Difference between revisions of "Alanna Lockward"

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{{Infobox artist
 
{{Infobox artist
 
|image = Alanna Lockward by Miguel Gomez 2016.jpg
 
|image = Alanna Lockward by Miguel Gomez 2016.jpg
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|caption = Photo: Miguel Gomez, 2016
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|caption = Photo: Miguel Gomez, 2016. [https://alannalockward.wordpress.com/biography/ (Source)]
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|birth_date = {{birth date|1961|3|23|mf=y}}
 
|birth_date = {{birth date|1961|3|23|mf=y}}
 
|birth_place = Santo Domingo, Dominican Republic
 
|birth_place = Santo Domingo, Dominican Republic
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|death_place = Santo Domingo, Dominican Republic
 
|death_place = Santo Domingo, Dominican Republic
 
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'''Alanna Lockward''' (1961, Santo Domingo - 2019, Santo Domingo) was a journalist, ballet dancer, writer, filmmaker and contemporary art curator. She was the founding director of [https://artlabourarchives.wordpress.com Art Labour Archives], a platform for theory, political activism and art since 1996.  Lockward had conceptualized and curated the trans-disciplinary meeting BE.BOP (Black Europe Body Politics; 2012–2018). Her interests included Caribbean marronage discursive and mystical legacies in time-based practices, critical race theory, decolonial aesthetics/aesthesis, Black feminism and womanist ethics.  
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'''Alanna Lockward''' (1961, Santo Domingo - 2019, Santo Domingo) was a journalist, ballet dancer, writer, filmmaker and contemporary art curator. She was the founding director of [https://artlabourarchives.wordpress.com Art Labour Archives], a platform for theory, political activism and art (1996).  Lockward had conceptualized and curated the trans-disciplinary meeting [https://monoskop.org/log/?p=20874 BE.BOP (Black Europe Body Politics; 2012–2018)]. Her interests included Caribbean marronage discursive and mystical legacies in time-based practices, critical race theory, decolonial aesthetics/aesthesis, Black feminism and womanist ethics.  
  
 
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In 2016 she premiered her documentary film, ''Allen Report. Retracing Transnational African Methodism'' (FONPROCINE 2013), later nominated for the La Silla Awards (2017). This was the first Dominican film invited to the prestigious 24th New York African Film Festival (2017).  
 
In 2016 she premiered her documentary film, ''Allen Report. Retracing Transnational African Methodism'' (FONPROCINE 2013), later nominated for the La Silla Awards (2017). This was the first Dominican film invited to the prestigious 24th New York African Film Festival (2017).  
  
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Lockward published ''Apremio: apuntes sobre el pensamiento y la creación contemporánea desde el Caribe'' (Cendeac, 2006), a collection of essays, the short novel ''Marassá and the Nothigness'' (Partridge Africa, 2016) and ''Un Haití Dominicano. Tatuajes fantasmas y narrativas bilaterales (1994-2014)'', a compilation of her investigative work on the history and current challenges between both island-nations (Santuario, 2014). Lockward edited ''BE.BOP 2012-2014. El cuerpo en el continente de la conciencia Negra'' (Ediciones del Signo, 2016), included in the series “El Desprendimiento” initiated and edited by [[Walter Mignolo]] from 2004.  She was cultural editor of ''Listín Diario'', research journalist for ''Rumbo'' magazine, a columnist for the ''Miami Herald'' and a columnist for ''Acento.com.do''.
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Lockward published ''Apremio: apuntes sobre el pensamiento y la creación contemporánea desde el Caribe'' (Cendeac, 2006), a collection of essays, the short novel ''Marassá and the Nothigness'' (Partridge Africa, 2016) and ''Un Haití Dominicano. Tatuajes fantasmas y narrativas bilaterales (1994-2014)'', a compilation of her investigative work on the history and current challenges between both island-nations (Santuario, 2014). Lockward edited ''BE.BOP 2012-2014. El cuerpo en el continente de la conciencia Negra'' (Ediciones del Signo, 2016), included in the series “El Desprendimiento” initiated and edited by [[Walter Mignolo]] from 2004.  She was cultural editor of ''Listín Diario'', research journalist for ''Rumbo'' magazine, a columnist for the ''Miami Herald'' and a columnist for ''Acento''.
  
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She was based in [[Berlin]] and Port-au-Prince, Dominican Republic.
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She was based in [[Berlin]] and Port-au-Prince, Dominican Republic. She previously lived in Mexico, Haiti, the United States, and Australia.
  
 
==Film==
 
==Film==
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==Publications==
 
==Publications==
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===Books, journal issues, dissertations===
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===Books, journals, dissertations===
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* ''Apremio: Apuntes sobre el pensamiento y la creación contemporánea desde el Caribe'' [Pressure: Notes on Thought and Contemporary Creation from the Caribbean], Murcia: Cendeac, 2006, 212 pp. A compilation of Lockward's work as critic, drawn from Dominican (''Cariforum, El Listín Diario''), American (''The Miami Herald''), and Spanish (''Atlántica'') publications throughout the past ten years. [https://artlabourarchives.wordpress.com/publications/]. [http://www.cendeac.net/es/editorial/catalogo/19 Publisher]. [https://alannalockward.wordpress.com/2013/08/20/apremio/]. Reviews: [http://sci-hub.tw/http://www.jstor.org/stable/41676120 Phaf-Rheinberger] (Iberoamericana), [https://alannalockward.wordpress.com/2013/08/20/apremio/ García] (Exit-Book). {{es}}
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* ''Apremio: Apuntes sobre el pensamiento y la creación contemporánea desde el Caribe'' [Pressure: Notes on Thought and Contemporary Creation from the Caribbean], Murcia: Cendeac, 2006, 212 pp. A compilation of Lockward's work as critic, drawn from Dominican (''Cariforum, El Listín Diario''), American (''The Miami Herald''), and Spanish (''Atlántica'') publications throughout the past ten years. [https://artlabourarchives.wordpress.com/publications/]. [http://www.cendeac.net/es/editorial/catalogo/19 Publisher]. [https://alannalockward.wordpress.com/2013/08/20/apremio/]. Reviews: [http://sci-hub.st/http://www.jstor.org/stable/41676120 Phaf-Rheinberger] (Iberoamericana), [https://alannalockward.wordpress.com/2013/08/20/apremio/ García] (Exit-Book). {{es}}
 
* ''[[Media:Lockward Alanna Schwarz-Black-Afro Widerspiegelung eines Wortfeldes im Tagesspiegel 2004-2006.pdf|Schwarz-Black-Afro. Widerspiegelung eines Wortfeldes im Tagesspiegel 2004-2006]]'', Berlin: Institut für Kunst im Kontext/Universität der Künste Berlin/Fakultät bildende Kunst, 2006, 52 pp. Master's thesis. [https://artlabourarchives.wordpress.com/landmarks/] {{de}}
 
* ''[[Media:Lockward Alanna Schwarz-Black-Afro Widerspiegelung eines Wortfeldes im Tagesspiegel 2004-2006.pdf|Schwarz-Black-Afro. Widerspiegelung eines Wortfeldes im Tagesspiegel 2004-2006]]'', Berlin: Institut für Kunst im Kontext/Universität der Künste Berlin/Fakultät bildende Kunst, 2006, 52 pp. Master's thesis. [https://artlabourarchives.wordpress.com/landmarks/] {{de}}
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* editor, with Ovidiu Tichindeleanu, [https://monoskop.org/images/a/aa/IDEA_42_2012.pdf#page=56 ''IDEA'' 42: "''Black Europe Body Politics'': Testimonials of an Event / ''Somapolitica Europei negre'': testimoniale ale unui eveniment"], trans. Anca Bumb, Cluj: IDEA, Autumn 2012, pp 109-140, [http://idea.ro/revista/en/article/XOerBxIAAB8AQQ_q/black-europe-body-politics-testimonials-of-an-event HTML] (en), [http://idea.ro/revista/ro/article/XIQ11xIAACEAsgV0/somapolitica-europei-negre-testimoniale-ale-unui-eveniment HTML] (ro). A special dossier with reflections on ''BE.BOP 2012''. {{en}}/{{ro}}
 
* ''Marassá y la nada'', Santo Domingo, Rep. Dom.: Santuario, 2013, 103 pp. With illustrations by Gabriela Vainsencher. [https://marassaylanada.wordpress.com/], [https://artlabourarchives.wordpress.com/publications/]. Reviews: [https://marassaylanada.wordpress.com/2012/01/02/sophie-marinez-review/ Maríñez] (EN, ES), [https://marassaylanada.wordpress.com/2014/03/13/resena-avelino-stanley/ Stanley], [https://marassaylanada.wordpress.com/2011/10/25/resena-sara-perez/ Pérez], [https://marassaylanada.wordpress.com/2014/03/13/critique-ary-regis/ Régis]. {{es}}
 
* ''Marassá y la nada'', Santo Domingo, Rep. Dom.: Santuario, 2013, 103 pp. With illustrations by Gabriela Vainsencher. [https://marassaylanada.wordpress.com/], [https://artlabourarchives.wordpress.com/publications/]. Reviews: [https://marassaylanada.wordpress.com/2012/01/02/sophie-marinez-review/ Maríñez] (EN, ES), [https://marassaylanada.wordpress.com/2014/03/13/resena-avelino-stanley/ Stanley], [https://marassaylanada.wordpress.com/2011/10/25/resena-sara-perez/ Pérez], [https://marassaylanada.wordpress.com/2014/03/13/critique-ary-regis/ Régis]. {{es}}
 
** ''Marassà and the Nothingness'', Partridge Africa, 2016. A short novel.
 
** ''Marassà and the Nothingness'', Partridge Africa, 2016. A short novel.
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* editor, with Keith Nurse, [https://issuu.com/caribbeanintransit/docs/caribbean_intransit__issue_4__final ''Caribbean Intransit'' 1(4): "Cutting Edges: New Media and Creative Entrepreneurship"], African and African American Studies/George Mason University, Spring 2013. [http://caribbeanintransit.com/wp-content/uploads/2014/03/Introductory-Pages_-Caribbean-InTransit_-Issue-4_-.pdf Introduction]. [http://caribbeanintransit.com/issues/all/issue-4/]
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* editor, with Keith Nurse, [[Media:Caribbean Intransit 1 4 Cutting Edges New Media and Creative Entrepreneurship 2013.pdf|''Caribbean Intransit'' 1(4): "Cutting Edges: New Media and Creative Entrepreneurship"]], African and African American Studies/George Mason University, Spring 2013, 147 pp. [http://caribbeanintransit.com/issues/all/issue-4/]
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* ''Un Haití dominicano: tatuajes fantasmas y narrativas bilaterales (1994-2014)'', Santo Domingo, Rep. Dom.: Santuario & Búho, 2014, 311 pp. A compilation of investigative work on the history and current challenges between both island-nations. Includes interviews, essays, and newspaper articles. [https://worldcat.org/oclc/908448500]. Review: [http://hemisphericinstitute.org/hemi/es/emisferica-121-caribbean-rasanblaj/alba Rincon-Alba] (e-misférica). {{es}}
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* ''Un Haití dominicano: tatuajes fantasmas y narrativas bilaterales (1994-2014)'', intro. Rubén Silié Valdez and Paco Navarrete, Santo Domingo, Rep. Dom.: Santuario & Búho, 2014, 311 pp. [https://acento.com.do/2012/opinion/205181-prologos-al-libro-un-haiti-dominicano-de-alanna-lockward/ Introductions]. A compilation of investigative work on the history and current challenges between both island-nations. Includes interviews, essays, and newspaper articles. [https://worldcat.org/oclc/908448500], [https://acento.com.do/author/alockward/]. Reviews: [https://hemisphericinstitute.org/en/emisferica-121-caribbean-rasanblaj/12-1-book-reviews/e121-review-un-haiti-dominicano.html Rincón-Alba] (e-misférica), [http://www.lettresdecuba.cult.cu/?q=articles/compte-rendu-un-hait%C3%AD-dominicano-tatuajes-fantasmas-y-narrativas-bilaterales-1994-2014-de-a Casimir] (Lettres de Cuba, ES, FR). {{es}}
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* ''El Sistema Elecotoral Dominicano en perspectiva comparada: garantias y falacias'', Santo Domingo: Santuario, 2014. {{es}}
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* editor, ''[[Media:BE.BOP_Black_Europe_Body_Politics_Chronology_2012-2015.pdf|BE.BOP. Black Europe Body Politics. Chronology, 2012-2015]]'', Berlin: Art Labour Archives, 2015, 44 pp. {{en}}
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* editor, ''BE.BOP 2012-2014: El cuerpo en el continente de la conciencia negra'', Buenos Aires: Ediciones del Signo, 2016, 198 pp. [https://www.edicionesdelsigno.com.ar/el-desprendimiento/be-bop-2012-2014-el-cuerpo-en-el-continente-de-la-conciencia-negra/ TOC]. [https://www.lacentral.com/book/?id=9789873784330] {{es}}
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* editor, ''BE.BOP 2012-2014: El cuerpo en el continente de la conciencia negra'', pref. Walter Mignolo, Buenos Aires: Del Signo, 2016, 198 pp. Contributors: Erna Brodber, Fatima El Tayeb, Walter Mignolo, Teresa M. Díaz Nerio, Artwell Cain, Robbie Shilliam, Rolando Vázquez, Simmi Dullay, Manuela Boatca, Julia Roth, Lesley-Anne Brown, Yoel Díaz Vázquez, Jeannette Ehlers, Patricia Kaersenhout, Quinsy Gario, Transnational Decolonial Institute. [https://www.edicionesdelsigno.com.ar/el-desprendimiento/be-bop-2012-2014-el-cuerpo-en-el-continente-de-la-conciencia-negra/ TOC]. {{es}}
  
 
===Catalogues===
 
===Catalogues===
 
* editor, ''[http://web.archive.org/web/20130627041812/https://alannalockward.wordpress.com/insight-into-otherness/ Insight into Otherness]'', ArtCenter South Florida, 1997. {{en}}
 
* editor, ''[http://web.archive.org/web/20130627041812/https://alannalockward.wordpress.com/insight-into-otherness/ Insight into Otherness]'', ArtCenter South Florida, 1997. {{en}}
 
* editor, ''[https://alannalockward.wordpress.com/2013/08/20/3-y-2-tres-idos/ 3 y 2, tres idos: seis instalaciones]'', Ciudad de México: Ex Teresa Arte Actual, 2000, 14 pp. Exhibition commissioned by the Dominican Embassy in Mexico City; held 25 Feb-25 Mar 2000 at Ex Teresa Arte Actual, Mexico City. [https://artlabourarchives.wordpress.com/publications/] {{es}}
 
* editor, ''[https://alannalockward.wordpress.com/2013/08/20/3-y-2-tres-idos/ 3 y 2, tres idos: seis instalaciones]'', Ciudad de México: Ex Teresa Arte Actual, 2000, 14 pp. Exhibition commissioned by the Dominican Embassy in Mexico City; held 25 Feb-25 Mar 2000 at Ex Teresa Arte Actual, Mexico City. [https://artlabourarchives.wordpress.com/publications/] {{es}}
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* editor, [https://monoskop.org/images/a/a3/Pares_Nones_Fotografia_contemporanea_de_Haiti_y_Republica_Dominicana_2016.pdf ''Pares & Nones: Fotografía contemporánea de Haití y República Dominicana''], La Habana: Casa de las américas, 2016, [https://alannalockward.wordpress.com/2013/08/20/pares-nones/ HTML]. The exhibition toured internationally from 2002. Contains Lockward's essay "Pares & Nones: igualdad in-visible / Pares & Nones (Evens & Odds): Invisible Equality". The essay also appeared as "Pares & Nones (Evens & Odds): ''In''visible Equality", ''Small Axe: A Caribbean Journal of Criticism'' 11:3, Oct 2007, pp 83-92. [https://read.dukeupress.edu/small-axe/article-abstract/11/3/83/32305/]. {{es}}/{{en}}
 
 
* editor, ''Filipa César. The Embassy'', Berlin: Haus der Kulturen der Welt, 2011, [36] pp. [https://www.hkw.de/en/programm/projekte/veranstaltung/p_55284.php]
 
* editor, ''Filipa César. The Embassy'', Berlin: Haus der Kulturen der Welt, 2011, [36] pp. [https://www.hkw.de/en/programm/projekte/veranstaltung/p_55284.php]
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* editor, with Walter Mignolo, ''[[Media:BE.BOP_2012.pdf|BE.BOP 2012. Black Europe Body Politics]]'', Berlin: Kultursprünge im Ballhaus Naunynstraße, 2012, 38 pp. [https://blackeuropebodypolitics.wordpress.com/]. {{en}}
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* editor, with Walter Mignolo, ''[[Media:BE.BOP_2012.pdf|BE.BOP 2012. Black Europe Body Politics]]'', Berlin: Kultursprünge im Ballhaus Naunynstraße, 2012, 38 pp. Contributions by Walter D. Mignolo, Alanna Lockward, Rolando Vázquez, Artwell Cain, Manuela Boatca, Simmi Dullay, Ylva Habel, Fatima El-Tayeb, David Olusoga , Ulrike Hamann, Rozena Maart, José Manuel Barreto, Grada Kilomba, Teresa María Díaz Nerio, Minna Salami, Robbie Shilliam, Michael Küppers-Adebisi, a.o. [https://blackeuropebodypolitics.wordpress.com/ Event website]. {{en}}
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* editor, with Walter Mignolo, ''[[Media:BE.BOP_2013_Decolonizing_the_Cold_War.pdf|BE.BOP 2013. Black Europe Body Politics. Decolonizing the "Cold" War]]'', Berlin: Kultursprünge im Ballhaus Naunynstraße, 2013, 46 pp. [https://decolonizingthecoldwar.wordpress.com/]. {{en}}
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* editor, with Walter Mignolo, ''[[Media:BE.BOP_2013_Decolonizing_the_Cold_War.pdf|BE.BOP 2013. Black Europe Body Politics. Decolonizing the "Cold" War]]'', Berlin: Kultursprünge im Ballhaus Naunynstraße, 2013, 46 pp.  Contributions by Walter D. Mignolo, Robbie Shilliam, Alanna Lockward, Quinsy Gario, Raúl Moarquech Ferrera Balanquet, Moritz Ege, Rolando Vázquez, Simmi Dullay, Adetoun Küppers-Adebisi, Michelle K., a.o. [https://decolonizingthecoldwar.wordpress.com/ Event website]. [https://decolonizingthecoldwar.wordpress.com/video-documentation/ Video documentation of event]. {{en}}
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* editor, with Jeannette Ehlers, ''[[Media:BE.BOP_2014_Spiritual_Revolutions_and_The_Scramble_for_Africa.pdf|BE.BOP 2014. Black Europe Body Politics. Spiritual Revolutions & The "Scramble for Africa"]]'', Berlin: Kultursprünge im Ballhaus Naunynstraße, 2014, 43 pp. [https://spiritualrevolutionsandthescrambleforafrica.wordpress.com/]. {{en}}
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* editor, with Jeannette Ehlers, ''[[Media:BE.BOP_2014_Spiritual_Revolutions_and_The_Scramble_for_Africa.pdf|BE.BOP 2014. Black Europe Body Politics. Spiritual Revolutions & The "Scramble for Africa"]]'', Berlin: Kultursprünge im Ballhaus Naunynstraße, 2014, 43 pp. Contributions by Walter Mignolo, Alanna Lockward, Artwell Cain, Dennis C. Dickerson, Rolando Vázquez, Anika Gibbons, Temi Odumosu, Anne Ring Petersen, Mathias Danbolt, Kuratorisk Aktion, Sasha Huber, Robbie Shilliam, Yoel Díaz Vázquez, a.o. [https://spiritualrevolutionsandthescrambleforafrica.wordpress.com/ Event website]. {{en}}
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* editor, ''[[Media:BE.BOP_Black_Europe_Body_Politics_Chronology_2012-2015.pdf|BE.BOP. Black Europe Body Politics. Chronology, 2012-2015]]'', Berlin: Art Labour Archives, 2015, 44 pp. {{en}}
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* editor, ''[[Media:Pares_Nones_Fotografia_contemporanea_de_Haiti_y_Republica_Dominicana_2016.pdf|Pares & Nones: Fotografía contemporánea de Haití y República Dominicana]]'', La Habana: Casa de las américas, 2016, [https://alannalockward.wordpress.com/2013/08/20/pares-nones/ HTML]. The exhibition toured internationally from 2002. Contains Lockward's essay "Pares & Nones: igualdad in-visible / Pares & Nones (Evens & Odds): Invisible Equality". The essay also appeared as "Pares & Nones (Evens & Odds): ''In''visible Equality", ''Small Axe: A Caribbean Journal of Criticism'' 11:3, Oct 2007, pp 83-92. [https://read.dukeupress.edu/small-axe/article-abstract/11/3/83/32305/]. {{es}}/{{en}}
 
* editor, with Walter Mignolo, ''[[Media:BE.BOP_2016_Call_and_Response.pdf|BE.BOP 2016. Black Europe Body Politics. Call & Response]]'', Berlin: Art Labour Archives, 2016, 46 pp. [https://bebop2016blog.wordpress.com/], [http://www.africavenir.org/news-details/article/in-cooperation-bebop-2016-black-europe-body-politics-call-response.html]. {{en}}
 
* editor, with Walter Mignolo, ''[[Media:BE.BOP_2016_Call_and_Response.pdf|BE.BOP 2016. Black Europe Body Politics. Call & Response]]'', Berlin: Art Labour Archives, 2016, 46 pp. [https://bebop2016blog.wordpress.com/], [http://www.africavenir.org/news-details/article/in-cooperation-bebop-2016-black-europe-body-politics-call-response.html]. {{en}}
 
* editor, ''[[Media:BE.BOP_2018_Coalitions_Facing_White_Innocence.pdf|BE.BOP 2018. Black Europe Body Politics. Coalitions Facing White Innocence]]'', Berlin: Art Labour Archives, 2018, 84 pp. [https://bebop2018coalitionsfacingwhiteinnocence.wordpress.com/]. {{en}}
 
* editor, ''[[Media:BE.BOP_2018_Coalitions_Facing_White_Innocence.pdf|BE.BOP 2018. Black Europe Body Politics. Coalitions Facing White Innocence]]'', Berlin: Art Labour Archives, 2018, 84 pp. [https://bebop2018coalitionsfacingwhiteinnocence.wordpress.com/]. {{en}}
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* [[Media:Lockward Alanna 1997 Fabulas abiertas un ejercito periferico.pdf|"Fábulas abiertas”, un ejército periférico"]] / [[Media:Lockward Alanna 1997 Fabulas abiertas An Exercise from the Periphery.pdf|"“Fábulas abiertas”: An Exercise from the Periphery"]], ''Atlántica'' 16, Spring 1997, pp 34-37, 134-136. On author's first curated museum show. [https://artlabourarchives.wordpress.com/landmarks/]. {{es}}/{{en}}
 
* [[Media:Lockward Alanna 1997 Fabulas abiertas un ejercito periferico.pdf|"Fábulas abiertas”, un ejército periférico"]] / [[Media:Lockward Alanna 1997 Fabulas abiertas An Exercise from the Periphery.pdf|"“Fábulas abiertas”: An Exercise from the Periphery"]], ''Atlántica'' 16, Spring 1997, pp 34-37, 134-136. On author's first curated museum show. [https://artlabourarchives.wordpress.com/landmarks/]. {{es}}/{{en}}
 
* [https://mdc.ulpgc.es/cdm/singleitem/collection/atlantica/id/645/rec/8 "El arte del Caribe y la alegoría del Elegguá"], ''Atlántica'' 22, Las Palmas de Gran Canaria: Centro Atlantico de Arte Moderno, 1999, pp 99-102. {{es}}
 
* [https://mdc.ulpgc.es/cdm/singleitem/collection/atlantica/id/645/rec/8 "El arte del Caribe y la alegoría del Elegguá"], ''Atlántica'' 22, Las Palmas de Gran Canaria: Centro Atlantico de Arte Moderno, 1999, pp 99-102. {{es}}
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* [[Media:Lockward Alanna 2001 The Era of Negritude La era de la negritud.pdf|"La era de la negritud / The Era of Négritude. The Short Century, Independence and Liberation Movements in Africa 1945-1994"]], ''Atlántica'' 30, Las Palmas de Gran Canaria: Centro Atlantico de Arte Moderno, 2001, pp 32-47; repr., ''Savvy'' 1, Berlin: Büro, 2016, pp 168-179. An expanded review of the ''[https://universes.art/en/specials/2001/the_short_century/ The Short Century. Independence and Liberation Movements in Africa 1945-1994]'' exhibition, curated by [[Okwui Enwezor]]. [https://artlabourarchives.wordpress.com/landmarks/], [https://edoc.unibas.ch/44811/1/20161113175725_58289b75922a6.pdf] [http://www.savvy-journal.com/savvy_edition1/files/search/searchtext.xml]. {{es}}/{{en}}
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* [[Media:Lockward Alanna 2001 The Era of Negritude La era de la negritud.pdf|"La era de la negritud / The Era of Négritude. The Short Century, Independence and Liberation Movements in Africa 1945-1994"]], ''Atlántica'' 30, Las Palmas de Gran Canaria: Centro Atlantico de Arte Moderno, 2001, pp 32-47; [https://monoskop.org/images/e/ee/SAVVY_art_contemporary_african_1_2011.pdf#page=168 repr.], ''Savvy'' 1, Berlin: Büro, 2016, pp 168-179. An expanded review of the ''[https://universes.art/en/specials/2001/the_short_century/ The Short Century. Independence and Liberation Movements in Africa 1945-1994]'' exhibition, curated by [[Okwui Enwezor]]. [https://artlabourarchives.wordpress.com/landmarks/], [https://edoc.unibas.ch/44811/1/20161113175725_58289b75922a6.pdf] [http://www.savvy-journal.com/savvy_edition1/files/search/searchtext.xml]. {{es}}/{{en}}
 
* [https://mdc.ulpgc.es/cdm/singleitem/collection/atlantica/id/1143/rec/5 "Carlos Betancourt y el cuerpo de la escritura / Carlos Betancourt: The Body of Writing"], ''Atlántica'' 32, Las Palmas de Gran Canaria: Centro Atlantico de Arte Moderno, 2002, pp 102-111. {{es}}/{{en}}
 
* [https://mdc.ulpgc.es/cdm/singleitem/collection/atlantica/id/1143/rec/5 "Carlos Betancourt y el cuerpo de la escritura / Carlos Betancourt: The Body of Writing"], ''Atlántica'' 32, Las Palmas de Gran Canaria: Centro Atlantico de Arte Moderno, 2002, pp 102-111. {{es}}/{{en}}
 
* "Los noventa en Santo Domingo: un anecdotario" [The Nineties in Santo Domingo], in ''Políticas de la diferencia: arte iberoamericano fin de siglo'', Valencia: Generalitat Valenciana, 2001. Catalogue essay. {{es}}
 
* "Los noventa en Santo Domingo: un anecdotario" [The Nineties in Santo Domingo], in ''Políticas de la diferencia: arte iberoamericano fin de siglo'', Valencia: Generalitat Valenciana, 2001. Catalogue essay. {{es}}
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* "Meta archipielago teledirigido", ''Revista Cariforum'' 8, Jun 2002. {{es}}
 
* "Meta archipielago teledirigido", ''Revista Cariforum'' 8, Jun 2002. {{es}}
 
* "Identität des Schwindels", in ''Visa oder die Verhinderung des Reisens'', ed. Beate Eckstein, Bonn: ifa Galerie, 2003. Catalogue essay. [https://artlabourarchives.wordpress.com/landmarks/], [http://web.archive.org/web/20100605000009/http://cms.ifa.de/?id=5176]. {{de}}
 
* "Identität des Schwindels", in ''Visa oder die Verhinderung des Reisens'', ed. Beate Eckstein, Bonn: ifa Galerie, 2003. Catalogue essay. [https://artlabourarchives.wordpress.com/landmarks/], [http://web.archive.org/web/20100605000009/http://cms.ifa.de/?id=5176]. {{de}}
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* [http://humanities.asu.edu.ru/files/1%2849%29/171-175.pdf "The Era of Vertigo. Identities and the Ubiquity of Fear"], Гуманитарные исследования 49:1, 2014, 171-175. {{en}}
 
 
* "Elia Alba; Nicolás Dumit Estévez" in ''Voces y Visiones. Highlights from El Museo Del Barrio's Permanent Collection'', New York: Museo del Barrio, 2003, pp 16-24. Two catalogue essays. {{en}}
 
* "Elia Alba; Nicolás Dumit Estévez" in ''Voces y Visiones. Highlights from El Museo Del Barrio's Permanent Collection'', New York: Museo del Barrio, 2003, pp 16-24. Two catalogue essays. {{en}}
 
* "Nadja Schöllhammer: An Arena of Her Own", in ''Nadja Schöllhammer: Arena'', Berlin: Momentum, 2004. Catalogue essay. {{en}}
 
* "Nadja Schöllhammer: An Arena of Her Own", in ''Nadja Schöllhammer: Arena'', Berlin: Momentum, 2004. Catalogue essay. {{en}}
−
* "Sobre la verdadera autonomía del libre albedrió / On the true autonomy of the free will", ''Art.es'' 10, Jul/Aug 2005, p 75. {{es}}/{{en}}
+
* "Sobre la verdadera autonomía del libre albedrió / On the True Autonomy of the Free Will", ''Art.es'' 10, Jul/Aug 2005, p 75. {{es}}/{{en}}
−
* "Minette Vari and a Continental Patience. Africa in the Venice Biennial History", 2007. www.videoartworld.com/beta/reviews_int.php?id=61
 
 
* [http://www.franklinfurnace.org/research/related/estevez.php "Stages of a Panic-Curator: My Catharsis with the Holy Infant of Prague (aka Nicolas Dumit Estevez)"], New York: Franklin Furnace, Sep 2007. {{en}}
 
* [http://www.franklinfurnace.org/research/related/estevez.php "Stages of a Panic-Curator: My Catharsis with the Holy Infant of Prague (aka Nicolas Dumit Estevez)"], New York: Franklin Furnace, Sep 2007. {{en}}
−
* "Disolvencias y yuxtaposiciones: ecos para un relato polifónico en materia de videoarte desde Haití, Puerto Rico y República Dominicana", in ''Vídeo en Latinoamérica: una historia crítica: primavera 2008'', ed. Laura Baigorri Ballarín, Madrid: Brumaria, 2008, pp 81-90. [http://brumaria.tictail.com/product/video-en-latinoam%C3%A9rica-una-historia-cr%C3%ADtica] {{es}}
+
* [http://web.archive.org/web/20110603182554/www.videoartworld.com/beta/reviews_int.php?id=61 "Minette Vari and a Continental Patience. Africa in the Venice Biennial History"], Nov 2007. {{en}}
−
** [https://academia.edu/4320828/ "Towards a Utopian Archeology: Moving-image, Decolonization and Continuities in Haiti, Puerto Rico and the Dominican Republic"], Sep 2010. {{en}}
+
* "Disolvencias y yuxtaposiciones: ecos para un relato polifónico en materia de videoarte desde Haití, Puerto Rico y República Dominicana", in ''Vídeo en Latinoamérica: una historia crítica'', ed. Laura Baigorri, Madrid: Brumaria, 2008, pp 81-90. [http://brumaria.tictail.com/product/video-en-latinoam%C3%A9rica-una-historia-cr%C3%ADtica] {{es}}
 +
** [[Media:Lockward Alanna 2008 2010 Towards a Utopian Archeology Moving-image Decolonization and Continuities in Haiti Puerto Rico and the Dominican Republic.pdf|"Towards a Utopian Archeology: Moving-image, Decolonization and Continuities in Haiti, Puerto Rico and the Dominican Republic"]], Sep 2010. [https://academia.edu/4320828/] {{en}}
 
* [https://issuu.com/iniciarte/docs/naturaleza_intervenida/8 "Lo(a) natural(eza) del Performance. Performance y/en Naturaleza (I / Videoarte)"] / [https://issuu.com/iniciarte/docs/naturaleza_intervenida/66 "The Naturalness of Performance. Performance and/in Nature (I / Video-art)"], in ''Naturaleza intervenida: reflexiones sobre la Naturaleza, el medio ambiente y nuevas tecnologías'', Sevilla: Junta de Andalucía/Consejería de Cultura, 2008, pp 8-21, 66-68. Catalogue essay. {{es}}/{{en}}
 
* [https://issuu.com/iniciarte/docs/naturaleza_intervenida/8 "Lo(a) natural(eza) del Performance. Performance y/en Naturaleza (I / Videoarte)"] / [https://issuu.com/iniciarte/docs/naturaleza_intervenida/66 "The Naturalness of Performance. Performance and/in Nature (I / Video-art)"], in ''Naturaleza intervenida: reflexiones sobre la Naturaleza, el medio ambiente y nuevas tecnologías'', Sevilla: Junta de Andalucía/Consejería de Cultura, 2008, pp 8-21, 66-68. Catalogue essay. {{es}}/{{en}}
 
* essay in ''Nostalgia de futuro. Homenaje a Josep Renau'', Valencia: Consorcio de Museosde la Comunidad Valenciana, 2008. Catalogue essay. {{es}}
 
* essay in ''Nostalgia de futuro. Homenaje a Josep Renau'', Valencia: Consorcio de Museosde la Comunidad Valenciana, 2008. Catalogue essay. {{es}}
Line 82: Line 81:
 
* [https://monoskop.org/images/6/6f/Artecontexto_25_2010.pdf#page=88 "Paul Pfeiffer: The Saints. Hamburger Bahnhof"], ''Artecontexto'' 25, Madrid, 2010, pp 88-89. Exhibition review. [https://www.artecontexto.com/python/verrevista.py?lang=en&numero=25] {{en}}/{{es}}
 
* [https://monoskop.org/images/6/6f/Artecontexto_25_2010.pdf#page=88 "Paul Pfeiffer: The Saints. Hamburger Bahnhof"], ''Artecontexto'' 25, Madrid, 2010, pp 88-89. Exhibition review. [https://www.artecontexto.com/python/verrevista.py?lang=en&numero=25] {{en}}/{{es}}
 
* [https://monoskop.org/images/c/cb/Artecontexto_27_2010.pdf#page=96 "6th Berlin Biennale for Contemporay Art: Colonizing Resistance / VI Bienal de Arte Contemporánero de Berlín. Colonizar la resistencia"], ''Artecontexto'' 27, Madrid, 2010, 98-99. Review. [https://www.artecontexto.com/es/ver_revista-27.html] {{en}}/{{es}}
 
* [https://monoskop.org/images/c/cb/Artecontexto_27_2010.pdf#page=96 "6th Berlin Biennale for Contemporay Art: Colonizing Resistance / VI Bienal de Arte Contemporánero de Berlín. Colonizar la resistencia"], ''Artecontexto'' 27, Madrid, 2010, 98-99. Review. [https://www.artecontexto.com/es/ver_revista-27.html] {{en}}/{{es}}
 +
* [https://monoskop.org/images/9/95/Reartikulacija_10-13_2010.pdf#page=23 "Wild at Hair: IngridMwangiRobertHutter. Masks and Skin Politics as a German DeColonial Knowledge Production"], ''Reartikulacija'' 10-13, eds. Marina Gržinić and Sebastjan Leban, Ljubljana: Society for Contemporary Creativity HCHO, Summer? 2010, pp 23-24. {{en}}
 
* [https://monoskop.org/images/7/78/Artecontexto_28_2010.pdf#page=90 "Alfredo Cramerotti. Aesthetic Journalism"], ''Artecontexto'' 28, Madrid, Sep 2010, pp 90, 92. Book review. [https://www.artecontexto.com/python/verrevista.py?lang=en&numero=28] {{es}}/{{en}}
 
* [https://monoskop.org/images/7/78/Artecontexto_28_2010.pdf#page=90 "Alfredo Cramerotti. Aesthetic Journalism"], ''Artecontexto'' 28, Madrid, Sep 2010, pp 90, 92. Book review. [https://www.artecontexto.com/python/verrevista.py?lang=en&numero=28] {{es}}/{{en}}
 
* [http://scheinehe.blogspot.com/2010/10/removing-visible_08.html "Nataša Drakula. Removing the Visible"], Berlin, 30 Sep 2010. Exhibition text. {{en}}
 
* [http://scheinehe.blogspot.com/2010/10/removing-visible_08.html "Nataša Drakula. Removing the Visible"], Berlin, 30 Sep 2010. Exhibition text. {{en}}
−
* [https://monoskop.org/images/9/95/Reartikulacija_10-13_2010.pdf#page=23 "Decolonizing Germany: Wild at Hair. IngridMwangiRobertHutter. Masks and Skin Politics as a German Decolonial Knowledge-Production"], ''Reartikulacija'' 10-13, eds. Marina Grzinic and Sebastjan Leban, Ljubljana: Society for Contemporary Creativity HCHO, 2010, pp 23-24. {{en}}
+
 
−
* with Dalida María Benfield, Raúl Moarquech Ferrera Balanquet, Pedro Pablo Gómez, and Miguel Rojas-Sotelo, [https://www.erudit.org/fr/revues/inter/2012-n111-inter0103/66639ac.pdf "Décolonialité et expérience esthétique: une approximation"], trans. Jérôme Delgado, ''Inter: art actuel'' 111: "Espace public", 2012, pp 35-39. {{fr}}
+
* signatory, [https://transnationaldecolonialinstitute.wordpress.com/decolonial-aesthetics/ "Decolonial Aesthetics (I)"], ''TDI+Transnational Decolonial Institute'', 22 May 2011; exp. as [https://monoskop.org/images/3/3c/IDEA_39_2011.pdf#page=91 "Decolonial Aesthetics (I). The Argument As Manifesto"], ''IDEA'' 39, Cluj: IDEA, 2011, pp 89-97; [https://monoskop.org/images/3/39/BE.BOP_2012.pdf#page=18 repr. (without contexts) in] ''BE.BOP 2012. Black Europe Body Politics'', eds. Alanna Lockward and Walter Mignolo, Berlin: Kultursprünge im Ballhaus Naunynstraße, 2012, pp 35-36. Manifesto. Signed by Alanna Lockward, Rolando Vásquez, Teresa María Díaz Nerio, [[Marina Gržinić]], Michelle Eistrup, Tanja Ostojić, Dalída María Benfield, Raúl Moarquech Ferrera-Balanquet, Pedro Lasch, Nelson Maldonado Torres, [[Ovidiu Ţichindeleanu]], Hong-An Truong, Guo-Juin Hong, Miguel Rojas-Sotelo and [[Walter Mignolo]]. {{en}}
−
* [https://socialtextjournal.org/periscope_article/black-europe-body-politics-towards-an-afropean-decolonial-aesthetics/ "Black Europe Body Politics: Towards an Afropean Decolonial Aesthetics"], in ''Decolonial AestheSis'', eds. Walter Mignolo and Rolando Vázquez, Social Text, Jul 2013.
+
** [https://monoskop.org/images/3/3c/IDEA_39_2011.pdf#page=91 "Estetica decolonială (I). Un argument ca manifest"], ''IDEA'' 39, Cluj: IDEA, 2011, pp 89-97. {{ro}}
 +
** [https://transnationaldecolonialinstitute.wordpress.com/esteticas-decoloniales-i/ "Estética(s) de/descoloniale(s) (I)"], trans. Laura Judit Alegre, c.2016. [https://triplovblog.files.wordpress.com/2018/01/cultura-152.pdf] {{es}}
 +
** [http://web.archive.org/web/20170915233923/http://www.contramare.net/site/pt/decolonial-aesthetics/ "Estética Descolonial"], ''contramare.net'', 7 Jun 2017; [https://monoskop.org/images/f/fb/Cultura_Jornal_Angolano_de_Artes_e_Letras_152_Jan_2018.pdf#page=9 repr. in] ''Cultura: Jornal Angolano de Artes e Letras'' 152, Jan 2018, 9-11. {{pt}}
 +
 
 +
* with Dalida María Benfield, Raúl Moarquech Ferrera Balanquet, Pedro Pablo Gómez, and Miguel Rojas-Sotelo, [https://www.erudit.org/fr/revues/inter/2012-n111-inter0103/66639ac.pdf "Décolonialité et expérience esthétique: une approximation"], trans. Jérôme Delgado, ''Inter: art actuel'' 111: "Espace public", Spring 2012, pp 35-39. {{fr}}
 +
* [https://monoskop.org/images/3/39/BE.BOP_2012.pdf#page=5 "Decolonial Diasporic Aesthetics: Black German Body Politics"], in ''BE.BOP 2012. Black Europe Body Politics'', eds. Alanna Lockward and Walter Mignolo, Berlin: Kultursprünge im Ballhaus Naunynstraße, May 2012, pp 9-12. {{en}}
 +
 
 +
* [https://monoskop.org/images/a/aa/IDEA_42_2012.pdf#page=56 "Black Europe Body Politics: Towards an Afropean Decolonial Aesthetics"], ''IDEA'' 42, Cluj: IDEA, Autumn 2012, pp 109-114; [https://socialtextjournal.org/periscope_article/black-europe-body-politics-towards-an-afropean-decolonial-aesthetics/ rev. in] ''Decolonial AestheSis'', eds. Walter Mignolo and Rolando Vázquez, ''Social Text'', Jul 2013; [https://monoskop.org/images/2/2b/BE.BOP_2013_Decolonizing_the_Cold_War.pdf#page=10 shortened repr. in] ''BE.BOP 2013. Black Europe Body Politics. Decolonizing the "Cold" War'', eds. Alanna Lockward and Walter Mignolo, Berlin: Kultursprünge im Ballhaus Naunynstraße, 2013, pp 10-11; repr. in ''Afroeuropean Cartographies'', ed. Dominic Thomas, Newcastle upon Thyne: Cambridge Scholars Publishing, 2014, pp 132-146. Earlier presented as [https://dutchartinstitute.eu/page/1635/shift-in-my-thinking a lecture] at DAI Arnhem, Oct 2011 [https://monoskop.org/images/3/3c/IDEA_39_2011.pdf#page=100 (transcript)]. {{en}}
 +
** [https://monoskop.org/images/a/aa/IDEA_42_2012.pdf#page=56 "Somapolitica Europei negre: către o estetică decolonială"], ''IDEA'' 42, Cluj: IDEA, Autumn 2012, pp 109-114. {{ro}}
 +
** "Politique du corps dans l’Europe noire: vers une esthétique afropéenne décoloniale", ''Tumultes'' 48:1, 2017, pp 103-115. [https://www.cairn.info/revue-tumultes-2017-1-page-103.htm] {{fr}}
 +
 
 
* [http://www.revistasexcelencias.com/arte-por-excelencias/editorial-14/con-la-musica-por-dentro-una-lectura-decolonial-de-la-26a-bienal-n "Con la música por dentro: una lectura decolonial de la 26 Bienal Nacional de Artes Visuales"] / "Music from Within: A Decolonised Interpretation of the 26th National Biennial of Visual Arts", in ''26 Bienal Nacional de Artes Visuales: Santo Domingo 2011'', Santo Domingo: Museo de Arte Moderno, 2013. {{es}}/{{en}}
 
* [http://www.revistasexcelencias.com/arte-por-excelencias/editorial-14/con-la-musica-por-dentro-una-lectura-decolonial-de-la-26a-bienal-n "Con la música por dentro: una lectura decolonial de la 26 Bienal Nacional de Artes Visuales"] / "Music from Within: A Decolonised Interpretation of the 26th National Biennial of Visual Arts", in ''26 Bienal Nacional de Artes Visuales: Santo Domingo 2011'', Santo Domingo: Museo de Arte Moderno, 2013. {{es}}/{{en}}
−
* "La erotización de la historia en Serenata", in ''Un instante de certidumbre: la obra narrativa de Manuel Salvador Gautier'', ed. Isael Pérez, Santo Domingo, Rep. Dom.: Santuario, 2014.
+
* "La erotización de la historia en Serenata", in ''Un instante de certidumbre: la obra narrativa de Manuel Salvador Gautier'', ed. Isael Pérez, Santo Domingo, Rep. Dom.: Santuario, 2014. {{es}}
−
* "Black Europe Body Politics: Towards an African Colonial Aesthetics", in ''Afroeuropean Cartographies'', ed. I.D. Thomas, Newcastle upon Thyne: Cambridge Scholars Publishing, 2014, pp 132-146. {{en}}
+
* [http://humanities.asu.edu.ru/files/1%2849%29/171-175.pdf "The Era of Vertigo. Identities and the Ubiquity of Fear"], Гуманитарные исследования 49:1, 2014, 171-175. {{en}}
 
* [https://monoskop.org/images/4/48/Truth_Is_Concrete_A_Handbook_for_Artistic_Strategies_in_Real_Politics_2014.pdf#page=90 "Unveiling the Whip: Decoloniality and the 'Unintended Liberating Dimension' of Enslavement"], in ''Truth Is Concrete: A Handbook for Artistic Strategies in Real Politics'', eds. steirischer herbst and Florian Malzacher, Berlin: Sternberg Press, and Graz: steirischer herbst, 2014, 86-95. {{en}}
 
* [https://monoskop.org/images/4/48/Truth_Is_Concrete_A_Handbook_for_Artistic_Strategies_in_Real_Politics_2014.pdf#page=90 "Unveiling the Whip: Decoloniality and the 'Unintended Liberating Dimension' of Enslavement"], in ''Truth Is Concrete: A Handbook for Artistic Strategies in Real Politics'', eds. steirischer herbst and Florian Malzacher, Berlin: Sternberg Press, and Graz: steirischer herbst, 2014, 86-95. {{en}}
 
* [https://issuu.com/centroleon/docs/libro_arte_contemporaneo_dominicano/93 "Arte desde Saint-Dominique: ecos diasporicos en el 'continente de la conciencia Negra'"] [Saint Domingue Kins in the Continent of Black Consciousness"], in ''Trenzando una Historia en Curso: Arte Contemporáneo Dominicano en el Contexto del Caribe'', Santiago De Los Treinta Caballeros: Centro León & JP Morgan, 2014, pp 181-238. {{es}}
 
* [https://issuu.com/centroleon/docs/libro_arte_contemporaneo_dominicano/93 "Arte desde Saint-Dominique: ecos diasporicos en el 'continente de la conciencia Negra'"] [Saint Domingue Kins in the Continent of Black Consciousness"], in ''Trenzando una Historia en Curso: Arte Contemporáneo Dominicano en el Contexto del Caribe'', Santiago De Los Treinta Caballeros: Centro León & JP Morgan, 2014, pp 181-238. {{es}}
−
* [https://artlabourarchives.files.wordpress.com/2014/08/ca_125_column.pdf "Decolonising the (''White'') Gaze, 1/4: Who Is Whipping? / Dekolonisierung des (''weißen'') Blicks, 1/4. Wer peitscht?"], trans. Wilfried Prantner, ''Camera Austria International'' 125, 2014, pp 65-66. Column. [https://camera-austria.at/zeitschrift/125-2014/] {{en}}/{{de}}
+
* [https://artlabourarchives.files.wordpress.com/2014/08/ca_125_column.pdf "Decolonising the (''White'') Gaze, 1/4: Who Is Whipping? / Dekolonisierung des (''weißen'') Blicks, 1/4. Wer peitscht?"], trans. Wilfried Prantner, ''Camera Austria International'' 125, 2014, pp 65-66; [https://monoskop.org/images/9/91/BE.BOP_2014_Spiritual_Revolutions_and_The_Scramble_for_Africa.pdf#page=6 repr. in] ''BE.BOP 2014. Black Europe Body Politics. Spiritual Revolutions & The "Scramble for Africa"'', eds. Alanna Lockward and Jeannette Ehlers, Berlin: Kultursprünge im Ballhaus Naunynstraße, 2014, pp 9-10. Column. [https://camera-austria.at/zeitschrift/125-2014/] {{en}}/{{de}}
 
* [https://artlabourarchives.files.wordpress.com/2014/08/ca_126_column.pdf "Decolonising the (''White'') Gaze, 2/4: Gordon Parks’s Whip and the “Unintended Liberating Dimension” of Enslavement / Dekolonisierung des (''weißen'') Blicks, 2/4. Gordon Parks' Peitsche und die »ungewollt befreiende Dimension« der Versklavung"], trans. Wilfried Prantner, ''Camera Austria International'' 126, 2014, pp 65-66. Column. [https://camera-austria.at/zeitschrift/126-2014/] {{en}}/{{de}}
 
* [https://artlabourarchives.files.wordpress.com/2014/08/ca_126_column.pdf "Decolonising the (''White'') Gaze, 2/4: Gordon Parks’s Whip and the “Unintended Liberating Dimension” of Enslavement / Dekolonisierung des (''weißen'') Blicks, 2/4. Gordon Parks' Peitsche und die »ungewollt befreiende Dimension« der Versklavung"], trans. Wilfried Prantner, ''Camera Austria International'' 126, 2014, pp 65-66. Column. [https://camera-austria.at/zeitschrift/126-2014/] {{en}}/{{de}}
 
* [https://artlabourarchives.files.wordpress.com/2014/08/ca_127_column.pdf "Decolonising the (''White'') Gaze, 3/4: Healing Sara Bartman in the “Continent of Black Consciousness” / Dekolonisierung des (''weißen'') Blicks, 3/4. Die Heilung Sara Baartmans auf dem Kontinent schwarzen Bewusstseins"], trans. Wilfried Prantner, ''Camera Austria International'' 127, 2014, pp 65-66. Column. [https://camera-austria.at/zeitschrift/127-2014/] {{en}}/{{de}}
 
* [https://artlabourarchives.files.wordpress.com/2014/08/ca_127_column.pdf "Decolonising the (''White'') Gaze, 3/4: Healing Sara Bartman in the “Continent of Black Consciousness” / Dekolonisierung des (''weißen'') Blicks, 3/4. Die Heilung Sara Baartmans auf dem Kontinent schwarzen Bewusstseins"], trans. Wilfried Prantner, ''Camera Austria International'' 127, 2014, pp 65-66. Column. [https://camera-austria.at/zeitschrift/127-2014/] {{en}}/{{de}}
 
* [https://artlabourarchives.files.wordpress.com/2014/08/ca_128_column.pdf "Decolonising the (''White'') Gaze, 4/4: Where Is (De)Coloniality? / Dekolonisierung des (''weißen'') Blicks, 4/4. Wo ist (De)Kolonialität?"], trans. Wilfried Prantner, ''Camera Austria International'' 128, 2014, pp 65-66. Column. [https://camera-austria.at/zeitschrift/128-2014/] {{en}}/{{de}}
 
* [https://artlabourarchives.files.wordpress.com/2014/08/ca_128_column.pdf "Decolonising the (''White'') Gaze, 4/4: Where Is (De)Coloniality? / Dekolonisierung des (''weißen'') Blicks, 4/4. Wo ist (De)Kolonialität?"], trans. Wilfried Prantner, ''Camera Austria International'' 128, 2014, pp 65-66. Column. [https://camera-austria.at/zeitschrift/128-2014/] {{en}}/{{de}}
 +
* [http://radar.gsa.ac.uk/3583/1/ELSE_ISSUE_00_10_21.pdf#page=8 "A Decolonial Reading of Sammy Baloji ''Memoire''"], ''Else'' 0, Transart Institute, Oct 2014, pp 8-15. [http://www.africavenir.org/nc/news-details/article/a-decolonial-reading-of-sammy-balodjis-memoire-by-alanna-lockward.html] {{en}}
 
* "Nicolás Dumit Estévez, C Room. Vodoun and Carnival in Nicolás Dumit Estévez's C Room: a maroon reading", in ''En mas': Carnival and Performance Art of the Caribbean'', eds. Claire Tancons and Krista Thompson, New York: Independent Curators International, and New Orleans: Contemporary Arts Center, 2015. {{en}}
 
* "Nicolás Dumit Estévez, C Room. Vodoun and Carnival in Nicolás Dumit Estévez's C Room: a maroon reading", in ''En mas': Carnival and Performance Art of the Caribbean'', eds. Claire Tancons and Krista Thompson, New York: Independent Curators International, and New Orleans: Contemporary Arts Center, 2015. {{en}}
−
* ''[http://hemisphericinstitute.org/multimedio/lockward-eng/ "Blesi Doub. Heridas Dobles. Dual Wounds"]'', ''e-misférica'' 12(1): "Rasanblaj caribéen", ed. Gina Athena Ulysse, 2015. Multimedia text devoted to Haitian-Dominican poet Jacques Viau Renaud. [http://hemisphericinstitute.org/hemi/fr/emisferica-121-caribbean-rasanblaj] {{en}}
+
* ''[https://hemi.nyu.edu/multimedio/lockward-eng/ "Blesi Doub. Heridas Dobles. Dual Wounds"]'', ''e-misférica'' 12(1): "Rasanblaj caribéen", ed. Gina Athena Ulysse, 2015. Multimedia text devoted to Haitian-Dominican poet Jacques Viau Renaud. [http://hemisphericinstitute.org/hemi/fr/emisferica-121-caribbean-rasanblaj] {{en}}
 
* [https://tidsskrift.dk/kok/article/view/22250 "Spirituelle revolutioner. Afropæiske kropspolitikker og kunstens 'sekularisering'"], ''Kultur & klasse'' 43(119): "Mellem Eurafrika og Afropa", eds. M.A. Baggesgaard and S. Jonsson, 2015, pp 161-190. {{da}}
 
* [https://tidsskrift.dk/kok/article/view/22250 "Spirituelle revolutioner. Afropæiske kropspolitikker og kunstens 'sekularisering'"], ''Kultur & klasse'' 43(119): "Mellem Eurafrika og Afropa", eds. M.A. Baggesgaard and S. Jonsson, 2015, pp 161-190. {{da}}
 
** [[Media:Lockward Alanna 2017 Spiritual Revolutions Afropean Body Politics and the Secularity of the Arts.pdf|"Spiritual Revolutions: Afropean Body Politics and the “Secularity” of the Arts"]], in ''Regimes of Invisibility in Contemporary Art, Theory and Culture: Image, Racialization, History'', eds. Marina Gržinić, Aneta Stojnić, and Miško Šuvaković, Palgrave Macmillan, 2017, pp 103-122. [https://link.springer.com/chapter/10.1007/978-3-319-55173-9_8] {{en}}
 
** [[Media:Lockward Alanna 2017 Spiritual Revolutions Afropean Body Politics and the Secularity of the Arts.pdf|"Spiritual Revolutions: Afropean Body Politics and the “Secularity” of the Arts"]], in ''Regimes of Invisibility in Contemporary Art, Theory and Culture: Image, Racialization, History'', eds. Marina Gržinić, Aneta Stojnić, and Miško Šuvaković, Palgrave Macmillan, 2017, pp 103-122. [https://link.springer.com/chapter/10.1007/978-3-319-55173-9_8] {{en}}
 +
* "Body and Landscape in the Colonial Matrix of Power" in ''Landscape: Construction of a Reality'', eds. Katrin Bucher Trantow, Katia Huemer, and Peter Pakesch, Cologne: Walther König, 2015, pp 352-359. {{en}}
 
* "Striving for Self-Education, Consciousness and Knowledge. A Dialogue with Jeannette Ehler", in ''Jeannette Ehlers: Say It Loud!'', eds. Lotte Løvholm and Ida Højgaard Thjømøe, Copenhagen: Nemo, 2016. [http://butik.forlagetnemo.dk/product/say-it-loud] {{en}}
 
* "Striving for Self-Education, Consciousness and Knowledge. A Dialogue with Jeannette Ehler", in ''Jeannette Ehlers: Say It Loud!'', eds. Lotte Løvholm and Ida Højgaard Thjømøe, Copenhagen: Nemo, 2016. [http://butik.forlagetnemo.dk/product/say-it-loud] {{en}}
 +
* [https://monoskop.org/images/6/6d/BE.BOP_2016_Call_and_Response.pdf#page=3 "Introduction"], in ''BE.BOP 2016. Black Europe Body Politics. Call & Response'', eds. Alanna Lockward and Walter Mignolo, Berlin: Art Labour Archives, 2016, pp 5-9. {{en}}
 
* "Recio, Raúl (1965- )", in ''Dictionary of Caribbean and Afro-Latin American Biography'', eds. Franklin W. Knight and Henry Louis Gates, Jr., Oxford University Press, 2016. [http://www.oxfordreference.com/abstract/10.1093/acref/9780199935796.001.0001/acref-9780199935796-e-1746] {{en}}
 
* "Recio, Raúl (1965- )", in ''Dictionary of Caribbean and Afro-Latin American Biography'', eds. Franklin W. Knight and Henry Louis Gates, Jr., Oxford University Press, 2016. [http://www.oxfordreference.com/abstract/10.1093/acref/9780199935796.001.0001/acref-9780199935796-e-1746] {{en}}
 
* "Oquet, Charo (1952- )", in ''Dictionary of Caribbean and Afro-Latin American Biography'', eds. Franklin W. Knight and Henry Louis Gates, Jr., Oxford University Press, 2016. [http://www.oxfordreference.com/abstract/10.1093/acref/9780199935796.001.0001/acref-9780199935796-e-1549] {{en}}
 
* "Oquet, Charo (1952- )", in ''Dictionary of Caribbean and Afro-Latin American Biography'', eds. Franklin W. Knight and Henry Louis Gates, Jr., Oxford University Press, 2016. [http://www.oxfordreference.com/abstract/10.1093/acref/9780199935796.001.0001/acref-9780199935796-e-1549] {{en}}
 
* "Willmore, Martha (Leticia) (1928- )", in ''Dictionary of Caribbean and Afro-Latin American Biography'', eds. Franklin W. Knight and Henry Louis Gates, Jr., Oxford University Press, 2016. [http://www.oxfordreference.com/abstract/10.1093/acref/9780199935796.001.0001/acref-9780199935796-e-2214] {{en}}
 
* "Willmore, Martha (Leticia) (1928- )", in ''Dictionary of Caribbean and Afro-Latin American Biography'', eds. Franklin W. Knight and Henry Louis Gates, Jr., Oxford University Press, 2016. [http://www.oxfordreference.com/abstract/10.1093/acref/9780199935796.001.0001/acref-9780199935796-e-2214] {{en}}
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* "Politique du corps dans l’Europe noire. Vers une esthétique afropéenne décoloniale", ''Tumultes'' 48:1, 2017, pp 103-115. [https://www.cairn.info/revue-tumultes-2017-1-page-103.htm] {{fr}}
+
* [[Media:Lockward Alanna 2018 Blesi Doub Heridas Dobles Dual Wounds Re-writing the Island.pdf|"Blesi Doub, Heridas Dobles, Dual Wounds: Re-writing the Island"]], in ''The Routledge Handbook of Postcolonial Politics'', eds. Olivia Rutazibwa and Robbie Shilliam, Routledge, 2018, pp 431-440. {{en}}
−
* [http://sci-hub.tw/10.4324/9781315671192-34 "Blesi Doub, Heridas Dobles, Dual wounds: Re-writing the Island"], in ''The Routledge Handbook of Postcolonial Politics'', eds. Olivia Rutazibwa and Robbie Shilliam, Routledge, 2018, pp 431-440. {{en}}
 
 
* essay in Karen Miranda Rivadeneira, ''Other Stories / Historia Bravas'', London: Autograph, 2018. [https://shop.autograph-abp.co.uk/books/other-stories] {{en}}/{{es}}
 
* essay in Karen Miranda Rivadeneira, ''Other Stories / Historia Bravas'', London: Autograph, 2018. [https://shop.autograph-abp.co.uk/books/other-stories] {{en}}/{{es}}
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* "Kalimán", in ''Sin pasar por go: narrativa dominicana contemporánea'', ed. Rita Indiana, Ciudad de México: Elefanta, 2018. {{es}}
+
* [[Media:Lockward Alanna 2018 Kaliman.pdf|"Kalimán"]], in ''Sin pasar por go: narrativa dominicana contemporánea'', ed. Rita Indiana, Ciudad de México: Elefanta, 2018. {{es}}
 +
* [https://monoskop.org/images/b/b9/BE.BOP_2018_Coalitions_Facing_White_Innocence.pdf#page=8 "A Respectable Maroon"], in ''BE.BOP 2018. Black Europe Body Politics. Coalitions Facing White Innocence'', ed. Alanna Lockward, Berlin: Art Labour Archives, 2018, pp 14-30. An autobiographical essay. {{en}}
 +
* [[Media:Lockward_Alanna_2019_Call_and_Response_Conversations_with_Three_Women_Artists_on_Afropean_Decoloniality.pdf|"Call and Response: Conversations with Three Women Artists on Afropean Decoloniality"]], in ''A Companion to Feminist Art'', eds. Hilary Robinson and Maria Elena Buszek, Wiley Blackwell, 2019, pp 419-435. Conversations with Teresa María Díaz Nerio, Jeannette Ehlers and Patricia Kaersenhout. {{en}}
 +
 
 +
; More
 +
* [https://acento.com.do/author/alockward/ "Bajo palabra" column in ''Acento''], Santo Domingo, 2012-2016.
  
 
==Interviews==
 
==Interviews==
 +
* Claire Breukel, [https://books.google.com/books?id=o5WBDwAAQBAJ&pg=PA86 "Alanna Lockward"], in Breukel, ''Y.ES: Collect Contemporary El Salvador'', BookBaby, 2014, pp 86-91. {{en}}
 
* Caroline Trouillet, "Une afropéanité décoloniale, un regard caribéen", ''Africultures'' 99-100, 2014, pp 330-335. [https://www.cairn.info/revue-africultures-2014-3-page-330.htm] {{fr}}
 
* Caroline Trouillet, "Une afropéanité décoloniale, un regard caribéen", ''Africultures'' 99-100, 2014, pp 330-335. [https://www.cairn.info/revue-africultures-2014-3-page-330.htm] {{fr}}
 
* [https://alannalockward.wordpress.com/interviews/ more]
 
* [https://alannalockward.wordpress.com/interviews/ more]
 +
 +
==Literature==
 +
* Jeannine Murray-Román, [https://sci-hub.st/10.1080/14794713.2019.1669357 "Reterritorializing Haiti and the Dominican Republic in Alanna Lockward’s Online Performance Curation"], ''International Journal of Performance Arts and Digital Media'' 15:3, 2019, pp 264-282.
  
 
==Links==
 
==Links==
−
* [http://alannalockward.wordpress.com/ Personal website]
+
* [http://alannalockward.wordpress.com/ Website]
 
* [https://artlabourarchives.wordpress.com/ Art Labour Archives]
 
* [https://artlabourarchives.wordpress.com/ Art Labour Archives]
−
* [https://artlabourarchives.wordpress.com/blueprints/ Video lectures]
+
* [https://transnationaldecolonialinstitute.wordpress.com/ TDI+Transnational Decolonial Institute], est. 2011.
 +
* [https://artlabourarchives.wordpress.com/blueprints/ Video lectures], [https://www.macba.cat/en/decolonising-the-museum-alanna-lockward]
 +
* [https://twitter.com/alannalockward Twitter]
 
* [https://pucmm.academia.edu/AlannaLockward Academia.edu]
 
* [https://pucmm.academia.edu/AlannaLockward Academia.edu]
−
* Obituaries: [https://www.transartinstitute.org/news/2019/1/25/alanna-lockwardnbspmarch-23-1961-january-7-2019 Transart Institute], [https://www.independent.co.uk/news/obituaries/alanna-lockward-dead-dominican-republic-haiti-art-labour-archive-berlin-arts-allen-report-a8752831.html Ella Milburn] (The Independent), [https://www.artforum.com/news/alanna-lockward-1961-2019-78370 Artforum].
+
* [https://www.scribd.com/user/363543608/ Scribd]
 +
* Obituaries: [[Media:Wir_trauern_um_Alanna_Lockward_1961-2019.pdf|Julia Roth, Gabriele Dietze, Shermin Langhoff, a.o.]] (taz, DE), [https://www.transartinstitute.org/news/2019/1/25/alanna-lockwardnbspmarch-23-1961-january-7-2019 Transart Institute], [https://www.independent.co.uk/news/obituaries/alanna-lockward-dead-dominican-republic-haiti-art-labour-archive-berlin-arts-allen-report-a8752831.html Ella Milburn] (The Independent), [https://www.artforum.com/news/alanna-lockward-1961-2019-78370 Artforum].
 
* [https://en.wikipedia.org/wiki/Alanna_Lockward Wikipedia]
 
* [https://en.wikipedia.org/wiki/Alanna_Lockward Wikipedia]
  
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{{DEFAULTSORT:Lockward, Alanna}} [[Category:Writers]] {{featured article}}
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{{DEFAULTSORT:Lockward, Alanna}} [[Series:Writers]] [[Series:Decolonial aesthetics]] {{featured article}}

Latest revision as of 00:35, 28 January 2023


Photo: Miguel Gomez, 2016. (Source)
Born March 23, 1961(1961-03-23)
Santo Domingo, Dominican Republic
Died January 7, 2019(2019-01-07) (aged 57)
Santo Domingo, Dominican Republic

Alanna Lockward (1961, Santo Domingo - 2019, Santo Domingo) was a journalist, ballet dancer, writer, filmmaker and contemporary art curator. She was the founding director of Art Labour Archives, a platform for theory, political activism and art (1996). Lockward had conceptualized and curated the trans-disciplinary meeting BE.BOP (Black Europe Body Politics; 2012–2018). Her interests included Caribbean marronage discursive and mystical legacies in time-based practices, critical race theory, decolonial aesthetics/aesthesis, Black feminism and womanist ethics.

Lockward received her PhD from Humboldt University Berlin for her thesis on the Black Theology of Liberation of the African Methodist Episcopal Church (AME), following degrees in Art in Context at the University of the Arts Berlin, and Communications Science at Universidad Autónoma Metropolitana-Xochimilco, Mexico City (1979-1983). She was a Research Professor at the Center of Caribbean Studies, Pontificia Universidad Católica Madre y Maestra (PUCMM) as well as a guest lecturer at the Decolonial Summer School Middelburg and Dutch Art Institute, the Netherlands; Malmö Art Academy, Sweden; University of the Arts, Humboldt University, and Transart Institute, Berlin.

Lockward was appointed Director of International Affairs at the Museo de Arte Moderno (Santo Domingo) (1988) and was designated as Selection Jury of the XX Bienal Nacional de Artes Visuales (1996) and as award jury in its 26th edition (2011).

In 2016 she premiered her documentary film, Allen Report. Retracing Transnational African Methodism (FONPROCINE 2013), later nominated for the La Silla Awards (2017). This was the first Dominican film invited to the prestigious 24th New York African Film Festival (2017).

Lockward published Apremio: apuntes sobre el pensamiento y la creación contemporánea desde el Caribe (Cendeac, 2006), a collection of essays, the short novel Marassá and the Nothigness (Partridge Africa, 2016) and Un Haití Dominicano. Tatuajes fantasmas y narrativas bilaterales (1994-2014), a compilation of her investigative work on the history and current challenges between both island-nations (Santuario, 2014). Lockward edited BE.BOP 2012-2014. El cuerpo en el continente de la conciencia Negra (Ediciones del Signo, 2016), included in the series “El Desprendimiento” initiated and edited by Walter Mignolo from 2004. She was cultural editor of Listín Diario, research journalist for Rumbo magazine, a columnist for the Miami Herald and a columnist for Acento.

She was based in Berlin and Port-au-Prince, Dominican Republic. She previously lived in Mexico, Haiti, the United States, and Australia.

Film[edit]

  • Allen Report: Retracing Transnational African Methodism, 2016, 76 min. Documentary. [1] [2]

Publications[edit]

Books, journals, dissertations[edit]

  • Apremio: Apuntes sobre el pensamiento y la creación contemporánea desde el Caribe [Pressure: Notes on Thought and Contemporary Creation from the Caribbean], Murcia: Cendeac, 2006, 212 pp. A compilation of Lockward's work as critic, drawn from Dominican (Cariforum, El Listín Diario), American (The Miami Herald), and Spanish (Atlántica) publications throughout the past ten years. [3]. Publisher. [4]. Reviews: Phaf-Rheinberger (Iberoamericana), García (Exit-Book). (Spanish)
  • Schwarz-Black-Afro. Widerspiegelung eines Wortfeldes im Tagesspiegel 2004-2006, Berlin: Institut für Kunst im Kontext/Universität der Künste Berlin/Fakultät bildende Kunst, 2006, 52 pp. Master's thesis. [5] (German)
  • editor, with Ovidiu Tichindeleanu, IDEA 42: "Black Europe Body Politics: Testimonials of an Event / Somapolitica Europei negre: testimoniale ale unui eveniment", trans. Anca Bumb, Cluj: IDEA, Autumn 2012, pp 109-140, HTML (en), HTML (ro). A special dossier with reflections on BE.BOP 2012. (English)/(Romanian)
  • Marassá y la nada, Santo Domingo, Rep. Dom.: Santuario, 2013, 103 pp. With illustrations by Gabriela Vainsencher. [6], [7]. Reviews: Maríñez (EN, ES), Stanley, Pérez, Régis. (Spanish)
    • Marassà and the Nothingness, Partridge Africa, 2016. A short novel.
  • editor, with Keith Nurse, Caribbean Intransit 1(4): "Cutting Edges: New Media and Creative Entrepreneurship", African and African American Studies/George Mason University, Spring 2013, 147 pp. [8]
  • Un Haití dominicano: tatuajes fantasmas y narrativas bilaterales (1994-2014), intro. Rubén Silié Valdez and Paco Navarrete, Santo Domingo, Rep. Dom.: Santuario & Búho, 2014, 311 pp. Introductions. A compilation of investigative work on the history and current challenges between both island-nations. Includes interviews, essays, and newspaper articles. [9], [10]. Reviews: Rincón-Alba (e-misférica), Casimir (Lettres de Cuba, ES, FR). (Spanish)
  • editor, BE.BOP. Black Europe Body Politics. Chronology, 2012-2015, Berlin: Art Labour Archives, 2015, 44 pp. (English)
  • editor, BE.BOP 2012-2014: El cuerpo en el continente de la conciencia negra, pref. Walter Mignolo, Buenos Aires: Del Signo, 2016, 198 pp. Contributors: Erna Brodber, Fatima El Tayeb, Walter Mignolo, Teresa M. Díaz Nerio, Artwell Cain, Robbie Shilliam, Rolando Vázquez, Simmi Dullay, Manuela Boatca, Julia Roth, Lesley-Anne Brown, Yoel Díaz Vázquez, Jeannette Ehlers, Patricia Kaersenhout, Quinsy Gario, Transnational Decolonial Institute. TOC. (Spanish)

Catalogues[edit]

Other curatorial projects without printed catalogue

Poetry[edit]

  • "Noticias de Clara", Vetas 3:23, Santo Domingo, Oct 1996. [18]

Essays, reviews[edit]

More

Interviews[edit]

  • Claire Breukel, "Alanna Lockward", in Breukel, Y.ES: Collect Contemporary El Salvador, BookBaby, 2014, pp 86-91. (English)
  • Caroline Trouillet, "Une afropéanité décoloniale, un regard caribéen", Africultures 99-100, 2014, pp 330-335. [45] (French)
  • more

Literature[edit]

Links[edit]

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