Difference between revisions of "The Glebe"

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==Issues==
 
==Issues==
* [http://bluemountain.princeton.edu/bluemtn/cgi-bin/bluemtn?a=cl&cl=CL2.1913.12&sp=bmtnaat Scans in Blue Mountain Project]
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* [http://bluemountain.princeton.edu/title.html?titleURN=urn:PUL:bluemountain:bmtnaat Scans in Blue Mountain Project]
  
 
==Links==
 
==Links==

Revision as of 09:49, 25 March 2016

The Glebe was a magazine edited by Alfred Kreymborg and published in Ridgefield, NJ in 10 issues from September 1913 to November 1914. Financed by book publishers Albert and Charles Boni, The Glebe led as a locus for experimental writing. William Carlos Williams was first published in The Glebe. The editor was part of an artists’ colony called Grantwood, located near Ridgefield, NJ, which included Man Ray, Marianne Moore, and Mina Loy. Contributors included Ezra Pound, James Joyce, Richard Aldington, as well as Russian author, Leonid Andreyev, and the German writer, Frank Wedekind. (Source)

Issues

Links


Avant-garde and modernist magazines

Poesia (1905-09, 1920), Der Sturm (1910-32), Blast (1914-15), The Egoist (1914-19), The Little Review (1914-29), 291 (1915-16), MA (1916-25), De Stijl (1917-20, 1921-32), Dada (1917-21), Noi (1917-25), 391 (1917-24), Zenit (1921-26), Broom (1921-24), Veshch/Gegenstand/Objet (1922), Die Form (1922, 1925-35), Contimporanul (1922-32), Secession (1922-24), Klaxon (1922-23), Merz (1923-32), LEF (1923-25), G (1923-26), Irradiador (1923), Sovremennaya architektura (1926-30), Novyi LEF (1927-29), ReD (1927-31), Close Up (1927-33), transition (1927-38).