg: Apollon, 1912, 164 pp, [https://archive.org/details/apollon_almanach/ IA].
 +
 
 +
; Links
 +
* http://feb-web.ru/feb/periodic/bb-abc/bb1/bb1-0284.htm
  
  
 
{{Avant-garde and modernist magazines}}
 
{{Avant-garde and modernist magazines}}

Latest revision as of 10:18, 23 May 2020

Apollon (Аполлон; Apollo) was a literary journal founded in 1909 by critic S. K. Makovsky. In 1909-10 it came out on a monthly basis as a supplement of the Literaturny Almanakh, afterwards with the frequency of ten editions a year. The editorial office was located at 24 Moika River Embankment, later - at 26 Razyezzhaya Street, St Petersburg. I. F. Annensky, А. N. the Benois, Vyacheslav I. Ivanov, critic А. L. Volynsky developed the journal's concept. Among others Аlexander Blok, V. Y. Bruce, Мaximilian А. Voloshin, М. А. Kuzmin, Nikolay S. Gumilev, G. I. Chulkov, B. М. Eichenbaum, B. V. Tomashevsky, art critics and artists L. S. Bakst, N. N. Vrangel, М. V. Dobuzhinsky, N. N. Evreinov, Vsevolod Meyerhold, Nikolay Punin contributed to the Apollon. The journal became a discussion panel for contemporary literature, painting, architecture, music, dance, prosody and literary translation issues. The journal published a lot of copies of the works of Russian and international artists and articles about them. The chronicle of Аpollon gives an extensive record of Russian (especially St. Petersburg's) and European contemporary cultural life. Until 1913 Apollon predominantly focused on symbolism; in January of 1913 it published the Manifestos of Acmeism by Gumilev and S. M. Gorodetsky, yet welcoming adherents of various literary trends. The Apollon's editorial office (24 Moika River Embankment; 8 Razyezzhaya Street) used to host meetings of the Society for the Zealots of the Poetic Word (Poetry Academy). In 1917 the printing of Apollon was ceased. (Source)

Issues
Links


Avant-garde and modernist magazines

Poesia (1905-09, 1920), Der Sturm (1910-32), Blast (1914-15), The Egoist (1914-19), The Little Review (1914-29), 291 (1915-16), MA (1916-25), De Stijl (1917-20, 1921-32), Dada (1917-21), Noi (1917-25), 391 (1917-24), Zenit (1921-26), Broom (1921-24), Veshch/Gegenstand/Objet (1922), Die Form (1922, 1925-35), Contimporanul (1922-32), Secession (1922-24), Klaxon (1922-23), Merz (1923-32), LEF (1923-25), G (1923-26), Irradiador (1923), Sovremennaya architektura (1926-30), Novyi LEF (1927-29), ReD (1927-31), Close Up (1927-33), transition (1927-38).