Difference between revisions of "Alanna Lockward"

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* ''Apremio: Apuntes sobre el pensamiento y la creación contemporánea desde el Caribe'' [Pressure: Notes on Thought and Contemporary Creation from the Caribbean], Murcia: Cendeac, 2006, 212 pp. A compilation of Lockward's work as critic, drawn from Dominican (''Cariforum, El Listín Diario''), American (''The Miami Herald''), and Spanish (''Atlántica'') publications throughout the past ten years. [https://artlabourarchives.wordpress.com/publications/]. [http://www.cendeac.net/es/editorial/catalogo/19 Publisher]. [https://alannalockward.wordpress.com/2013/08/20/apremio/]. Reviews: [http://sci-hub.tw/http://www.jstor.org/stable/41676120 Phaf-Rheinberger] (Iberoamericana), [https://alannalockward.wordpress.com/2013/08/20/apremio/ García] (Exit-Book). {{es}}
 
* ''Apremio: Apuntes sobre el pensamiento y la creación contemporánea desde el Caribe'' [Pressure: Notes on Thought and Contemporary Creation from the Caribbean], Murcia: Cendeac, 2006, 212 pp. A compilation of Lockward's work as critic, drawn from Dominican (''Cariforum, El Listín Diario''), American (''The Miami Herald''), and Spanish (''Atlántica'') publications throughout the past ten years. [https://artlabourarchives.wordpress.com/publications/]. [http://www.cendeac.net/es/editorial/catalogo/19 Publisher]. [https://alannalockward.wordpress.com/2013/08/20/apremio/]. Reviews: [http://sci-hub.tw/http://www.jstor.org/stable/41676120 Phaf-Rheinberger] (Iberoamericana), [https://alannalockward.wordpress.com/2013/08/20/apremio/ García] (Exit-Book). {{es}}
 
* ''[[Media:Lockward Alanna Schwarz-Black-Afro Widerspiegelung eines Wortfeldes im Tagesspiegel 2004-2006.pdf|Schwarz-Black-Afro. Widerspiegelung eines Wortfeldes im Tagesspiegel 2004-2006]]'', Berlin: Institut für Kunst im Kontext/Universität der Künste Berlin/Fakultät bildende Kunst, 2006, 52 pp. Master's thesis. [https://artlabourarchives.wordpress.com/landmarks/] {{de}}
 
* ''[[Media:Lockward Alanna Schwarz-Black-Afro Widerspiegelung eines Wortfeldes im Tagesspiegel 2004-2006.pdf|Schwarz-Black-Afro. Widerspiegelung eines Wortfeldes im Tagesspiegel 2004-2006]]'', Berlin: Institut für Kunst im Kontext/Universität der Künste Berlin/Fakultät bildende Kunst, 2006, 52 pp. Master's thesis. [https://artlabourarchives.wordpress.com/landmarks/] {{de}}
−
* editor, with Ovidiu Tichindeleanu, [https://monoskop.org/images/a/aa/IDEA_42_2012.pdf#page=56 ''IDEA'' 42: "''Black Europe Body Politics'': Testimonials of an Event / ''Somapolitica Europei negre'': testimoniale ale unui eveniment"], 2012, pp 109-140. A special dossier with evaluations of BE.BOP 2012. {{en}}/{{ro}}
+
* editor, with Ovidiu Tichindeleanu, [https://monoskop.org/images/a/aa/IDEA_42_2012.pdf#page=56 ''IDEA'' 42: "''Black Europe Body Politics'': Testimonials of an Event / ''Somapolitica Europei negre'': testimoniale ale unui eveniment"], Cluj: IDEA, 2012, pp 109-140. A special dossier with evaluations of BE.BOP 2012. {{en}}/{{ro}}
 
* ''Marassá y la nada'', Santo Domingo, Rep. Dom.: Santuario, 2013, 103 pp. With illustrations by Gabriela Vainsencher. [https://marassaylanada.wordpress.com/], [https://artlabourarchives.wordpress.com/publications/]. Reviews: [https://marassaylanada.wordpress.com/2012/01/02/sophie-marinez-review/ Maríñez] (EN, ES), [https://marassaylanada.wordpress.com/2014/03/13/resena-avelino-stanley/ Stanley], [https://marassaylanada.wordpress.com/2011/10/25/resena-sara-perez/ Pérez], [https://marassaylanada.wordpress.com/2014/03/13/critique-ary-regis/ Régis]. {{es}}
 
* ''Marassá y la nada'', Santo Domingo, Rep. Dom.: Santuario, 2013, 103 pp. With illustrations by Gabriela Vainsencher. [https://marassaylanada.wordpress.com/], [https://artlabourarchives.wordpress.com/publications/]. Reviews: [https://marassaylanada.wordpress.com/2012/01/02/sophie-marinez-review/ Maríñez] (EN, ES), [https://marassaylanada.wordpress.com/2014/03/13/resena-avelino-stanley/ Stanley], [https://marassaylanada.wordpress.com/2011/10/25/resena-sara-perez/ Pérez], [https://marassaylanada.wordpress.com/2014/03/13/critique-ary-regis/ Régis]. {{es}}
 
** ''Marassà and the Nothingness'', Partridge Africa, 2016. A short novel.
 
** ''Marassà and the Nothingness'', Partridge Africa, 2016. A short novel.
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* [https://monoskop.org/images/9/95/Reartikulacija_10-13_2010.pdf#page=23 "Decolonizing Germany: Wild at Hair. IngridMwangiRobertHutter. Masks and Skin Politics as a German Decolonial Knowledge-Production"], ''Reartikulacija'' 10-13, eds. Marina Grzinic and Sebastjan Leban, Ljubljana: Society for Contemporary Creativity HCHO, 2010, pp 23-24. {{en}}
 
* [https://monoskop.org/images/9/95/Reartikulacija_10-13_2010.pdf#page=23 "Decolonizing Germany: Wild at Hair. IngridMwangiRobertHutter. Masks and Skin Politics as a German Decolonial Knowledge-Production"], ''Reartikulacija'' 10-13, eds. Marina Grzinic and Sebastjan Leban, Ljubljana: Society for Contemporary Creativity HCHO, 2010, pp 23-24. {{en}}
 
* signatory, [https://transnationaldecolonialinstitute.wordpress.com/decolonial-aesthetics/ "Decolonial Aesthetics (I)"], 22 May 2011. Manifesto. Signed by Alanna Lockward, Rolando Vásquez, Teresa María Díaz Nerio, [[Marina Gržinić]], Michelle Eistrup, Tanja Ostojić, Dalída María Benfield, Raúl Moarquech Ferrera-Balanquet, Pedro Lasch, Nelson Maldonado Torres, [[Ovidiu Ţichindeleanu]], Hong-An Truong, Guo-Juin Hong, Miguel Rojas-Sotelo and [[Walter Mignolo]]. {{en}}
 
* signatory, [https://transnationaldecolonialinstitute.wordpress.com/decolonial-aesthetics/ "Decolonial Aesthetics (I)"], 22 May 2011. Manifesto. Signed by Alanna Lockward, Rolando Vásquez, Teresa María Díaz Nerio, [[Marina Gržinić]], Michelle Eistrup, Tanja Ostojić, Dalída María Benfield, Raúl Moarquech Ferrera-Balanquet, Pedro Lasch, Nelson Maldonado Torres, [[Ovidiu Ţichindeleanu]], Hong-An Truong, Guo-Juin Hong, Miguel Rojas-Sotelo and [[Walter Mignolo]]. {{en}}
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** [http://idea.ro/revista/pdf/idea39.pdf#page=91 "Estetica decolonialæ (I). Un argument ca manifest"], ''Idea'' 39, Bucharest: Idea, 2011, pp 89-91. {{ro}}
+
** [http://idea.ro/revista/pdf/idea39.pdf#page=91 "Estetica decolonialæ (I). Un argument ca manifest"], ''IDEA'' 39, Cluj: IDEA, 2011, pp 89-91. {{ro}}
 
** [https://transnationaldecolonialinstitute.wordpress.com/esteticas-decoloniales-i/ "Estética(s) de/descoloniale(s) (I)"], trans. Laura Judit Alegre, c2018. {{es}}
 
** [https://transnationaldecolonialinstitute.wordpress.com/esteticas-decoloniales-i/ "Estética(s) de/descoloniale(s) (I)"], trans. Laura Judit Alegre, c2018. {{es}}
 
* with Dalida María Benfield, Raúl Moarquech Ferrera Balanquet, Pedro Pablo Gómez, and Miguel Rojas-Sotelo, [https://www.erudit.org/fr/revues/inter/2012-n111-inter0103/66639ac.pdf "Décolonialité et expérience esthétique: une approximation"], trans. Jérôme Delgado, ''Inter: art actuel'' 111: "Espace public", 2012, pp 35-39. {{fr}}
 
* with Dalida María Benfield, Raúl Moarquech Ferrera Balanquet, Pedro Pablo Gómez, and Miguel Rojas-Sotelo, [https://www.erudit.org/fr/revues/inter/2012-n111-inter0103/66639ac.pdf "Décolonialité et expérience esthétique: une approximation"], trans. Jérôme Delgado, ''Inter: art actuel'' 111: "Espace public", 2012, pp 35-39. {{fr}}
 
* [https://socialtextjournal.org/periscope_article/black-europe-body-politics-towards-an-afropean-decolonial-aesthetics/ "Black Europe Body Politics: Towards an Afropean Decolonial Aesthetics"], in ''Decolonial AestheSis'', eds. Walter Mignolo and Rolando Vázquez, Social Text, Jul 2013; repr. in ''Afroeuropean Cartographies'', ed. Dominic Thomas, Newcastle upon Thyne: Cambridge Scholars Publishing, 2014, pp 132-146. Earlier presented as [https://dutchartinstitute.eu/page/1635/shift-in-my-thinking a lecture] for DAI Arnhem, Oct 2011 [http://idea.ro/revista/pdf/idea39.pdf#page=100 (transcript)]. {{en}}
 
* [https://socialtextjournal.org/periscope_article/black-europe-body-politics-towards-an-afropean-decolonial-aesthetics/ "Black Europe Body Politics: Towards an Afropean Decolonial Aesthetics"], in ''Decolonial AestheSis'', eds. Walter Mignolo and Rolando Vázquez, Social Text, Jul 2013; repr. in ''Afroeuropean Cartographies'', ed. Dominic Thomas, Newcastle upon Thyne: Cambridge Scholars Publishing, 2014, pp 132-146. Earlier presented as [https://dutchartinstitute.eu/page/1635/shift-in-my-thinking a lecture] for DAI Arnhem, Oct 2011 [http://idea.ro/revista/pdf/idea39.pdf#page=100 (transcript)]. {{en}}
−
** [http://idea.ro/revista/pdf/idea39.pdf#page=100 "Estetica decolonialæ diasporicæ: soma-politica Europei negre"], ''Idea'' 39, Bucharest: Idea, 2011, pp 98-99. {{ro}}
+
** [http://idea.ro/revista/pdf/idea39.pdf#page=100 "Estetica decolonialæ diasporicæ: soma-politica Europei negre"], ''IDEA'' 39, Cluj: IDEA, 2011, pp 98-99. {{ro}}
 
** "Politique du corps dans l’Europe noire: vers une esthétique afropéenne décoloniale", ''Tumultes'' 48:1, 2017, pp 103-115. [https://www.cairn.info/revue-tumultes-2017-1-page-103.htm] {{fr}}
 
** "Politique du corps dans l’Europe noire: vers une esthétique afropéenne décoloniale", ''Tumultes'' 48:1, 2017, pp 103-115. [https://www.cairn.info/revue-tumultes-2017-1-page-103.htm] {{fr}}
 
* [http://www.revistasexcelencias.com/arte-por-excelencias/editorial-14/con-la-musica-por-dentro-una-lectura-decolonial-de-la-26a-bienal-n "Con la música por dentro: una lectura decolonial de la 26 Bienal Nacional de Artes Visuales"] / "Music from Within: A Decolonised Interpretation of the 26th National Biennial of Visual Arts", in ''26 Bienal Nacional de Artes Visuales: Santo Domingo 2011'', Santo Domingo: Museo de Arte Moderno, 2013. {{es}}/{{en}}
 
* [http://www.revistasexcelencias.com/arte-por-excelencias/editorial-14/con-la-musica-por-dentro-una-lectura-decolonial-de-la-26a-bienal-n "Con la música por dentro: una lectura decolonial de la 26 Bienal Nacional de Artes Visuales"] / "Music from Within: A Decolonised Interpretation of the 26th National Biennial of Visual Arts", in ''26 Bienal Nacional de Artes Visuales: Santo Domingo 2011'', Santo Domingo: Museo de Arte Moderno, 2013. {{es}}/{{en}}

Revision as of 12:59, 5 February 2019


Photo: Miguel Gomez, 2016. (Source)
Born March 23, 1961(1961-03-23)
Santo Domingo, Dominican Republic
Died January 7, 2019(2019-01-07) (aged 57)
Santo Domingo, Dominican Republic

Alanna Lockward (1961, Santo Domingo - 2019, Santo Domingo) was a journalist, ballet dancer, writer, filmmaker and contemporary art curator. She was the founding director of Art Labour Archives, a platform for theory, political activism and art (1996). Lockward had conceptualized and curated the trans-disciplinary meeting BE.BOP (Black Europe Body Politics; 2012–2018). Her interests included Caribbean marronage discursive and mystical legacies in time-based practices, critical race theory, decolonial aesthetics/aesthesis, Black feminism and womanist ethics.

Lockward received her PhD from Humboldt University Berlin for her thesis on the Black Theology of Liberation of the African Methodist Episcopal Church (AME), following degrees in Art in Context at the University of the Arts Berlin, and Communications Science at Universidad Autónoma Metropolitana-Xochimilco, Mexico City (1979-1983). She was a Research Professor at the Center of Caribbean Studies, Pontificia Universidad Católica Madre y Maestra (PUCMM) as well as a guest lecturer at the Decolonial Summer School Middelburg and Dutch Art Institute, the Netherlands; Malmö Art Academy, Sweden; University of the Arts, Humboldt University, and Transart Institute, Berlin.

Lockward was appointed Director of International Affairs at the Museo de Arte Moderno (Santo Domingo) (1988) and was designated as Selection Jury of the XX Bienal Nacional de Artes Visuales (1996) and as award jury in its 26th edition (2011).

In 2016 she premiered her documentary film, Allen Report. Retracing Transnational African Methodism (FONPROCINE 2013), later nominated for the La Silla Awards (2017). This was the first Dominican film invited to the prestigious 24th New York African Film Festival (2017).

Lockward published Apremio: apuntes sobre el pensamiento y la creación contemporánea desde el Caribe (Cendeac, 2006), a collection of essays, the short novel Marassá and the Nothigness (Partridge Africa, 2016) and Un Haití Dominicano. Tatuajes fantasmas y narrativas bilaterales (1994-2014), a compilation of her investigative work on the history and current challenges between both island-nations (Santuario, 2014). Lockward edited BE.BOP 2012-2014. El cuerpo en el continente de la conciencia Negra (Ediciones del Signo, 2016), included in the series “El Desprendimiento” initiated and edited by Walter Mignolo from 2004. She was cultural editor of Listín Diario, research journalist for Rumbo magazine, a columnist for the Miami Herald and a columnist for Acento.

She was based in Berlin and Port-au-Prince, Dominican Republic. She previously lived in Mexico, Haiti, the United States, and Australia.

Film

  • Allen Report: Retracing Transnational African Methodism, 2016, 76 min. Documentary. [1] [2]

Publications

Books, journals, dissertations

Catalogues

Other curatorial projects without printed catalogue

Poetry

  • "Noticias de Clara", Vetas 3:23, Santo Domingo, Oct 1996. [22]

Essays, reviews

More

Interviews

  • Caroline Trouillet, "Une afropéanité décoloniale, un regard caribéen", Africultures 99-100, 2014, pp 330-335. [46] (French)
  • more

Links

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