Difference between revisions of "Software art"
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− | Also ''critical software'', ''experimental software'', ''speculative software''. | + | Also ''artistic software'', ''critical software'', ''experimental software'', ''speculative software''. |
==Events== | ==Events== | ||
[[Image:Software-catalogue.jpg|thumb|258px|Catalogue for the ''[[Software - Information Technology: Its New Meaning for Art|Software]]'' show, 1970. [[Media:Software_Information_Technology_Its_New_Meaning_for_Art_catalogue.pdf|Download]].]] | [[Image:Software-catalogue.jpg|thumb|258px|Catalogue for the ''[[Software - Information Technology: Its New Meaning for Art|Software]]'' show, 1970. [[Media:Software_Information_Technology_Its_New_Meaning_for_Art_catalogue.pdf|Download]].]] | ||
− | * [[Software - Information Technology: Its New Meaning for Art]] exhibition, Jewish Museum, NYC, 16 | + | * ''[[Software - Information Technology: Its New Meaning for Art]]'' exhibition, Jewish Museum, NYC, 16 Sep-8 Nov 1970; Smithsonian Institution, Washington, DC, 16 Dec 1970-14 Feb 1971. Curated by [[Jack Burnham]]. |
− | * [http://pastwebsites.transmediale.de/01/en/conference.htm Transmediale 2001: DIY (do it yourself!)] festival conference, Berlin, 4-11 | + | * ''[http://pastwebsites.transmediale.de/01/en/conference.htm Transmediale 2001: DIY (do it yourself!)]'' festival conference, Berlin, 4-11 Feb 2001. This year the festival introduced an [https://pastwebsites.transmediale.de/01/en/software.htm award for "artistic software"], the first award given and solely dedicated to software art. |
− | * [http://www.hmkv.de/programm/programmpunkte/2002/Ausstellungen/2002_Kontrollfelder.php Kontrollfelder - Programmieren als künstlerische Praxis] exhibition, HMKV, Dortmund, 5 | + | * ''[http://www.hmkv.de/programm/programmpunkte/2002/Ausstellungen/2002_Kontrollfelder.php Kontrollfelder - Programmieren als künstlerische Praxis]'' exhibition, HMKV, Dortmund, 5 Apr-5 May 2002. Curated by [[Andreas Broeckmann]] and [[Matthias Weiß]]. |
− | * [[Readme]] festival | + | * ''[[Readme]]'' festival held in four editions: Moscow, 2002; Helsinki, 2003; Aarhus, 2004; Dortmund, 2005. Conceived by [[Olga Goriunova]] and [[Alexei Shulgin]]. |
− | * [http://web.archive.org/web/20160203202826/http://generative.net/generator/ Generator] exhibition, Spacex Gallery, May- | + | * ''[http://web.archive.org/web/20160203202826/http://generative.net/generator/ Generator]'' exhibition, Spacex Gallery, May-Jun 2002; later toured the UK. Curated by [[Geoff Cox]]. [http://vimeo.com/40386856 Video]. |
− | * [http://artport.whitney.org/commissions/codedoc/ CODeDOC] online exhibition, Whitney Museum, New York, | + | * ''[http://artport.whitney.org/commissions/codedoc/ CODeDOC]'' online exhibition, Whitney Museum, New York, Sep 2002; later as part of Ars Electronica Festival, Linz, 2003. Curated by [[Christiane Paul]]. |
− | * [http://www.digitalcraft.org/?artikel_id=237 I love you - computer_viren_hacker_kultur] exhibition, Museum of Applied Art, Frankfurt/Main, May- | + | * ''[http://www.digitalcraft.org/?artikel_id=237 I love you - computer_viren_hacker_kultur]'' exhibition, Museum of Applied Art, Frankfurt/Main, May-Jun 2002; later as part of Transmediale festival, Berlin, 31 Jan-5 Feb 2003. |
− | * [[Software Art|Software Art: A curatorial fiction or a new perspective?]] conference, Bethanien, Berlin, 4 | + | * ''[[Software Art|Software Art: A curatorial fiction or a new perspective?]]'' conference, Bethanien, Berlin, 4 Feb 2003. |
− | * [http://90.146.8.18/en/archives/festival_archive/festival_overview.asp?iPresentationYearFrom=2003 Ars Electronica: CODE - The Language of our Time] festival, Linz, | + | * ''[http://90.146.8.18/en/archives/festival_archive/festival_overview.asp?iPresentationYearFrom=2003 Ars Electronica: CODE - The Language of our Time] festival, Linz, Sep 2003. |
− | * [http://www.kurator.org/projects/after-the-net-1/ After the Net] exhibition, Centre del Carme, Valencia, 5-29 Jun 2008; | + | * ''[http://www.kurator.org/projects/after-the-net-1/ After the Net]'' exhibition, Centre del Carme, Valencia, 5-29 Jun 2008; [http://www.kurator.org/projects/after-the-net-2 Peninsula Arts Gallery], Plymouth, 12 Sep-23 Oct 2009; [http://www.kurator.org/projects/after-the-net-3/ Tecnologico de Monterrey Toluca], Mexico, 3-5 Mar 2010. Curated by [[Joasia Krysa]] (KURATOR). |
− | * [[Funware]] | + | * ''[[Funware]]'' conference and symposium, Nov 2010-Jan 2011. Curated by [[Olga Goriunova]]; produced by [[aaaan.net]] ([[Annet Dekker]] and [[Annette Wolfsberger]]). |
==Resources== | ==Resources== | ||
− | * [http://runme.org Runme], a software art repository. Launched in | + | * [http://runme.org Runme], a software art repository. Launched in Jan 2003. |
==Artists, theorists, initiatives== | ==Artists, theorists, initiatives== | ||
Line 38: | Line 38: | ||
* Olga Goriunova (ed.), ''[http://monoskop.org/log/?p=8265 Readme 100: Temporary Software Art Factory]'', Dortmund: Hartware MedienKunstVerein, 2006. | * Olga Goriunova (ed.), ''[http://monoskop.org/log/?p=8265 Readme 100: Temporary Software Art Factory]'', Dortmund: Hartware MedienKunstVerein, 2006. | ||
* Aymeric Mansoux, Marloes de Valk (eds.): ''[http://monoskop.org/log/?p=31 FLOSS+Art]'', Poitiers: GOTO10, and London: Mute, 2008, 320 pp. | * Aymeric Mansoux, Marloes de Valk (eds.): ''[http://monoskop.org/log/?p=31 FLOSS+Art]'', Poitiers: GOTO10, and London: Mute, 2008, 320 pp. | ||
− | * Geoff Cox, ''[http://monoskop.org/log/?p=507 Antithesis: The Dialectics of Software Art]'', Aarhus University, 2010, 232 pp. | + | * Geoff Cox, ''[http://monoskop.org/log/?p=507 Antithesis: The Dialectics of Software Art]'', Aarhus University, 2010, 232 pp. Based on author's PhD thesis, 2006. |
* ''[http://monoskop.org/log/?p=128 Digital Artists’ Handbook]'', folly and GOTO10, 2009, 228 pp. | * ''[http://monoskop.org/log/?p=128 Digital Artists’ Handbook]'', folly and GOTO10, 2009, 228 pp. | ||
* Casey Reas, Chandler McWilliams, LUST (eds.), [http://gen.lib.rus.ec/book/index.php?md5=43c41464a9a87616e3dd15c922c20bdd ''Form+Code in Design, Art, and Architecture'': "Code"], New York: Princeton Architectural Press, 2010, 176 pp. | * Casey Reas, Chandler McWilliams, LUST (eds.), [http://gen.lib.rus.ec/book/index.php?md5=43c41464a9a87616e3dd15c922c20bdd ''Form+Code in Design, Art, and Architecture'': "Code"], New York: Princeton Architectural Press, 2010, 176 pp. | ||
Line 45: | Line 45: | ||
; Book chapters, Papers, Articles | ; Book chapters, Papers, Articles | ||
* Edward A. Shanken, [http://mitpress2.mit.edu/e-journals/LEA/ARTICLES/jack.html "The House that Jack Built: Jack Burnham's Concept of 'Software' as a Metaphor for Art"], ''Leonardo Electronic Almanac'' 6:10, 1998. | * Edward A. Shanken, [http://mitpress2.mit.edu/e-journals/LEA/ARTICLES/jack.html "The House that Jack Built: Jack Burnham's Concept of 'Software' as a Metaphor for Art"], ''Leonardo Electronic Almanac'' 6:10, 1998. | ||
− | * Geoff Cox, Alex McLean, Adrian Ward, "[http://web.archive.org/web/ | + | * Geoff Cox, Alex McLean, Adrian Ward, "[http://web.archive.org/web/20091016000544/http://www.generative.net/papers/aesthetics/ The Aesthetics of Generative Code]", 2000. Paper delivered at the ''Generative Art 00'' conference, Milan, 2000. [http://www.generativeart.com/on/cic/2000/ADEWARD.HTM] |
− | * Tilman Baumgärtel, | + | * Tilman Baumgärtel, [http://web.archive.org/web/20160809123843/http://acoustic.space.re-lab.net/tilman.php "Experimental Software"], 2000. Paper presented at the ''Art+Communication'' conference, Riga, 26 Aug 2000. |
− | * Florian Cramer, Ulrike Gabriel, | + | * Florian Cramer, Ulrike Gabriel, [http://cramer.pleintekst.nl/all/software_art_and_writing/software_art_and_writing.html "Software Art"], 15 Aug 2001, [[Media:Cramer_Florian_Gabriel_Ulrike_2001_Software_Art.pdf|PDF]]; repr. in ''DIY Media: Kunst und digitale Medien: Software, Partizipation, Distribution. Transmediale.01'', eds. Andreas Broeckmann and Susanne Jaschko, Berlin: Berliner Kulturveranstaltungs, 2001, pp 29-33 [https://transmediale.de/de/do-it-yourself-publ], repr. as "Software Art and Writing", ''American Book Review'' 22:6, Sep-Oct 2001 [http://americanbookreview.org/issueContent.asp?id=37]; repr. as [https://web.archive.org/web/20020622191420/http://www.rhizome.org:80/object.rhiz?2848 "On Software Art"], in ''Rhizome'', 20 Sep 2001. Written 15 Aug 2001. {{de}} |
− | * Tilman Baumgärtel, | + | * Tilman Baumgärtel, [https://www.heise.de/tp/features/Experimentelle-Software-3453228.html "Experimentelle Software. Zu einigen neueren Computerprogrammen von Künstlern"], ''Telepolis'', 28 Oct 2001. {{de}} |
− | * Florian Cramer, [http://cramer.pleintekst.nl/all/concept_notations_software_art/concepts_notations_software_art. | + | * Florian Cramer, [http://cramer.pleintekst.nl/all/concept_notations_software_art/selbstausfuehrender_entwurf.html "Der selbstausführende Entwurf: Software und Softwarekunst"], 24 Jan 2002. {{de}} |
− | * Thor Magnusson, [http://www.ixi-software.net/thor/pa_lowres.pdf | + | ** [http://cramer.pleintekst.nl/all/concept_notations_software_art/concepts_notations_software_art.html "Concepts, Notations, Software, Art"], 23 Mar 2002, [[Media:Cramer_Florian_2002_Concepts_Notations_Software_Art.pdf|PDF]]. |
+ | * Florian Cramer, [http://cramer.pleintekst.nl/all/concept_notations_software_art/software_decontextualizaton.pdf "Contextualizing Software Art"], [18 May] 2002. | ||
+ | * Thor Magnusson, [http://www.ixi-software.net/thor/pa_lowres.pdf ''Processor Art: Currents in the Process Oriented Works of Generative and Software Art''], 2002, 116 pp. Thesis. | ||
* Ricardo Barreto, Paula Perissinotto, [http://www.file.org.br/the_culture_of_immanence.doc "The Culture of Immanence"], in ''Internet Art'', São Paulo: IMESP, 2002. | * Ricardo Barreto, Paula Perissinotto, [http://www.file.org.br/the_culture_of_immanence.doc "The Culture of Immanence"], in ''Internet Art'', São Paulo: IMESP, 2002. | ||
− | * Florian Cramer, [ | + | * Olga Goriunova, Alexei Shulgin, [http://art.runme.org/1046615440-32394-0/runme_interview.htm "QuickView on Software Art"], Feb 2003. Survey; participants: Amy Alexander, Florian Cramer, Matthew Fuller, Thomax Kaulmann, Alex McLean, Pit Schultz, The Yes Men. |
− | * Andreas Broegger, [http://www.artificial.dk/articles/software.htm "Software Art - an introduction"], Copenhagen, 24 | + | * Florian Cramer, [http://cramer.pleintekst.nl/all/10_thesen_zur_softwarekunst/10_thesen_zur_softwarekunst.html "Zehn Thesen zur Softwarekunst"], 23 Sep 2003, [[Media:Cramer_Florian_2003_Zehn_Thesen_zur_Softwarekunst.pdf|PDF]]; repr. in ''SoftwareArt: eine Reportage über den Code'', ed. Gerrit Gohlke, Berlin, 2003, pp 6-14. {{de}} |
− | * Andreas Broeckmann, "[http://www.sarai.net/publications/readers/03-shaping-technologies/215_218_abroeckmann.pdf On Software as Art]", in ''Sarai Reader 2003: Shaping Technologies'', New Delhi 2003, pp 215-218. | + | ** [http://cramer.pleintekst.nl/all/10_thesen_zur_softwarekunst/10_theses_about_software_art.html "Ten Theses about Software Art"], 23 Sep 2003, [[Media:Cramer_Florian_2003_Ten_Theses_about_Software_Art.pdf|PDF]]. |
+ | * Gerrit Gohlke (ed.), ''SoftwareArt: eine Reportage über den Code'', Berlin: Künstlerhaus Bethanien, 2003, 68 pp. Based on the ''Software Art'' conference. Texts by Inke Arns, Tilman Baumgärtel, Florian Cramer, Gerrit Gohlke, Karl Heinz Jeron. [http://www.bethanien.de/publications/software-art/] {{de}}/{{en}} | ||
+ | * Ivan Stehlík (mim), [https://34.sk/archiv/text.php?text=3-31 "Software.art = Umenie programovať?"], ''3/4 Revue'' 14, Bratislava, 2003. {{sk}} | ||
+ | * Andreas Broegger, [http://www.artificial.dk/articles/software.htm "Software Art - an introduction"], Copenhagen, 24 Sep 2003. | ||
+ | * Andreas Broeckmann, "[http://www.sarai.net/publications/readers/03-shaping-technologies/215_218_abroeckmann.pdf On Software as Art]", in ''Sarai Reader 2003: Shaping Technologies'', New Delhi, 2003, pp 215-218. | ||
* Andreas Broeckmann, [http://web.archive.org/web/20040614202632/http://runtimeart.mi2.hr/TextAndreasBroeckmann "Runtime Art: Software, Art, Aesthetics"], 24 May 2004. | * Andreas Broeckmann, [http://web.archive.org/web/20040614202632/http://runtimeart.mi2.hr/TextAndreasBroeckmann "Runtime Art: Software, Art, Aesthetics"], 24 May 2004. | ||
* Josephine Bosma, [http://www.medienkunstnetz.de/themes/public_sphere_s/media_spaces/works/ "Constructing Media Spaces"], ''MediaArtNet'', 2004. | * Josephine Bosma, [http://www.medienkunstnetz.de/themes/public_sphere_s/media_spaces/works/ "Constructing Media Spaces"], ''MediaArtNet'', 2004. | ||
− | * Peter Luining, [http://web.archive.org/web/20070927230437/http://www.jiscmail.ac.uk/cgi-bin/webadmin?A2=ind04&L=new-media-curating&P=42827 "Read_Me 2004 review"], ''crumb'', 22 | + | * Peter Luining, [http://web.archive.org/web/20070927230437/http://www.jiscmail.ac.uk/cgi-bin/webadmin?A2=ind04&L=new-media-curating&P=42827 "Read_Me 2004 review"], ''crumb'', 22 Sep 2004. An extensive review of the ''Run_Me'' software art conference/festival. |
− | * Andreas Broeckmann, [http://www.mikro.in-berlin.de/wiki/tiki-index.php?page=Software+Art "Software Art Aesthetics"], ''Mono'' | + | * Andreas Broeckmann, [http://www.mikro.in-berlin.de/wiki/tiki-index.php?page=Software+Art "Software Art Aesthetics"], ''Mono'' 1, Porto: FBAUP, Jul 2007, pp 158-167. |
− | * Geoff Cox, [http://www.anti-thesis.net/contents/texts/generator/generator.pdf "Generator: The Value of Software Art"], in | + | * Geoff Cox, [http://www.anti-thesis.net/contents/texts/generator/generator.pdf "Generator: The Value of Software Art"], in ''Issues in Curating, Contemporary Art and Performance'', ed. Judith Rugg, Bristol: Intellect, 2007. |
− | * Geoff Cox, [http://www.anti-thesis.net/projects/texts/softwarearthasnohistory.pdf "Software Art Has No History"], | + | * Geoff Cox, [http://www.anti-thesis.net/projects/texts/softwarearthasnohistory.pdf "Software Art Has No History"], 2007. Paper given at ''re:place'' conference, Berlin. |
* Simon Yuill, [http://www.metamute.org/editorial/articles/all-problems-notation-will-be-solved-masses "All Problems of Notation Will be Solved by the Masses"], ''Mute'', 23 May 2008. | * Simon Yuill, [http://www.metamute.org/editorial/articles/all-problems-notation-will-be-solved-masses "All Problems of Notation Will be Solved by the Masses"], ''Mute'', 23 May 2008. | ||
* Jussi Parikka, "Ethologies of Software Art: What Can a Digital Body of Code Do?", in ''Deleuze and Contemporary Art'', eds. Zepke and O’Sullivan, Edinburgh University Press, 2010, pp 116-132. | * Jussi Parikka, "Ethologies of Software Art: What Can a Digital Body of Code Do?", in ''Deleuze and Contemporary Art'', eds. Zepke and O’Sullivan, Edinburgh University Press, 2010, pp 116-132. | ||
+ | * Jana Horáková, [http://digilib.phil.muni.cz/handle/11222.digilib/125887 "Softwarové umění: programování excesu"], ''Musicologica Brunensia'' 47:2 (2012), pp 23-47. {{cz}} | ||
+ | * Monika Szücsová, ''Softwarové umenie: genealógia, história, jazyk'', Brno: Masarykova univerzita, 2015, 71 pp. Master's thesis. {{sk}} | ||
==See also== | ==See also== | ||
− | [[ | + | [[Net art]], [[Software studies]], [[Hacktivism]], [[Code poetry]], [[Live coding]], [[FLOSS]], [[Demoscene]] |
− | {{Art}} | + | {{Art}} {{featured article}} |
− | {{featured article}} | ||
__NOTOC__ | __NOTOC__ |
Revision as of 11:21, 8 April 2017
Also artistic software, critical software, experimental software, speculative software.
Events
- Software - Information Technology: Its New Meaning for Art exhibition, Jewish Museum, NYC, 16 Sep-8 Nov 1970; Smithsonian Institution, Washington, DC, 16 Dec 1970-14 Feb 1971. Curated by Jack Burnham.
- Transmediale 2001: DIY (do it yourself!) festival conference, Berlin, 4-11 Feb 2001. This year the festival introduced an award for "artistic software", the first award given and solely dedicated to software art.
- Kontrollfelder - Programmieren als künstlerische Praxis exhibition, HMKV, Dortmund, 5 Apr-5 May 2002. Curated by Andreas Broeckmann and Matthias Weiß.
- Readme festival held in four editions: Moscow, 2002; Helsinki, 2003; Aarhus, 2004; Dortmund, 2005. Conceived by Olga Goriunova and Alexei Shulgin.
- Generator exhibition, Spacex Gallery, May-Jun 2002; later toured the UK. Curated by Geoff Cox. Video.
- CODeDOC online exhibition, Whitney Museum, New York, Sep 2002; later as part of Ars Electronica Festival, Linz, 2003. Curated by Christiane Paul.
- I love you - computer_viren_hacker_kultur exhibition, Museum of Applied Art, Frankfurt/Main, May-Jun 2002; later as part of Transmediale festival, Berlin, 31 Jan-5 Feb 2003.
- Software Art: A curatorial fiction or a new perspective? conference, Bethanien, Berlin, 4 Feb 2003.
- Ars Electronica: CODE - The Language of our Time festival, Linz, Sep 2003.
- After the Net exhibition, Centre del Carme, Valencia, 5-29 Jun 2008; Peninsula Arts Gallery, Plymouth, 12 Sep-23 Oct 2009; Tecnologico de Monterrey Toluca, Mexico, 3-5 Mar 2010. Curated by Joasia Krysa (KURATOR).
- Funware conference and symposium, Nov 2010-Jan 2011. Curated by Olga Goriunova; produced by aaaan.net (Annet Dekker and Annette Wolfsberger).
Resources
- Runme, a software art repository. Launched in Jan 2003.
Artists, theorists, initiatives
- 0x00WE15E7
- Amy Alexander
- Burak Arikan
- Eric Butler
- Code31
- Geoff Cox
- Florian Cramer
- Annet Dekker
- Eleonora Oreggia
- Matthew Fuller
- Olga Goriunova
- GOTO10
- Graham Harwood
- I/O/D
- Jaromil
- Jodi
- Jodi.org
- Michael Kargl
- Chris King
- Golan Levin
- LISA
- Make Art
- Aymeric Mansoux
- Nancy Mauro-Flude
- Alex McLean
- Moddr
- Mongrel
- Netochka Nezvanova
- Julian Oliver
- OpenLab
- Radical Software Group
- Readme
- Rethread
- Runme.org
- Warren Sack
- Gordan Savičić
- Antoine Schmitt
- Alexei Shulgin
- Bengt Sjölén
- Winnie Soon
- Marloes de Valk
- Danja Vasiliev
- Adrian Ward
- Marius Watz
- Matsuko Yokokoji
- Simon Yuill
Bibliography
- Books
- Olga Goriunova, Alexei Shulgin (eds.), Read_me 1.2, Moscow, 2002.
- Olga Goriunova, Alexei Shulgin (eds.), ReadMe 2.3 Reader: About Software Art, Helsinki: NIFCA, 2003.
- Olga Goriunova, Alexei Shulgin (eds.), Readme Edition 2004: Software Art and Cultures, Aarhus: University of Aarhus, 2004, 400 pp.
- Joasia Krysa (ed.), Curating Immateriality: The Work of the Curator in the Age of Network Systems, Autonomedia/I-DAT, 2006, 288 pp.
- Olga Goriunova (ed.), Readme 100: Temporary Software Art Factory, Dortmund: Hartware MedienKunstVerein, 2006.
- Aymeric Mansoux, Marloes de Valk (eds.): FLOSS+Art, Poitiers: GOTO10, and London: Mute, 2008, 320 pp.
- Geoff Cox, Antithesis: The Dialectics of Software Art, Aarhus University, 2010, 232 pp. Based on author's PhD thesis, 2006.
- Digital Artists’ Handbook, folly and GOTO10, 2009, 228 pp.
- Casey Reas, Chandler McWilliams, LUST (eds.), Form+Code in Design, Art, and Architecture: "Code", New York: Princeton Architectural Press, 2010, 176 pp.
- Warren Sack, The Software Arts, MIT Press, (forthcoming). Selected chapters.
- Book chapters, Papers, Articles
- Edward A. Shanken, "The House that Jack Built: Jack Burnham's Concept of 'Software' as a Metaphor for Art", Leonardo Electronic Almanac 6:10, 1998.
- Geoff Cox, Alex McLean, Adrian Ward, "The Aesthetics of Generative Code", 2000. Paper delivered at the Generative Art 00 conference, Milan, 2000. [1]
- Tilman Baumgärtel, "Experimental Software", 2000. Paper presented at the Art+Communication conference, Riga, 26 Aug 2000.
- Florian Cramer, Ulrike Gabriel, "Software Art", 15 Aug 2001, PDF; repr. in DIY Media: Kunst und digitale Medien: Software, Partizipation, Distribution. Transmediale.01, eds. Andreas Broeckmann and Susanne Jaschko, Berlin: Berliner Kulturveranstaltungs, 2001, pp 29-33 [2], repr. as "Software Art and Writing", American Book Review 22:6, Sep-Oct 2001 [3]; repr. as "On Software Art", in Rhizome, 20 Sep 2001. Written 15 Aug 2001. (German)
- Tilman Baumgärtel, "Experimentelle Software. Zu einigen neueren Computerprogrammen von Künstlern", Telepolis, 28 Oct 2001. (German)
- Florian Cramer, "Der selbstausführende Entwurf: Software und Softwarekunst", 24 Jan 2002. (German)
- "Concepts, Notations, Software, Art", 23 Mar 2002, PDF.
- Florian Cramer, "Contextualizing Software Art", [18 May] 2002.
- Thor Magnusson, Processor Art: Currents in the Process Oriented Works of Generative and Software Art, 2002, 116 pp. Thesis.
- Ricardo Barreto, Paula Perissinotto, "The Culture of Immanence", in Internet Art, São Paulo: IMESP, 2002.
- Olga Goriunova, Alexei Shulgin, "QuickView on Software Art", Feb 2003. Survey; participants: Amy Alexander, Florian Cramer, Matthew Fuller, Thomax Kaulmann, Alex McLean, Pit Schultz, The Yes Men.
- Florian Cramer, "Zehn Thesen zur Softwarekunst", 23 Sep 2003, PDF; repr. in SoftwareArt: eine Reportage über den Code, ed. Gerrit Gohlke, Berlin, 2003, pp 6-14. (German)
- "Ten Theses about Software Art", 23 Sep 2003, PDF.
- Gerrit Gohlke (ed.), SoftwareArt: eine Reportage über den Code, Berlin: Künstlerhaus Bethanien, 2003, 68 pp. Based on the Software Art conference. Texts by Inke Arns, Tilman Baumgärtel, Florian Cramer, Gerrit Gohlke, Karl Heinz Jeron. [4] (German)/(English)
- Ivan Stehlík (mim), "Software.art = Umenie programovať?", 3/4 Revue 14, Bratislava, 2003. (Slovak)
- Andreas Broegger, "Software Art - an introduction", Copenhagen, 24 Sep 2003.
- Andreas Broeckmann, "On Software as Art", in Sarai Reader 2003: Shaping Technologies, New Delhi, 2003, pp 215-218.
- Andreas Broeckmann, "Runtime Art: Software, Art, Aesthetics", 24 May 2004.
- Josephine Bosma, "Constructing Media Spaces", MediaArtNet, 2004.
- Peter Luining, "Read_Me 2004 review", crumb, 22 Sep 2004. An extensive review of the Run_Me software art conference/festival.
- Andreas Broeckmann, "Software Art Aesthetics", Mono 1, Porto: FBAUP, Jul 2007, pp 158-167.
- Geoff Cox, "Generator: The Value of Software Art", in Issues in Curating, Contemporary Art and Performance, ed. Judith Rugg, Bristol: Intellect, 2007.
- Geoff Cox, "Software Art Has No History", 2007. Paper given at re:place conference, Berlin.
- Simon Yuill, "All Problems of Notation Will be Solved by the Masses", Mute, 23 May 2008.
- Jussi Parikka, "Ethologies of Software Art: What Can a Digital Body of Code Do?", in Deleuze and Contemporary Art, eds. Zepke and O’Sullivan, Edinburgh University Press, 2010, pp 116-132.
- Jana Horáková, "Softwarové umění: programování excesu", Musicologica Brunensia 47:2 (2012), pp 23-47. (Czech)
- Monika Szücsová, Softwarové umenie: genealógia, história, jazyk, Brno: Masarykova univerzita, 2015, 71 pp. Master's thesis. (Slovak)
See also
Net art, Software studies, Hacktivism, Code poetry, Live coding, FLOSS, Demoscene
Visual art | ||
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Movements – 1990s – East Central Europe – Writers – Historians – Care – Museums – References. |