Difference between revisions of "Kino-fot"

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[[Image:Kino-fot_1.jpg|thumb|185px|''Kino-fot'' 1 (25 August 1922).]]
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[[Image:Kino-fot_1.jpg|thumb|185px|''Kino-fot'' 1 (25 August 1922). [[Media:Kino-fot_1_1922.pdf|PDF]] (6 mb), [http://www.togdazine.ru/article/942 JPGs].]]
 
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[[Image:Kino-fot_2.jpg|thumb|185px|''Kino-fot'' 2 (1922).]]
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[[Image:Kino-fot_2.jpg|thumb|185px|''Kino-fot'' 2 (1922). [[Media:Kino-fot_2_1922.pdf|PDF]] (10 mb), [http://www.togdazine.ru/article/1163 JPGs].]]
 
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[[Image:Kino-fot_3.jpg|thumb|185px|''Kino-fot'' 3 (1922).]]
 
[[Image:Kino-fot_3.jpg|thumb|185px|''Kino-fot'' 3 (1922).]]
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[[Image:Kino-fot_6.jpg|thumb|185px|''Kino-fot'' 6 (1923).]]
 
[[Image:Kino-fot_6.jpg|thumb|185px|''Kino-fot'' 6 (1923).]]
 
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* Scan of issue 1 is sourced from [http://www.togdazine.ru/article/942 Togdazine].
  
 
==Literature==
 
==Literature==
* Christina Lodder, "Promoting Constructivism: ''Kino-fot'' and Rodchenko's Move Into Photography", ''History of Photography'' 24:4 (2000), pp 292-299. {{en}}
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* Christina Lodder, [http://www.tandfonline.com.sci-hub.st/doi/abs/10.1080/03087298.2000.10443423 "Promoting Constructivism: ''Kino-fot'' and Rodchenko's Move Into Photography"], ''History of Photography'' 24:4 (2000), pp 292-299. {{en}}
  
 
==Links==
 
==Links==

Latest revision as of 00:04, 28 January 2023

Kino-fot: Zhurnal kinematografii i fotografii [Кино-Фот. Журнал кинематографии и фотографии] was a constructivist journal published by Aleksei Gan in Moscow from August 1922 until early 1923. Five issues appeared in 1922, the sixth followed in 1923. Vladimir Mayakovsky, Dziga Vertov and Lev Kuleshov were among its contributors.

Issues[edit]

Kino-fot 1 (25 August 1922). PDF (6 mb), JPGs.
Kino-fot 2 (1922). PDF (10 mb), JPGs.
Kino-fot 3 (1922).
Kino-fot 4 (1922).
Kino-fot 5 (1922).
Kino-fot 6 (1923).

Literature[edit]

Links[edit]


Avant-garde and modernist magazines

Poesia (1905-09, 1920), Der Sturm (1910-32), Blast (1914-15), The Egoist (1914-19), The Little Review (1914-29), 291 (1915-16), MA (1916-25), De Stijl (1917-20, 1921-32), Dada (1917-21), Noi (1917-25), 391 (1917-24), Zenit (1921-26), Broom (1921-24), Veshch/Gegenstand/Objet (1922), Die Form (1922, 1925-35), Contimporanul (1922-32), Secession (1922-24), Klaxon (1922-23), Merz (1923-32), LEF (1923-25), G (1923-26), Irradiador (1923), Sovremennaya architektura (1926-30), Novyi LEF (1927-29), ReD (1927-31), Close Up (1927-33), transition (1927-38).