Difference between revisions of "Net art"

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Resource on net art, internet art, net-based art, net-based installations, web art, web-based art.
 
Resource on net art, internet art, net-based art, net-based installations, web art, web-based art.
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==Works==
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==Events==
===Online exhibitions and databases===
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* [http://www.irational.org/cybercafe/backspace/ Secret Net.Art Conf], Backspace, London, 29 Jan 1997. Organised by [[Heath Bunting]]. Part of [[Anti with E]] lecture series.
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* [[Hybrid Workspace]], part of ''documenta X'' exhibition, Museum Fridericianum, Kassel, 21 Jun-28 Sep 1997.
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* [https://zkm.de/en/exhibition/1999/09/netcondition Net_condition: Art and Global Media] exhibition, ZKM Karlsruhe, 23 Sep 1999-27 Feb 2000. [http://web.archive.org/web/20040302150409/https://zkm.de/netcondition Archived exhibition website].
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* [http://www.walkerart.org/archive/E/A153E129363082E4616F.htm Envy: Can the Center Hold? (net.art per se)], panel as part of ''Sins of Change: Media Arts in Transition, Again'' symposium, Walker Art Center, Minneapolis, 8 Apr 2000.
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* [[Media:Art_and_Money_Online_Tate_2001.pdf|Art and Money Online]], exhibition, Tate Modern, London, 6 Mar-3 Jun 2001. Curated by Julian Stallabrass.
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* [https://www.ntticc.or.jp/en/feature/2002/Art_Bit_Collection/ Art.Bit Collection], exhibition and symposia, InterCommunication Center, Tokyo, 21 Jun-11 Aug 2002. Curated by Masaki Fujihata and Kouichirou Eto. [https://www.ntticc.or.jp/en/exhibitions/2002/art-bit-collection/]
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* ''[http://www.perplatou.net/net.art/ Skrevet i stein. En net.art arkeologi / Written in Stone: A Net.Art Archaeology]'', National Museum for Contemporary Art, Oslo, 22 Mar-25 May 2003. Curated by [[Per Platou]] with [[Anne Lise Wullum]] and [[Grethe Melby]]. Catalogue published.
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* [http://web.archive.org/web/20060624213355/http://www.connessionileggendarie.it/ Connessioni Leggendarie: Net.Art 1995-2005], exhibition, Mediateca di Santa Teresa, Via della Moscova, Milan, 20 Oct-10 Nov 2005. Curated by Domenico Quaranta. [http://digicult.it/digimag/issue-009/connessioni-leggendarie-interview-to-netart/ Interview with curator] (Digicult).
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* [[Tele-Internet]], Ars Electronica, Linz, 2010. Curated by Aram Bartholl.
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* [http://www.wj-s.org/WJ-SPOTS-MAL-AU-PIXEL-FESTIVAL WJ-Spots / Mal au Pixel Festival], conference on the history and the future of the internet, Paris, Jun 2011.
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* [https://www.ntticc.or.jp/en/feature/2012/Internet_Art_Future/index.html Internet Art Future: Reality in Post Internet Era], exhibition and symposium, InterCommunication Center, Tokyo, 28 Jan-18 Mar 2012. [https://www.ntticc.or.jp/en/exhibitions/2012/internet-art-future-reality-in-post-internet-era/] [https://www.ntticc.or.jp/en/feature/2011/InternetReality/index.html]
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* [http://aoys.zkm.de/ ArtOnYourScreen], online exhibition platform, ZKM, 14 May 2014-31 Dec 2016. [https://zkm.de/en/exhibition/2014/05/artonyourscreen]
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* [http://web.archive.org/web/20170330035822if_/http://net.art.mgml.si/ net.art Painters and Poets], exhibition, City Art Gallery, Ljubljana, Jun-Aug 2014. Curated by [[Vuk Ćosić]] and Alenka Gregorić.
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* [http://www.whitechapelgallery.org/exhibitions/electronicsuperhighway/ Electronic Superhighway (2016-1966): From Experiments in Art and Technology to Art After the Internet], exhibition, Whitechapel Gallery, London, 29 Jan-15 May 2016. Curated by Omar Kholeif. Reviews: [http://www.metamute.org/editorial/articles/eleven-pro-tips-art-plus-internet Fuller] (Mute), [[Media:Meixnerova Marie 2016 Do dejin internetoveho umeni.pdf|Meixnerová]] (Iluminace, CZ).
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* [http://onlineart.kiasma.fi/en/ ARS17 Hello World! Taide internetin jälkeen / Art After the Internet], exhibition, Kiasma, Helsinki, 31 Mar 2017-14 Jan 2018. [https://kiasma.fi/en/exhibitions/ars-17/] [http://web.archive.org/web/20190527023001/https://onlineart.kiasma.fi/en/]
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* [https://mdbk.de/en/exhibitions/netzkuenstlerinnen-2.0/ Virtual Normality: Female Net Artists 2.0], exhibition, Museum der bildenden Künste Leipzig, 12 Jan-8 Apr 2018. Curated by Sabrina Steinek and Anika Meier. Review: [https://www.springerin.at/2018/2/technofeminism/ Weier] (Springerin).
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* [https://www.icaboston.org/exhibitions/art-age-internet-1989-today Art in the Age of the Internet], 1989 to Today exhibition, ICA Boston, 7 Feb-20 May 2018. Curated by Eva Respini and Jeffrey De Blois.
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* [https://netzkunst.berlin/bzdnduh/ Berlin, Zentrum der Netzkunst - damals und heute], exhibition, panke.gallery, Berlin, 4 Oct-23 Nov 2018. Curated by [[Robert Sakrowski]] and Tabea Rossol. Organised by [https://netzkunst.berlin/ Zentrum für Netzkunst].
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* [https://www.newmuseum.org/exhibitions/view/the-art-happens-here-net-art-s-archival-poetics The Art Happens Here: Net Art's Archival Poetics], exhibition, New Museum, New York, 22 Jan-26 May 2019. Based on Rhizome's Net Art Anthology programme. Curated by Michael Connor with Aria Dean. [https://rhizome.org/editorial/2018/oct/12/early-warning-the-art-happens-here-rhizome-exhibition/]. Review: [https://ocula.com/magazine/reports/the-art-happens-here-net-arts-archival-poetic/ Huang] (Ocula).
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* [https://www.conflictinmyoutlook.online/ Conflict in My Outlook: We Met Online], online exhibition, University of Queensland Art Museum, 21 Aug 2020-1 Mar 2022. Curated by Anna Briers.
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* [https://opencoil.show/ Opencoil], exhibition, Haus der Statistik, Berlin, 16 Oct-1 Nov 2020. Organised by [https://netzkunst.berlin/ Zentrum für Netzkunst]. [https://netzkunst.berlin/stm/]
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* [https://netzkunst.berlin/cc/ Calculating Control: (Netz)kunst und Kybernetik], exhibition, symposium and (un)conference, Haus der Statistik & panke.gallery, Berlin, 30 Apr-31 Oct 2021. Organised by [https://netzkunst.berlin/ Zentrum für Netzkunst].
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==Catalogues==
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* ''Net_condition: Art and Global Media'', eds. Timothy Druckrey and Peter Weibel, MIT Press, 2000, 398 pp. [https://zkm.de/en/exhibition/1999/09/netcondition Exh.] held at ZKM Karlsruhe, 23 Sep 1999-27 Feb 2000. [https://zkm.de/en/publication/netcondition]
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** ''Net_Condition. Kunst / Politik im Online-Universum'', Karlsruhe: ZKM, 1999, 42 pp. Exh. brochure. [https://zkm.de/en/publication/netcondition-kunst-politik-im-online-universum] {{de}}
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* ''[http://www.perplatou.net/net.art/index3.htm Skrevet i stein. En net.art arkeologi / Written in Stone: A Net.Art Archaeology]'', Oslo: National Museum for Contemporary Art, 2003. [[#Skrevetistein|Exh.]] held 22 Mar-25 May 2003. {{no}}/{{en}}
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* ''[[Media:Connessioni leggendarie net.art 1995-2005 2005.pdf|Connessioni leggendarie: net.art 1995-2005]]'', ed. Luca Lampo, Milan: ready-made, 2005, 117 pp. [http://web.archive.org/web/20060509072904/http://www.connessionileggendarie.it/home.htm] {{it}}
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* ''Net art 0.1: desmontajes'', Badajoz: Consejería de Cultura y Turismo/Junta de Extremadura, 2009, 154 pp. Exh. held at MEIAC, Museo Extremeño e Iberoamericano de Arte Contemporáneo, Badajoz, 21 Nov-28 Feb 2009. {{es}}/{{en}}
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* ''Powered by Ljudmila'', eds. Alenka Gregorič and Keiko Suzuki, Ljubljana: Museum and Galleries of Ljubljana / City Art Gallery Ljubljana, 2011, 96 pp. [https://mgml.si/en/city-art-gallery/publications/63/powered-by-ljudmila/] [https://wiki.ljudmila.org/Powered_by_Ljudmila] [https://wiki.ljudmila.org/Powered_by_Ljudmila/Napisi] {{sl}}/{{en}}
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* ''Virtual Normality. Der weibliche Blick im Zeitalter des Internets'', ed. Alfred Weidinger, VfmK, 2018, 208 pp. [https://vfmk.org/de/shop/virtual-normality] {{de}}/{{en}}
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* ''Art in the Age of the Internet, 1989 to Today'', ed. Eva Respini, New Haven: Yale University Press, 2018, 316 pp. Exh. held at ICA Boston, 7 Feb-20 May 2018. Review: [http://www.caareviews.org/reviews/3465 Federici] (CAA).
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* ''The Art Happens Here: Net Art Anthology'', eds. Michael Connor, Aria Dean, and Dragan Espenschied, forew. Zachary Kaplan, intro. Michael Connor, New York: Rhizome, 2019, 444 pp. Essays by manuel arturo abreu, Josephine Bosma, Megan Driscoll, Ceci Moss, Lila Pagola, Paul Soulellis, Elvia Wilk. [https://worldcat.org/oclc/1061091298 TOC]. [https://www.newmuseum.org/calendar/view/1477/all-our-visited-links] [https://rhizomedotorg.myshopify.com/products/the-art-happens-here-net-art-anthology]. Reviews: [http://www.beyondnewmedia.art/texts/net-art-anthology/ Quaranta] (Camera Austria), [https://brooklynrail.org/2019/04/art_books/The-Art-Happens-Here-Net-Art-Anthology-Rhizome-2019 Weisburg] (Brooklyn Rail).
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==Online exhibitions and databases==
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* [http://turbulence.org/ Turbulence.org], a premiere web site for net art. From 1996-2016, Turbulence.org commissioned over 220 original net, web and hybrid art works and hosted over 20 real-time, multi-location performances.  
 
* [http://turbulence.org/ Turbulence.org], a premiere web site for net art. From 1996-2016, Turbulence.org commissioned over 220 original net, web and hybrid art works and hosted over 20 real-time, multi-location performances.  
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* [http://adaweb.walkerart.org/ äda 'web], platform for online artworks, experimental literature, publishing, and exhibitions. Run by Benjamin Weil and collaborators, 1994-1998. [https://anthology.rhizome.org/aeda-web äda 'web in Net Art Anthology] (2019).
 
* [http://adaweb.walkerart.org/ äda 'web], platform for online artworks, experimental literature, publishing, and exhibitions. Run by Benjamin Weil and collaborators, 1994-1998. [https://anthology.rhizome.org/aeda-web äda 'web in Net Art Anthology] (2019).
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* [http://www.net-art.org/ net-art.org], an online-only exhibition of the early (and continuous) history of Internet art. Initiated 1998 by Andrew Forbes. [https://nettime.org/Lists-Archives/nettime-bold-0102/msg00296.html Interview, 2001]. [https://twitter.com/net_artdotorg Twitter]. [https://www.facebook.com/netartdotorg/ FB].
 
* [http://www.net-art.org/ net-art.org], an online-only exhibition of the early (and continuous) history of Internet art. Initiated 1998 by Andrew Forbes. [https://nettime.org/Lists-Archives/nettime-bold-0102/msg00296.html Interview, 2001]. [https://twitter.com/net_artdotorg Twitter]. [https://www.facebook.com/netartdotorg/ FB].
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* [https://artbase.rhizome.org Rhizome ArtBase], archive of digital art, freely accessible to the public online. Founded 1999. [http://catalog.rhizome.org/ Catalog]. [https://rhizome.org/editorial/2021/apr/07/announcing-from-black-boxes-to-open-systems/ Relaunch events] (2021). [https://rhizome.org/editorial/2021/apr/26/the-artbase-relaunches-welcome-to-linked-open-data/ Relaunch announcement]. [https://rhizome.org/art/artbase/ Original website] (until 2021).
 
* [https://artbase.rhizome.org Rhizome ArtBase], archive of digital art, freely accessible to the public online. Founded 1999. [http://catalog.rhizome.org/ Catalog]. [https://rhizome.org/editorial/2021/apr/07/announcing-from-black-boxes-to-open-systems/ Relaunch events] (2021). [https://rhizome.org/editorial/2021/apr/26/the-artbase-relaunches-welcome-to-linked-open-data/ Relaunch announcement]. [https://rhizome.org/art/artbase/ Original website] (until 2021).
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* [https://anthology.rhizome.org/ Net Art Anthology]. Presented by [[Rhizome]], 2016-2019. Retelling the history of Net Art from the 1980s through the present day by restaging and contextualizing one key net art project per week. [https://www.artsy.net/article/artsy-editorial-10-artistic-masterpieces-meant-experienced-online]
 
* [https://anthology.rhizome.org/ Net Art Anthology]. Presented by [[Rhizome]], 2016-2019. Retelling the history of Net Art from the 1980s through the present day by restaging and contextualizing one key net art project per week. [https://www.artsy.net/article/artsy-editorial-10-artistic-masterpieces-meant-experienced-online]
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* [https://newblackportraitures.rhizome.org/ New Black Portraitures], browser-based exhibition, 2017. Curated by Aria Dean as part of Rhizome's Net Art Anthology. [https://www.newmuseum.org/exhibitions/view/new-black-portraitures] [https://i-d.vice.com/en_uk/article/mbp8wv/online-black-art-is-moving-from-instagram-to-bitmapping]
 
* [https://newblackportraitures.rhizome.org/ New Black Portraitures], browser-based exhibition, 2017. Curated by Aria Dean as part of Rhizome's Net Art Anthology. [https://www.newmuseum.org/exhibitions/view/new-black-portraitures] [https://i-d.vice.com/en_uk/article/mbp8wv/online-black-art-is-moving-from-instagram-to-bitmapping]
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* [http://netart-datenbank.org/ netart-Datenbank], est. 2000, active through c.2005. Team: Nina Kahnwald, Anna Kohler, Tilman Linden, Thomas Noesler, [[Sakrowski]].
 
* [http://netart-datenbank.org/ netart-Datenbank], est. 2000, active through c.2005. Team: Nina Kahnwald, Anna Kohler, Tilman Linden, Thomas Noesler, [[Sakrowski]].
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* [http://www.year01.com/archive/plunder/ Pixel Plunder©], online exhibition on notions of authorship and copyright, curated by Michael Alstad and Michelle Kasprzak, 2001. [https://interaccess.org/exhibition/pixel-plunder%C2%A9] [http://wro03.wrocenter.pl/specials/stealing_to_subvert-en.html#pixelplunder]
 
* [http://www.year01.com/archive/plunder/ Pixel Plunder©], online exhibition on notions of authorship and copyright, curated by Michael Alstad and Michelle Kasprzak, 2001. [https://interaccess.org/exhibition/pixel-plunder%C2%A9] [http://wro03.wrocenter.pl/specials/stealing_to_subvert-en.html#pixelplunder]
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* [http://project.arnolfini.org.uk/?t=5 project.Arnolfini], curated by [[Geoff Cox]], 2010.
 
* [http://project.arnolfini.org.uk/?t=5 project.Arnolfini], curated by [[Geoff Cox]], 2010.
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* [http://web.archive.org/web/20140517163630/http://netpioneers.info/ netpioneers.info: contextualizing early net-based art], research project realized at the Ludwig Boltzmann Institute Media.Art.Research., Linz, 2007-2009. (archived). [https://monoskop.org/log/?p=1327 Book published].
 
* [http://web.archive.org/web/20140517163630/http://netpioneers.info/ netpioneers.info: contextualizing early net-based art], research project realized at the Ludwig Boltzmann Institute Media.Art.Research., Linz, 2007-2009. (archived). [https://monoskop.org/log/?p=1327 Book published].
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* [http://gallery9.walkerart.org/ Gallery 9], Walker Art Center's online exhibition space. Between 1997 and 2003, under the direction of [[Steve Dietz]], Gallery 9 presented the work of more than 100 artists.  
 
* [http://gallery9.walkerart.org/ Gallery 9], Walker Art Center's online exhibition space. Between 1997 and 2003, under the direction of [[Steve Dietz]], Gallery 9 presented the work of more than 100 artists.  
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* [http://web.archive.org/web/20140911075148/http://www.guggenheim.org/new-york/press-room/releases/press-release-archive/2002/668-february-18-internet-art-commissions Net art commissioned by Guggenheim Museum], 1996-c.2002. (archived)
 
* [http://web.archive.org/web/20140911075148/http://www.guggenheim.org/new-york/press-room/releases/press-release-archive/2002/668-february-18-internet-art-commissions Net art commissioned by Guggenheim Museum], 1996-c.2002. (archived)
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* [http://web.archive.org/web/20080215025649/http://www.sfmoma.org/espace/espace_overview.html E.space], online projects commissioned by SFMOMA. Launched 2000. Created by Benjamin Weil with Joseph Rosa. [https://www.sfmoma.org/press/release/sfmoma-unveils-redesigned-online-gallery-espace-w/] (archived)
 
* [http://web.archive.org/web/20080215025649/http://www.sfmoma.org/espace/espace_overview.html E.space], online projects commissioned by SFMOMA. Launched 2000. Created by Benjamin Weil with Joseph Rosa. [https://www.sfmoma.org/press/release/sfmoma-unveils-redesigned-online-gallery-espace-w/] (archived)
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* [https://artport.whitney.org/gatepages/index.shtml Artport]. Whitney Museum's portal to Internet art and an online gallery space for commissions of net art and new media art. Originally launched in 2001, Artport provides access to original art works commissioned specifically for artport by the Whitney; documentation of net art and new media art exhibitions at the Whitney; and new media art in the Museum's collection. Created and curated by [[Christiane Paul]]. [https://rhizome.org/editorial/2015/aug/10/artport-interview-christiane-paul/ Made an official part of the Whitney Museum collection in 2015]. [https://whitney.org/artport]
 
* [https://artport.whitney.org/gatepages/index.shtml Artport]. Whitney Museum's portal to Internet art and an online gallery space for commissions of net art and new media art. Originally launched in 2001, Artport provides access to original art works commissioned specifically for artport by the Whitney; documentation of net art and new media art exhibitions at the Whitney; and new media art in the Museum's collection. Created and curated by [[Christiane Paul]]. [https://rhizome.org/editorial/2015/aug/10/artport-interview-christiane-paul/ Made an official part of the Whitney Museum collection in 2015]. [https://whitney.org/artport]
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* [http://www2.tate.org.uk/intermediaart/ Tate Intermedia Art], contains the archive of Tate's net art projects from 2000-2011. [http://web.archive.org/web/20050308071550/http://www.tate.org.uk/netart/default.htm]
 
* [http://www2.tate.org.uk/intermediaart/ Tate Intermedia Art], contains the archive of Tate's net art projects from 2000-2011. [http://web.archive.org/web/20050308071550/http://www.tate.org.uk/netart/default.htm]
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* [http://web.archive.org/web/20140712074042/http://openmuseum.berkeley.edu/ BAM/PFA NetArtchive], online exhibition. Presented [http://web.archive.org/web/20140427074721/http://openmuseum.berkeley.edu/media/view/media/sources works by four artists]. (archived)
 
* [http://web.archive.org/web/20140712074042/http://openmuseum.berkeley.edu/ BAM/PFA NetArtchive], online exhibition. Presented [http://web.archive.org/web/20140427074721/http://openmuseum.berkeley.edu/media/view/media/sources works by four artists]. (archived)
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* [http://netspecific.net/en Net.Specific], an online exhibition space for net art, Museum of Contemporary Art, Roskilde, Denmark. Launched Oct 2012.
 
* [http://netspecific.net/en Net.Specific], an online exhibition space for net art, Museum of Contemporary Art, Roskilde, Denmark. Launched Oct 2012.
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* [http://netart.org.uy/latino/ netart_latino database], a database of Latin-American net artists. Edited by [[Brian Mackern]].
 
* [http://netart.org.uy/latino/ netart_latino database], a database of Latin-American net artists. Edited by [[Brian Mackern]].
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* [https://art.colorado.edu/hiaff/ Histories of Internet Art: Fictions and Factions], an online-only exhibition of the early history of Internet art; produced by students of digital art at the University of Colorado's Art and Art History Department, in conjunction with the Alt-X Online Network, ATLAS and blurr.
 
* [https://art.colorado.edu/hiaff/ Histories of Internet Art: Fictions and Factions], an online-only exhibition of the early history of Internet art; produced by students of digital art at the University of Colorado's Art and Art History Department, in conjunction with the Alt-X Online Network, ATLAS and blurr.
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* [http://net.artdatabase.org/ net.artdatabase], documentation of selected internet-based artworks by recording users in front of their screens as they interact with the work.
 
* [http://net.artdatabase.org/ net.artdatabase], documentation of selected internet-based artworks by recording users in front of their screens as they interact with the work.
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* [http://netartnet.net/ netartnet.net], an online-gallery listing and directory. The archive contains current and past exhibitions with dates, links, and press releases.
 
* [http://netartnet.net/ netartnet.net], an online-gallery listing and directory. The archive contains current and past exhibitions with dates, links, and press releases.
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* [https://nondes.home.xs4all.nl/sneeze/ Why Not Sneeze], eds. Michael Gibbs and Brigitte van der Sande, 1996-1998.
 
* [https://nondes.home.xs4all.nl/sneeze/ Why Not Sneeze], eds. Michael Gibbs and Brigitte van der Sande, 1996-1998.
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* [http://web.archive.org/web/20110827131226/http://societyofalgorithm.org/networktime/ Overview of network art projects and events], compiled by Dušan Barok, 2008.
 
* [http://web.archive.org/web/20110827131226/http://societyofalgorithm.org/networktime/ Overview of network art projects and events], compiled by Dušan Barok, 2008.
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* [https://www.digitalcanon.nl/ Digital Canon], 20 works from the Netherlands, 1960-2000, launched 2019. Compiled by [[LIMA]].
 
* [https://www.digitalcanon.nl/ Digital Canon], 20 works from the Netherlands, 1960-2000, launched 2019. Compiled by [[LIMA]].
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* [http://vispo.com/misc/links.htm Links to net art], compiled by Jim Andrews (VISPO).
 
* [http://vispo.com/misc/links.htm Links to net art], compiled by Jim Andrews (VISPO).
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* [https://thewrong.org/ The Wrong], digital art biennale, online & worldwide, since 2013. Incl. [http://verylarge.works/ Very Large Works] online show, 2019-2020.
 
* [https://thewrong.org/ The Wrong], digital art biennale, online & worldwide, since 2013. Incl. [http://verylarge.works/ Very Large Works] online show, 2019-2020.
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* [http://we-link.chronusartcenter.org/teneasypieces/ We=Link: Ten Easy Pieces], Chronus Art Center Special Online Exhibition, since 30 Mar 2020. Curated by Ga Zhang. [http://www.chronusartcenter.org/en/welink-ten-easy-pieces/]
 
* [http://we-link.chronusartcenter.org/teneasypieces/ We=Link: Ten Easy Pieces], Chronus Art Center Special Online Exhibition, since 30 Mar 2020. Curated by Ga Zhang. [http://www.chronusartcenter.org/en/welink-ten-easy-pieces/]
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* [http://we-link.chronusartcenter.org/sideways/ We=Link: Sideways], A Chronus Art Center (CAC) exhibition, Shanghai, 21 Nov 2020-23 Mar 2021. Curated by Ga Zhang. [http://www.chronusartcenter.org/en/cac-%c2%b7-exhibition-announcement-welinksideways/]
 
* [http://we-link.chronusartcenter.org/sideways/ We=Link: Sideways], A Chronus Art Center (CAC) exhibition, Shanghai, 21 Nov 2020-23 Mar 2021. Curated by Ga Zhang. [http://www.chronusartcenter.org/en/cac-%c2%b7-exhibition-announcement-welinksideways/]
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* [http://www.netart.today/ Gallery 404], exhibits net.art as it appears today - exclusively specializing in broken artworks, launched Nov 2020, run by [[David Schmudde]]. [https://schmud.de/posts/2020-30-11-gallery-404.html]
 
* [http://www.netart.today/ Gallery 404], exhibits net.art as it appears today - exclusively specializing in broken artworks, launched Nov 2020, run by [[David Schmudde]]. [https://schmud.de/posts/2020-30-11-gallery-404.html]
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* [http://netarts.org/ Netarts.org], 1995-2014.
 
* [http://netarts.org/ Netarts.org], 1995-2014.
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* [https://artport.whitney.org/resources/index.shtml more], [https://artport.whitney.org/resources/netartexhibitions.shtml more]
 
* [https://artport.whitney.org/resources/index.shtml more], [https://artport.whitney.org/resources/netartexhibitions.shtml more]
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* [http://web.archive.org/web/20160304190833/http://netzspannung.org/index_en_static.html netzspannung.org], 2001-?.
 
* [http://web.archive.org/web/20160304190833/http://netzspannung.org/index_en_static.html netzspannung.org], 2001-?.
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* [http://www.medienkunstnetz.de/search/category:internet Internet-related works in Media Art Net].
 
* [http://www.medienkunstnetz.de/search/category:internet Internet-related works in Media Art Net].
 +
 
* [https://garage.digital/en/projects Garage Digital], online program for born-digital artworks and research projects created in collaboration with Garage Museum of Contemporary Art, Moscow, 2019-. [https://www.artnews.com/art-news/news/garage-museum-digital-platform-1202670950/]
 
* [https://garage.digital/en/projects Garage Digital], online program for born-digital artworks and research projects created in collaboration with Garage Museum of Contemporary Art, Moscow, 2019-. [https://www.artnews.com/art-news/news/garage-museum-digital-platform-1202670950/]
 +
 
* [https://www.upstreamgallery.nl/exhibitions/185/2020-do-not-link 2020 Do Not Link], group exhibition, Upstream Gallery, 12-28 Jun 2020. Curated by Dirk Paesmans and Bob Bicknell-Knight.
 
* [https://www.upstreamgallery.nl/exhibitions/185/2020-do-not-link 2020 Do Not Link], group exhibition, Upstream Gallery, 12-28 Jun 2020. Curated by Dirk Paesmans and Bob Bicknell-Knight.
 +
 
* [https://whitney.org/artport/commissions/sunrise-sunset Sunrise/Sunset], series of Internet art projects commissioned by Whitney Museum, since 2009
 
* [https://whitney.org/artport/commissions/sunrise-sunset Sunrise/Sunset], series of Internet art projects commissioned by Whitney Museum, since 2009
 +
 +
* selection of works from 2007-2011 : [[Les Liens Invisibles]], [http://www.subvertr.com subvertr], 2007 ;  [[Theo Watson]], [[Jamie Wilkinson]], and [[Greg Leuch]], [http://fffff.at/fuckflickr/ fuckflikr], 2008 ; [[Aram Bartholl]], [[Evan Roth]], [[tbx]] ([[fffff.at]]), [http://chinachannel.hk/ China Channel] , 2008 ;  [[tbx]] and [[Timo Klok]], [http://pirates-of-the-amazon.com Pirates of the Amazon], 2008 ; [[moddr]], [http://suicidemachine.org/ Web 2.0 Suicide Machine], 2009; [[Les Liens Invisibles]], [http://seppukoo.com Seppukoo], 2009; [[Owen Mundy]], [http://givememydata.com Give Me My Data] , 2009 ; [[Les Liens Invisibles]], [http://www.repetitionr.com/ Repetitionr], 2010; [[Eric Butler]], [http://codebutler.com/firesheep Firesheep], 2010; [[Dušan Barok]], [http://faceleaks.info FaceLeaks], 2010 ; [[Julian Oliver]], [[Danja Vasilev]], [http://newstweak.com Newstweek] , 2011; [[David Darts]], [http://wiki.daviddarts.com/PirateBox Piratebox] , 2011 ; &, [http://barboratrnkova.tomasjavurek.cz/motivo-astratto/ motivo astratto], 2011 ; [[Julien Deswaef]], [http://w.xuv.be/projects/love_machine Love Machine], 2011.
 
</div>
 
</div>
  
===Selected recent works===
+
==Museum collections==
'''2007'''
 
[http://www.subvertr.com subvertr] by [[Les Liens Invisibles]].
 
'''2008'''
 
[http://fffff.at/fuckflickr/ fuckflikr] by [[Theo Watson]], [[Jamie Wilkinson]], and [[Greg Leuch]];
 
[http://chinachannel.hk/ China Channel] by [[Aram Bartholl]], [[Evan Roth]] and [[tbx]] ([[fffff.at]]);
 
[http://pirates-of-the-amazon.com Pirates of the Amazon] by [[tbx]] and [[Timo Klok]].
 
'''2009'''
 
[http://suicidemachine.org/ Web 2.0 Suicide Machine] by [[moddr]];
 
[http://seppukoo.com Seppukoo] by [[Les Liens Invisibles]];
 
[http://givememydata.com Give Me My Data] by [[Owen Mundy]].
 
'''2010'''
 
[http://www.repetitionr.com/ Repetitionr] by [[Les Liens Invisibles]];
 
[http://codebutler.com/firesheep Firesheep] by [[Eric Butler]];
 
[http://faceleaks.info FaceLeaks] by [[Dušan Barok]].
 
'''2011'''
 
[http://newstweak.com Newstweek] by [[Julian Oliver]] and [[Danja Vasilev]];
 
[http://wiki.daviddarts.com/PirateBox Piratebox] by [[David Darts]];
 
[http://barboratrnkova.tomasjavurek.cz/motivo-astratto/ motivo astratto] by [[&]];
 
[http://w.xuv.be/projects/love_machine Love Machine] by [[Julien Deswaef]].
 
 
 
===Works in museum collections===
 
  
 
{| class="wikitable sortable" style="font-size: .9em"
 
{| class="wikitable sortable" style="font-size: .9em"
Line 187: Line 271:
 
See also the works commissioned by [http://www2.tate.org.uk/intermediaart/archive/net_art_date.shtm Tate] (2000-2011), [http://web.archive.org/web/20080215025649/http://www.sfmoma.org/espace/espace_overview.html SFMOMA] (2000-) and [https://whitney.org/artport/commissions Whitney] (2001-), and the works in [https://rhizome.org/art/artbase/ Rhizome ArtBase].
 
See also the works commissioned by [http://www2.tate.org.uk/intermediaart/archive/net_art_date.shtm Tate] (2000-2011), [http://web.archive.org/web/20080215025649/http://www.sfmoma.org/espace/espace_overview.html SFMOMA] (2000-) and [https://whitney.org/artport/commissions Whitney] (2001-), and the works in [https://rhizome.org/art/artbase/ Rhizome ArtBase].
  
==Catalogues==
+
==Books==
* ''Net_condition: Art and Global Media'', eds. Timothy Druckrey and Peter Weibel, MIT Press, 2000, 398 pp. [https://zkm.de/en/exhibition/1999/09/netcondition Exh.] held at ZKM Karlsruhe, 23 Sep 1999-27 Feb 2000. [https://zkm.de/en/publication/netcondition]
 
** ''Net_Condition. Kunst / Politik im Online-Universum'', Karlsruhe: ZKM, 1999, 42 pp. Exh. brochure. [https://zkm.de/en/publication/netcondition-kunst-politik-im-online-universum] {{de}}
 
 
 
* ''[http://www.perplatou.net/net.art/index3.htm Skrevet i stein. En net.art arkeologi / Written in Stone: A Net.Art Archaeology]'', Oslo: National Museum for Contemporary Art, 2003. [[#Skrevetistein|Exh.]] held 22 Mar-25 May 2003. {{no}}/{{en}}
 
 
 
* ''[[Media:Connessioni leggendarie net.art 1995-2005 2005.pdf|Connessioni leggendarie: net.art 1995-2005]]'', ed. Luca Lampo, Milan: ready-made, 2005, 117 pp. [http://web.archive.org/web/20060509072904/http://www.connessionileggendarie.it/home.htm] {{it}}
 
 
 
* ''Net art 0.1: desmontajes'', Badajoz: Consejería de Cultura y Turismo/Junta de Extremadura, 2009, 154 pp. Exh. held at MEIAC, Museo Extremeño e Iberoamericano de Arte Contemporáneo, Badajoz, 21 Nov-28 Feb 2009. {{es}}/{{en}}
 
* ''Powered by Ljudmila'', eds. Alenka Gregorič and Keiko Suzuki, Ljubljana: Museum and Galleries of Ljubljana / City Art Gallery Ljubljana, 2011, 96 pp. [https://mgml.si/en/city-art-gallery/publications/63/powered-by-ljudmila/] [https://wiki.ljudmila.org/Powered_by_Ljudmila] [https://wiki.ljudmila.org/Powered_by_Ljudmila/Napisi] {{sl}}/{{en}}
 
* ''Virtual Normality. Der weibliche Blick im Zeitalter des Internets'', ed. Alfred Weidinger, VfmK, 2018, 208 pp. [https://vfmk.org/de/shop/virtual-normality] {{de}}/{{en}}
 
* ''Art in the Age of the Internet, 1989 to Today'', ed. Eva Respini, New Haven: Yale University Press, 2018, 316 pp. Exh. held at ICA Boston, 7 Feb-20 May 2018. Review: [http://www.caareviews.org/reviews/3465 Federici] (CAA).
 
* ''The Art Happens Here: Net Art Anthology'', eds. Michael Connor, Aria Dean, and Dragan Espenschied, forew. Zachary Kaplan, intro. Michael Connor, New York: Rhizome, 2019, 444 pp. Essays by manuel arturo abreu, Josephine Bosma, Megan Driscoll, Ceci Moss, Lila Pagola, Paul Soulellis, Elvia Wilk. [https://worldcat.org/oclc/1061091298 TOC]. [https://www.newmuseum.org/calendar/view/1477/all-our-visited-links] [https://rhizomedotorg.myshopify.com/products/the-art-happens-here-net-art-anthology]. Reviews: [http://www.beyondnewmedia.art/texts/net-art-anthology/ Quaranta] (Camera Austria), [https://brooklynrail.org/2019/04/art_books/The-Art-Happens-Here-Net-Art-Anthology-Rhizome-2019 Weisburg] (Brooklyn Rail).
 
 
 
==Events==
 
* [http://www.irational.org/cybercafe/backspace/ Secret Net.Art Conf], Backspace, London, 29 Jan 1997. Organised by [[Heath Bunting]]. Part of [[Anti with E]] lecture series.
 
* [[Hybrid Workspace]], part of ''documenta X'' exhibition, Museum Fridericianum, Kassel, 21 Jun-28 Sep 1997.
 
* [https://zkm.de/en/exhibition/1999/09/netcondition Net_condition: Art and Global Media] exhibition, ZKM Karlsruhe, 23 Sep 1999-27 Feb 2000. [http://web.archive.org/web/20040302150409/https://zkm.de/netcondition Archived exhibition website].
 
* [http://www.walkerart.org/archive/E/A153E129363082E4616F.htm Envy: Can the Center Hold? (net.art per se)], panel as part of ''Sins of Change: Media Arts in Transition, Again'' symposium, Walker Art Center, Minneapolis, 8 Apr 2000.
 
* [[Media:Art_and_Money_Online_Tate_2001.pdf|Art and Money Online]], exhibition, Tate Modern, London, 6 Mar-3 Jun 2001. Curated by Julian Stallabrass.
 
* [https://www.ntticc.or.jp/en/feature/2002/Art_Bit_Collection/ Art.Bit Collection], exhibition and symposia, InterCommunication Center, Tokyo, 21 Jun-11 Aug 2002. Curated by Masaki Fujihata and Kouichirou Eto. [https://www.ntticc.or.jp/en/exhibitions/2002/art-bit-collection/]
 
* ''[http://www.perplatou.net/net.art/ Skrevet i stein. En net.art arkeologi / Written in Stone: A Net.Art Archaeology]'', National Museum for Contemporary Art, Oslo, 22 Mar-25 May 2003. Curated by [[Per Platou]] with [[Anne Lise Wullum]] and [[Grethe Melby]]. Catalogue published.
 
* [http://web.archive.org/web/20060624213355/http://www.connessionileggendarie.it/ Connessioni Leggendarie: Net.Art 1995-2005], exhibition, Mediateca di Santa Teresa, Via della Moscova, Milan, 20 Oct-10 Nov 2005. Curated by Domenico Quaranta. [http://digicult.it/digimag/issue-009/connessioni-leggendarie-interview-to-netart/ Interview with curator] (Digicult).
 
* [[Tele-Internet]], Ars Electronica, Linz, 2010. Curated by Aram Bartholl.
 
* [http://www.wj-s.org/WJ-SPOTS-MAL-AU-PIXEL-FESTIVAL WJ-Spots / Mal au Pixel Festival], conference on the history and the future of the internet, Paris, Jun 2011.
 
* [https://www.ntticc.or.jp/en/feature/2012/Internet_Art_Future/index.html Internet Art Future: Reality in Post Internet Era], exhibition and symposium, InterCommunication Center, Tokyo, 28 Jan-18 Mar 2012. [https://www.ntticc.or.jp/en/exhibitions/2012/internet-art-future-reality-in-post-internet-era/] [https://www.ntticc.or.jp/en/feature/2011/InternetReality/index.html]
 
* [http://aoys.zkm.de/ ArtOnYourScreen], online exhibition platform, ZKM, 14 May 2014-31 Dec 2016. [https://zkm.de/en/exhibition/2014/05/artonyourscreen]
 
* [http://web.archive.org/web/20170330035822if_/http://net.art.mgml.si/ net.art Painters and Poets], exhibition, City Art Gallery, Ljubljana, Jun-Aug 2014. Curated by [[Vuk Ćosić]] and Alenka Gregorić.
 
* [http://www.whitechapelgallery.org/exhibitions/electronicsuperhighway/ Electronic Superhighway (2016-1966): From Experiments in Art and Technology to Art After the Internet], exhibition, Whitechapel Gallery, London, 29 Jan-15 May 2016. Curated by Omar Kholeif. Reviews: [http://www.metamute.org/editorial/articles/eleven-pro-tips-art-plus-internet Fuller] (Mute), [[Media:Meixnerova Marie 2016 Do dejin internetoveho umeni.pdf|Meixnerová]] (Iluminace, CZ).
 
* [http://onlineart.kiasma.fi/en/ ARS17 Hello World! Taide internetin jälkeen / Art After the Internet], exhibition, Kiasma, Helsinki, 31 Mar 2017-14 Jan 2018. [https://kiasma.fi/en/exhibitions/ars-17/] [http://web.archive.org/web/20190527023001/https://onlineart.kiasma.fi/en/]
 
* [https://mdbk.de/en/exhibitions/netzkuenstlerinnen-2.0/ Virtual Normality: Female Net Artists 2.0], exhibition, Museum der bildenden Künste Leipzig, 12 Jan-8 Apr 2018. Curated by Sabrina Steinek and Anika Meier. Review: [https://www.springerin.at/2018/2/technofeminism/ Weier] (Springerin).
 
* [https://www.icaboston.org/exhibitions/art-age-internet-1989-today Art in the Age of the Internet], 1989 to Today exhibition, ICA Boston, 7 Feb-20 May 2018. Curated by Eva Respini and Jeffrey De Blois.
 
* [https://netzkunst.berlin/bzdnduh/ Berlin, Zentrum der Netzkunst - damals und heute], exhibition, panke.gallery, Berlin, 4 Oct-23 Nov 2018. Curated by [[Robert Sakrowski]] and Tabea Rossol. Organised by [https://netzkunst.berlin/ Zentrum für Netzkunst].
 
* [https://www.newmuseum.org/exhibitions/view/the-art-happens-here-net-art-s-archival-poetics The Art Happens Here: Net Art's Archival Poetics], exhibition, New Museum, New York, 22 Jan-26 May 2019. Based on Rhizome's Net Art Anthology programme. Curated by Michael Connor with Aria Dean. [https://rhizome.org/editorial/2018/oct/12/early-warning-the-art-happens-here-rhizome-exhibition/]. Review: [https://ocula.com/magazine/reports/the-art-happens-here-net-arts-archival-poetic/ Huang] (Ocula).
 
* [https://www.conflictinmyoutlook.online/ Conflict in My Outlook: We Met Online], online exhibition, University of Queensland Art Museum, 21 Aug 2020-1 Mar 2022. Curated by Anna Briers.
 
* [https://opencoil.show/ Opencoil], exhibition, Haus der Statistik, Berlin, 16 Oct-1 Nov 2020. Organised by [https://netzkunst.berlin/ Zentrum für Netzkunst]. [https://netzkunst.berlin/stm/]
 
* [https://netzkunst.berlin/cc/ Calculating Control: (Netz)kunst und Kybernetik], exhibition, symposium and (un)conference, Haus der Statistik & panke.gallery, Berlin, 30 Apr-31 Oct 2021. Organised by [https://netzkunst.berlin/ Zentrum für Netzkunst].
 
  
==Literature==
 
===Books===
 
 
* Tilman Baumgärtel, ''net.art. Materialien zur Netzkunst'', Nürnberg: Verlag für moderne Kunst, 1999, 179 pp. [http://www.perlentaucher.de/buch/tilman-baumgaertel/net-art.html] {{de}}
 
* Tilman Baumgärtel, ''net.art. Materialien zur Netzkunst'', Nürnberg: Verlag für moderne Kunst, 1999, 179 pp. [http://www.perlentaucher.de/buch/tilman-baumgaertel/net-art.html] {{de}}
 
** ''Tīkla māksla'', trans. Ilva Skulte, Riga: Petergailis, 2001, 168 pp. {{lv}}
 
** ''Tīkla māksla'', trans. Ilva Skulte, Riga: Petergailis, 2001, 168 pp. {{lv}}
Line 232: Line 278:
  
 
* Institut für moderne Kunst Nürnberg, Verena Kuni (eds.), ''netz.kunst. Jahrbuch des Institutes für Moderne Kunst Nürnberg '98/'99'', Nürnberg: Verlag für moderne Kunst, 1999, 272 pp. [http://www.kuni.org/v/publications/data/578] {{de}}
 
* Institut für moderne Kunst Nürnberg, Verena Kuni (eds.), ''netz.kunst. Jahrbuch des Institutes für Moderne Kunst Nürnberg '98/'99'', Nürnberg: Verlag für moderne Kunst, 1999, 272 pp. [http://www.kuni.org/v/publications/data/578] {{de}}
 +
 
* Margarete Jahrmann, OK Offenes Kulturhaus OÖ (eds.), ''Art_Server: Stargate to Netculture: Texts and Positions on Netculture and Netart in O.K Center for Contemporary Arts'', Linz: O.K Center for Contemporary Arts, 2000, 75 pp. [https://www.ok-centrum.at/en/shop/art_server-stargate-to-netculture/] {{de}}/{{en}}
 
* Margarete Jahrmann, OK Offenes Kulturhaus OÖ (eds.), ''Art_Server: Stargate to Netculture: Texts and Positions on Netculture and Netart in O.K Center for Contemporary Arts'', Linz: O.K Center for Contemporary Arts, 2000, 75 pp. [https://www.ok-centrum.at/en/shop/art_server-stargate-to-netculture/] {{de}}/{{en}}
 +
 
* Tilman Baumgärtel, ''[https://monoskop.org/log/?p=22424 net.art 2.0. Neue Materialien zur Netzkunst / New Materials on Art on the Internet]'', trans. David Hudson, Nürnberg: Verlag für moderne Kunst, 2001, 263 pp. [http://web.archive.org/web/20140601192911/http://www.thing.de/tilman/buecher.html Author]. {{de}}/{{en}}
 
* Tilman Baumgärtel, ''[https://monoskop.org/log/?p=22424 net.art 2.0. Neue Materialien zur Netzkunst / New Materials on Art on the Internet]'', trans. David Hudson, Nürnberg: Verlag für moderne Kunst, 2001, 263 pp. [http://web.archive.org/web/20140601192911/http://www.thing.de/tilman/buecher.html Author]. {{de}}/{{en}}
 +
 
* Julian Stallabrass, ''Internet Art: The Online Clash Between Culture and Commerce'', London: Tate Publishing, 2003, 168 pp. Reviews: [http://stimson.people.uic.edu/stimson/The%20Crowd%20in%20the%20Machine.pdf Stimson] (NLR), [http://sci-hub.se/10.1111/j.1467-8357.2004.00446.x Gere] (Art Book).
 
* Julian Stallabrass, ''Internet Art: The Online Clash Between Culture and Commerce'', London: Tate Publishing, 2003, 168 pp. Reviews: [http://stimson.people.uic.edu/stimson/The%20Crowd%20in%20the%20Machine.pdf Stimson] (NLR), [http://sci-hub.se/10.1111/j.1467-8357.2004.00446.x Gere] (Art Book).
 +
 
* Marco Deseriis, Giuseppe Marano, ''[[Media:Deseriis_Marco_Marano_Giuseppe_Net_art_L_arte_della_connessione.pdf|Net.art. L'arte della connessione]]'', Milan: ShaKe, 2003, 218 pp. [http://files.dyne.org/books/net.art.pdf] {{it}}
 
* Marco Deseriis, Giuseppe Marano, ''[[Media:Deseriis_Marco_Marano_Giuseppe_Net_art_L_arte_della_connessione.pdf|Net.art. L'arte della connessione]]'', Milan: ShaKe, 2003, 218 pp. [http://files.dyne.org/books/net.art.pdf] {{it}}
 +
 
* Domenico Quaranta, ''Net art 1994-1998. La vicenda di Ada'web'', Milan: Vita e Pensiero, 2004, 192 pp. [https://books.google.com/books?id=nSFHubbn6MsC&printsec=frontcover] [https://www.vitaepensiero.it/scheda-libro/domenico-quaranta/net-art-1994-1998-9788834319710-141458.html] {{it}}
 
* Domenico Quaranta, ''Net art 1994-1998. La vicenda di Ada'web'', Milan: Vita e Pensiero, 2004, 192 pp. [https://books.google.com/books?id=nSFHubbn6MsC&printsec=frontcover] [https://www.vitaepensiero.it/scheda-libro/domenico-quaranta/net-art-1994-1998-9788834319710-141458.html] {{it}}
 +
 
* Rachel Greene, ''[https://aaaaarg.fail/thing/5df967029ff37c04bd2e81bf Internet Art]'', London: Thames & Hudson, 2004, 224 pp. [http://www.thamesandhudson.com/Internet_Art/9780500203767]
 
* Rachel Greene, ''[https://aaaaarg.fail/thing/5df967029ff37c04bd2e81bf Internet Art]'', London: Thames & Hudson, 2004, 224 pp. [http://www.thamesandhudson.com/Internet_Art/9780500203767]
 
** ''[http://domenicoquaranta.com/public/pdf/GIA.zip Internet Art]'', n.d. {{it}}
 
** ''[http://domenicoquaranta.com/public/pdf/GIA.zip Internet Art]'', n.d. {{it}}
 +
 
* Joanne Richardson (ed.), ''[http://monoskop.org/log/?p=539 An@rchitexts: Voices from the Global Digital Resistance]'', New York: Autonomedia, 2005.
 
* Joanne Richardson (ed.), ''[http://monoskop.org/log/?p=539 An@rchitexts: Voices from the Global Digital Resistance]'', New York: Autonomedia, 2005.
 +
 
* Annmarie Chandler, Norie Neumark (eds.), ''[https://monoskop.org/log/?p=68 At a Distance: Precursors to Art and Activism on the Internet]'', MIT Press, 2005, xiv+486 pp.
 
* Annmarie Chandler, Norie Neumark (eds.), ''[https://monoskop.org/log/?p=68 At a Distance: Precursors to Art and Activism on the Internet]'', MIT Press, 2005, xiv+486 pp.
 +
 
* Tatiana Bazzichelli, ''[http://monoskop.org/log/?p=37 Networking. La rete come arte]'', pref. Derrick de Kerckhove, Milan: Costa & Nolan, 2006, 333 pp. {{it}}
 
* Tatiana Bazzichelli, ''[http://monoskop.org/log/?p=37 Networking. La rete come arte]'', pref. Derrick de Kerckhove, Milan: Costa & Nolan, 2006, 333 pp. {{it}}
 
** ''[http://monoskop.org/log/?p=37 Networking: The Net as Artwork]'', Aarhus: Aarhus University, 2008, 336 pp.
 
** ''[http://monoskop.org/log/?p=37 Networking: The Net as Artwork]'', Aarhus: Aarhus University, 2008, 336 pp.
 +
 
* Tom Corby (ed.), ''Network Art: Practices and Positions'', London: Routledge, 2006, xiv+206 pp. [https://www.academia.edu/14690946/ Introduction]. [https://www.taylorfrancis.com/books/9781136578052]. Review: [http://sci-hub.se/10.1177/17468477080030020702 Dieter] (Animation).
 
* Tom Corby (ed.), ''Network Art: Practices and Positions'', London: Routledge, 2006, xiv+206 pp. [https://www.academia.edu/14690946/ Introduction]. [https://www.taylorfrancis.com/books/9781136578052]. Review: [http://sci-hub.se/10.1177/17468477080030020702 Dieter] (Animation).
 +
 
* ''[http://monoskop.org/log/?p=1185 Inclusiva-net]'', 3 vols., Madrid: Medialab Prado, 2007-2009. Proceedings. {{en}}/{{es}}
 
* ''[http://monoskop.org/log/?p=1185 Inclusiva-net]'', 3 vols., Madrid: Medialab Prado, 2007-2009. Proceedings. {{en}}/{{es}}
 +
 
* Artnode, Jacob Lillemose, Nikolaj Recke (eds.), ''Vi elsker din computer. En antologi om netkunst'', trans. Andreas Brøgger, Copenhagen: Artnode & The Royal Art Academy Copenhagen, 2008, 429 pp. An anthology of writings on net art. [http://web.archive.org/web/20180328121536/http://www.artnode.org/projects/vedc/indhold.html TOC]. [http://www.artnode.org/projects/vedc/info.html] [http://web.archive.org/web/20140104122919/http://vielskerdincomputer.dk/] {{da}}
 
* Artnode, Jacob Lillemose, Nikolaj Recke (eds.), ''Vi elsker din computer. En antologi om netkunst'', trans. Andreas Brøgger, Copenhagen: Artnode & The Royal Art Academy Copenhagen, 2008, 429 pp. An anthology of writings on net art. [http://web.archive.org/web/20180328121536/http://www.artnode.org/projects/vedc/indhold.html TOC]. [http://www.artnode.org/projects/vedc/info.html] [http://web.archive.org/web/20140104122919/http://vielskerdincomputer.dk/] {{da}}
 +
 
* Dieter Daniels, Gunther Reisinger (eds.), ''[http://monoskop.org/log/?p=1327 Net Pioneers 1.0: Contextualizing Early Net-Based Art]'', Berlin/New York: Sternberg Press, 2010, 240 pp.
 
* Dieter Daniels, Gunther Reisinger (eds.), ''[http://monoskop.org/log/?p=1327 Net Pioneers 1.0: Contextualizing Early Net-Based Art]'', Berlin/New York: Sternberg Press, 2010, 240 pp.
 +
 
* Josephine Bosma, ''Nettitudes: Let's Talk Net Art'', Rotterdam: NAi Publishers, and Amsterdam: Institute of Network Cultures, 2011, 270 pp. [http://www.josephinebosma.com/web/node/79 Introduction], [http://archive.neural.it/init/default/show/1588 TOC], [https://www.naibooksellers.nl/nettitudes-let-s-talk-net-art-josephine-bosma.html]. Review: [https://www.onlineopen.org/download.php?id=337 Kluitenberg] (Open!), [http://neural.it/2011/08/josephine-bosma-nettitudes-lets-talk-net-art/ Ciociola] (Neural), [http://digicult.it/digimag/issue-064/josephine-bosma-nettitudes-lets-talk-net-art/ Cippitelli] (Digicult).
 
* Josephine Bosma, ''Nettitudes: Let's Talk Net Art'', Rotterdam: NAi Publishers, and Amsterdam: Institute of Network Cultures, 2011, 270 pp. [http://www.josephinebosma.com/web/node/79 Introduction], [http://archive.neural.it/init/default/show/1588 TOC], [https://www.naibooksellers.nl/nettitudes-let-s-talk-net-art-josephine-bosma.html]. Review: [https://www.onlineopen.org/download.php?id=337 Kluitenberg] (Open!), [http://neural.it/2011/08/josephine-bosma-nettitudes-lets-talk-net-art/ Ciociola] (Neural), [http://digicult.it/digimag/issue-064/josephine-bosma-nettitudes-lets-talk-net-art/ Cippitelli] (Digicult).
 +
 
* Anne Laforet, ''Le net art au musée. Stratégies de conservation des œuvres en ligne'', Paris: Questions théoriques, 2011, 180 pp. [http://www.questions-theoriques.com/extract/show/9 Excerpt]. Based on 2009 dissertation. [http://questions-theoriques.com/produit/5/9782917131046/Le%20Net%20Art%20au%20musee] [http://www.sakasama.net/conservationnetart/livre.html] {{fr}}
 
* Anne Laforet, ''Le net art au musée. Stratégies de conservation des œuvres en ligne'', Paris: Questions théoriques, 2011, 180 pp. [http://www.questions-theoriques.com/extract/show/9 Excerpt]. Based on 2009 dissertation. [http://questions-theoriques.com/produit/5/9782917131046/Le%20Net%20Art%20au%20musee] [http://www.sakasama.net/conservationnetart/livre.html] {{fr}}
 +
 
* Markus Schwander, Reinhard Storz (eds.), ''[http://www.ooart.ch/publikation/02.php?m=1&m2=2&lang=e Owning Online Art: Selling and Collecting Netbased Artworks]'', Basel: FHNW, 2010.  
 
* Markus Schwander, Reinhard Storz (eds.), ''[http://www.ooart.ch/publikation/02.php?m=1&m2=2&lang=e Owning Online Art: Selling and Collecting Netbased Artworks]'', Basel: FHNW, 2010.  
 +
 
* Rasa Smite, ''[http://monoskop.org/log/?p=5828 Creative Networks: In the Rearview Mirror of Eastern European History]'', Amsterdam: Institute of Network Cultures, Amsterdam, 2012. First published in Latvian, 2011.
 
* Rasa Smite, ''[http://monoskop.org/log/?p=5828 Creative Networks: In the Rearview Mirror of Eastern European History]'', Amsterdam: Institute of Network Cultures, Amsterdam, 2012. First published in Latvian, 2011.
 +
 
* xtine burrough (ed.), ''[http://libgen.rs/book/index.php?md5=9CA69DFC331C00F820260F3036B23F34 Net Works: Case Studies in Web Art and Design]'', Routledge, 2012, xx+242 pp.
 
* xtine burrough (ed.), ''[http://libgen.rs/book/index.php?md5=9CA69DFC331C00F820260F3036B23F34 Net Works: Case Studies in Web Art and Design]'', Routledge, 2012, xx+242 pp.
 +
 
* Juan Martín Prada, ''Prácticas artísticas e internet en la época de las redes sociales'', Madrid: Akal, 2012, 248 pp; 2nd ed., 2015, 271 pp. {{es}}
 
* Juan Martín Prada, ''Prácticas artísticas e internet en la época de las redes sociales'', Madrid: Akal, 2012, 248 pp; 2nd ed., 2015, 271 pp. {{es}}
 +
 
* Phoebe Adler, Leanne Hayman, Arrate Hidalgo, Dana Saey, Phoebe Stubbs, Nick Warner (eds.), ''Art and the Internet'', London: Black Dog, 2013, 240 pp. [http://worldcat.org/oclc/807025141 TOC]. [http://blackdogonline.com/art/art-and-the-internet.html]
 
* Phoebe Adler, Leanne Hayman, Arrate Hidalgo, Dana Saey, Phoebe Stubbs, Nick Warner (eds.), ''Art and the Internet'', London: Black Dog, 2013, 240 pp. [http://worldcat.org/oclc/807025141 TOC]. [http://blackdogonline.com/art/art-and-the-internet.html]
 +
 
* Marina Zerbarini, et al., ''Radiografía del Net Art latino: vitalidad creativa en riesgo de extinción'', Buenos Aires: Dunken, 2014. [https://books.google.com/books?id=CnplBAAAQBAJ&printsec=frontcover] [https://www.scribd.com/document/412163785/] [https://www.academia.edu/7839772/] {{es}}
 
* Marina Zerbarini, et al., ''Radiografía del Net Art latino: vitalidad creativa en riesgo de extinción'', Buenos Aires: Dunken, 2014. [https://books.google.com/books?id=CnplBAAAQBAJ&printsec=frontcover] [https://www.scribd.com/document/412163785/] [https://www.academia.edu/7839772/] {{es}}
 +
 
* Omar Kholeif (ed.), ''[https://aaaaarg.fail/thing/5486e768334fe05b4da8e094 You Are Here: Art After the Internet]'', Manchester: Cornerhouse Books, and London: SPACE, 2014, 256 pp. [http://www.cornerhousepublications.org/bookstore/product/you-are-here-art-after-the-internet Publisher], [http://homemcr.org/article/cornerhouse-and-space-release-major-publication-exploring-art-after-the-internet/ Co-publisher]. Reviews: [http://www.aqnb.com/2014/05/07/you-are-here-art-after-the-internet-reviewed/ Swift] (AQNB), [http://artreview.com/reviews/september_2014_book_review_you_are_here/ Sumpter] (ArtReview), [http://www.academia.edu/14898581/ Mutlu] (J Curatorial Studies).
 
* Omar Kholeif (ed.), ''[https://aaaaarg.fail/thing/5486e768334fe05b4da8e094 You Are Here: Art After the Internet]'', Manchester: Cornerhouse Books, and London: SPACE, 2014, 256 pp. [http://www.cornerhousepublications.org/bookstore/product/you-are-here-art-after-the-internet Publisher], [http://homemcr.org/article/cornerhouse-and-space-release-major-publication-exploring-art-after-the-internet/ Co-publisher]. Reviews: [http://www.aqnb.com/2014/05/07/you-are-here-art-after-the-internet-reviewed/ Swift] (AQNB), [http://artreview.com/reviews/september_2014_book_review_you_are_here/ Sumpter] (ArtReview), [http://www.academia.edu/14898581/ Mutlu] (J Curatorial Studies).
 +
 
* Melanie Bühler (ed.), ''No Internet, No Art: A Lunch Bytes Anthology'', Eindhoven: Onomatopee, 2015, 351+[63] pp; 2nd ed., 2018. [https://www.onomatopee.net/project/no-internet-no-art/#publication Publisher], [http://www.lunch-bytes.com/publication/ Editor]. [http://booksfromthefuture.tumblr.com/post/132529385132/no-internet-no-art-a-lunch-bytes-anthology]. Reviews: [https://www.aqnb.com/2016/03/10/a-lunch-bytes-anthology-no-internet-no-art-reviewed/ Kay] (AQNB), [http://networkcultures.org/postdigital/2015/12/10/no-internet-no-art/ Roestenburg] (INC).
 
* Melanie Bühler (ed.), ''No Internet, No Art: A Lunch Bytes Anthology'', Eindhoven: Onomatopee, 2015, 351+[63] pp; 2nd ed., 2018. [https://www.onomatopee.net/project/no-internet-no-art/#publication Publisher], [http://www.lunch-bytes.com/publication/ Editor]. [http://booksfromthefuture.tumblr.com/post/132529385132/no-internet-no-art-a-lunch-bytes-anthology]. Reviews: [https://www.aqnb.com/2016/03/10/a-lunch-bytes-anthology-no-internet-no-art-reviewed/ Kay] (AQNB), [http://networkcultures.org/postdigital/2015/12/10/no-internet-no-art/ Roestenburg] (INC).
 +
 
* Marie Meixnerová (ed.), ''[[Media:Meixnerova Marie ed mm net art internetove umeni ve virtualnim a fyzickem prostoru prezentace 2014.pdf|#mm net art: internetové umění ve virtuálním a fyzickém prostoru prezentace]]'', Olomouc: Pastiche Filmz (PAF Edition), 2014, 232 pp. Anthology. [http://www.pifpaf.cz/cs/mm-net-art Publisher], [http://www.pifpaf.cz/cs/paf-home-1]. [http://www.facebook.com/PAFEdition.net.art Facebook]. {{cz}}
 
* Marie Meixnerová (ed.), ''[[Media:Meixnerova Marie ed mm net art internetove umeni ve virtualnim a fyzickem prostoru prezentace 2014.pdf|#mm net art: internetové umění ve virtuálním a fyzickém prostoru prezentace]]'', Olomouc: Pastiche Filmz (PAF Edition), 2014, 232 pp. Anthology. [http://www.pifpaf.cz/cs/mm-net-art Publisher], [http://www.pifpaf.cz/cs/paf-home-1]. [http://www.facebook.com/PAFEdition.net.art Facebook]. {{cz}}
 
** ''[[Media:Meixnerova_Mary_ed_mm_netart_2019.pdf|#mm Net Art: Internet Art in the Virtual and Physical Space of Its Presentation]]'', Brescia: Link Editions, and Olomouc: PAF, 2019, 218 pp. [https://linkeditions.tumblr.com/mm_netart]
 
** ''[[Media:Meixnerova_Mary_ed_mm_netart_2019.pdf|#mm Net Art: Internet Art in the Virtual and Physical Space of Its Presentation]]'', Brescia: Link Editions, and Olomouc: PAF, 2019, 218 pp. [https://linkeditions.tumblr.com/mm_netart]
 +
 
* Lauren Cornell, Ed Halter (eds.), ''[http://library.memoryoftheworld.org/#/book/13527226-da7e-4ca1-93e2-7bf834c3dcbc Mass Effect: Art and the Internet in the Twenty-First Century]'', MIT Press, 2015, 528 pp. Anthology. [http://mitpress.mit.edu/books/mass-effect Publisher]. Review: [https://www.leonardo.info/review/2016/12/review-of-mass-effect-art-and-the-internet-in-the-twenty-first-century Galati] (Leonardo).
 
* Lauren Cornell, Ed Halter (eds.), ''[http://library.memoryoftheworld.org/#/book/13527226-da7e-4ca1-93e2-7bf834c3dcbc Mass Effect: Art and the Internet in the Twenty-First Century]'', MIT Press, 2015, 528 pp. Anthology. [http://mitpress.mit.edu/books/mass-effect Publisher]. Review: [https://www.leonardo.info/review/2016/12/review-of-mass-effect-art-and-the-internet-in-the-twenty-first-century Galati] (Leonardo).
 +
 
* Annet Dekker, ''[https://monoskop.org/log/?p=20110 Collecting and Conserving Net Art: Moving beyond Conventional Methods]'', New York: Routledge, 2018, x+192 pp.
 
* Annet Dekker, ''[https://monoskop.org/log/?p=20110 Collecting and Conserving Net Art: Moving beyond Conventional Methods]'', New York: Routledge, 2018, x+192 pp.
 +
 
* Ceci Moss, ''[http://library.memoryoftheworld.org/#/book/39f5451b-0dff-42f1-8519-7ad5f9ef73ea Expanded Internet Art: Twenty-First Century Artistic Practice and the Informational Milieu]'', Bloomsbury Academic, 2019, 160 pp. [https://www.bloomsburycollections.com/book/expanded-internet-art-twenty-first-century-artistic-practice-and-the-informational-milieu/]
 
* Ceci Moss, ''[http://library.memoryoftheworld.org/#/book/39f5451b-0dff-42f1-8519-7ad5f9ef73ea Expanded Internet Art: Twenty-First Century Artistic Practice and the Informational Milieu]'', Bloomsbury Academic, 2019, 160 pp. [https://www.bloomsburycollections.com/book/expanded-internet-art-twenty-first-century-artistic-practice-and-the-informational-milieu/]
  
===Journal issues===
+
==Journal issues==
 +
 
 
* ''kritische berichte'' 26(1): "Netzkunst", eds. Christoph Danelzik-Brüggemann, Annette Dorgerloh, Brigitte Schoch-Joswig, and Michael Scholz-Hänsel, 1998. [https://journals.ub.uni-heidelberg.de/index.php/kb/article/viewFile/10616/4468 TOC], [http://ulmer-verein.de/?page_id=13676]. {{de}}  
 
* ''kritische berichte'' 26(1): "Netzkunst", eds. Christoph Danelzik-Brüggemann, Annette Dorgerloh, Brigitte Schoch-Joswig, and Michael Scholz-Hänsel, 1998. [https://journals.ub.uni-heidelberg.de/index.php/kb/article/viewFile/10616/4468 TOC], [http://ulmer-verein.de/?page_id=13676]. {{de}}  
 +
 
* [http://time.arts.ucla.edu/AI_Society/ ''AI & Society'' 14(1): "Database Aesthetics: Issues of Organization and Category in Online Art"], ed. Victoria Vesna, 2000.
 
* [http://time.arts.ucla.edu/AI_Society/ ''AI & Society'' 14(1): "Database Aesthetics: Issues of Organization and Category in Online Art"], ed. Victoria Vesna, 2000.
 +
 
* ''Brumaria'' 6: "Net.art. Prácticas estéticas y políticas en red", eds. Laura Baigorri and Lourdes Cilleruelo, Madrid, Spring 2006. [http://web.archive.org/web/20101207181648/http://www.brumaria.net/erzio/publicacion/6.html TOC]. [http://web.archive.org/web/20060524224512/http://www.brumaria.net/publicacionbru6.htm TOC]. {{es}}
 
* ''Brumaria'' 6: "Net.art. Prácticas estéticas y políticas en red", eds. Laura Baigorri and Lourdes Cilleruelo, Madrid, Spring 2006. [http://web.archive.org/web/20101207181648/http://www.brumaria.net/erzio/publicacion/6.html TOC]. [http://web.archive.org/web/20060524224512/http://www.brumaria.net/publicacionbru6.htm TOC]. {{es}}
 +
 
* ''terminal'' 101: "Net art, technologie ou création?", Paris: Harmattan, May 2008, 176 pp. [http://www.editions-harmattan.fr/index.asp?navig=catalogue&obj=livre&isbn=9782296197039] {{fr}}
 
* ''terminal'' 101: "Net art, technologie ou création?", Paris: Harmattan, May 2008, 176 pp. [http://www.editions-harmattan.fr/index.asp?navig=catalogue&obj=livre&isbn=9782296197039] {{fr}}
 +
 
* ''WJ-SPOTS 1: 15 ans de création artistique sur internet / 15 years of web creation'', ed. Anne Roquigny, 2011, 132 pp. [http://www.digitalmcd.com/pack-special-net-art-wj-spots-1-2/] {{fr}}/{{en}}
 
* ''WJ-SPOTS 1: 15 ans de création artistique sur internet / 15 years of web creation'', ed. Anne Roquigny, 2011, 132 pp. [http://www.digitalmcd.com/pack-special-net-art-wj-spots-1-2/] {{fr}}/{{en}}
 +
 
* ''WJ-SPOTS 2: Les artistes s’emparent du réseau / Artists take over the network'', ed. Anne Roquigny, 2011, 132 pp. [http://www.digitalmcd.com/pack-special-net-art-wj-spots-1-2/] {{fr}}/{{en}}
 
* ''WJ-SPOTS 2: Les artistes s’emparent du réseau / Artists take over the network'', ed. Anne Roquigny, 2011, 132 pp. [http://www.digitalmcd.com/pack-special-net-art-wj-spots-1-2/] {{fr}}/{{en}}
 +
 
* ''frieze d/e'' 14: "Missing Links: '90s Berlin Net Art", May 2014. Focuses on the 1990s Net art scene in Berlin. [https://shopcc.frieze.com/products/frieze-d-e-issue-14] [https://www.e-flux.com/announcements/31199/issue-14-looks-back-to-the-1990s-net-art-scene-in-berlin/] {{de}}/{{en}}
 
* ''frieze d/e'' 14: "Missing Links: '90s Berlin Net Art", May 2014. Focuses on the 1990s Net art scene in Berlin. [https://shopcc.frieze.com/products/frieze-d-e-issue-14] [https://www.e-flux.com/announcements/31199/issue-14-looks-back-to-the-1990s-net-art-scene-in-berlin/] {{de}}/{{en}}
 +
 
* ''Springerin'' 1: "Kritische Netzpraxis", Vienna, Jan 2015. [https://www.springerin.at/2015/1/ Editorial & TOC]. [https://www.springerin.at/2015/1/einsatz-der-vernetzung/ Roundtable]. [https://world-information.net/critical-netpractice-past-and-future/ Report from launch debate]. {{de}}
 
* ''Springerin'' 1: "Kritische Netzpraxis", Vienna, Jan 2015. [https://www.springerin.at/2015/1/ Editorial & TOC]. [https://www.springerin.at/2015/1/einsatz-der-vernetzung/ Roundtable]. [https://world-information.net/critical-netpractice-past-and-future/ Report from launch debate]. {{de}}
  
===Book chapters, articles, theses, talks, discussions===
+
==Book chapters, articles, theses, talks, discussions==
 +
 
 
* Joachim Blank, [http://www.irational.org/cern/netart.txt "Netart"], 1996.
 
* Joachim Blank, [http://www.irational.org/cern/netart.txt "Netart"], 1996.
 +
 
* [http://www.ljudmila.org/nettime/zkp4/toc.htm "Net art"], section in ''[http://www.ljudmila.org/nettime/zkp4/ The Beauty and the East (ZKP4)]'', eds. Pit Schultz, Diana McCarty, Geert Lovink, and Vuk Cosic, Ljubljana, May 1997.
 
* [http://www.ljudmila.org/nettime/zkp4/toc.htm "Net art"], section in ''[http://www.ljudmila.org/nettime/zkp4/ The Beauty and the East (ZKP4)]'', eds. Pit Schultz, Diana McCarty, Geert Lovink, and Vuk Cosic, Ljubljana, May 1997.
 +
 
* Tilman Baumgärtel, [https://www.heise.de/tp/features/Netzkunst-bei-der-Dia-Art-Foundation-3441087.html "Netzkunst bei der Dia Art Foundation"], ''Telepolis'', 15 May 1997. {{de}}
 
* Tilman Baumgärtel, [https://www.heise.de/tp/features/Netzkunst-bei-der-Dia-Art-Foundation-3441087.html "Netzkunst bei der Dia Art Foundation"], ''Telepolis'', 15 May 1997. {{de}}
 +
 
* Sandra Fauconnier, ''[http://www.spinster.be/web-specific-art/fauconnier_wsa.pdf Web-specific art: het World Wide Web als artistiek medium]'', Ghent: Universiteit Gent, 1997, 132 pp. Thesis. [http://www.spinster.be/web-specific-art/] {{nl}}
 
* Sandra Fauconnier, ''[http://www.spinster.be/web-specific-art/fauconnier_wsa.pdf Web-specific art: het World Wide Web als artistiek medium]'', Ghent: Universiteit Gent, 1997, 132 pp. Thesis. [http://www.spinster.be/web-specific-art/] {{nl}}
 +
 
* Tilman Baumgärtel, [https://www.heise.de/tp/features/Immaterialien-3446013.html "Immaterialien. Aus der Vor- und Frühgeschichte der Netzkunst"], ''Telepolis'' 3, Sep 1997, pp 135-151. {{de}}
 
* Tilman Baumgärtel, [https://www.heise.de/tp/features/Immaterialien-3446013.html "Immaterialien. Aus der Vor- und Frühgeschichte der Netzkunst"], ''Telepolis'' 3, Sep 1997, pp 135-151. {{de}}
 +
 
* Steve Dietz, [https://www.museumsandtheweb.com/mw98/papers/dietz/dietz_curatingtheweb.html "Curating (on) the Web"], ''Museums and the Web'', Mar 1998.
 
* Steve Dietz, [https://www.museumsandtheweb.com/mw98/papers/dietz/dietz_curatingtheweb.html "Curating (on) the Web"], ''Museums and the Web'', Mar 1998.
 +
 
* Benjamin Weil, [http://web.archive.org/web/20160322154543/http://www.walkerart.org/collections/artworks/ada-web "Untitled (ÄDA’WEB): A Brief History of äda'web"], Minneapolis, MN: Gallery 9/Walker Art Center, 1998.  
 
* Benjamin Weil, [http://web.archive.org/web/20160322154543/http://www.walkerart.org/collections/artworks/ada-web "Untitled (ÄDA’WEB): A Brief History of äda'web"], Minneapolis, MN: Gallery 9/Walker Art Center, 1998.  
 +
 
* Robert Atkins, [http://web.archive.org/web/20160322154543/http://www.walkerart.org/collections/artworks/ada-web "What is äda'web?"], Minneapolis, MN: Gallery 9/Walker Art Center, Sep 1998.  
 
* Robert Atkins, [http://web.archive.org/web/20160322154543/http://www.walkerart.org/collections/artworks/ada-web "What is äda'web?"], Minneapolis, MN: Gallery 9/Walker Art Center, Sep 1998.  
 +
 
* Andrea Scott, [http://web.archive.org/web/20160322154543/http://www.walkerart.org/collections/artworks/ada-web "äda through the Looking Glass"], Minneapolis, MN: Gallery 9/Walker Art Center, Sep 1998.  
 
* Andrea Scott, [http://web.archive.org/web/20160322154543/http://www.walkerart.org/collections/artworks/ada-web "äda through the Looking Glass"], Minneapolis, MN: Gallery 9/Walker Art Center, Sep 1998.  
 +
 
* Vivian Selbo, [http://web.archive.org/web/20160322154543/http://www.walkerart.org/collections/artworks/ada-web "ah, ‘da Process” ... Questions? Some Answers ..."], Minneapolis, MN: Gallery 9/Walker Art Center, Sep 1998.  
 
* Vivian Selbo, [http://web.archive.org/web/20160322154543/http://www.walkerart.org/collections/artworks/ada-web "ah, ‘da Process” ... Questions? Some Answers ..."], Minneapolis, MN: Gallery 9/Walker Art Center, Sep 1998.  
 +
 
* Tilman Baumgärtel, [https://duplox.wzb.eu/texte/tb/ "Das imaginäre Museum. Zu einigen Motiven der Netzkunst"], Berlin: Wissenschaftszentrum Berlin für Sozialforschung, Oct 1998, 47 pp, [http://www.kareneliot.de/downloads/Baumgaertel_Das%20Internet%20als%20imaginares%20Museum.pdf PDF]. Discussion paper. {{de}}
 
* Tilman Baumgärtel, [https://duplox.wzb.eu/texte/tb/ "Das imaginäre Museum. Zu einigen Motiven der Netzkunst"], Berlin: Wissenschaftszentrum Berlin für Sozialforschung, Oct 1998, 47 pp, [http://www.kareneliot.de/downloads/Baumgaertel_Das%20Internet%20als%20imaginares%20Museum.pdf PDF]. Discussion paper. {{de}}
 +
 
* [http://web.archive.org/web/20150107012813/http://www.medialounge.net/lounge/workspace/nettime/DOCS/zkp5/pdf/art.pdf "Art"], section in ''[http://monoskop.org/log/?p=1233 Read Me! ASCII Culture & The Revenge of Knowledge. Filtered by Nettime]'', New York: Autonomedia, 1999, pp 211-273.
 
* [http://web.archive.org/web/20150107012813/http://www.medialounge.net/lounge/workspace/nettime/DOCS/zkp5/pdf/art.pdf "Art"], section in ''[http://monoskop.org/log/?p=1233 Read Me! ASCII Culture & The Revenge of Knowledge. Filtered by Nettime]'', New York: Autonomedia, 1999, pp 211-273.
 +
 
* Mindaugas Gapsevicius, [http://www.o-o.lt/agon/v_n.a/ "Vanishing Net Art: Introduction to Net Art Restoration"], 1999.
 
* Mindaugas Gapsevicius, [http://www.o-o.lt/agon/v_n.a/ "Vanishing Net Art: Introduction to Net Art Restoration"], 1999.
 +
 
* Steve Dietz, [http://www.voyd.com/ttlg/textual/dietzessay.htm "Why Have There Been No Great Net Artists?"], 1999.
 
* Steve Dietz, [http://www.voyd.com/ttlg/textual/dietzessay.htm "Why Have There Been No Great Net Artists?"], 1999.
 +
 
* Natalie Bookchin, [http://web.archive.org/web/20050305045216/https://www.calarts.edu/~line/history.html "A Story of Net Art"], 2000. Timeline, 1994-2000.
 
* Natalie Bookchin, [http://web.archive.org/web/20050305045216/https://www.calarts.edu/~line/history.html "A Story of Net Art"], 2000. Timeline, 1994-2000.
 +
 
* Matthew Fuller, [http://web.archive.org/web/20050308093531/http://www.tate.org.uk/netart/mat1.htm "Art meet Net, Net meet Art"], ''Tate Online'', London, 2000.
 
* Matthew Fuller, [http://web.archive.org/web/20050308093531/http://www.tate.org.uk/netart/mat1.htm "Art meet Net, Net meet Art"], ''Tate Online'', London, 2000.
 +
 
* Josephine Berry, [http://web.archive.org/web/20050306130100/http://www.tate.org.uk/netart/humanposthuman.htm "Human, all too Posthuman? Net Art and Its Critics"], ''Tate Online'', London, 2000.
 
* Josephine Berry, [http://web.archive.org/web/20050306130100/http://www.tate.org.uk/netart/humanposthuman.htm "Human, all too Posthuman? Net Art and Its Critics"], ''Tate Online'', London, 2000.
 +
 
* Rachel Greene, [[Media:Greene_Rachel_2000_Web_Work_A_History_of_Internet_Art.pdf|"Web Work: A History of Internet Art"]], ''Artforum'', May 2000, pp 162-167 & 190. [http://inside.bard.edu/~halter/WebWork.pdf] [https://www.artforum.com/inprint/issue=200005&id=465]
 
* Rachel Greene, [[Media:Greene_Rachel_2000_Web_Work_A_History_of_Internet_Art.pdf|"Web Work: A History of Internet Art"]], ''Artforum'', May 2000, pp 162-167 & 190. [http://inside.bard.edu/~halter/WebWork.pdf] [https://www.artforum.com/inprint/issue=200005&id=465]
 +
 
* Josephine Berry, ''[http://www.metamute.org/sites/www.metamute.org/files/thesis_final_0.doc The Thematics of Site-Specific Art on the Net]'', University of Manchester, 2001, 304 pp. Dissertation.
 
* Josephine Berry, ''[http://www.metamute.org/sites/www.metamute.org/files/thesis_final_0.doc The Thematics of Site-Specific Art on the Net]'', University of Manchester, 2001, 304 pp. Dissertation.
 +
 
* Verena Kuni, [https://www.obn.org/reading_room/writings/html/vk_wnk_02.pdf "'Was ist ein Netzkünstler?' Nutzen und Nachteil der Legende vom Künstler im Zeitalter ihrer techno-logischen Reproduzierbarkeit"], in ''Borderline. Strategien und Taktiken für Kunst und soziale Praxis'', ed. BBK Wiesbaden, Wiesbaden, 2002, pp 87-108. [http://hansbernhard.com/publications/talks/1999_2002/2002_11_WIESBADEN/borderline_intro.html] {{de}}
 
* Verena Kuni, [https://www.obn.org/reading_room/writings/html/vk_wnk_02.pdf "'Was ist ein Netzkünstler?' Nutzen und Nachteil der Legende vom Künstler im Zeitalter ihrer techno-logischen Reproduzierbarkeit"], in ''Borderline. Strategien und Taktiken für Kunst und soziale Praxis'', ed. BBK Wiesbaden, Wiesbaden, 2002, pp 87-108. [http://hansbernhard.com/publications/talks/1999_2002/2002_11_WIESBADEN/borderline_intro.html] {{de}}
 +
 
* Julian Stallabrass, [http://sci-hub.se/http://www.jstor.org/stable/20686165 "The Aesthetics of Net.Art"], ''Qui Parle'' 14:1, Fall/Winter 2003, pp 49-72. A plenary lecture given to the American Society for Aesthetics, Annual Meeting, San Francisco, Oct 2003 [http://beausievers.com/bhqfu/computer_art/readings/stallabrass-aesthetics_of_net.art.pdf (talk)].
 
* Julian Stallabrass, [http://sci-hub.se/http://www.jstor.org/stable/20686165 "The Aesthetics of Net.Art"], ''Qui Parle'' 14:1, Fall/Winter 2003, pp 49-72. A plenary lecture given to the American Society for Aesthetics, Annual Meeting, San Francisco, Oct 2003 [http://beausievers.com/bhqfu/computer_art/readings/stallabrass-aesthetics_of_net.art.pdf (talk)].
 +
 
* Christine Paul, [[Media:Paul_Christiane 2003 Internet Art and Nomadic Networks.pdf|"Internet Art and Nomadic Networks"]], in Paul, ''Digital Art'', London: Thames & Hudson, 2003, pp 111-124; repr., upd., as "Internet Art and Networked Art", in Paul, ''[http://libgen.rs/book/index.php?md5=F133F37F4F8902A298087A95ECEB83E9 Digital Art]'', 3rd ed., 2015.
 
* Christine Paul, [[Media:Paul_Christiane 2003 Internet Art and Nomadic Networks.pdf|"Internet Art and Nomadic Networks"]], in Paul, ''Digital Art'', London: Thames & Hudson, 2003, pp 111-124; repr., upd., as "Internet Art and Networked Art", in Paul, ''[http://libgen.rs/book/index.php?md5=F133F37F4F8902A298087A95ECEB83E9 Digital Art]'', 3rd ed., 2015.
 +
 
* Steve Dietz, [http://web.archive.org/web/20160322154543/http://www.walkerart.org/collections/artworks/ada-web "äda’web"], in ''Bits & Pieces Put Together to Present a Semblance of a Whole: Walker Art Center Collections'', eds. Joan Rothfuss and Elizabeth Carpenter, Minneapolis, MN: Walker Art Center, 2005.
 
* Steve Dietz, [http://web.archive.org/web/20160322154543/http://www.walkerart.org/collections/artworks/ada-web "äda’web"], in ''Bits & Pieces Put Together to Present a Semblance of a Whole: Walker Art Center Collections'', eds. Joan Rothfuss and Elizabeth Carpenter, Minneapolis, MN: Walker Art Center, 2005.
 +
 
* Inge Hinterwaldner, [https://archiv.eikones.ch/fileadmin/documents/ext/publication/447/447_large.pdf "When Windows Attack... Doors Won't Help. Zur Hinterfragung von Bildlichkeit und Interaktivität in der Netzkunst"], in ''Kulturen des Bildes'', eds. Birgit Mersmann and Martin Schulz, Munich: Fink, 2006, pp 355-374. {{de}}  
 
* Inge Hinterwaldner, [https://archiv.eikones.ch/fileadmin/documents/ext/publication/447/447_large.pdf "When Windows Attack... Doors Won't Help. Zur Hinterfragung von Bildlichkeit und Interaktivität in der Netzkunst"], in ''Kulturen des Bildes'', eds. Birgit Mersmann and Martin Schulz, Munich: Fink, 2006, pp 355-374. {{de}}  
 +
 
* Karen Verschooren, [http://three.org/ippolito/writing/ippolito_verschooren_interview.html "Internet art, net art, and networked art in relation: Interview with Jon Ippolito"], 26 Oct 2006.
 
* Karen Verschooren, [http://three.org/ippolito/writing/ippolito_verschooren_interview.html "Internet art, net art, and networked art in relation: Interview with Jon Ippolito"], 26 Oct 2006.
 +
 
* Karen A. Verschooren, ''[https://cmsw.mit.edu/wp/wp-content/uploads/2016/10/146381115-Karen-Verschooren-art-Situating-Internet-Art-in-the-Traditional-Institution-for-Contemporary-Art.pdf .art: Situating Internet Art in the Traditional Institution for Contemporary Art]'', Massachussetts Institute of Technology, 2007, 202 pp. Master thesis.  
 
* Karen A. Verschooren, ''[https://cmsw.mit.edu/wp/wp-content/uploads/2016/10/146381115-Karen-Verschooren-art-Situating-Internet-Art-in-the-Traditional-Institution-for-Contemporary-Art.pdf .art: Situating Internet Art in the Traditional Institution for Contemporary Art]'', Massachussetts Institute of Technology, 2007, 202 pp. Master thesis.  
 +
 
* Steve Dietz, "Curating Net Art", in ''New Media in the White Cube and Beyond: Curatorial Models for Digital Art'', ed. Christiane Paul, University of California Press, 2008. [https://www.ucpress.edu/op/9780520243972/new-media-in-the-white-cube-and-beyond]
 
* Steve Dietz, "Curating Net Art", in ''New Media in the White Cube and Beyond: Curatorial Models for Digital Art'', ed. Christiane Paul, University of California Press, 2008. [https://www.ucpress.edu/op/9780520243972/new-media-in-the-white-cube-and-beyond]
 +
 
* "Net Art", in Wolf Lieser, ''Digital Art'', Potsdam: Ullmann, 2009; repr. as ''The World of Digital Art'', Potsdam: Ullmann, 2010.
 
* "Net Art", in Wolf Lieser, ''Digital Art'', Potsdam: Ullmann, 2009; repr. as ''The World of Digital Art'', Potsdam: Ullmann, 2010.
 +
 
* Anne Laforet, ''[https://monoskop.org/log/?p=3229 La conservation du net art au musée. Les stratégies à l’œuvre]'', Avignon: University of Avignon, 2009. Published as book in 2011. {{fr}}
 
* Anne Laforet, ''[https://monoskop.org/log/?p=3229 La conservation du net art au musée. Les stratégies à l’œuvre]'', Avignon: University of Avignon, 2009. Published as book in 2011. {{fr}}
 +
 
* Tina Mariane Krogh Madsen, ''Keeping Ephemerality Alive: Preserving the Dynamic Materiality of Net Art'', Aarhus: University of Aarhus, 2010. Master's thesis. [http://tmkm.dk/theoretical/keeping-ephemerality-alive.html]
 
* Tina Mariane Krogh Madsen, ''Keeping Ephemerality Alive: Preserving the Dynamic Materiality of Net Art'', Aarhus: University of Aarhus, 2010. Master's thesis. [http://tmkm.dk/theoretical/keeping-ephemerality-alive.html]
 +
 
* Cassandra Meers, ''[http://unsworks.unsw.edu.au/fapi/datastream/unsworks:8346/SOURCE02 Assembling Networked Art: A Study of the US, UK and Australia]'', Sydney: University of New South Wales, 2010, 264 pp. PhD dissertation.
 
* Cassandra Meers, ''[http://unsworks.unsw.edu.au/fapi/datastream/unsworks:8346/SOURCE02 Assembling Networked Art: A Study of the US, UK and Australia]'', Sydney: University of New South Wales, 2010, 264 pp. PhD dissertation.
 +
 
* Mary Flanagan, "Play, Participation, and Art: Blurring the Edges", in ''[http://libgen.rs/book/index.php?md5=DAA07AFB91D4C6781567B26B6F1B3EB7 Context Providers: Conditions of Meaning in Media Arts]'', eds. Margot Lovejoy, Victoria Vesna, and Christiane Paul, Intellect, 2011, pp 89-100.
 
* Mary Flanagan, "Play, Participation, and Art: Blurring the Edges", in ''[http://libgen.rs/book/index.php?md5=DAA07AFB91D4C6781567B26B6F1B3EB7 Context Providers: Conditions of Meaning in Media Arts]'', eds. Margot Lovejoy, Victoria Vesna, and Christiane Paul, Intellect, 2011, pp 89-100.
 +
 
* Thomas Dreher, [http://iasl.uni-muenchen.de/links/GCA-VI.3.html "VI.3 Netzkunst im Web"], in Dreher, ''Geschichte der Computerkunst'', Munich, 2011-2012. {{de}}
 
* Thomas Dreher, [http://iasl.uni-muenchen.de/links/GCA-VI.3.html "VI.3 Netzkunst im Web"], in Dreher, ''Geschichte der Computerkunst'', Munich, 2011-2012. {{de}}
 
** [http://iasl.uni-muenchen.de/links/GCA-VI.3e.html "VI.3 Net Art in the Web"], in Dreher, ''History of Computer Art'', Munich, 2011-2012.
 
** [http://iasl.uni-muenchen.de/links/GCA-VI.3e.html "VI.3 Net Art in the Web"], in Dreher, ''History of Computer Art'', Munich, 2011-2012.
 +
 
* Jennifer Chan, [https://www.academia.edu/2541835/ "From Browser to Gallery (and Back): The Commodification of Net Art 1990-2010"], 2012.
 
* Jennifer Chan, [https://www.academia.edu/2541835/ "From Browser to Gallery (and Back): The Commodification of Net Art 1990-2010"], 2012.
 +
 
* Michael Connor, [http://rhizome.org/editorial/2013/nov/01/postinternet/ "What's Postinternet Got to Do with Net Art"], ''Rhizome'', 1 Nov 2013.  
 
* Michael Connor, [http://rhizome.org/editorial/2013/nov/01/postinternet/ "What's Postinternet Got to Do with Net Art"], ''Rhizome'', 1 Nov 2013.  
 +
 
* Kris Paulsen, [[Media:Paulsen_Kris_2014_Ill_Communication_Anxiety_and_Identity_in_1990s_Net_Art.pdf|"Ill Communication: Anxiety and Identity in 1990s Net Art"]], in ''Come As You Are: Art of the 1990s'', University of California Press & Montclair Museum of Art, 2014, pp 65-72.
 
* Kris Paulsen, [[Media:Paulsen_Kris_2014_Ill_Communication_Anxiety_and_Identity_in_1990s_Net_Art.pdf|"Ill Communication: Anxiety and Identity in 1990s Net Art"]], in ''Come As You Are: Art of the 1990s'', University of California Press & Montclair Museum of Art, 2014, pp 65-72.
 +
 
* Antoinette Dekker, ''[http://research.gold.ac.uk/11155/1/CCS_thesis_DekkerA2014.pdf Enabling the Future, or How to Survive FOREVER: A study of networks, processes and ambiguity in net art and the need for an expanded practice of conservation]'', London: Goldsmiths University, 2014. PhD dissertation. Published as a book in 2018.
 
* Antoinette Dekker, ''[http://research.gold.ac.uk/11155/1/CCS_thesis_DekkerA2014.pdf Enabling the Future, or How to Survive FOREVER: A study of networks, processes and ambiguity in net art and the need for an expanded practice of conservation]'', London: Goldsmiths University, 2014. PhD dissertation. Published as a book in 2018.
 +
 
* Dragan Espenschied, [http://web.archive.org/web/20180209071250/https://rhizome.org/editorial/2014/oct/22/big-data-little-narration/ "Big Data, Little Narration"], ''Rhizome'', 22 Oct 2014.
 
* Dragan Espenschied, [http://web.archive.org/web/20180209071250/https://rhizome.org/editorial/2014/oct/22/big-data-little-narration/ "Big Data, Little Narration"], ''Rhizome'', 22 Oct 2014.
 +
 
* Sarah Cook, Marialaura Ghidini, [[Media:Cook Sarah Ghidini Marialaura 2015 Internet_Art_Net_Art.pdf|"Internet Art (Net Art)"]], in ''Oxford Art Online'', 22 Sep 2015. [https://doi.org/10.1093/gao/9781884446054.article.T2287852]
 
* Sarah Cook, Marialaura Ghidini, [[Media:Cook Sarah Ghidini Marialaura 2015 Internet_Art_Net_Art.pdf|"Internet Art (Net Art)"]], in ''Oxford Art Online'', 22 Sep 2015. [https://doi.org/10.1093/gao/9781884446054.article.T2287852]
 +
 
* Konrad Becker, Josephine Berry Slater, Felix Stalder, Pauline van Mourik Broekman, [https://www.springerin.at/2015/1/einsatz-der-vernetzung/ "Einsatz der Vernetzung. Ein Roundtable zu 20 Jahren Netzkultur"], trans. Thomas Raab, ''Springerin'' 1: "Kritische Netzpraxis", 2015; [https://www.eurozine.com/einsatz-der-vernetzung/ reposted on] ''Eurozine'', 11 Feb 2015. {{de}}
 
* Konrad Becker, Josephine Berry Slater, Felix Stalder, Pauline van Mourik Broekman, [https://www.springerin.at/2015/1/einsatz-der-vernetzung/ "Einsatz der Vernetzung. Ein Roundtable zu 20 Jahren Netzkultur"], trans. Thomas Raab, ''Springerin'' 1: "Kritische Netzpraxis", 2015; [https://www.eurozine.com/einsatz-der-vernetzung/ reposted on] ''Eurozine'', 11 Feb 2015. {{de}}
 
** [https://www.springerin.at/en/2015/1/einsatz-der-vernetzung/ "Mission Interconnectedness: A Roundtable on 20 Years of Net Culture"], ''Springerin online'', 2015; [http://www.eurozine.com/mission-interconnectedness/ reposted on] ''Eurozine'', 17 Mar 2015, [[Media:Becker Slater Stalder Broekman 2015 Mission Interconnectedness.pdf|PDF]].
 
** [https://www.springerin.at/en/2015/1/einsatz-der-vernetzung/ "Mission Interconnectedness: A Roundtable on 20 Years of Net Culture"], ''Springerin online'', 2015; [http://www.eurozine.com/mission-interconnectedness/ reposted on] ''Eurozine'', 17 Mar 2015, [[Media:Becker Slater Stalder Broekman 2015 Mission Interconnectedness.pdf|PDF]].
 +
 
* Marialaura Ghidini, ''[[Media:Ghidini Marialaura Curating Web-based Art Exhibitions 2015.pdf|Curating Web-based Art Exhibitions: Mapping their Migration and Integration with Offline Formats of Production]]'', University of Sunderland, 2015, 294 pp. PhD dissertation.
 
* Marialaura Ghidini, ''[[Media:Ghidini Marialaura Curating Web-based Art Exhibitions 2015.pdf|Curating Web-based Art Exhibitions: Mapping their Migration and Integration with Offline Formats of Production]]'', University of Sunderland, 2015, 294 pp. PhD dissertation.
 +
 
* Karin De Wild, et al., [https://www.jiscmail.ac.uk/cgi-bin/webadmin?A1=ind1611&L=new-media-curating "Methods for studying the (after)lives of Internet art"] [https://www.jiscmail.ac.uk/cgi-bin/webadmin?A1=ind1612&L=new-media-curating (cont.)], list discussion, ''CRUMB'', 14 Nov-31 Dec 2016. [http://www.mauvaiscontact.info/projects/CRUMB_theme.pdf Introduction].
 
* Karin De Wild, et al., [https://www.jiscmail.ac.uk/cgi-bin/webadmin?A1=ind1611&L=new-media-curating "Methods for studying the (after)lives of Internet art"] [https://www.jiscmail.ac.uk/cgi-bin/webadmin?A1=ind1612&L=new-media-curating (cont.)], list discussion, ''CRUMB'', 14 Nov-31 Dec 2016. [http://www.mauvaiscontact.info/projects/CRUMB_theme.pdf Introduction].
 +
 
* Megan Driscoll, [http://sci-hub.se/10.1080/00064246.2017.1330110 "Color Coded: Mendi + Keith Obadike’s ''Black.Net.Art Actions'' and the Language of Computer Networks"], ''The Black Scholar'' 47(3): "Black Code", 2017, pp 56-67.
 
* Megan Driscoll, [http://sci-hub.se/10.1080/00064246.2017.1330110 "Color Coded: Mendi + Keith Obadike’s ''Black.Net.Art Actions'' and the Language of Computer Networks"], ''The Black Scholar'' 47(3): "Black Code", 2017, pp 56-67.
 +
 
* Emmanuel Guez, Morgane Stricot, Lionel Broye, Stéphane Bizet, [https://doi.org/10.1080/19455224.2017.1320299 "The Afterlives of Network-Based Artworks"], ''Journal of the Institute of Conservation'' 40:2, 2017, pp 105-120.
 
* Emmanuel Guez, Morgane Stricot, Lionel Broye, Stéphane Bizet, [https://doi.org/10.1080/19455224.2017.1320299 "The Afterlives of Network-Based Artworks"], ''Journal of the Institute of Conservation'' 40:2, 2017, pp 105-120.
 +
 
* Gloria Sutton, Zachary Kaplan, [http://journal.voca.network/a-performance-of-code/ "A Performance of Code: Rhizome and the Rise of Internet Art"], ''VoCA Journal'', 30 June 2017. Interview.
 
* Gloria Sutton, Zachary Kaplan, [http://journal.voca.network/a-performance-of-code/ "A Performance of Code: Rhizome and the Rise of Internet Art"], ''VoCA Journal'', 30 June 2017. Interview.
 +
 
* Lia Carreira, ''[https://liascarreira.files.wordpress.com/2017/10/experimental-curating_strategies-and-platforms-for-onlinebased-art_lia-carreira-2017.pdf Experimental Curating in Times of the Perpetual Beta: Strategies and Platforms for Online-based Art]'', Krems: Danube University Krems, 2017, 138 pp. Master thesis.
 
* Lia Carreira, ''[https://liascarreira.files.wordpress.com/2017/10/experimental-curating_strategies-and-platforms-for-onlinebased-art_lia-carreira-2017.pdf Experimental Curating in Times of the Perpetual Beta: Strategies and Platforms for Online-based Art]'', Krems: Danube University Krems, 2017, 138 pp. Master thesis.
 +
 
* Aino Nurmesjärvi, [https://research.fng.fi/2018/01/25/beyond-human-understanding-creating-new-language-and-visuals-on-the-web-commissioned-online-artworks-by-jenna-sutela-and-tuomo-rainio/ "Beyond Human Understanding: Creating New Language and Visuals on the Web. Commissioned Online Artworks by Jenna Sutela and Tuomo Rainio"], ''FNG Research'' 1, Jan 2018.
 
* Aino Nurmesjärvi, [https://research.fng.fi/2018/01/25/beyond-human-understanding-creating-new-language-and-visuals-on-the-web-commissioned-online-artworks-by-jenna-sutela-and-tuomo-rainio/ "Beyond Human Understanding: Creating New Language and Visuals on the Web. Commissioned Online Artworks by Jenna Sutela and Tuomo Rainio"], ''FNG Research'' 1, Jan 2018.
 +
 
* Karin De Wild, ''[https://discovery.dundee.ac.uk/en/studentTheses/internet-art-and-agency Internet Art and Agency: The Social Lives of Online Artworks]'', Dundee: University of Dundee, 2018, xvi+206 pp. PhD dissertation.  
 
* Karin De Wild, ''[https://discovery.dundee.ac.uk/en/studentTheses/internet-art-and-agency Internet Art and Agency: The Social Lives of Online Artworks]'', Dundee: University of Dundee, 2018, xvi+206 pp. PhD dissertation.  
 +
 
* Andreas Gajdošík, [http://artalk.cz/2018/12/19/konec-pruzkumu-internetove-umeni-v-prechodu-ke-spolecnosti/ "Konec průzkumu. Internetové umění v přechodu ke společnosti"], ''Artalk.cz'', Prague, 19 Dec 2018. {{cz}}
 
* Andreas Gajdošík, [http://artalk.cz/2018/12/19/konec-pruzkumu-internetove-umeni-v-prechodu-ke-spolecnosti/ "Konec průzkumu. Internetové umění v přechodu ke společnosti"], ''Artalk.cz'', Prague, 19 Dec 2018. {{cz}}
 +
 
* Marialaura Ghidini, [https://doi.org/10.3390/arts8030078 "Curating on the Web: The Evolution of Platforms as Spaces for Producing and Disseminating Web-Based Art"], ''Arts'' 8:3. [[Media:Ghidini Marialaura 2019 Curating on the Web The Evolution of Platforms as Spaces for Producing and Disseminating Web-Based Art.pdf|PDF]].
 
* Marialaura Ghidini, [https://doi.org/10.3390/arts8030078 "Curating on the Web: The Evolution of Platforms as Spaces for Producing and Disseminating Web-Based Art"], ''Arts'' 8:3. [[Media:Ghidini Marialaura 2019 Curating on the Web The Evolution of Platforms as Spaces for Producing and Disseminating Web-Based Art.pdf|PDF]].
 +
 
* Olivia Brum, ''[http://about.mouchette.org/wp-content/uploads/2020/02/Brum-OC-thesis-2019-06-20-Revised.pdf The Lives of Internet Artworks in Institutions: How to Begin to Construct a Long-term Conservation Strategy]'', Amsterdam: University of Amsterdam, 2019, 100 pp. Master's thesis.
 
* Olivia Brum, ''[http://about.mouchette.org/wp-content/uploads/2020/02/Brum-OC-thesis-2019-06-20-Revised.pdf The Lives of Internet Artworks in Institutions: How to Begin to Construct a Long-term Conservation Strategy]'', Amsterdam: University of Amsterdam, 2019, 100 pp. Master's thesis.
 +
 
* Aude Launay, [https://www.zerodeux.fr/en/essays-en/the-polyphonic-history-of-net-art-an-eternal-network-%EF%BB%BF/ "The Polyphonic History of Net Art, An Eternal Network?"], ''Zerodeux'' 89, 2019.
 
* Aude Launay, [https://www.zerodeux.fr/en/essays-en/the-polyphonic-history-of-net-art-an-eternal-network-%EF%BB%BF/ "The Polyphonic History of Net Art, An Eternal Network?"], ''Zerodeux'' 89, 2019.
  
 
[https://www.netzliteratur.net/netzkunst_theorie.php more]
 
[https://www.netzliteratur.net/netzkunst_theorie.php more]
  
===More===
+
==More==
 +
 
 
* [http://monoskop.org/log/?tag=net-art Publications on net art at Monoskop Log]
 
* [http://monoskop.org/log/?tag=net-art Publications on net art at Monoskop Log]
  
  
 
{{Art}}
 
{{Art}}
__NOTOC__
 

Revision as of 14:00, 25 November 2022

Resource on net art, internet art, net-based art, net-based installations, web art, web-based art.

Artists, writers

Events

  • Hybrid Workspace, part of documenta X exhibition, Museum Fridericianum, Kassel, 21 Jun-28 Sep 1997.
  • Art and Money Online, exhibition, Tate Modern, London, 6 Mar-3 Jun 2001. Curated by Julian Stallabrass.
  • Art.Bit Collection, exhibition and symposia, InterCommunication Center, Tokyo, 21 Jun-11 Aug 2002. Curated by Masaki Fujihata and Kouichirou Eto. [1]
  • Tele-Internet, Ars Electronica, Linz, 2010. Curated by Aram Bartholl.

Catalogues

  • Net_condition: Art and Global Media, eds. Timothy Druckrey and Peter Weibel, MIT Press, 2000, 398 pp. Exh. held at ZKM Karlsruhe, 23 Sep 1999-27 Feb 2000. [9]
    • Net_Condition. Kunst / Politik im Online-Universum, Karlsruhe: ZKM, 1999, 42 pp. Exh. brochure. [10] (German)
  • Net art 0.1: desmontajes, Badajoz: Consejería de Cultura y Turismo/Junta de Extremadura, 2009, 154 pp. Exh. held at MEIAC, Museo Extremeño e Iberoamericano de Arte Contemporáneo, Badajoz, 21 Nov-28 Feb 2009. (Spanish)/(English)
  • Powered by Ljudmila, eds. Alenka Gregorič and Keiko Suzuki, Ljubljana: Museum and Galleries of Ljubljana / City Art Gallery Ljubljana, 2011, 96 pp. [12] [13] [14] (Slovenian)/(English)
  • Virtual Normality. Der weibliche Blick im Zeitalter des Internets, ed. Alfred Weidinger, VfmK, 2018, 208 pp. [15] (German)/(English)
  • Art in the Age of the Internet, 1989 to Today, ed. Eva Respini, New Haven: Yale University Press, 2018, 316 pp. Exh. held at ICA Boston, 7 Feb-20 May 2018. Review: Federici (CAA).
  • The Art Happens Here: Net Art Anthology, eds. Michael Connor, Aria Dean, and Dragan Espenschied, forew. Zachary Kaplan, intro. Michael Connor, New York: Rhizome, 2019, 444 pp. Essays by manuel arturo abreu, Josephine Bosma, Megan Driscoll, Ceci Moss, Lila Pagola, Paul Soulellis, Elvia Wilk. TOC. [16] [17]. Reviews: Quaranta (Camera Austria), Weisburg (Brooklyn Rail).

Online exhibitions and databases

  • Turbulence.org, a premiere web site for net art. From 1996-2016, Turbulence.org commissioned over 220 original net, web and hybrid art works and hosted over 20 real-time, multi-location performances.
  • Net Art Anthology. Presented by Rhizome, 2016-2019. Retelling the history of Net Art from the 1980s through the present day by restaging and contextualizing one key net art project per week. [18]
  • netart-Datenbank, est. 2000, active through c.2005. Team: Nina Kahnwald, Anna Kohler, Tilman Linden, Thomas Noesler, Sakrowski.
  • Pixel Plunder©, online exhibition on notions of authorship and copyright, curated by Michael Alstad and Michelle Kasprzak, 2001. [21] [22]
  • Gallery 9, Walker Art Center's online exhibition space. Between 1997 and 2003, under the direction of Steve Dietz, Gallery 9 presented the work of more than 100 artists.
  • E.space, online projects commissioned by SFMOMA. Launched 2000. Created by Benjamin Weil with Joseph Rosa. [23] (archived)
  • Artport. Whitney Museum's portal to Internet art and an online gallery space for commissions of net art and new media art. Originally launched in 2001, Artport provides access to original art works commissioned specifically for artport by the Whitney; documentation of net art and new media art exhibitions at the Whitney; and new media art in the Museum's collection. Created and curated by Christiane Paul. Made an official part of the Whitney Museum collection in 2015. [24]
  • Net.Specific, an online exhibition space for net art, Museum of Contemporary Art, Roskilde, Denmark. Launched Oct 2012.
  • Histories of Internet Art: Fictions and Factions, an online-only exhibition of the early history of Internet art; produced by students of digital art at the University of Colorado's Art and Art History Department, in conjunction with the Alt-X Online Network, ATLAS and blurr.
  • net.artdatabase, documentation of selected internet-based artworks by recording users in front of their screens as they interact with the work.
  • netartnet.net, an online-gallery listing and directory. The archive contains current and past exhibitions with dates, links, and press releases.
  • Why Not Sneeze, eds. Michael Gibbs and Brigitte van der Sande, 1996-1998.
  • Digital Canon, 20 works from the Netherlands, 1960-2000, launched 2019. Compiled by LIMA.
  • We=Link: Sideways, A Chronus Art Center (CAC) exhibition, Shanghai, 21 Nov 2020-23 Mar 2021. Curated by Ga Zhang. [27]
  • Garage Digital, online program for born-digital artworks and research projects created in collaboration with Garage Museum of Contemporary Art, Moscow, 2019-. [29]
  • 2020 Do Not Link, group exhibition, Upstream Gallery, 12-28 Jun 2020. Curated by Dirk Paesmans and Bob Bicknell-Knight.
  • Sunrise/Sunset, series of Internet art projects commissioned by Whitney Museum, since 2009

Museum collections

Artist b. Title, Link Year Coll. Acq. Coll. no. Coll. URL Medium Dept / Type / Tags Info
Douglas Davis US The World's First Collaborative Sentence 1994- Whitney 1995 95.253 [30] Website (HTML) New Media [31] [32] [33] [34] [35]
Jean-Baptiste Michel US I WISH I could be exactly what you’re looking for 2013 Whitney 2014 2014.96 [36] Twitter API, LCD screen, spray painted mat board, and glass New Media [37]
Siebren Versteeg US New York Double Hung 2008 Whitney 2017 2017.241 [38] Digital collage, output from Internet-connected computer program, with two touch screens New Media [39]
Daniela Alina Plewe DE Muser's Service 1994 ZKM [40] Waterbed, electric heating, pillow, red LED clock module, computer (PC Client), operating system (Linux Ubuntu), custom software with internet access, modified keyboard, computer (PC Server), operating system (Linux Ubuntu), custom software with internet access, TFT monitor, text-to-speech converter (Infovox 700), speaker, amplifier, projector installation, computer-based, Net Art, Computer-based installation [41] [42] [43]
Walter van der Cruijsen, Jill Scott NL, AU Salon Digital 1995 ZKM [44] Custom-made table, three TFT monitors with speakers, glass pane, turnable ring with infrared keyboard and track ball, computer (PC), operating system (Windows) computer-based, Net Art, Net-based sculpture
Markus Huemer AT The Rules Are No Game 1997 ZKM [45] Two computers (PC, operating system: Linux, custom software with internet access), video camera, projector, floor plates with screenprint installation, computer-based, Net Art, Computer-based installation
Cornelia Sollfrank DE Net Art Generator 1999 ZKM [46] interactive net-based installation; computer workstation (table, chair, computer) and wooden box with server, projection screen; technical equipment: computer (server): PC with graphics and two network cards, operating system: Linux, software: custom software with Internet access, computer (workstation): PC, software: Internet browser; other technical devices: panel and electronics of a TFT monitor, projector, color printer (optional) computer-based, Net-based sculpture [47]
Shane Cooper US Remote Control 1999 ZKM [48] computer (Silicon Graphics O2, operating system: IRIX, custom software), keyboard, mouse, audio effects unit, computer screen, TV screen, custom-made remote control system, TV cabinet, coffee table, sofa, floor lamp, pedestal computer-based, installation, video, Net-based installation, Computer-based installation [49] [50] [51]
David Link DE Poetry Machine 2001 ZKM [52] interactive, net-based installation; room with projection screen, technological equipment: computer: 3 PCs, operating system: Linux, software: Icustom software with Internet access, other devices: modified keyboard on stand, custom electronics, ultrasonic distance sensor, network distributor, 1 plasma monitor, projector, amplifier, 2 passive speakers, mixer installation, computer-based, Net Art, Net-based installation, Computer-based installation [53] [54]
Transmute Collective AU Intimate Transactions 2005 ZKM [55] Two supporting structures for one person each (aluminum, steel, plastic), four computers (Power Max G5), operating system (OSX), custom software, four computers (PC), operating system (Windows), custom software, laptop, operating system (Windows), custom software with internet access, two sound cards (MOTU 828 Mk2), two AD/DA converters (Behringer ADA8000), two custom-made electronic units, two MIDI controllers (Midiman 2x2), four body sensors, two video cameras, two RGB mixers, 16 speakers (active), two subwoofers, two projectors, two projection screens, seven TFT monitors, pedestal, monitor, CF card player, speakers (active) video, computer-based, installation, Sound installation, Video installation, Net-based installation, Computer-based installation
Marc Lee CH Breaking the News 2007 ZKM [56] computer (PC), operating system (Windows XP), custom software with internet access, 3 or 4 projectors, 3 or 4 speakers (active) installation, computer-based, Net-based installation, Computer-based installation, Video installation [57]
David Bowen US tele-present water 2011 ZKM [58] Aluminium, wooden sticks, nylon threads, 17 servo motors (Futaba S3004), computer (Macmini, operating system: Mac OSX, software: Max/MSP); wave from National Oceanic and Atmospheric Administration data buoy station 51003 installation, computer-based, Kinetic installation, Computer-based installation, Net-based installation [59]
Mark Amerika US Crapshoot 2013- 2014 ZKM [60] website; languages: HTML, CSS, JavaScript computer-based, Net Art [61] [62] [63]
Martine Neddam NL My DesktopLife 2014 ZKM [64] net-based artwork; website, languages: HTML, CSS, JavaScript, Python computer-based, Net Art [65]
Rafaël Rozendaal NL Neo Geo City 2014 ZKM [66] website, languages: HTML, CSS, JavaScript, Python computer-based, Net Art [67] [68]
Alex Wenger, Max-Gerd Retzlaff DE Spuren 2015 ZKM [69] 1 Computer, 2 Microcontroller, Webserver, 1 Monitor, Software, 1 Sockel computer-based, Net-based installation [70]
Leena Krohn FI Sphinx or Robot 1997 Kiasma 1997 N-1997-86 [71] Media Art, Online Art
Juha van Ingen FI Web-Safe 1999- 2000 Kiasma 2016 N-2016-32 [72] Text, Silent Media Art, Online Art [73] [74] [75]
Jarkko Räsänen FI Ordered Dance 2016 Kiasma 2016 N-2016-44 [76] Media Art, Online Art [77]
Tuomo Rainio FI Untitled (Gravitational waves) 2016 Kiasma 2016 N-2016-45 [78] Text Media Art, Online Art [79]
Pink Twins FI Infinity 2016 Kiasma 2016 N-2016-48 [80] Media Art, Online Art [81]
Angelo Plessas GR Homo Cybersphericus 2017 Kiasma 2016 N-2016-50 [82] Text, website Media Art, Online Art [83]
Jenna Sutela FI Gut-Machine Poetry 2017 Kiasma 2016 N-2016-796 [84] Text, website Media Art, Online Art [85]
Reija Meriläinen FI Survivor 2017 Kiasma 2017 N-2017-205 [86] Media Art [87]
Robertas Narkus LT Prospect Revenge 2019 Kiasma 2019 N-2019-63 [88] [89]
John F. Simon Jr. US Unfolding Object 2002 Guggenheim 2002 2002.16 [90] Interactive networked code (Java applet with server database and servlets) Internet Art [91] [92]
Mark Napier US net.flag 2002 Guggenheim 2002 2002.17 [93] Interactive networked code (Java applet with server database) Internet Art [94] [95]
Shu Lea Cheang TW Brandon 1998- 1999 Guggenheim 2005 2005.44 [96] Interactive networked code (html, Java, Javascript and server database) Internet Art [97] [98]
Lynn Hershman Leeson US Agent Ruby 1999- 2002 SFMOMA 2008 2008.230 [99] web project digital media [100] [101] [102] [103] [104] [105] [106]
Julia Scher US Predictive Engineering2 1998 SFMOMA 2008 2008.231 [107] web project digital media [108]
Harrell Fletcher and Miranda July, Harrell Fletcher, Miranda July, Yuri Ono US Learning to Love You More 2002- 2009 SFMOMA 2010 2010.45 [109] web project (www.learningtoloveyoumore.com) and archive digital media
Sandra Gamarra PE LiMac Museum Shop 2005 Tate 2009 T15217 [110] Software, networked, internet, colour, laptop; plywood, paint, oil paintings on canvas, coat hangers, t-shirts, mugs, canvas bags, wooden yo-yos, mouse mats, pin badges, printed papers and other materials
Marc Lee CH TV Bot 2.0 2010 HEK 2012 S0001 [111] 16:9 flat screen, speaker boxes, computer, Internet browser with flash plug-in, Internet connection, router, cable Internet Artwork [112] [113] [114]
Christoph Wachter, Mathias Jud CH New Nations 2009- 2011 HEK 2012 S0003 [115] Router: TL-WR841ND (with handmade aluminum box), operating system OpenWRT Attitude Adjustment 12.09, wooden box, folded leaflet, book Internet Community Project
UBERMORGEN AT Sound of Ebay 2008/ 2009 HEK 2012 S0004 [116] EBay user data; computer with Internet connection; possibly a screen with a projector Internet Artwork
Jodi NL, BE div. (property) 2013 HEK 2013 S0013 [117] Source code: HTML, CSS, Javascript; computer, other output devices (projector, screen) Internet Artwork
Beat Brogle, Philippe Zimmermann CH onewordmovie 2003/ 2018 HEK 2016 S0014 [118] Program code, source code (HTML 5), database, emulator Internet Artwork
Monica Studer, Christoph van den Berg CH filter: four letter words 1997- 1998 HEK 2016 S0015 [119] For the original version: 726 HTML files and 726 GIF files; for the 2016 version: 726 HTML files, 726 GIF files and 1 CSS file Screen: 640 x 480 px – 1920 x 1080 px; desktop computer, e.g., Netscape 2.0 / Windows 98; HTML 5 or CCS 3 browser, e.g., Firefox 47.0 / Windows XP Internet Artwork
Monica Studer, Christoph van den Berg CH filter: mille miglia 1997- 1998 HEK 2016 S0016 [120] For the original version: 5 HTML files; for the 2008 version: 5 HTML files; for the 2016 version: 2 HTML files (1 x iframe, 1 x openWindow): Screen: 780 x 280 px; desktop computer, e.g., Netscape 4 / Windows 98; HTML 5 or CCS 3 browser, e.g., Firefox 47.0 / Windows XP Internet Artwork
Monica Studer, Christoph van den Berg CH filter: mixed double 1997- 1998 HEK 2016 S0017 [121] For the original version: 726 HTML files and 726 GIF files; for the 2016 version: 726 HTML files, 726 GIF files and 1 CSS file Screen: 640 x 480 px – 1920 x 1080 px; desktop computer, e.g., Netscape 2.0 / Windows 98; HTML 5 or CCS 3 browser, e.g., Firefox 47.0 / Windows XP Internet Artwork
Monica Studer, Christoph van den Berg CH travelogue 2005 HEK 2017 S0038 [122] Web game: Flash-File and HTML pages for Online and Offline use; film of the game: 736 x 506 px, 33’, MP4, AV Web Game [123]
Monica Studer, Christoph van den Berg CH Hotel Vue des Alpes 2000- HEK 2017 S0044 [124] Pentium III, 3-D programs, website with room-reservation system, HTML, PHP, compatible with flash and SQL, vda player Internet Artwork
Maia Gusberti, Michael Aschauer, Nik Thoenen, Sepp Deinhofer CH LOGICALAND V0.1 2002 HEK 2016 S0018 [125] Web application with Java applet (and HTML/CSS) as front end, and a PHP/MySQL as backend. Current version: 0.11. Used – last tested software: PHP Version 4.3.6, MYSQL 3.23.39 Web Game
!Mediengruppe Bitnik CH Download Finished 2006 HEK 2016 S0020 [126] 3 films in PAL MPEG-2, 720 x 576 px format. Website consists of 1420 static pages and 1409 films in HTML5. Web server (Nginx, Apache) with PHP5 enabled; server space: ca. 140 GB Web Archive, Digital Video
knowbotic research DE, CH minds of concern (New York version) 2002 HEK 2016 S0024 [127] Server: apache, mysql, python script, python cgi scripts; Client: HTMIL, flash (gnash) plugin; unitedwehack.ath.cx Internet Artwork, Interactive Installation
knowbotic research DE, CH macghillie_just a void 2008- 2012 HEK 2016 S0025 [128] Wordpress Blog, Camouflage-Anzug Blog, Urban Intervention
Birgit Kempker DE, CH Sphinx 2004- HEK 2017 S0035 [129] Internet Artwork [130]
Marc Lee CH TV Bot 1.0 2004/ 2005 HEK 2017 S0036 [131] Original (2004): Data stream from the Internet, 16:9 flat screen, speakers, computer, Internet browser with flash plugin, Internet connection including router, cable. Videos (2005): flash, MP4 Internet Artwork [132] [133] [134] [135]
John F. Simon, Jr. US Every Icon 1997 HEK 2017 S0037 [136] Software, Java Applet Internet Artwork [137]
LAN CH TraceNoizer – Disinformation On Demand 2001 HEK 2017 S0047 [138] Internet Artwork
Gilles Aubry, Stéphane Montavon DE, CH Cairo Talking Heads 2006/ 2017 HEK 2017 S0061 [139] software, website, audio Blog, Internet Artwork
Martine Neddam NL Mouchette 1996- Stedelijk & MOTI Breda 2016 [140] [141] [142] [143] [144] [145] [146]

See also the works commissioned by Tate (2000-2011), SFMOMA (2000-) and Whitney (2001-), and the works in Rhizome ArtBase.

Books

  • Tilman Baumgärtel, net.art. Materialien zur Netzkunst, Nürnberg: Verlag für moderne Kunst, 1999, 179 pp. [147] (German)
    • Tīkla māksla, trans. Ilva Skulte, Riga: Petergailis, 2001, 168 pp. (Latvian)
    • Net.art: võrgukunsti materjalid, trans. Medea Jerser, Tallinn: Eesti Kunstiakad, 2006, 367 pp. (Estonian)
  • Institut für moderne Kunst Nürnberg, Verena Kuni (eds.), netz.kunst. Jahrbuch des Institutes für Moderne Kunst Nürnberg '98/'99, Nürnberg: Verlag für moderne Kunst, 1999, 272 pp. [148] (German)
  • Margarete Jahrmann, OK Offenes Kulturhaus OÖ (eds.), Art_Server: Stargate to Netculture: Texts and Positions on Netculture and Netart in O.K Center for Contemporary Arts, Linz: O.K Center for Contemporary Arts, 2000, 75 pp. [149] (German)/(English)
  • Julian Stallabrass, Internet Art: The Online Clash Between Culture and Commerce, London: Tate Publishing, 2003, 168 pp. Reviews: Stimson (NLR), Gere (Art Book).
  • Domenico Quaranta, Net art 1994-1998. La vicenda di Ada'web, Milan: Vita e Pensiero, 2004, 192 pp. [151] [152] (Italian)
  • Tom Corby (ed.), Network Art: Practices and Positions, London: Routledge, 2006, xiv+206 pp. Introduction. [154]. Review: Dieter (Animation).
  • Inclusiva-net, 3 vols., Madrid: Medialab Prado, 2007-2009. Proceedings. (English)/(Spanish)
  • Artnode, Jacob Lillemose, Nikolaj Recke (eds.), Vi elsker din computer. En antologi om netkunst, trans. Andreas Brøgger, Copenhagen: Artnode & The Royal Art Academy Copenhagen, 2008, 429 pp. An anthology of writings on net art. TOC. [155] [156] (Danish)
  • Anne Laforet, Le net art au musée. Stratégies de conservation des œuvres en ligne, Paris: Questions théoriques, 2011, 180 pp. Excerpt. Based on 2009 dissertation. [158] [159] (French)
  • Juan Martín Prada, Prácticas artísticas e internet en la época de las redes sociales, Madrid: Akal, 2012, 248 pp; 2nd ed., 2015, 271 pp. (Spanish)
  • Phoebe Adler, Leanne Hayman, Arrate Hidalgo, Dana Saey, Phoebe Stubbs, Nick Warner (eds.), Art and the Internet, London: Black Dog, 2013, 240 pp. TOC. [160]
  • Marina Zerbarini, et al., Radiografía del Net Art latino: vitalidad creativa en riesgo de extinción, Buenos Aires: Dunken, 2014. [161] [162] [163] (Spanish)
  • Melanie Bühler (ed.), No Internet, No Art: A Lunch Bytes Anthology, Eindhoven: Onomatopee, 2015, 351+[63] pp; 2nd ed., 2018. Publisher, Editor. [164]. Reviews: Kay (AQNB), Roestenburg (INC).

Journal issues

  • kritische berichte 26(1): "Netzkunst", eds. Christoph Danelzik-Brüggemann, Annette Dorgerloh, Brigitte Schoch-Joswig, and Michael Scholz-Hänsel, 1998. TOC, [168]. (German)
  • Brumaria 6: "Net.art. Prácticas estéticas y políticas en red", eds. Laura Baigorri and Lourdes Cilleruelo, Madrid, Spring 2006. TOC. TOC. (Spanish)
  • terminal 101: "Net art, technologie ou création?", Paris: Harmattan, May 2008, 176 pp. [169] (French)
  • WJ-SPOTS 1: 15 ans de création artistique sur internet / 15 years of web creation, ed. Anne Roquigny, 2011, 132 pp. [170] (French)/(English)
  • WJ-SPOTS 2: Les artistes s’emparent du réseau / Artists take over the network, ed. Anne Roquigny, 2011, 132 pp. [171] (French)/(English)
  • frieze d/e 14: "Missing Links: '90s Berlin Net Art", May 2014. Focuses on the 1990s Net art scene in Berlin. [172] [173] (German)/(English)

Book chapters, articles, theses, talks, discussions

  • Julian Stallabrass, "The Aesthetics of Net.Art", Qui Parle 14:1, Fall/Winter 2003, pp 49-72. A plenary lecture given to the American Society for Aesthetics, Annual Meeting, San Francisco, Oct 2003 (talk).
  • Steve Dietz, "äda’web", in Bits & Pieces Put Together to Present a Semblance of a Whole: Walker Art Center Collections, eds. Joan Rothfuss and Elizabeth Carpenter, Minneapolis, MN: Walker Art Center, 2005.
  • Steve Dietz, "Curating Net Art", in New Media in the White Cube and Beyond: Curatorial Models for Digital Art, ed. Christiane Paul, University of California Press, 2008. [178]
  • "Net Art", in Wolf Lieser, Digital Art, Potsdam: Ullmann, 2009; repr. as The World of Digital Art, Potsdam: Ullmann, 2010.
  • Tina Mariane Krogh Madsen, Keeping Ephemerality Alive: Preserving the Dynamic Materiality of Net Art, Aarhus: University of Aarhus, 2010. Master's thesis. [179]

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