Difference between revisions of "Sound art"

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Related terms: ''Klangkunst'', ''sound installation'' (since late 1960s), ''Klanginstallation'', ''sound-space-art'' (Leitner c1971 [http://www.kunstjournalen.no/12_eng/carsten-seiffarth-about-sound-installation-art]), ''sound sculpture'' (see [[#Grayson1975|Grayson 1975]]), ''Klangskulptur'', ''sound walk'', ''sonic art'' (see [[#Wishart1985|Wishart 1985]]), ''musicalization of sound'' (see [[#LanderLexier1990|Lander 1990]]), ''sound in the arts'' (see [[#Kahn1999|Kahn 1999]]), ''audio art'' (see [[#Foellmer2004|Föllmer 2004]]), ''Audiokunst'', ''sound in art''.
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sound art, Klangkunst, sound installation, Klanginstallation, sound-space-art, sound sculpture, Klangskulptur, sound walk, sonic art, musicalization of sound, sound in the arts, audio art, Audiokunst, sound in art
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==Artists, events, initiatives==
 
==Artists, events, initiatives==
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category            = Sound art
 
category            = Sound art
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See also the sections [[#Journals_and_Magazines|Magazines]], [[#Catalogues|Catalogues]] and [[#Monographs.2C_Edited_books|Monographs]] below.
 
See also the sections [[#Journals_and_Magazines|Magazines]], [[#Catalogues|Catalogues]] and [[#Monographs.2C_Edited_books|Monographs]] below.
  
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==Bibliography==
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==Journals and Magazines==
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''Publications on individual artists are included in their respective [[#Pages|pages]]. For further bibliographies see also the entries on [[Radio art]], [[Sound poetry]], [[Field recording]], [[Electroacoustic music]] and [[Noise]]. The works are in English unless noted otherwise.''
 
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{{Notice|'''How to contribute.''' The following bibliography is made to be an online reader on sound art as well. A number of included publications is already available online thanks to the publishers, fans, researchers or authors themselves, however we are still missing many of the early writings, the out of print and hard to find catalogues, journals and monographs. You are greatly welcome to contribute to the reader by uploading any missing scans to the wiki or contacting the editor (db at monoskop dot org). Suggestions for omitted works are also appreciated.}}
 
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===Journals and Magazines===
 
 
* ''Sound Image: A Magazine of Aural and Visual Arts'', 3 vols., Deerfield, MA: Sound Image Inc., 1975-77. LP-magazine. Published by Jim Metzner. [http://continuo.wordpress.com/2012/04/19/sound-image-a-magazine-of-aural-and-visual-arts/ Volume 1], [http://www.discogs.com/label/165212-Sound-Image].
 
* ''Sound Image: A Magazine of Aural and Visual Arts'', 3 vols., Deerfield, MA: Sound Image Inc., 1975-77. LP-magazine. Published by Jim Metzner. [http://continuo.wordpress.com/2012/04/19/sound-image-a-magazine-of-aural-and-visual-arts/ Volume 1], [http://www.discogs.com/label/165212-Sound-Image].
 
* ''[http://www.thewire.co.uk/ The Wire]'', London, since 1982.  
 
* ''[http://www.thewire.co.uk/ The Wire]'', London, since 1982.  
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* ''[http://www.hz-journal.org Hz]'', ed. Sachiko Hayashi, Stockholm: Fylkingen, since 2000. Online open-access journal. [http://www.facebook.com/pages/hz-journalorg/9542684476]
 
* ''[http://www.hz-journal.org Hz]'', ed. Sachiko Hayashi, Stockholm: Fylkingen, since 2000. Online open-access journal. [http://www.facebook.com/pages/hz-journalorg/9542684476]
 
* ''[http://monoskop.org/log/?p=4251 China: the Sonic Avant-Garde]'', 2 issues, 2005-2006. {{zh}}
 
* ''[http://monoskop.org/log/?p=4251 China: the Sonic Avant-Garde]'', 2 issues, 2005-2006. {{zh}}
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* ''[https://www.gruenrekorder.de/fieldnotes/ Field Notes]'', eds. Daniel Knef and Lasse-Marc Riek, Hanau: Gruenrekorder, 2008 ff. {{en}}/{{de}}
 
* ''[http://auricle.org.nz/writing-around-sound/ Writing Around Sound]'', 3+ issues, since 2015. Print journal that engages with audio culture and sonic art in New Zealand.  
 
* ''[http://auricle.org.nz/writing-around-sound/ Writing Around Sound]'', 3+ issues, since 2015. Print journal that engages with audio culture and sonic art in New Zealand.  
 
* ''[https://disclaimer.org.au/ Disclaimer]'', Melbourne: Liquid Architecture, since 2019.
 
* ''[https://disclaimer.org.au/ Disclaimer]'', Melbourne: Liquid Architecture, since 2019.
 
* ''Grapefruits: A Fanzine on Female* Composers and Sound Artists'', 4+ issues, Düsseldorf: Institute for Music and Media--RSH Düsseldorf, since 2019. Review: [http://neural.it/2021/06/edited-by-elisa-metz-grapefruits-01-03/ Neural]. [http://grapefruits.online/]
 
* ''Grapefruits: A Fanzine on Female* Composers and Sound Artists'', 4+ issues, Düsseldorf: Institute for Music and Media--RSH Düsseldorf, since 2019. Review: [http://neural.it/2021/06/edited-by-elisa-metz-grapefruits-01-03/ Neural]. [http://grapefruits.online/]
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* ''[https://online.ucpress.edu/res Resonance: The Journal of Sound and Culture]'', eds. Jay Needham and Phylis West Johnson, University of California Press, since 2020.
  
 
[[Image:The_Record_as_Artwork_From_Futurism_to_Conceptual_Art_1977.jpg|thumb|350px|''The Record as Artwork: From Futurism to Conceptual Art'', 1977, [http://monoskop.org/log/?p=16132 Log], [[Media:The_Record_as_Artwork_From_Futurism_to_Conceptual_Art_1977.pdf|PDF]].]]
 
[[Image:The_Record_as_Artwork_From_Futurism_to_Conceptual_Art_1977.jpg|thumb|350px|''The Record as Artwork: From Futurism to Conceptual Art'', 1977, [http://monoskop.org/log/?p=16132 Log], [[Media:The_Record_as_Artwork_From_Futurism_to_Conceptual_Art_1977.pdf|PDF]].]]
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[[Image:Baku.jpg|thumb|350px|Miguel Molina Alarcón, ''Baku: Symphony of Sirens: Sound Experiments in The Russian Avant-Garde'', 2008.]]
 
[[Image:Baku.jpg|thumb|350px|Miguel Molina Alarcón, ''Baku: Symphony of Sirens: Sound Experiments in The Russian Avant-Garde'', 2008.]]
  
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===Catalogues===
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==Catalogues==
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* ''For Eyes & Ears'', ed. Nicolas Calas, New York: Cordier & Ekstrom, 1964, [4] pp. Exh. held at Cordier & Ekstrom Gallery; 3-25 Jan 1964. Exh. reviews: [https://www.nytimes.com/1964/01/17/archives/art-two-exhibitions-go-in-search-of-the-future-on-the-move-at-wises.html NYT], [https://www.nytimes.com/1964/01/26/archives/art-notes-viewers-at-the-guggenheim-international-they-know-what.html NYT]. [https://specificobject.com/objects/info.cfm?object_id=19071]
 
* ''For Eyes & Ears'', ed. Nicolas Calas, New York: Cordier & Ekstrom, 1964, [4] pp. Exh. held at Cordier & Ekstrom Gallery; 3-25 Jan 1964. Exh. reviews: [https://www.nytimes.com/1964/01/17/archives/art-two-exhibitions-go-in-search-of-the-future-on-the-move-at-wises.html NYT], [https://www.nytimes.com/1964/01/26/archives/art-notes-viewers-at-the-guggenheim-international-they-know-what.html NYT]. [https://specificobject.com/objects/info.cfm?object_id=19071]
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* ''Sound, Light, Silence: Art That Performs'', ed. Ralph T. Coe, Kansas City, MO: The Nelson Gallery, 1966, [32] pp. Exh. held at Nelson Gallery/Atkins Museum; 4 Nov-4 Dec 1966. [http://privatelibraryholdings.com/id108.html] [http://snaccooperative.org/ark:/99166/w6xq1jz0]
 
* ''Sound, Light, Silence: Art That Performs'', ed. Ralph T. Coe, Kansas City, MO: The Nelson Gallery, 1966, [32] pp. Exh. held at Nelson Gallery/Atkins Museum; 4 Nov-4 Dec 1966. [http://privatelibraryholdings.com/id108.html] [http://snaccooperative.org/ark:/99166/w6xq1jz0]
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* ''Sound'', ed. & intro. Ray Pierotti, New York: Museum of Contemporary Crafts, 1969, [6] pp. Exh. held 25 Oct 1969-4 Jan 1970.
 
* ''Sound'', ed. & intro. Ray Pierotti, New York: Museum of Contemporary Crafts, 1969, [6] pp. Exh. held 25 Oct 1969-4 Jan 1970.
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* ''[[Media:Geluid Kijken Sound Sight Stedelijk 1971.pdf|Geluid <=> Kijken: drie audio-visuele projekten / Sight <=> Sound: Three Audio-Visual Projects]]'', ed. Jan Martinet, Amsterdam: Stedelijk Museum, 1971, 44 pp. With 3 flexi-discs. Exh. held 5 Mar-18 Apr 1971. [https://www.discogs.com/release/959684] [https://www.stedelijk.nl/en/collection/32692-wim-crouwel-jolijn-van-de-wouw-geluid-lessgreater-kijken-:-drie-audio-visuele-projekten-:-ton-bruynel-dick-raaijmakers-peter-struycken-sound-lessgreater-sight-:-three-audio-visual-projects-:-ton-bruynel-dick-raaijmakers-peter-struycken] {{nl}}/{{en}}
 
* ''[[Media:Geluid Kijken Sound Sight Stedelijk 1971.pdf|Geluid <=> Kijken: drie audio-visuele projekten / Sight <=> Sound: Three Audio-Visual Projects]]'', ed. Jan Martinet, Amsterdam: Stedelijk Museum, 1971, 44 pp. With 3 flexi-discs. Exh. held 5 Mar-18 Apr 1971. [https://www.discogs.com/release/959684] [https://www.stedelijk.nl/en/collection/32692-wim-crouwel-jolijn-van-de-wouw-geluid-lessgreater-kijken-:-drie-audio-visuele-projekten-:-ton-bruynel-dick-raaijmakers-peter-struycken-sound-lessgreater-sight-:-three-audio-visual-projects-:-ton-bruynel-dick-raaijmakers-peter-struycken] {{nl}}/{{en}}
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* ''Hören, sehen. Texte, Bilder, Environment'', Bremen: Kunsthalle Bremen, 1972, 24 pp. Exh. held 6 May-11 Jun 1972. {{de}}
 
* ''Hören, sehen. Texte, Bilder, Environment'', Bremen: Kunsthalle Bremen, 1972, 24 pp. Exh. held 6 May-11 Jun 1972. {{de}}
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* ''Sehen um zu hören. Objekte und Konzerte zur visuellen Musik der 60er Jahre'', ed. Inge Baecker, Düsseldorf: Städtische Kunsthalle Düsseldorf, 1975, 75 pp. Exh. held 17-26 Oct 1975. [http://joy.nujus.net/SAET/index.php?page=1975sehen] [https://www.beatbooks.com/pages/books/37341/sehen-um-zu-horen/?soldItem=true] {{de}}
 
* ''Sehen um zu hören. Objekte und Konzerte zur visuellen Musik der 60er Jahre'', ed. Inge Baecker, Düsseldorf: Städtische Kunsthalle Düsseldorf, 1975, 75 pp. Exh. held 17-26 Oct 1975. [http://joy.nujus.net/SAET/index.php?page=1975sehen] [https://www.beatbooks.com/pages/books/37341/sehen-um-zu-horen/?soldItem=true] {{de}}
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* ''Sounds: 4 Lainoc: Sound/Environments by 4 Artists'', ed. Betty Turnbull, Newport Beach, CA: Newport Harbor Art Museum, 1975. Exh. held 8 Dec 1975-11 Jan 1976.
 
* ''Sounds: 4 Lainoc: Sound/Environments by 4 Artists'', ed. Betty Turnbull, Newport Beach, CA: Newport Harbor Art Museum, 1975. Exh. held 8 Dec 1975-11 Jan 1976.
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* ''6° Internationaal Mixed-Media Festival 1976'', Ghent: Stichting Logos, 1976. Held at Koninklijke Academie voor Schone Kunsten, Ghent; 26-29 Jan 1976.
 
* ''6° Internationaal Mixed-Media Festival 1976'', Ghent: Stichting Logos, 1976. Held at Koninklijke Academie voor Schone Kunsten, Ghent; 26-29 Jan 1976.
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* ''Bild. Raum. Klang. 11 internationale Künstler'', ed. T. Deecke, Bonn-Bad Godesberg: Deutschen Akademischen Austauschdienst, 1976, [52] pp. Exh. held at Wissenschaftszentrum, Bonn-Bad Godesberg; 12 Nov-15 Dec 1976. [https://www.buch-und-kunst.de/product_info.php?products_id=22798]
 
* ''Bild. Raum. Klang. 11 internationale Künstler'', ed. T. Deecke, Bonn-Bad Godesberg: Deutschen Akademischen Austauschdienst, 1976, [52] pp. Exh. held at Wissenschaftszentrum, Bonn-Bad Godesberg; 12 Nov-15 Dec 1976. [https://www.buch-und-kunst.de/product_info.php?products_id=22798]
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* ''VIIe Internationaal Mixed-Media Festival 1977'', Ghent: Stichting Logos, 1977. Held at Museum voor Hedendaagse Kunst, Ghent; 21 Feb-3 Mar 1977.
 
* ''VIIe Internationaal Mixed-Media Festival 1977'', Ghent: Stichting Logos, 1977. Held at Museum voor Hedendaagse Kunst, Ghent; 21 Feb-3 Mar 1977.
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* ''[http://monoskop.org/log/?p=16132 The Record as Artwork: From Futurism to Conceptual Art]'', ed. Germano Celant, Chicago: Museum of Contemporary Art, 1977, 121 pp. {{en}}/{{fr}}
 
* ''[http://monoskop.org/log/?p=16132 The Record as Artwork: From Futurism to Conceptual Art]'', ed. Germano Celant, Chicago: Museum of Contemporary Art, 1977, 121 pp. {{en}}/{{fr}}
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* ''VIIIe Internationaal Mixed-Media Festival 1978'', Ghent: Stichting Logos, 1978. Held at Oranjehuis, Antwerp; 5-12 Feb 1978.
 
* ''VIIIe Internationaal Mixed-Media Festival 1978'', Ghent: Stichting Logos, 1978. Held at Oranjehuis, Antwerp; 5-12 Feb 1978.
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* ''[[Media:Audio_Art_1978.pdf|Audio Art]]'', Luzern: Apropos, 1978, [21] pp. Text by Richard Kostelanetz. Exh. held at Apropos, Luzern/CH, Mar-Apr 1978. {{en}}/{{de}}
 
* ''[[Media:Audio_Art_1978.pdf|Audio Art]]'', Luzern: Apropos, 1978, [21] pp. Text by Richard Kostelanetz. Exh. held at Apropos, Luzern/CH, Mar-Apr 1978. {{en}}/{{de}}
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* ''[http://kunstradio.at/HISTORY/AUDIOSCENE/index.html Audio Scene '79: Veranstaltungsreihe zum Thema "Sound, Medium der Bildende Kunst"]'', Vienna: Modern Art Galerie Wien, 1979, [30] pp. [[Audio Scene '79|Wiki]]. {{de}}
 
* ''[http://kunstradio.at/HISTORY/AUDIOSCENE/index.html Audio Scene '79: Veranstaltungsreihe zum Thema "Sound, Medium der Bildende Kunst"]'', Vienna: Modern Art Galerie Wien, 1979, [30] pp. [[Audio Scene '79|Wiki]]. {{de}}
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* ''Sound: An Exhibition of Sound Sculpture, Instrument Building and Acoustically Tuned Spaces'', Pasadena, CA: Los Angeles Institute of Contemporary Art, 1979, 68 pp. With 12" LP containing [https://www.discogs.com/Various-Sound/release/2014371 26 tracks] [https://www.popsike.com/LOS-ANGELES-1979SOUND-SCULPTURE-INSTRUMENT-BUILDING-ACOUSTICALLY-TUNED-SPACES/161905032590.html]. Large-scale exhibition curated by Robert Smith and Robert Wilhite; held at Los Angeles Institute of Contemporary Art, 14 Jul-31 Aug 1979; and in [https://www.moma.org/calendar/exhibitions/4121?locale=en a vastly expanded version at Project Studios 1] (Institute for Art and Urban Resources, today's MoMA PS1), New York, 30 Sep-18 Nov 1979. [http://web.archive.org/web/20160322124028/https://www.moma.org/learn/resources/archives/ps1_exhibitions/exhibitions_1979]
 
* ''Sound: An Exhibition of Sound Sculpture, Instrument Building and Acoustically Tuned Spaces'', Pasadena, CA: Los Angeles Institute of Contemporary Art, 1979, 68 pp. With 12" LP containing [https://www.discogs.com/Various-Sound/release/2014371 26 tracks] [https://www.popsike.com/LOS-ANGELES-1979SOUND-SCULPTURE-INSTRUMENT-BUILDING-ACOUSTICALLY-TUNED-SPACES/161905032590.html]. Large-scale exhibition curated by Robert Smith and Robert Wilhite; held at Los Angeles Institute of Contemporary Art, 14 Jul-31 Aug 1979; and in [https://www.moma.org/calendar/exhibitions/4121?locale=en a vastly expanded version at Project Studios 1] (Institute for Art and Urban Resources, today's MoMA PS1), New York, 30 Sep-18 Nov 1979. [http://web.archive.org/web/20160322124028/https://www.moma.org/learn/resources/archives/ps1_exhibitions/exhibitions_1979]
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* ''[https://monoskop.org/log/?p=18835 A Sound Selection: Audio Works by Artists]'', ed. Barry Rosen, intro. Helene Winer, New York: Committee for the Visual Arts, 1980, [19] pp. Exh. held at Artists Space, New York, 1977.  
 
* ''[https://monoskop.org/log/?p=18835 A Sound Selection: Audio Works by Artists]'', ed. Barry Rosen, intro. Helene Winer, New York: Committee for the Visual Arts, 1980, [19] pp. Exh. held at Artists Space, New York, 1977.  
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* ''[https://monoskop.org/log/?p=19408 Für Augen und Ohren: von der Spieluhr zum akustischen Environment. Objekte, Installationen, Performances]'', eds. René Block, Lorenz Dombois, Nele Hertling and Barbara Volkmann, Berlin: Akademie der Künste, 1980, 312 pp. Catalogue for a large-scale exhibition held on 20 Jan-2 Mar 1980; curated by Nele Hertling and [[René Block]]. Essays by Dieter Krickeberg, Siegfried Wendel, Wolf D. Kuehnelt, Juan Allende-Blin, Billy Klüver, René Block; chronology by Helmut Danninger. [https://vimeo.com/89113820 Documentary]. [http://archive.org/details/OTG_1980_05_19_c1 Radio report]. {{de}}
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* ''[https://monoskop.org/log/?p=19408 Für Augen und Ohren: von der Spieluhr zum akustischen Environment. Objekte, Installationen, Performances]'', eds. René Block, Lorenz Dombois, Nele Hertling and Barbara Volkmann, Berlin: Akademie der Künste, 1980, 312 pp. Catalogue for a large-scale exhibition held at the Akademie der Künste, 20 Jan-2 Mar 1980; curated by Nele Hertling and [[René Block]]. Essays by Dieter Krickeberg, Siegfried Wendel, Wolf D. Kuehnelt, Juan Allende-Blin, Billy Klüver, René Block; chronology by Helmut Danninger. [https://vimeo.com/89113820 Documentary]. [http://archive.org/details/OTG_1980_05_19_c1 Radio report]. {{de}}
 
** ''Écouter par les yeux: Objets et environnements sonores'', Paris: Musée d'art moderne de la Ville de Paris, with Berlin: Akademie der Künste, 1980, 144 pp.  Catalogue for an exhibition held on 18 June-24 August 1980 at Musée d'Art Moderne de la Ville de Paris. Essays by Suzanne Pagé, Franck Popper, René Block. Works by L. Anderson, Ben, Beuys, Cage, Filiou, Kienholz, Kounellis, Ray, B. Lavier, D. Oppenheim, Paik, Sarkis, Satie, Takis, Vostell, Watts. [http://www.sonore-visuel.fr/ouvrage/ecouter-par-les-yeux-objets-et-environnements-sonores] {{fr}}
 
** ''Écouter par les yeux: Objets et environnements sonores'', Paris: Musée d'art moderne de la Ville de Paris, with Berlin: Akademie der Künste, 1980, 144 pp.  Catalogue for an exhibition held on 18 June-24 August 1980 at Musée d'Art Moderne de la Ville de Paris. Essays by Suzanne Pagé, Franck Popper, René Block. Works by L. Anderson, Ben, Beuys, Cage, Filiou, Kienholz, Kounellis, Ray, B. Lavier, D. Oppenheim, Paik, Sarkis, Satie, Takis, Vostell, Watts. [http://www.sonore-visuel.fr/ouvrage/ecouter-par-les-yeux-objets-et-environnements-sonores] {{fr}}
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* ''[https://monoskop.org/log/?p=20540 Soundings]'', ed. Suzanne Delehanty, Purchase, NY: Neuberger Museum/State University of New York, 1981, 96 pp. Exh. held 20 Sep-23 Dec 1981. Essays by Suzanne Delehanty, Dore Ashton, Germano Celant and Lucy Fischer.
 
* ''[https://monoskop.org/log/?p=20540 Soundings]'', ed. Suzanne Delehanty, Purchase, NY: Neuberger Museum/State University of New York, 1981, 96 pp. Exh. held 20 Sep-23 Dec 1981. Essays by Suzanne Delehanty, Dore Ashton, Germano Celant and Lucy Fischer.
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* ''Sonorità prospettiche: suono, ambiente, immagine / Perspectival Sonorities: Sound, Environment, Image'', ed. Franco Masotti, Rimini: Il Comune editions, 1982, 183 pp. Catalogue for an exhibition dedicated to [[Athanasius Kircher]], curated by Franco Masotti and held on 30 January-15 March 1982 in Rimini. [http://www.digicult.it/digimag/issue-055/athanasius-kircher-arca-musarithmica-and-many-sound-devices/ Exhibition review]. {{it}}/{{en}} Introduction also in {{de}}.
 
* ''Sonorità prospettiche: suono, ambiente, immagine / Perspectival Sonorities: Sound, Environment, Image'', ed. Franco Masotti, Rimini: Il Comune editions, 1982, 183 pp. Catalogue for an exhibition dedicated to [[Athanasius Kircher]], curated by Franco Masotti and held on 30 January-15 March 1982 in Rimini. [http://www.digicult.it/digimag/issue-055/athanasius-kircher-arca-musarithmica-and-many-sound-devices/ Exhibition review]. {{it}}/{{en}} Introduction also in {{de}}.
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* ''[[Media:Audio_Moderna_Museet_Stockholm_1983.pdf|Audio]]'', ed. Peter R. Meyer, Stockholm: Moderna Museet, 1983, [49] pp. Exh. held 12 Mar-10 Apr 1983. {{sw}},{{en}}
 
* ''[[Media:Audio_Moderna_Museet_Stockholm_1983.pdf|Audio]]'', ed. Peter R. Meyer, Stockholm: Moderna Museet, 1983, [49] pp. Exh. held 12 Mar-10 Apr 1983. {{sw}},{{en}}
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* Vito Acconci, William Hellermann, Don Goddard, ''Sound/Art'', New York: The Foundation, 1984, 29 pp. With an essay by Don Goddard. Exhibition curated by William Hellermann and held simultaneously at SculptureCenter’s former location on East 69th Street in Manhattan and the Brooklyn Arts and Cultural Association (now Brooklyn Arts Council). [http://sculpture-center.tumblr.com/tagged/Sound%2FArt]
 
* Vito Acconci, William Hellermann, Don Goddard, ''Sound/Art'', New York: The Foundation, 1984, 29 pp. With an essay by Don Goddard. Exhibition curated by William Hellermann and held simultaneously at SculptureCenter’s former location on East 69th Street in Manhattan and the Brooklyn Arts and Cultural Association (now Brooklyn Arts Council). [http://sculpture-center.tumblr.com/tagged/Sound%2FArt]
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* ''Vom Klang der Bilder: Die Musik in der Kunst des 20. Jahrhunderts'', ed. Karin von Maur, Munich: Prestel, 1985. For an exhibition held at Staatsgalerie, Stuttgart. {{de}}
 
* ''Vom Klang der Bilder: Die Musik in der Kunst des 20. Jahrhunderts'', ed. Karin von Maur, Munich: Prestel, 1985. For an exhibition held at Staatsgalerie, Stuttgart. {{de}}
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* ''ECHO: The Images of Sound'', ed. Paul Panhuysen, Eindoven: Het Apollohuis, 1986, 144 pp. [http://books.google.com/books/about/Echo.html?id=1Z82AQAAIAAJ]
 
* ''ECHO: The Images of Sound'', ed. Paul Panhuysen, Eindoven: Het Apollohuis, 1986, 144 pp. [http://books.google.com/books/about/Echo.html?id=1Z82AQAAIAAJ]
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* ''Sound Re Visited: An Anthology Concerning Sound in Art / Geluid Her Zien: Een Anthologie Over Geluid in Kunst'', Amsterdam: VOID, 1987, 48+51 pp. Exhibition catalogue published in conjunction with "Sound 'Re' Visited," a festival on sound in the visual arts, held in nine Amsterdam venues, 7-29 April 1987. Texts by Ursula Block, Germano Celant, Hetty Huisman, Harry Ruhé, William Furlong, Gerald Lindahl and Louwrien Wijers. [http://www.specificobject.com/objects/info.cfm?object_id=15226] {{en}}/{{nl}}
 
* ''Sound Re Visited: An Anthology Concerning Sound in Art / Geluid Her Zien: Een Anthologie Over Geluid in Kunst'', Amsterdam: VOID, 1987, 48+51 pp. Exhibition catalogue published in conjunction with "Sound 'Re' Visited," a festival on sound in the visual arts, held in nine Amsterdam venues, 7-29 April 1987. Texts by Ursula Block, Germano Celant, Hetty Huisman, Harry Ruhé, William Furlong, Gerald Lindahl and Louwrien Wijers. [http://www.specificobject.com/objects/info.cfm?object_id=15226] {{en}}/{{nl}}
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* ''ECHO. The Images Of Sound II'', Eindhoven: Het Apollohuis, 1987. CD with 38-page booklet. Festival held in Eindhoven, 1 May-14 Jun 1987. [http://www.fondazionebonotto.org/fluxus/collective/audio/fxcm0079.html Excerpts from CD]. [http://continuo.wordpress.com/2009/09/09/echo-the-images-of-sound-ii/] [http://www.discogs.com/Various-ECHO-Images-Of-Sound-II/release/262641]
 
* ''ECHO. The Images Of Sound II'', Eindhoven: Het Apollohuis, 1987. CD with 38-page booklet. Festival held in Eindhoven, 1 May-14 Jun 1987. [http://www.fondazionebonotto.org/fluxus/collective/audio/fxcm0079.html Excerpts from CD]. [http://continuo.wordpress.com/2009/09/09/echo-the-images-of-sound-ii/] [http://www.discogs.com/Various-ECHO-Images-Of-Sound-II/release/262641]
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* ''[http://archive.aec.at/print/#7 Ars Electronica: Free Sound / Der freie Klang]'', 1987. Festival held in Linz, 16-19 September 1987. {{de}}
 
* ''[http://archive.aec.at/print/#7 Ars Electronica: Free Sound / Der freie Klang]'', 1987. Festival held in Linz, 16-19 September 1987. {{de}}
−
* ''[https://monoskop.org/log/?p=22243 Broken Music: Artists' Recordworks]'', eds. Ursula Block and Michael Glasmeier, Berlin: Berliner Künstlerprogramm des DAAD & gelbe Musik Berlin, 1989, 278 pp. Exh. held at daad galerie Berlin, Gemeentemuseum Den Haag, and Magasin Grenoble. Writings by Block, Adorno, Moholy-Nagy, Dubuffet, a.o. A nearly 200-page bibliography of artists' records. {{de}},{{en}},{{fr}}
+
 
 +
* ''[[Media:Extended_Play_1988.pdf|Extended Play]]'', eds. Ursula Block and Christian Marclay, New York: Emily Harvey Gallery, 1988, [53] pp. With an audio disc (33 1/3 rpm). Exh. held 12 Feb-12 Mar 1988.
 +
 
 +
* ''[https://monoskop.org/log/?p=22243 Broken Music: Artists' Recordworks]'', eds. Ursula Block and Michael Glasmeier, Berlin: Berliner Künstlerprogramm des DAAD & gelbe Musik Berlin, 1989, 278 pp; repr., facs., New York: Primary Information, 2018. Exh. held at daadgalerie Berlin (18 Dec 1988-12 Feb 1989), Magasin Grenoble (30 Sep-26 Nov 1989), 8th Biennale of Sydney (12 May-9 Jun 1990), and Musée d'art contemporain de Montréal (4 Nov 1990-10 Feb 1991). Writings by Block, Adorno, Moholy-Nagy, Dubuffet, a.o. A nearly 200-page bibliography of artists' records. [https://primaryinformation.org/product/broken-music/ Publisher]. {{de}},{{en}},{{fr}}
 +
 
 
* ''Moments  Sonores (Oto no aru Bijutsu)'' [Fine Art Having Sound], Tochigi: Tochigi Prefectural Museum of Fine Arts, 1989. Exh. held 13 Aug-2 Sep 1989. {{jp}}
 
* ''Moments  Sonores (Oto no aru Bijutsu)'' [Fine Art Having Sound], Tochigi: Tochigi Prefectural Museum of Fine Arts, 1989. Exh. held 13 Aug-2 Sep 1989. {{jp}}
 +
 
* ''d.i.s.c.o.t.h.è.q.u.e. … Expériences Sonores d’Artistes'', 1989. Exhibition curated by Mauricio Nanucci and Blandine Bardonnet at Maison du Livre, de l’Image et du Son, Villeurbanne, France, Oct–Nov 1989. [http://continuo-docs.tumblr.com/post/87573186847/d-i-s-c-o-t-h-e-q-u-e-experiences-sonores] [http://continuo-docs.tumblr.com/post/87573193807/d-i-s-c-o-t-h-e-q-u-e-experiences-sonores]
 
* ''d.i.s.c.o.t.h.è.q.u.e. … Expériences Sonores d’Artistes'', 1989. Exhibition curated by Mauricio Nanucci and Blandine Bardonnet at Maison du Livre, de l’Image et du Son, Villeurbanne, France, Oct–Nov 1989. [http://continuo-docs.tumblr.com/post/87573186847/d-i-s-c-o-t-h-e-q-u-e-experiences-sonores] [http://continuo-docs.tumblr.com/post/87573193807/d-i-s-c-o-t-h-e-q-u-e-experiences-sonores]
 +
 
* ''[http://www.kunstradio.at/ZEITGLEICH/ Zeitgleich: Sound Installation and Media Composition in the Digital Age / Klanginstallation und Medienkomposition im digitalen Zeitalter]'', ed. Heidi Grundmann, Vienna: Triton, 1994, 194 pp. With CD. Symposium, seminar and exhibition held at Hall in Tirol, 3 Jun-15 Aug 1994. Texts by Ros Bandt, Isabella Bordoni / Roberto Paci Dalo, Andres Bosshard, Alvin Curran, Bill Fontana, Matt Heckert, Concha Jerez / Jose Iges, Arthur and Marielouise Kroker, Alvin Lucier, Max Neuhaus, Claude Schryer, and Gerfried Stocker. [http://transit.tiroler-landesmuseum.at/zeitgleich/index.html] {{en}}/{{de}}
 
* ''[http://www.kunstradio.at/ZEITGLEICH/ Zeitgleich: Sound Installation and Media Composition in the Digital Age / Klanginstallation und Medienkomposition im digitalen Zeitalter]'', ed. Heidi Grundmann, Vienna: Triton, 1994, 194 pp. With CD. Symposium, seminar and exhibition held at Hall in Tirol, 3 Jun-15 Aug 1994. Texts by Ros Bandt, Isabella Bordoni / Roberto Paci Dalo, Andres Bosshard, Alvin Curran, Bill Fontana, Matt Heckert, Concha Jerez / Jose Iges, Arthur and Marielouise Kroker, Alvin Lucier, Max Neuhaus, Claude Schryer, and Gerfried Stocker. [http://transit.tiroler-landesmuseum.at/zeitgleich/index.html] {{en}}/{{de}}
 +
 
* ''Sound In Space: Adventures in Australian Sound Art'', Sydney, 1995. Exhibition curated by Rebecca Coyle; held at Museum of Contemporary Art, Sydney, 26 May-22 Aug 1995. [http://www.sounddesign.unimelb.edu.au/web/biogs/P000451b.htm Coyle's essay], [http://soundartarchive.net/articles/Introduction%20to%20Essays%20in%20Sound%202,%20Technophonia%20(Australian%20Sound%20Art).pdf Introduction to a special issue of ''Essays in Sound'' dedicated to the exhibition].
 
* ''Sound In Space: Adventures in Australian Sound Art'', Sydney, 1995. Exhibition curated by Rebecca Coyle; held at Museum of Contemporary Art, Sydney, 26 May-22 Aug 1995. [http://www.sounddesign.unimelb.edu.au/web/biogs/P000451b.htm Coyle's essay], [http://soundartarchive.net/articles/Introduction%20to%20Essays%20in%20Sound%202,%20Technophonia%20(Australian%20Sound%20Art).pdf Introduction to a special issue of ''Essays in Sound'' dedicated to the exhibition].
 +
 
* ''[http://monoskop.org/log/?p=14275 Klangkunst]'', ed. Akademie der Künste Berlin, Munich: Prestel, 1996, 303 pp. ''Sonambiente'' festival held in Berlin, 9 Aug-8 Sep 1996. [http://www.sonambiente.net/en/Sonambiente%20x.mov Documentary] (50 min), [http://projekte.adk.de/sonambiente/]. {{de}}
 
* ''[http://monoskop.org/log/?p=14275 Klangkunst]'', ed. Akademie der Künste Berlin, Munich: Prestel, 1996, 303 pp. ''Sonambiente'' festival held in Berlin, 9 Aug-8 Sep 1996. [http://www.sonambiente.net/en/Sonambiente%20x.mov Documentary] (50 min), [http://projekte.adk.de/sonambiente/]. {{de}}
 +
 
* ''singuhr — hoergalerie in parochial: Klangkunst — Ausstellungen 1996-1998'', eds. Susanne Binas and Carsten Seiffarth, Saarbrücken: PFAU, 1998, 120 pp. [http://www.pfau-verlag.de/shop_detail/27055.html] {{de}}
 
* ''singuhr — hoergalerie in parochial: Klangkunst — Ausstellungen 1996-1998'', eds. Susanne Binas and Carsten Seiffarth, Saarbrücken: PFAU, 1998, 120 pp. [http://www.pfau-verlag.de/shop_detail/27055.html] {{de}}
 +
 
* ''[[Media:Ssshhhhh_1999.pdf|Ssshhhhh.....]]'', Copenhagen, 1999, 72 pp, [http://totem.menneske.dk/batch_totem/DOCUMENTATION/SSSHHHHH_1999/ssshhhhh_katalog.pdf PDF]. Sound biennale held 1-21 Oct 1999.
 
* ''[[Media:Ssshhhhh_1999.pdf|Ssshhhhh.....]]'', Copenhagen, 1999, 72 pp, [http://totem.menneske.dk/batch_totem/DOCUMENTATION/SSSHHHHH_1999/ssshhhhh_katalog.pdf PDF]. Sound biennale held 1-21 Oct 1999.
 +
 
* ''The American Century: Art & Culture 1950-2000'', ed. Lisa Phillips, New York: The Whitney Museum, with W.W. Norton, 1999, 398 pp. The exhibition included ''I Am Sitting in a Room: Sound Works by American Artists 1950-2000'' programme curated by Stephen Vitiello, 11-16 Jan 2000. [http://archive.org/stream/whitneymuseumofa26whit_2#page/12/mode/2up], [http://artarchives.net/artarchives/whitney/americancent2.html], [http://www.nytimes.com/2000/01/09/arts/it-s-sound-it-s-art-and-some-call-it-music.html Review of the programme], [http://www.wfmu.org/~kennyg/popular/articles/vitiello.html Interview with the curator].  
 
* ''The American Century: Art & Culture 1950-2000'', ed. Lisa Phillips, New York: The Whitney Museum, with W.W. Norton, 1999, 398 pp. The exhibition included ''I Am Sitting in a Room: Sound Works by American Artists 1950-2000'' programme curated by Stephen Vitiello, 11-16 Jan 2000. [http://archive.org/stream/whitneymuseumofa26whit_2#page/12/mode/2up], [http://artarchives.net/artarchives/whitney/americancent2.html], [http://www.nytimes.com/2000/01/09/arts/it-s-sound-it-s-art-and-some-call-it-music.html Review of the programme], [http://www.wfmu.org/~kennyg/popular/articles/vitiello.html Interview with the curator].  
 +
 
* ''Sound Art - Sound as Media'', eds. Minoru Hatanaka and Takeo Nozaki, Tokyo: NTT, 2000, 80 pp. With CD. Exhibition held at NTT [ICC], Tokyo, 28 Jan-12 Mar 2000. Texts by Minoru Hatanaka and Rob Young. [http://www.ntticc.or.jp/pub/catalog/soundart/con_e.html]
 
* ''Sound Art - Sound as Media'', eds. Minoru Hatanaka and Takeo Nozaki, Tokyo: NTT, 2000, 80 pp. With CD. Exhibition held at NTT [ICC], Tokyo, 28 Jan-12 Mar 2000. Texts by Minoru Hatanaka and Rob Young. [http://www.ntticc.or.jp/pub/catalog/soundart/con_e.html]
 
** ''サウンド・アート -　音というメディア'', 2000. [http://www.ntticc.or.jp/pub/catalog/catalog_con0001_j.html] {{jp}}
 
** ''サウンド・アート -　音というメディア'', 2000. [http://www.ntticc.or.jp/pub/catalog/catalog_con0001_j.html] {{jp}}
 +
 
* ''Sonic Boom: The Art of Sound'', London: Hayward Gallery, 2000, 128 pp. With 2-CD. Large-scale exhibition curated by David Toop; held 27 Apr-18 Jun 2000. [http://bleakbliss.blogspot.com/2013/11/sonic-boom-art-of-sound.html CD], [http://www.undo.net/it/mostra/407] [http://www.discogs.com/Various-Sonic-Boom-The-Art-Of-Sound/release/253360].  
 
* ''Sonic Boom: The Art of Sound'', London: Hayward Gallery, 2000, 128 pp. With 2-CD. Large-scale exhibition curated by David Toop; held 27 Apr-18 Jun 2000. [http://bleakbliss.blogspot.com/2013/11/sonic-boom-art-of-sound.html CD], [http://www.undo.net/it/mostra/407] [http://www.discogs.com/Various-Sonic-Boom-The-Art-Of-Sound/release/253360].  
 +
 
* ''Volume: Bed of Sound'', New York: P.S. 1 Contemporary Art Center, 2000. "CD-catalog", with liner notes by Max Neuhaus. Exhibition curated by Elliot Sharp and Alanna Heiss; held 2 Jul-19 Nov 2000. [http://mutant-sounds.blogspot.com/2008/04/va-ps1-volume-bed-of-sound-2000.html] [http://www.discogs.com/Various-Volume-Bed-Of-Sound/release/1597863] [http://www.elliottsharp.com/visualinstallations.html]
 
* ''Volume: Bed of Sound'', New York: P.S. 1 Contemporary Art Center, 2000. "CD-catalog", with liner notes by Max Neuhaus. Exhibition curated by Elliot Sharp and Alanna Heiss; held 2 Jul-19 Nov 2000. [http://mutant-sounds.blogspot.com/2008/04/va-ps1-volume-bed-of-sound-2000.html] [http://www.discogs.com/Various-Volume-Bed-Of-Sound/release/1597863] [http://www.elliottsharp.com/visualinstallations.html]
 +
 
* ''Resonanzen/Resonances. Aspekte der Klangkunst/Aspects of Sound Art'', ed. Bernd Schulz, Heidelberg: Kehrer, 2002, 174 pp. With CD. Exhibitions held at Stadtgalerie Saarbrücken; 6 Jun-25 Aug and 15 Sep-24 Nov 2002. Essays on sound art and documentation of works by Bosshard, de Marinis, Julius, Kubisch, Leitner, Oldorp, Osborn, Riches, Roden, Stache, Yui. Schulz: "Sound art is an art form [..] in which sound has become material within the context of an expanded concept of sculpture [..] for the most part works that are space-shaping and space-claiming in nature" (14). {{en}}/{{de}}
 
* ''Resonanzen/Resonances. Aspekte der Klangkunst/Aspects of Sound Art'', ed. Bernd Schulz, Heidelberg: Kehrer, 2002, 174 pp. With CD. Exhibitions held at Stadtgalerie Saarbrücken; 6 Jun-25 Aug and 15 Sep-24 Nov 2002. Essays on sound art and documentation of works by Bosshard, de Marinis, Julius, Kubisch, Leitner, Oldorp, Osborn, Riches, Roden, Stache, Yui. Schulz: "Sound art is an art form [..] in which sound has become material within the context of an expanded concept of sculpture [..] for the most part works that are space-shaping and space-claiming in nature" (14). {{en}}/{{de}}
 
** Helga de la Motte-Haber, [http://wiki.dxarts.washington.edu/sandbox/groups/soundart/wiki/8389f/attachments/57765/resonances_02.pdf "Esthetic Perception in New Artistic Contexts"].
 
** Helga de la Motte-Haber, [http://wiki.dxarts.washington.edu/sandbox/groups/soundart/wiki/8389f/attachments/57765/resonances_02.pdf "Esthetic Perception in New Artistic Contexts"].
 +
 
* ''Sonic Process: une nouvelle géographie des sons'', Paris: Centre Georges Pompidou, 2002, 309 pp. Exh. held 16 Oct 2002-6 Jan 2003 at Centre Pompidou, Paris, and 18 Mar-21 May 2003 at Podewil, Berlin. [http://www.sonore-visuel.fr/fr/ouvrage/sonic-process-une-nouvelle-geographie-des-sons Essay by Van Assche]. [http://www.arpla.fr/canal2/figureblog/wp-pdf/sonicprocess.pdf Exh. booklet]. Exh. review: [https://core.ac.uk/download/pdf/55772385.pdf Sterken] (NL). Commentary: [https://books.openedition.org/psorbonne/37992 Fryberger]. {{fr}}
 
* ''Sonic Process: une nouvelle géographie des sons'', Paris: Centre Georges Pompidou, 2002, 309 pp. Exh. held 16 Oct 2002-6 Jan 2003 at Centre Pompidou, Paris, and 18 Mar-21 May 2003 at Podewil, Berlin. [http://www.sonore-visuel.fr/fr/ouvrage/sonic-process-une-nouvelle-geographie-des-sons Essay by Van Assche]. [http://www.arpla.fr/canal2/figureblog/wp-pdf/sonicprocess.pdf Exh. booklet]. Exh. review: [https://core.ac.uk/download/pdf/55772385.pdf Sterken] (NL). Commentary: [https://books.openedition.org/psorbonne/37992 Fryberger]. {{fr}}
 +
 
* ''Sons & lumières: une histoire du son dans l'art du XXe siècle'', ed. Sophie Duplaix, Paris: Centre Georges Pompidou, 2004, 375 pp. [http://www.sonore-visuel.fr/evenement/sons-lumieres-une-histoire-du-son-dans-lart-du-xxe-siecle] [http://mediation.centrepompidou.fr/Pompidou/Pedagogie.nsf/Docs/IDF223FB79CEA5125DC1256F400062FBAF/$file/sons%20lumieresavecimages.pdf] {{fr}}
 
* ''Sons & lumières: une histoire du son dans l'art du XXe siècle'', ed. Sophie Duplaix, Paris: Centre Georges Pompidou, 2004, 375 pp. [http://www.sonore-visuel.fr/evenement/sons-lumieres-une-histoire-du-son-dans-lart-du-xxe-siecle] [http://mediation.centrepompidou.fr/Pompidou/Pedagogie.nsf/Docs/IDF223FB79CEA5125DC1256F400062FBAF/$file/sons%20lumieresavecimages.pdf] {{fr}}
 +
 
* ''[[Media:Ruidos_y_susurros_de_las_vanguardias_2004.pdf|Ruidos y susurros de las vanguardias: reconstrucción de obras pioneras del arte sonoro, 1909-1945 / Noises and Whispers in Avant-Gardes: Early Sound Art Works, 1909-1945]]'', Valencia: Allegro Records, 2004. [http://www.upv.es/intermedia/pages/laboratori/publicacions_produccions/2004_ruidos_y_susurros/produccions_ruidos_susurros_doble_cd_e.htm With 2-CD (72 tracks)]. Coordinated by Miguel Molina Alarcón; presented by the R&D group Laboratory of Intermedia Creations (LC.!.) of the Department of Sculpture of the Faculty of Fine Arts San Carlos of Valencia. [https://www.discogs.com/Various-Ruidos-Y-Susurros-De-Las-Vanguardias/release/5528667 Discogs]. {{es}}/{{en}}
 
* ''[[Media:Ruidos_y_susurros_de_las_vanguardias_2004.pdf|Ruidos y susurros de las vanguardias: reconstrucción de obras pioneras del arte sonoro, 1909-1945 / Noises and Whispers in Avant-Gardes: Early Sound Art Works, 1909-1945]]'', Valencia: Allegro Records, 2004. [http://www.upv.es/intermedia/pages/laboratori/publicacions_produccions/2004_ruidos_y_susurros/produccions_ruidos_susurros_doble_cd_e.htm With 2-CD (72 tracks)]. Coordinated by Miguel Molina Alarcón; presented by the R&D group Laboratory of Intermedia Creations (LC.!.) of the Department of Sculpture of the Faculty of Fine Arts San Carlos of Valencia. [https://www.discogs.com/Various-Ruidos-Y-Susurros-De-Las-Vanguardias/release/5528667 Discogs]. {{es}}/{{en}}
 +
 
* ''Sonambiente Berlin 2006: Klang Kunst Sound Art'', eds. Helga de la Motte-Haber, Matthias Osterwold and Georg Weckwerth, Heidelberg: Kehrer, with Berlin: Akademie der Künste, 2006, 408 pp. Texts by Helga de la Motte-Haber, Christian Scheib, Gerhard Rühm, Christoph Cox, Claudia Tittel, Rolf Langebartels, Uwe Rüth, Sabine Sanio, Marion Saxer, Sabine Breitsameter, Akio Suzuki, Andres Bosshard, Khaled Saleh, Detlev Ipsen, Gordon Monahan, Julie H. Reiss, Raimar Stange, Lutz Fahrenkrog-Petersen, Rolf Großmann, Nicolas Collins, Jörg Stelkens, Paul B. Davis, Sven König, Golo Föllmer, Gerhard Eckel, Stefan Weinzierl + Kees Tazelaar, Christopher Frauenberger, Frieder Butzmann, Markus Bodden, Nele Hertling. [http://www.sonambiente.net/de/01_spektrum/catalogue.html] [http://www.artbooksheidelberg.com/html/en/program/detail.html?ID=192] {{de}}/{{en}}
 
* ''Sonambiente Berlin 2006: Klang Kunst Sound Art'', eds. Helga de la Motte-Haber, Matthias Osterwold and Georg Weckwerth, Heidelberg: Kehrer, with Berlin: Akademie der Künste, 2006, 408 pp. Texts by Helga de la Motte-Haber, Christian Scheib, Gerhard Rühm, Christoph Cox, Claudia Tittel, Rolf Langebartels, Uwe Rüth, Sabine Sanio, Marion Saxer, Sabine Breitsameter, Akio Suzuki, Andres Bosshard, Khaled Saleh, Detlev Ipsen, Gordon Monahan, Julie H. Reiss, Raimar Stange, Lutz Fahrenkrog-Petersen, Rolf Großmann, Nicolas Collins, Jörg Stelkens, Paul B. Davis, Sven König, Golo Föllmer, Gerhard Eckel, Stefan Weinzierl + Kees Tazelaar, Christopher Frauenberger, Frieder Butzmann, Markus Bodden, Nele Hertling. [http://www.sonambiente.net/de/01_spektrum/catalogue.html] [http://www.artbooksheidelberg.com/html/en/program/detail.html?ID=192] {{de}}/{{en}}
 +
 
* ''LARM: Från munhåla till laptop: ljud i nordisk konst / From Mouth Cavity to Laptop: The Sound of Nordic Art'', eds. Maria Bjurestam, Maria Hägglund, Mona Petersson, and Liv Strand, Kabusa, 2007, 27 pp. With 2 CDs. Texts by Maja Ratkje, Stine Hebert, Catharina Dyrssen, Natasha Barrett, Yvonne Spielmann, Thomas Millroth, Adina Popescu, Zeenath Hasan, Søssa Jørgensen, Yngvild Færøy, Grethe Melby, Johanna Gustafsson, Anne Hilde Neset, Nina Björk Eliasson, Pauline Oliveros, Maria Bjurestam, Bodil Persson, Ina Blom, Kristin Björk Kristjansdottir, Thor Magnusson, Karl Holmqvist, Mika Hannula, Meena Kaunisto, Elisabet Indra Ragnarsdottir, Liv Strand. [http://www.larm-festival.se/E_Festival_Bok.html] [http://www.larm-festival.se/E_Festival_CD.html] [https://static1.squarespace.com/static/5c3b7f507c93276b93151f43/t/5cc84ce56e9a7f7303ab8004/1556630757689/2007_Larm.pdf] {{sw}}/{{en}}  
 
* ''LARM: Från munhåla till laptop: ljud i nordisk konst / From Mouth Cavity to Laptop: The Sound of Nordic Art'', eds. Maria Bjurestam, Maria Hägglund, Mona Petersson, and Liv Strand, Kabusa, 2007, 27 pp. With 2 CDs. Texts by Maja Ratkje, Stine Hebert, Catharina Dyrssen, Natasha Barrett, Yvonne Spielmann, Thomas Millroth, Adina Popescu, Zeenath Hasan, Søssa Jørgensen, Yngvild Færøy, Grethe Melby, Johanna Gustafsson, Anne Hilde Neset, Nina Björk Eliasson, Pauline Oliveros, Maria Bjurestam, Bodil Persson, Ina Blom, Kristin Björk Kristjansdottir, Thor Magnusson, Karl Holmqvist, Mika Hannula, Meena Kaunisto, Elisabet Indra Ragnarsdottir, Liv Strand. [http://www.larm-festival.se/E_Festival_Bok.html] [http://www.larm-festival.se/E_Festival_CD.html] [https://static1.squarespace.com/static/5c3b7f507c93276b93151f43/t/5cc84ce56e9a7f7303ab8004/1556630757689/2007_Larm.pdf] {{sw}}/{{en}}  
 +
 
* Miguel Molina Alarcón, ''Baku: Symphony of Sirens: Sound Experiments in The Russian Avant-Garde. Original Documents and Reconstructions of 72 Key Works of Music, Poetry and Agitprop from the Russian Avantgardes (1908-1942)'', London: ReR Megacorp, 2008, 72 pp. With 2-CD. [http://www.rermegacorp.com/mm5/merchant.mvc?Screen=PROD&Product_Code=ReRRAG12&Store_Code=RM]
 
* Miguel Molina Alarcón, ''Baku: Symphony of Sirens: Sound Experiments in The Russian Avant-Garde. Original Documents and Reconstructions of 72 Key Works of Music, Poetry and Agitprop from the Russian Avantgardes (1908-1942)'', London: ReR Megacorp, 2008, 72 pp. With 2-CD. [http://www.rermegacorp.com/mm5/merchant.mvc?Screen=PROD&Product_Code=ReRRAG12&Store_Code=RM]
 +
 
* Jøran Rudi (ed.), ''Absorpsjon og resonans – lyd og mening / Absorption and Resonance: Sound and Meaning'', Oslo: NOTAM, 2008, 168 pp. Texts by Katharine Norman, Leigh Landy, Jøran Rudi, Aeron Bergman and Steinar Sekkingstad. [http://www.joranrudi.no/mediefiler/Lyd%20og%20mening.pdf Rudi's essay]. Exh. held at held at Henie Onstad Arts Center. {{no}}/{{en}}
 
* Jøran Rudi (ed.), ''Absorpsjon og resonans – lyd og mening / Absorption and Resonance: Sound and Meaning'', Oslo: NOTAM, 2008, 168 pp. Texts by Katharine Norman, Leigh Landy, Jøran Rudi, Aeron Bergman and Steinar Sekkingstad. [http://www.joranrudi.no/mediefiler/Lyd%20og%20mening.pdf Rudi's essay]. Exh. held at held at Henie Onstad Arts Center. {{no}}/{{en}}
 +
 
* ''The Art of Listening'', Seoul: Arts Council Korea, 2008. With DVD. [http://www.aaa.org.hk/Collection/Details/24439] {{en}}/{{ko}}
 
* ''The Art of Listening'', Seoul: Arts Council Korea, 2008. With DVD. [http://www.aaa.org.hk/Collection/Details/24439] {{en}}/{{ko}}
 +
 
* ''singuhr - hoergalerie in parochial 1996-2006: sound art in berlin'', eds. Carsten Seiffarth and Markus Steffens, Heidelberg: Kehrer, 2010, 296 pp. With DVD (74 audio tracks). [http://singuhr.de/en/catalogues/] [https://www.kehrerverlag.com/de/singuhr-1996-2006-hoergalerie-in-parochial-978-3-939583-23-3] {{de}}/{{en}}
 
* ''singuhr - hoergalerie in parochial 1996-2006: sound art in berlin'', eds. Carsten Seiffarth and Markus Steffens, Heidelberg: Kehrer, 2010, 296 pp. With DVD (74 audio tracks). [http://singuhr.de/en/catalogues/] [https://www.kehrerverlag.com/de/singuhr-1996-2006-hoergalerie-in-parochial-978-3-939583-23-3] {{de}}/{{en}}
 +
 
* Andrey Smirnov, Liubov Pchelkina, ''[http://www.asmir.info/articles/GazetaZ_ProArte.pdf Pokolenie Z]'' [ПОКОЛЕНИЕ Z], St. Petersburg: PRO ARTE Foundation, 2010, 20 pp. Booklet-newspaper of the ''Generation Z'' exhibition. {{ru}}
 
* Andrey Smirnov, Liubov Pchelkina, ''[http://www.asmir.info/articles/GazetaZ_ProArte.pdf Pokolenie Z]'' [ПОКОЛЕНИЕ Z], St. Petersburg: PRO ARTE Foundation, 2010, 20 pp. Booklet-newspaper of the ''Generation Z'' exhibition. {{ru}}
 
** ''[http://www.asmir.info/articles/GenerationZ_Polytech.pdf Pokolenie Z]'' [ПОКОЛЕНИЕ Z], Moscow: Polytechnic Museum, 2011, 20 pp. Booklet-newspaper of the ''Generation Z'' exhibition. {{ru}}
 
** ''[http://www.asmir.info/articles/GenerationZ_Polytech.pdf Pokolenie Z]'' [ПОКОЛЕНИЕ Z], Moscow: Polytechnic Museum, 2011, 20 pp. Booklet-newspaper of the ''Generation Z'' exhibition. {{ru}}
 
** ''[http://monoskop.org/log/?p=7911 Generation Z: Russian Pioneers of Sound Art and Musical Technology in 1910-1930]'', Budapest: OSA Archivum, 2011, 20 pp. Booklet-newspaper of the ''Generation Z'' exhibition. {{en}}/{{hu}}
 
** ''[http://monoskop.org/log/?p=7911 Generation Z: Russian Pioneers of Sound Art and Musical Technology in 1910-1930]'', Budapest: OSA Archivum, 2011, 20 pp. Booklet-newspaper of the ''Generation Z'' exhibition. {{en}}/{{hu}}
 +
 
* ''[http://www.projekt-zipp.de/press-texts/Booklet_engl_gesamt.pdf Sounds. Radio - Art - New Music]'', Berlin: n.b.k., 2010, 32 pp.
 
* ''[http://www.projekt-zipp.de/press-texts/Booklet_engl_gesamt.pdf Sounds. Radio - Art - New Music]'', Berlin: n.b.k., 2010, 32 pp.
 +
 
* ''[http://bek.no/system/fileattachments/23/original/SID-Web.pdf Sonic Interaction Design]'', eds. & intro. Frauke Behrendt and Trond Lossius, Bergen: BEK, 2011, 56 pp. [http://sid.bek.no/pages/13-exhibition-catalogue]  
 
* ''[http://bek.no/system/fileattachments/23/original/SID-Web.pdf Sonic Interaction Design]'', eds. & intro. Frauke Behrendt and Trond Lossius, Bergen: BEK, 2011, 56 pp. [http://sid.bek.no/pages/13-exhibition-catalogue]  
 +
 
* David Crowley, Daniel Muzyczuk, ''[http://monoskop.org/log/?p=9894 Sounding the Body Electric: Experiments in Art and Music in Eastern Europe 1957–1984]'', Łódź: Muzeum Sztuki, 2012, 222 pp. {{en}}/{{pl}}
 
* David Crowley, Daniel Muzyczuk, ''[http://monoskop.org/log/?p=9894 Sounding the Body Electric: Experiments in Art and Music in Eastern Europe 1957–1984]'', Łódź: Muzeum Sztuki, 2012, 222 pp. {{en}}/{{pl}}
 +
 
* ''A House Full of Music: Strategies in Music and Art'', eds. Ralf Beil, Peter Kraut and Institut Mathildenhöhe Darmstadt, Hatje Cantz, 2012, 416 pp. With CD. Catalogue for an exhibition curated by Ralf Beil, Mathildenhöhe Museum, Darmstadt, 13 May-9 September 2012. Texts by Ralf Beil, Stefan Fricke, Peter Kraut, Thomas Schäfer and others. [http://www.hatjecantz.de/a-house-full-of-music-3088-1.html] [http://www.hatjecantz.de/kunst-zum-hoeren-a-house-full-of-music-3086-1.html]  
 
* ''A House Full of Music: Strategies in Music and Art'', eds. Ralf Beil, Peter Kraut and Institut Mathildenhöhe Darmstadt, Hatje Cantz, 2012, 416 pp. With CD. Catalogue for an exhibition curated by Ralf Beil, Mathildenhöhe Museum, Darmstadt, 13 May-9 September 2012. Texts by Ralf Beil, Stefan Fricke, Peter Kraut, Thomas Schäfer and others. [http://www.hatjecantz.de/a-house-full-of-music-3088-1.html] [http://www.hatjecantz.de/kunst-zum-hoeren-a-house-full-of-music-3086-1.html]  
 
** ''Kunst zum Hören: A House Full of Music: Strategien in Musik und Kunst'', 2012, 52 p. Parallel edition in German. {{de}}
 
** ''Kunst zum Hören: A House Full of Music: Strategien in Musik und Kunst'', 2012, 52 p. Parallel edition in German. {{de}}
 +
 
* ''Sound Art. Klang als Medium der Kunst'', ed. Julia Gerlach, Karlsruhe: ZKM, 2012, 44 pp. [http://soundart.zkm.de/en/ Exhibition] curated by Peter Weibel; held at ZKM, 17 Mar 2012-6 Jan 2013. {{de}}
 
* ''Sound Art. Klang als Medium der Kunst'', ed. Julia Gerlach, Karlsruhe: ZKM, 2012, 44 pp. [http://soundart.zkm.de/en/ Exhibition] curated by Peter Weibel; held at ZKM, 17 Mar 2012-6 Jan 2013. {{de}}
 +
 
* ''[[Media:Listen My Heart to the Whispers of the World 2013.pdf|Listen My Heart to the Whispers of the World: A Cinema for the Ear]]'', Delhi: Khoj International Artists' Association, 2013, 36 pp. Exh. curated by Alexis Bhagat and Lauren Rosati.
 
* ''[[Media:Listen My Heart to the Whispers of the World 2013.pdf|Listen My Heart to the Whispers of the World: A Cinema for the Ear]]'', Delhi: Khoj International Artists' Association, 2013, 36 pp. Exh. curated by Alexis Bhagat and Lauren Rosati.
 +
 
* ''Soundings: A Contemporary Score'', eds. Barbara London and Anne Hilde Neset, New York: Museum of Modern Art, 2013, 72 pp. [https://www.moma.org/d/pdfs/W1siZiIsIjIwMTgvMDYvMTMvMnRoY2R1MWUzdV9Tb3VuZGluZ3NfUFJFVklFVy5wZGYiXV0/Soundings_PREVIEW.pdf?sha=a9c97dc1a606c19c TOC, Introduction, Excerpt]. [https://www.moma.org/interactives/exhibitions/2013/soundings/content/ Online companion]. [http://www.moma.org/visit/calendar/exhibitions/1379 Exh. held at MoMA], 10 Aug-3 Nov 2013.
 
* ''Soundings: A Contemporary Score'', eds. Barbara London and Anne Hilde Neset, New York: Museum of Modern Art, 2013, 72 pp. [https://www.moma.org/d/pdfs/W1siZiIsIjIwMTgvMDYvMTMvMnRoY2R1MWUzdV9Tb3VuZGluZ3NfUFJFVklFVy5wZGYiXV0/Soundings_PREVIEW.pdf?sha=a9c97dc1a606c19c TOC, Introduction, Excerpt]. [https://www.moma.org/interactives/exhibitions/2013/soundings/content/ Online companion]. [http://www.moma.org/visit/calendar/exhibitions/1379 Exh. held at MoMA], 10 Aug-3 Nov 2013.
 +
 
* ''[[Media:Word_Sound_Power_Tate_Modern_2013.pdf|Word. Sound. Power]]'', London: Tate Modern, 2013. [https://www.tate.org.uk/whats-on/tate-modern/exhibitionseries/project-space/project-space-word-sound-power Exhibition] held 12 Jul-3 Nov 2013. Curated by Loren Hansi Momodu and Andi-Asmita Rangari.
 
* ''[[Media:Word_Sound_Power_Tate_Modern_2013.pdf|Word. Sound. Power]]'', London: Tate Modern, 2013. [https://www.tate.org.uk/whats-on/tate-modern/exhibitionseries/project-space/project-space-word-sound-power Exhibition] held 12 Jul-3 Nov 2013. Curated by Loren Hansi Momodu and Andi-Asmita Rangari.
 +
 
* ''Records by Artists: 1958-1990'', ed. Giorgio Maffei, Perugia: Viaindustriae Edizioni, and Ravenna: Danilo Montanari Editore, 2013. Exhibition curated by Giorgio Maffei; held at Biblioteca Universitaria, Bologna, Sep-Oct 2013. A selection of 130 artists records chosen among Maffei’s personal collection. [http://www.digicult.it/news/towards-a-catalogue-of-artists-records-records-by-artists-1960-1990/] [http://continuo-docs.tumblr.com/post/76406618628/giorgio-maffei-records-by-artists-1958-1990]
 
* ''Records by Artists: 1958-1990'', ed. Giorgio Maffei, Perugia: Viaindustriae Edizioni, and Ravenna: Danilo Montanari Editore, 2013. Exhibition curated by Giorgio Maffei; held at Biblioteca Universitaria, Bologna, Sep-Oct 2013. A selection of 130 artists records chosen among Maffei’s personal collection. [http://www.digicult.it/news/towards-a-catalogue-of-artists-records-records-by-artists-1960-1990/] [http://continuo-docs.tumblr.com/post/76406618628/giorgio-maffei-records-by-artists-1958-1990]
 +
 
* ''Sünkroonist väljas. Helikunstist vaatega minevikku / Out of Sync. Looking Back at the History of Sound Art'', eds. Ragne Nukk and Kati Ilves, Tallinn: Kumu Art Museum, 2013, 128 pp. On the developments in Estonian sound art from the 1960s to the present day. Exh. held 27 Sep 2013-12 Jan 2014. [https://pood.ekm.ee/en/out-sync-looking-back-history-sound-art] {{ee}}/{{en}}
 
* ''Sünkroonist väljas. Helikunstist vaatega minevikku / Out of Sync. Looking Back at the History of Sound Art'', eds. Ragne Nukk and Kati Ilves, Tallinn: Kumu Art Museum, 2013, 128 pp. On the developments in Estonian sound art from the 1960s to the present day. Exh. held 27 Sep 2013-12 Jan 2014. [https://pood.ekm.ee/en/out-sync-looking-back-history-sound-art] {{ee}}/{{en}}
 +
 
* ''Art or Sound'', ed. & intro. Germano Celant, Milan: Progetto Prada Arte, 2014, 520 pp. [https://pdfs.semanticscholar.org/f904/b948d890080492adae106cd886e946379414.pdf Excerpt]. Exh. held at Fondazione Prada, Venice, 7 Jun-3 Nov 2014. [http://www.fondazioneprada.org/project/art-or-sound/?lang=en] [http://bookshop.fondazioneprada.org/shop/UIShop/Shop_DettaglioArticolo.aspx?idshoparticolo=40] {{en}},{{it}}
 
* ''Art or Sound'', ed. & intro. Germano Celant, Milan: Progetto Prada Arte, 2014, 520 pp. [https://pdfs.semanticscholar.org/f904/b948d890080492adae106cd886e946379414.pdf Excerpt]. Exh. held at Fondazione Prada, Venice, 7 Jun-3 Nov 2014. [http://www.fondazioneprada.org/project/art-or-sound/?lang=en] [http://bookshop.fondazioneprada.org/shop/UIShop/Shop_DettaglioArticolo.aspx?idshoparticolo=40] {{en}},{{it}}
 +
 
* ''singuhr — hoergalerie 2007-2014: sound installation art in berlin'', eds. Carsten Seiffarth und Markus Steffens, Heidelberg: Kehrer, 2016, 272 pp. With DVD (34 audio tracks). [http://singuhr.de/en/catalogues/] [https://www.kehrerverlag.com/de/singuhr-2007-2014-hoergalerie-2007-2014-sound-art-in-berlin-978-3-86828-493-5] {{de}}/{{en}}
 
* ''singuhr — hoergalerie 2007-2014: sound installation art in berlin'', eds. Carsten Seiffarth und Markus Steffens, Heidelberg: Kehrer, 2016, 272 pp. With DVD (34 audio tracks). [http://singuhr.de/en/catalogues/] [https://www.kehrerverlag.com/de/singuhr-2007-2014-hoergalerie-2007-2014-sound-art-in-berlin-978-3-86828-493-5] {{de}}/{{en}}
 +
 
* ''[https://www.sfmoma.org/publication/soundtracks/ Soundtracks]'', forew. Neal Benezra, intro. Rudolf Frieling and Tanya Zimbardo, ed. Jennifer Knox White, San Francisco: San Francisco Museum of Art, 2017. Digital catalogue; with contributions by Dena Beard, Chris Downey, Rudolf Frieling, Brandon LaBelle, Frank Smigiel, and Tanya Zimbardo. Exh. curated by Rudolf Frieling and Tanya Zimbardo; held 15 Jul 2017-1 Jan 2018.  
 
* ''[https://www.sfmoma.org/publication/soundtracks/ Soundtracks]'', forew. Neal Benezra, intro. Rudolf Frieling and Tanya Zimbardo, ed. Jennifer Knox White, San Francisco: San Francisco Museum of Art, 2017. Digital catalogue; with contributions by Dena Beard, Chris Downey, Rudolf Frieling, Brandon LaBelle, Frank Smigiel, and Tanya Zimbardo. Exh. curated by Rudolf Frieling and Tanya Zimbardo; held 15 Jul 2017-1 Jan 2018.  
 +
 
* ''Escuchar con los ojos. Arte sonoro en España, 1961-2016'', Madrid: Fundación Juan March, 2016. Book + MP3. [http://www.march.es/arte/madrid/exposiciones/arte-sonoro/?l=2 Exhibition] held at Museo de Arte Abstracto Español, Cuenca, 16 Jun-18 Sep 2016; Museu Fundación Juan March, Palma, 10 Feb-21 May 2016; Fundación Juan March, Madrid, 14 Oct 2016-15 Jan 2017. Curated by Manuel Fontán del Junco, José Iges and José Luis Maire. {{es}}
 
* ''Escuchar con los ojos. Arte sonoro en España, 1961-2016'', Madrid: Fundación Juan March, 2016. Book + MP3. [http://www.march.es/arte/madrid/exposiciones/arte-sonoro/?l=2 Exhibition] held at Museo de Arte Abstracto Español, Cuenca, 16 Jun-18 Sep 2016; Museu Fundación Juan March, Palma, 10 Feb-21 May 2016; Fundación Juan March, Madrid, 14 Oct 2016-15 Jan 2017. Curated by Manuel Fontán del Junco, José Iges and José Luis Maire. {{es}}
 +
 
* ''Sounds Remote'', 2 vols., eds. Kirsty Collander-Brown, Maria Papadomanolaki, Dawn Scarfe, and Grant Smith, Devon: Uniformbooks, and London: SoundCamp, 2016, 28+28 pp. An inventory and reader of the sounds, sites and streams assembled for the [[Soundcamp/Reveil]] radio broadcast on 2 to 3 May 2015. [https://www.voicesoundtext.com/sounds-remote] [https://theradiuslibrary.tumblr.com/post/154084417561/book-0025-soundcamp-sounds-remote-author/amp]
 
* ''Sounds Remote'', 2 vols., eds. Kirsty Collander-Brown, Maria Papadomanolaki, Dawn Scarfe, and Grant Smith, Devon: Uniformbooks, and London: SoundCamp, 2016, 28+28 pp. An inventory and reader of the sounds, sites and streams assembled for the [[Soundcamp/Reveil]] radio broadcast on 2 to 3 May 2015. [https://www.voicesoundtext.com/sounds-remote] [https://theradiuslibrary.tumblr.com/post/154084417561/book-0025-soundcamp-sounds-remote-author/amp]
 +
 
* ''zwischen grenzen: klangräume in mexiko und deutschland / entre límites: espacios sonoros en méxico y alemania / sound spaces in mexico & germany: 2015-2017'', eds. Carsten Seiffarth and Markus Steffens, Berlin: Singuhr Editions, 2018, 80 pp. {{de}}/{{es}}/{{en}}
 
* ''zwischen grenzen: klangräume in mexiko und deutschland / entre límites: espacios sonoros en méxico y alemania / sound spaces in mexico & germany: 2015-2017'', eds. Carsten Seiffarth and Markus Steffens, Berlin: Singuhr Editions, 2018, 80 pp. {{de}}/{{es}}/{{en}}
  
Line 122: Line 192:
 
* ''Unplugged'', ed. David Korecký, Prague: Galerie Rudolfinum, 2020, 24 pp. [https://www.galerierudolfinum.cz/cs/vystavy/archiv-vystav/unplugged/ Exhibition]. [https://www.galerierudolfinum.cz/cs/vystavy/publikace/unplugged/ Publisher]. {{en}}
 
* ''Unplugged'', ed. David Korecký, Prague: Galerie Rudolfinum, 2020, 24 pp. [https://www.galerierudolfinum.cz/cs/vystavy/archiv-vystav/unplugged/ Exhibition]. [https://www.galerierudolfinum.cz/cs/vystavy/publikace/unplugged/ Publisher]. {{en}}
  
−
* ''Zvuky, kódy, obrazy. Akustický experiment ve vizuálním umění / Sounds, Codes, Images'', eds. Jitka Hlaváčková and Miloš Vojtěchovský, Prague: ArtMap, 2021, 288 pp. [[Media:Sounds_Codes_Images_2021 extended excerpt.pdf|Extended excerpt]]. [http://www.ghmp.cz/zvuky-kody-obrazy-akusticky-experiment-ve-vizualnim-umeni/ Exhibition]. [https://knihy.artmap.cz/zvuky-kody-obrazy-sounds-codes-images/ Publisher]. Exh. review: [https://www.artantiques.cz/mezi-zvuky-kody-a-obrazy-napric-casem-a-prostorem Flašar] (Art&Antiques). Book reviews: [https://artalk.cz/2022/01/24/pruzkum-hranic-videneho-a-slyseneho/ Zahálková] (Artalk), [https://www.facebook.com/100006843614951/videos/416711640244586/?story_fbid=3039318796306211&id=100006843614951 Válek]. {{cz}}/{{en}}
+
* ''[[Media:Hlavackova Jitka Vojtechovsky Milos eds Zvuky kody obrazy Sounds Codes Images 2021.pdf|Zvuky, kódy, obrazy. Akustický experiment ve vizuálním umění / Sounds, Codes, Images]]'', eds. Jitka Hlaváčková and Miloš Vojtěchovský, Prague: ArtMap, 2021, 288 pp. [[Media:Sounds_Codes_Images_2021 extended excerpt.pdf|Extended excerpt]]. [http://www.ghmp.cz/zvuky-kody-obrazy-akusticky-experiment-ve-vizualnim-umeni/ Exhibition]. [https://knihy.artmap.cz/zvuky-kody-obrazy-sounds-codes-images/ Publisher]. Exh. review: [https://www.artantiques.cz/mezi-zvuky-kody-a-obrazy-napric-casem-a-prostorem Flašar] (Art&Antiques). Book reviews: [https://artalk.cz/2022/01/24/pruzkum-hranic-videneho-a-slyseneho/ Zahálková] (Artalk), [https://www.facebook.com/100006843614951/videos/416711640244586/?story_fbid=3039318796306211&id=100006843614951 Válek]. {{cz}}/{{en}}
 +
 
 +
* ''Místa chvění. Zvuk jako médium'', eds. Jakub Frank and Anežka Chalupová, Humpolec: 8smička, 2023, 171 pp. [https://8smicka.com/en/vystavy/sites-of-reverberation/ Exhibition]. Exh. review: [https://artalk.cz/2023/05/11/misto-pro-kontrolovane-chveni/ Dolanová] (Artalk.cz). [https://knihy.artmap.cz/mista-chveni--zvuk-jako-medium---jakub-frank--anezka-chalupova--eds/] {{cz}}
 +
 +
* ''Atmosphere of Sound: Sonic Art in Times of Climate Disruption'', eds. Victoria Vesna and Anuradha Vikram, Los Angeles: UCLA Art Sci Center, Sep 2024, 250 pp. With essays by Victoria Vesna, Anuradha Vikram, Ivana Dama, Aisen Caro Chacin, Carlo Ventura, Stephanie Loveless, Lena Ortega Atristain, and María Antonia González Valerio and a round table with scientific and artistic researchers. [https://soundofatmosphere.com/publication/ TOC]. [https://newsroom.ucla.edu/releases/ucla-exhitions-explore-sonic-art-in-times-of-climate-disruption Multi-exhibition program] (Sep 2024-Jun 2025). [https://soundofatmosphere.com/ Project website].
  
 
* [http://www.march.es/arte/madrid/exposiciones/arte-sonoro/bibliografia.aspx?l=2#catalogos List of catalogues of collective exhibitions of sound art in Spain].
 
* [http://www.march.es/arte/madrid/exposiciones/arte-sonoro/bibliografia.aspx?l=2#catalogos List of catalogues of collective exhibitions of sound art in Spain].
  
−
====Notable exhibitions with no catalogue====
+
; Further exhibitions, without catalogue
 +
 
 
* ''Sound Sculpture As'', Museum of Conceptual Art, San Francisco, 30 Apr 1970. Curated by [[Tom Marioni]]. [http://kunstradio.at/HISTORY/ART_INT/sound_sculpture.html]
 
* ''Sound Sculpture As'', Museum of Conceptual Art, San Francisco, 30 Apr 1970. Curated by [[Tom Marioni]]. [http://kunstradio.at/HISTORY/ART_INT/sound_sculpture.html]
 +
 
* ''Sound as Visual / Visual as Sound'', Vehicule, Montreal, Mar 1973; Wayne State College, Detroit, Jun 1973.
 
* ''Sound as Visual / Visual as Sound'', Vehicule, Montreal, Mar 1973; Wayne State College, Detroit, Jun 1973.
 +
 
* ''[http://artistsspace.org/exhibitions/audio-works Audio Works]'', Artists Space, New York, 21 Jan-18 Feb 1978.
 
* ''[http://artistsspace.org/exhibitions/audio-works Audio Works]'', Artists Space, New York, 21 Jan-18 Feb 1978.
 +
 
* ''[http://www.moma.org/calendar/exhibitions/2296 Sound Art]'', Museum of Modern Art, New York, 25 Jun-5 Aug 1979. Curated by [[Barbara London]]. [https://www.moma.org/interactives/exhibitions/2016/spelunker/exhibitions/3597/]. See [[#Dunaway2020|Dunaway 2020]].
 
* ''[http://www.moma.org/calendar/exhibitions/2296 Sound Art]'', Museum of Modern Art, New York, 25 Jun-5 Aug 1979. Curated by [[Barbara London]]. [https://www.moma.org/interactives/exhibitions/2016/spelunker/exhibitions/3597/]. See [[#Dunaway2020|Dunaway 2020]].
 +
 +
* ''Künstlerschallplatten'', Gelbe Musik, Berlin, 1 Feb-15 Mar 1983. Curated by [[Ursula Block]].
 +
 +
* ''Künstlerschallplatten gelbe Musik'', Galerie Vorsetzen, Hamburg, 14 Mar-4 Apr 1987. Curated by [[Ursula Block]].
 +
 
* ''[http://web.archive.org/web/20160306061603/http://sndart.com/ Revolutions Per Minute: Sound Art China]'', New York, 2013; [http://web.archive.org/web/20160306061603/http://sndart.com/2013sh/ Shanghai], 2013. Curated and produced by Dajuin Yao, Post-Concrete, Chinese New Ear, and Open Media Lab.
 
* ''[http://web.archive.org/web/20160306061603/http://sndart.com/ Revolutions Per Minute: Sound Art China]'', New York, 2013; [http://web.archive.org/web/20160306061603/http://sndart.com/2013sh/ Shanghai], 2013. Curated and produced by Dajuin Yao, Post-Concrete, Chinese New Ear, and Open Media Lab.
−
* ''[http://www.maclima.pe/?exposiciones=hacer-la-audicion-encuentros-entre-arte-y-sonido-en-el-peru Hacer la Audición. Encuentros entre arte y sonido en el Perú]'', Museo de Arte Contemporáneo, Lima, 18 Feb-9 Apr 2016. Curated by Luis Alvarado. [https://www.thewire.co.uk/news/40790/sound-art-exhibition-lima]
+
 
 +
* ''[http://www.maclima.pe/?exposiciones=hacer-la-audicion-encuentros-entre-arte-y-sonido-en-el-peru Hacer la Audición. Encuentros entre arte y sonido en el Perú]'', Museo de Arte Contemporáneo, Lima, 18 Feb-9 Apr 2016. Curated by [[Luis Alvarado]]. [https://www.youtube.com/watch?v=aOrbZ_Ju5gY Video]. [https://www.thewire.co.uk/news/40790/sound-art-exhibition-lima] [https://centrodelsonido.pe/timeline/hacer-la-audicion-encuentros-entre-arte-y-sonido-en-el-peru/]
 +
 
 +
* [https://www.smb.museum/en/exhibitions/detail/broken-music-vol-2/ Broken Music Vol. 2: 70 Years of Records and Sound Works by Artists], Hamburger Bahnhof, Berlin, 17 Dec 2022-14 May 2023. Curated by Sven Beckstette and Ingrid Buschmann. Exh. review: [https://thequietus.com/articles/32581-broken-music-vol-2-hamburger-bahnhof-berlin-review Quin] (Quietus).
  
 
See also [http://joy.nujus.net/SAET SAET: Sound Art Exhibitions Timeline] compiled by Jérôme Joy and Thom Holmes [http://joy.nujus.net/w/index.php?page=Sound+Art+Exhibitions+Timeline (former version)] and an overview of group exhibitions of sound art from 1964-2012 in [http://up.laura.annaville.net/LauraMaessoundingsoundart.pdf#page=419 Maes 2013].
 
See also [http://joy.nujus.net/SAET SAET: Sound Art Exhibitions Timeline] compiled by Jérôme Joy and Thom Holmes [http://joy.nujus.net/w/index.php?page=Sound+Art+Exhibitions+Timeline (former version)] and an overview of group exhibitions of sound art from 1964-2012 in [http://up.laura.annaville.net/LauraMaessoundingsoundart.pdf#page=419 Maes 2013].
Line 139: Line 225:
 
[[Image:Lander_Lexier_eds_Sound_by_Artists_1990_spread.jpg|thumb|350px|Dan Lander, Micah Lexier (eds.), ''Sound by Artists'', 1990, [https://monoskop.org/log/?p=18831 Log], [[Media:Lander_Lexier_eds_Sound_by_Artists_1990.pdf|PDF]].]]
 
[[Image:Lander_Lexier_eds_Sound_by_Artists_1990_spread.jpg|thumb|350px|Dan Lander, Micah Lexier (eds.), ''Sound by Artists'', 1990, [https://monoskop.org/log/?p=18831 Log], [[Media:Lander_Lexier_eds_Sound_by_Artists_1990.pdf|PDF]].]]
  
−
===Anthologies===
+
==Anthologies==
 
* {{a|Grayson1975}} John Grayson (ed.), ''[http://monoskop.org/log/?p=5681 Sound Sculpture: A Collection of Essays by Artists Surveying the Techniques, Applications, and Future Directions of Sound Sculpture]'', Vancouver: Aesthetic Research Centre of Canada, 1975, 196 pp. Based on the exhibition ''Sound / Sculpture: A Survey of Work by 11 Audio-Kinetic Sculptors'' held at Vancouver Art Gallery; 7 Feb-4 Mar 1973. [http://ccca.concordia.ca/resources/searches/event_detail.html?languagePref=en&vk=5646] [http://www.davidjacobssculpture.com/work/sound-sculpture-1967-1973/vancouver-art-gallery-1973-video/]
 
* {{a|Grayson1975}} John Grayson (ed.), ''[http://monoskop.org/log/?p=5681 Sound Sculpture: A Collection of Essays by Artists Surveying the Techniques, Applications, and Future Directions of Sound Sculpture]'', Vancouver: Aesthetic Research Centre of Canada, 1975, 196 pp. Based on the exhibition ''Sound / Sculpture: A Survey of Work by 11 Audio-Kinetic Sculptors'' held at Vancouver Art Gallery; 7 Feb-4 Mar 1973. [http://ccca.concordia.ca/resources/searches/event_detail.html?languagePref=en&vk=5646] [http://www.davidjacobssculpture.com/work/sound-sculpture-1967-1973/vancouver-art-gallery-1973-video/]
 +
 
* ''Sound Re Visited: An Anthology Concerning Sound in Art'', 1987. Catalogue. (see above)
 
* ''Sound Re Visited: An Anthology Concerning Sound in Art'', 1987. Catalogue. (see above)
 +
 
* {{a|LanderLexier1990}} ''[https://monoskop.org/log/?p=18831 Sound by Artists]'', eds. Dan Lander and Micah Lexier, Toronto: Art Metropole, and Banff, Alberta: Walter Phillips Gallery, 1990, 385 pp; facs.repr., Blackwood Gallery and Charivari Press, 2013, 372 pp. Essays on sound art by writers and artists including Bruce Barber, John Cage, Ihor Holubizky, Douglas Kahn, Christina Kubisch, Annea Lockwood, Alvin Lucier, Christian Marclay, Ian Murray, Rita McKeough, Max Neuhaus, and many others. [http://www.blackwoodgallery.ca/publications/SBA.html] [http://www.charivaripress.com/soundbyartists.html]
 
* {{a|LanderLexier1990}} ''[https://monoskop.org/log/?p=18831 Sound by Artists]'', eds. Dan Lander and Micah Lexier, Toronto: Art Metropole, and Banff, Alberta: Walter Phillips Gallery, 1990, 385 pp; facs.repr., Blackwood Gallery and Charivari Press, 2013, 372 pp. Essays on sound art by writers and artists including Bruce Barber, John Cage, Ihor Holubizky, Douglas Kahn, Christina Kubisch, Annea Lockwood, Alvin Lucier, Christian Marclay, Ian Murray, Rita McKeough, Max Neuhaus, and many others. [http://www.blackwoodgallery.ca/publications/SBA.html] [http://www.charivaripress.com/soundbyartists.html]
 +
 
* Caleb Kelly (ed.), ''[http://monoskop.org/log/?p=5918 Sound]'', London: Whitechapel Gallery, with MIT Press, 2011, 239 pp. "This anthology argues for sound's importance within contemporary art itself. In doing so it [does] not focus primarily on ‘sound art’ – although it includes all the relevant discussions of this term. Rather, the focus is on ‘listening’ to the visual arts." (15)
 
* Caleb Kelly (ed.), ''[http://monoskop.org/log/?p=5918 Sound]'', London: Whitechapel Gallery, with MIT Press, 2011, 239 pp. "This anthology argues for sound's importance within contemporary art itself. In doing so it [does] not focus primarily on ‘sound art’ – although it includes all the relevant discussions of this term. Rather, the focus is on ‘listening’ to the visual arts." (15)
  
−
===Book series===
+
* José Luis Espejo (ed.), ''[[:File:Espejo_Jose_Luis_ed_Escucha_por_favor_13_textos_sobre_sonido_para_el_arte_reciente_2019.pdf|Escucha, por favor. 13 textos sobre sonido para el arte reciente]]'', Madrid: Exit, 2019, 252 pp. {{es}}
 +
 
 +
==Book series==
 
* [http://www.bloomsbury.com/us/academic/academic-subjects/music-and-sound-studies/sound-studies/ Sound Studies], Bloomsbury.
 
* [http://www.bloomsbury.com/us/academic/academic-subjects/music-and-sound-studies/sound-studies/ Sound Studies], Bloomsbury.
 
* [http://www.errantbodies.org/criticalear.html Critical Ear], Errant Bodies. Series of monographs featuring contemporary artists working with sound, experimental music and electronic media.  
 
* [http://www.errantbodies.org/criticalear.html Critical Ear], Errant Bodies. Series of monographs featuring contemporary artists working with sound, experimental music and electronic media.  
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[[Image:Kim-Cohen_Seth_In_the_Blink_of_an_Ear.jpg|thumb|350px|Seth Kim-Cohen, ''In the Blink of an Ear: Toward a Non-Cochlear Sonic Art'', 2009. [http://monoskop.org/log/?p=7359 Download].]]
 
[[Image:Kim-Cohen_Seth_In_the_Blink_of_an_Ear.jpg|thumb|350px|Seth Kim-Cohen, ''In the Blink of an Ear: Toward a Non-Cochlear Sonic Art'', 2009. [http://monoskop.org/log/?p=7359 Download].]]
 
[[Image:Voegelin_Salome_Listening_to_Noise_and_Silence.jpg|thumb|350px|Salomé Voegelin, ''Listening to Noise and Silence'', 2010. [http://monoskop.org/log/?p=6036 Download].]]
 
[[Image:Voegelin_Salome_Listening_to_Noise_and_Silence.jpg|thumb|350px|Salomé Voegelin, ''Listening to Noise and Silence'', 2010. [http://monoskop.org/log/?p=6036 Download].]]
−
===Monographs, Edited books===
+
==Monographs, Edited books==
 +
 
 
* Peter Chamberlain, ''An Investigation of Sound/sculpture Relationships'', New York: State University College, 1976, 134 pp. [http://books.google.com/books/about/An_Investigation_of_Sound_sculpture_Rela.html?id=K_WaNwAACAAJ]
 
* Peter Chamberlain, ''An Investigation of Sound/sculpture Relationships'', New York: State University College, 1976, 134 pp. [http://books.google.com/books/about/An_Investigation_of_Sound_sculpture_Rela.html?id=K_WaNwAACAAJ]
 +
 
* {{a|Wishart1985}} Trevor Wishart, ''[http://monoskop.org/log/?p=598 On Sonic Art]'', Harwood Academic Publishers, 1985; 2nd ed., ed. Simon Emmerson, Routledge, 1996, 357 pp. "[S]onic art includes music and electroacoustic music. At the same time [..] it cross[es] over into areas which have been categorised distinctly as ''text-sound'' and as ''sound-effects''. [..] I have chosen the title ''On Sonic Art'' to encompass the arts of organising sound-events in time. This, however, is merely a convenient fiction for those who cannot bear to see the use of the word 'music' extended. For me, all these areas fall within the category I call 'music'." (4)
 
* {{a|Wishart1985}} Trevor Wishart, ''[http://monoskop.org/log/?p=598 On Sonic Art]'', Harwood Academic Publishers, 1985; 2nd ed., ed. Simon Emmerson, Routledge, 1996, 357 pp. "[S]onic art includes music and electroacoustic music. At the same time [..] it cross[es] over into areas which have been categorised distinctly as ''text-sound'' and as ''sound-effects''. [..] I have chosen the title ''On Sonic Art'' to encompass the arts of organising sound-events in time. This, however, is merely a convenient fiction for those who cannot bear to see the use of the word 'music' extended. For me, all these areas fall within the category I call 'music'." (4)
 +
 
* Helga de la Motte-Haber, ''Musik und Bildende Kunst. Von der Tonmalerei zur Klangskulptur'', Laaber: Laaber-Verlag, 1990.
 
* Helga de la Motte-Haber, ''Musik und Bildende Kunst. Von der Tonmalerei zur Klangskulptur'', Laaber: Laaber-Verlag, 1990.
 +
 
* Douglas Kahn, Gregory Whitehead (eds.), ''[https://monoskop.org/log/?p=19473 Wireless Imagination: Sound, Radio, and the Avant-Garde]'', MIT Press, 1992, xi+452 pp.  
 
* Douglas Kahn, Gregory Whitehead (eds.), ''[https://monoskop.org/log/?p=19473 Wireless Imagination: Sound, Radio, and the Avant-Garde]'', MIT Press, 1992, xi+452 pp.  
 +
 
* René van Peer, ''Interviews with Sound Artists: Taking Part in the Festival ECHO, The Images of Sound II'', Eindoven: Het Apollohuis, 1993, 149 pp. Interviews with Joe Jones, Richard Lerman, Jean Weinfeld, Martin Riches, Takehisa Kosugi, Horst Rickels, Johan Goedhart, Terry Fox, Christina Kubisch, Jim Pomeroy, Walter Fähnrich, Yoshi Wada, Paul Panhuysen. Most interviews took place in 1987. [http://e-artexte.ca/11687/]
 
* René van Peer, ''Interviews with Sound Artists: Taking Part in the Festival ECHO, The Images of Sound II'', Eindoven: Het Apollohuis, 1993, 149 pp. Interviews with Joe Jones, Richard Lerman, Jean Weinfeld, Martin Riches, Takehisa Kosugi, Horst Rickels, Johan Goedhart, Terry Fox, Christina Kubisch, Jim Pomeroy, Walter Fähnrich, Yoshi Wada, Paul Panhuysen. Most interviews took place in 1987. [http://e-artexte.ca/11687/]
 +
 
* Achim Wollscheid, ''The Terrorized Term'', Frankfurt/M: Selektion, 1996, 167 pp. [http://www.selektion.com/releases/rel_other.htm] [http://books.google.com/books/about/The_Terrorized_Term.html?id=XpBPAAAAMAAJ]
 
* Achim Wollscheid, ''The Terrorized Term'', Frankfurt/M: Selektion, 1996, 167 pp. [http://www.selektion.com/releases/rel_other.htm] [http://books.google.com/books/about/The_Terrorized_Term.html?id=XpBPAAAAMAAJ]
 +
 
* Adalaide Kirby Morris (ed.), ''[http://monoskop.org/log/?p=3040 Sound States: Innovative Poetics and Acoustical Technologies]'', University of North Carolina Press, 1997, 349 pp.
 
* Adalaide Kirby Morris (ed.), ''[http://monoskop.org/log/?p=3040 Sound States: Innovative Poetics and Acoustical Technologies]'', University of North Carolina Press, 1997, 349 pp.
 +
 
* Ulrike Roos, Markus Müller (eds.), ''Jahresring 45 / Jahrbuch für moderne Kunst: Make it Funky. Crossover zwischen Musik, Pop, Avantgarde und Kunst'', Cologne: Oktagon, 1998, 355 pp. [http://www.specificobject.com/objects/info.cfm?object_id=12544] {{de}}
 
* Ulrike Roos, Markus Müller (eds.), ''Jahresring 45 / Jahrbuch für moderne Kunst: Make it Funky. Crossover zwischen Musik, Pop, Avantgarde und Kunst'', Cologne: Oktagon, 1998, 355 pp. [http://www.specificobject.com/objects/info.cfm?object_id=12544] {{de}}
 +
 
* {{a|Kahn1999}} Douglas Kahn, ''[http://monoskop.org/log/?p=63 Noise, Water, Meat: A History of Sound in the Arts]'', MIT Press, 1999, 455 pp. Sparked by Dan Lander's idea of "musicalization of sound" presented in the volume ''Sound by Artists''. ([http://www.douglaskahn.com/writings/douglas_kahn-sound_art.pdf]; 363-4, n22). "By ''sound'' I mean ''sounds, voices, and aurality''--all that might fall within or touch on auditive phenomena, whether this involves actual sonic or auditive events or ideas about sound or listening; sounds actually heard or heard in myth, idea, or implication; sounds heard by everyone or imagined by one person alone; or sounds as they fuse with the sensorium as a whole" (3).
 
* {{a|Kahn1999}} Douglas Kahn, ''[http://monoskop.org/log/?p=63 Noise, Water, Meat: A History of Sound in the Arts]'', MIT Press, 1999, 455 pp. Sparked by Dan Lander's idea of "musicalization of sound" presented in the volume ''Sound by Artists''. ([http://www.douglaskahn.com/writings/douglas_kahn-sound_art.pdf]; 363-4, n22). "By ''sound'' I mean ''sounds, voices, and aurality''--all that might fall within or touch on auditive phenomena, whether this involves actual sonic or auditive events or ideas about sound or listening; sounds actually heard or heard in myth, idea, or implication; sounds heard by everyone or imagined by one person alone; or sounds as they fuse with the sensorium as a whole" (3).
 +
 
* Helga de la Motte-Haber (ed.), ''Klangkunst: Tönende Objekte und klingende Räume'', Laaber: Laaber-Verlag, 1999, 352 pp. [http://www.computermusicjournal.org/reviews/29-1/grant-klangkunst.html Review], [http://audio.uni-lueneburg.de/texte/landy.pdf Review]. {{de}}
 
* Helga de la Motte-Haber (ed.), ''Klangkunst: Tönende Objekte und klingende Räume'', Laaber: Laaber-Verlag, 1999, 352 pp. [http://www.computermusicjournal.org/reviews/29-1/grant-klangkunst.html Review], [http://audio.uni-lueneburg.de/texte/landy.pdf Review]. {{de}}
 +
 
* Brandon LaBelle, Steve Roden (eds.), ''Site of Sound: Of Architecture and the Ear'', Los Angeles: Errant Bodies/Smart Art, 1999, 178 pp. With CD. [http://www.errantbodies.org/siteofsound.html]
 
* Brandon LaBelle, Steve Roden (eds.), ''Site of Sound: Of Architecture and the Ear'', Los Angeles: Errant Bodies/Smart Art, 1999, 178 pp. With CD. [http://www.errantbodies.org/siteofsound.html]
 +
 
* Karin von Maur, ''The Sound of Painting: Music in Modern Art'', Prestel, 1999, 128 pp.
 
* Karin von Maur, ''The Sound of Painting: Music in Modern Art'', Prestel, 1999, 128 pp.
 +
 
* Allen S. Weiss (ed.), ''[http://monoskop.org/log/?p=656 Experimental Sound and Radio]'', MIT Press, 2000, 188 pp.
 
* Allen S. Weiss (ed.), ''[http://monoskop.org/log/?p=656 Experimental Sound and Radio]'', MIT Press, 2000, 188 pp.
  
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* Ken Ehrlich, Brandon LaBelle (eds.), ''Surface Tension: Problematics of Site'', Los Angeles: Errant Bodies, 2003, 328 pp. With CD. Texts by Kim Abeles, Carol Brown, CopenhagenOffice, Octavio Camargo, Jeremiah Day/Concrete Steps, Dispute Resolution Services, Jennifer Gabrys, Jen Hofer/Melissa Dyne, Lucy R. Lippard, Colette Meacher, Christof Migone/Alexander St-Onge (undo), Laurie Palmer, Lize Mogel, Michael Rakowitz, Jane Rendell, Lizzie Scott, Atau Tanaka, and WochenKlausur. [http://www.errantbodies.org/surfacetension.html]
 
* Ken Ehrlich, Brandon LaBelle (eds.), ''Surface Tension: Problematics of Site'', Los Angeles: Errant Bodies, 2003, 328 pp. With CD. Texts by Kim Abeles, Carol Brown, CopenhagenOffice, Octavio Camargo, Jeremiah Day/Concrete Steps, Dispute Resolution Services, Jennifer Gabrys, Jen Hofer/Melissa Dyne, Lucy R. Lippard, Colette Meacher, Christof Migone/Alexander St-Onge (undo), Laurie Palmer, Lize Mogel, Michael Rakowitz, Jane Rendell, Lizzie Scott, Atau Tanaka, and WochenKlausur. [http://www.errantbodies.org/surfacetension.html]
 +
 
* Yannick Dauby, ''[http://psonic.free.fr/2010/Artistes/yd/ydauby-pspartages.pdf Paysages sonores partagés]'', 2004, 119 pp. {{fr}}
 
* Yannick Dauby, ''[http://psonic.free.fr/2010/Artistes/yd/ydauby-pspartages.pdf Paysages sonores partagés]'', 2004, 119 pp. {{fr}}
 +
 
* Jim Drobnick (ed.), ''Aural Cultures'', Toronto: YYZ Books, Banff: Walter Philips Gallery Editions, 2004, 288 pp. With Audio CD. [http://books.google.com/books?id=hWb5MYmzOmAC&printsec=frontcover], [http://fillip.ca/content/by-all-means-listen-by-all-means Review].
 
* Jim Drobnick (ed.), ''Aural Cultures'', Toronto: YYZ Books, Banff: Walter Philips Gallery Editions, 2004, 288 pp. With Audio CD. [http://books.google.com/books?id=hWb5MYmzOmAC&printsec=frontcover], [http://fillip.ca/content/by-all-means-listen-by-all-means Review].
−
* Sindre Andersen, Ute Meta Bauer, Christiane Erharter (eds.), ''Sonic North'', Oslo: Office for Contemporary Art, 2005, 102 pp. [https://www.oca.no/publications/verksted/82-92495-03-7/] 
+
 
 
* Maja Kuzmanovic, nadine, Annemie Maes, Yves Bernard (eds.), ''[http://monoskop.org/log/?p=53 .x-med-a., experimental media arts]'', Brussels, 2006, 156 pp.
 
* Maja Kuzmanovic, nadine, Annemie Maes, Yves Bernard (eds.), ''[http://monoskop.org/log/?p=53 .x-med-a., experimental media arts]'', Brussels, 2006, 156 pp.
 +
 
* Brandon LaBelle, ''[http://monoskop.org/log/?p=604 Background Noise: Perspectives on Sound Art]'', Continuum, 2006, 316 pp; [http://aaaaarg.fail/ref/1569fe2f200ca644e87d14e2068891f7#0.01 2nd ed.], 2015, 351 pp. [http://wiki.dxarts.washington.edu/groups/soundart/wiki/779f0/]
 
* Brandon LaBelle, ''[http://monoskop.org/log/?p=604 Background Noise: Perspectives on Sound Art]'', Continuum, 2006, 316 pp; [http://aaaaarg.fail/ref/1569fe2f200ca644e87d14e2068891f7#0.01 2nd ed.], 2015, 351 pp. [http://wiki.dxarts.washington.edu/groups/soundart/wiki/779f0/]
 +
 
* Anne Thurmann-Jajes, Sabine Breitsameter, Winfried Pauleit (eds.), ''Sound Art: Zwischen Avantgarde und Popkultur / Sound Art: Between Avant-Garde and Pop Culture'', Cologne: Salon, 2006, 239 pp. With Audio-CD. Documentation of the conference held on 30 September-2 October 2005 on the occasion of an exhibition, 21 August-27 November 2005, Neuen Museum Weserburg Bremen. Texts by Sabine Breitsameter, Winfried Pauleit, Anne Thurmann-Jajes, Barbara Barthelmes, Julia Kursell, Martin Maurach, Daniel Gethmann, Wolfgang Hagen, Peter Frank, Sten Hanson, Heidi Grundmann, Barbara Flückiger. [http://h-net.msu.edu/cgi-bin/logbrowse.pl?trx=vx&list=H-ArtHist&month=0507&week=e&msg=uIf9TUWWc5VC5Bp5lU/Veg&user&pw] {{de}},{{en}}
 
* Anne Thurmann-Jajes, Sabine Breitsameter, Winfried Pauleit (eds.), ''Sound Art: Zwischen Avantgarde und Popkultur / Sound Art: Between Avant-Garde and Pop Culture'', Cologne: Salon, 2006, 239 pp. With Audio-CD. Documentation of the conference held on 30 September-2 October 2005 on the occasion of an exhibition, 21 August-27 November 2005, Neuen Museum Weserburg Bremen. Texts by Sabine Breitsameter, Winfried Pauleit, Anne Thurmann-Jajes, Barbara Barthelmes, Julia Kursell, Martin Maurach, Daniel Gethmann, Wolfgang Hagen, Peter Frank, Sten Hanson, Heidi Grundmann, Barbara Flückiger. [http://h-net.msu.edu/cgi-bin/logbrowse.pl?trx=vx&list=H-ArtHist&month=0507&week=e&msg=uIf9TUWWc5VC5Bp5lU/Veg&user&pw] {{de}},{{en}}
 +
 
* Alan Licht, ''Sound Art: Beyond Music, Between Categories'', New York: Rizzoli, 2007, 304 pp. With CD. Foreword by Jim O’Rourke. [http://monoskop.org/log/?p=5640], [http://continuo.wordpress.com/2008/04/09/various-sound-art/ CD], [http://pmc.iath.virginia.edu/text-only/issue.108/18.2goldsmith.txt Review]. "Sound art belongs in an exhibition situation rather than a performance situation. [It is non-narrative, and only] rarely attempts to create a portrait or capture the soul of a human being, or express something about the interaction of human beings—its main concern is sound as a phenomenon of nature and/or technology." (14)
 
* Alan Licht, ''Sound Art: Beyond Music, Between Categories'', New York: Rizzoli, 2007, 304 pp. With CD. Foreword by Jim O’Rourke. [http://monoskop.org/log/?p=5640], [http://continuo.wordpress.com/2008/04/09/various-sound-art/ CD], [http://pmc.iath.virginia.edu/text-only/issue.108/18.2goldsmith.txt Review]. "Sound art belongs in an exhibition situation rather than a performance situation. [It is non-narrative, and only] rarely attempts to create a portrait or capture the soul of a human being, or express something about the interaction of human beings—its main concern is sound as a phenomenon of nature and/or technology." (14)
 +
 
* Leigh Landy, ''[http://monoskop.org/log/?p=609 Understanding the Art of Sound Organization]'', MIT Press, 2007, 303 pp.
 
* Leigh Landy, ''[http://monoskop.org/log/?p=609 Understanding the Art of Sound Organization]'', MIT Press, 2007, 303 pp.
 +
 
* Alexis Bhagat, Gregory Gangemi (eds.), ''Sound Generation'', Brooklyn: Autonomedia, 2008; [[Media:Bhagat_Alexis_Gangemi_Gregory_eds_Sound_Generation_2013.epub|rev.ed.]], Brooklyn: Autonomedia, 2013. A collection of interviews with contemporary sound artists and composers.
 
* Alexis Bhagat, Gregory Gangemi (eds.), ''Sound Generation'', Brooklyn: Autonomedia, 2008; [[Media:Bhagat_Alexis_Gangemi_Gregory_eds_Sound_Generation_2013.epub|rev.ed.]], Brooklyn: Autonomedia, 2013. A collection of interviews with contemporary sound artists and composers.
 +
 
* Ulrich Tadday (ed.), ''Klangkunst'', Munich: Richard Boorberg, 2008, 199 pp. [http://www.straebel.de/praxis/text/pdf-MusikKonzepte_Klanginstallation.pdf Excerpt]. Contributions by Helga de la Motte, Volker Straebel, Sabine Sanio, Uwe Rüth, Wolfgang Heiniger, Julia H. Schröder, Christoph Metzger, Bernd Schulz/Carsten Seiffarth, Claudia Tittel, and Marion Saxer. {{de}}
 
* Ulrich Tadday (ed.), ''Klangkunst'', Munich: Richard Boorberg, 2008, 199 pp. [http://www.straebel.de/praxis/text/pdf-MusikKonzepte_Klanginstallation.pdf Excerpt]. Contributions by Helga de la Motte, Volker Straebel, Sabine Sanio, Uwe Rüth, Wolfgang Heiniger, Julia H. Schröder, Christoph Metzger, Bernd Schulz/Carsten Seiffarth, Claudia Tittel, and Marion Saxer. {{de}}
 +
 
* Seth Kim-Cohen, ''[http://monoskop.org/log/?p=7359 In the Blink of an Ear: Toward a Non-Cochlear Sonic Art]'', New York and London: Continuum, 2009, 296 pp. "If [Duchampian] non-retinal visual art is liberated to ask questions that the eye alone cannot answer, then a non-cochlear sonic art appeals to exigencies out of earshot. But the eye and the ear are not denied or discarded. A conceptual sonic art would necessarily engage both the non-cochlear and the cochlear, and the constituting trace of each in the other." (xxi)
 
* Seth Kim-Cohen, ''[http://monoskop.org/log/?p=7359 In the Blink of an Ear: Toward a Non-Cochlear Sonic Art]'', New York and London: Continuum, 2009, 296 pp. "If [Duchampian] non-retinal visual art is liberated to ask questions that the eye alone cannot answer, then a non-cochlear sonic art appeals to exigencies out of earshot. But the eye and the ear are not denied or discarded. A conceptual sonic art would necessarily engage both the non-cochlear and the cochlear, and the constituting trace of each in the other." (xxi)
−
* Frances Dyson, ''Sounding New Media: Immersion and Embodiment in the Arts and Culture'', University of California Press, 2009, 262 pp.
+
 
 +
* Frances Dyson, ''[http://libgen.rs/book/index.php?md5=E4A3552C5AD9B61843E6FFC238291B2F Sounding New Media: Immersion and Embodiment in the Arts and Culture]'', University of California Press, 2009, 262 pp.
 +
 
 
* Craig Dworkin, ''[http://monoskop.org/log/?p=7185 Unheard Music]'', information as material, 2010, 30 pp. A survey of almost one hundred compositions and performances of silent music.
 
* Craig Dworkin, ''[http://monoskop.org/log/?p=7185 Unheard Music]'', information as material, 2010, 30 pp. A survey of almost one hundred compositions and performances of silent music.
 +
 
* Thomas Bey William Bailey, ''[http://monoskop.org/log/?p=8155 Micro Bionic: Radical Electronic Music & Sound Art in the 21st Century]'', Creation Books, 2009; 2nd ed., Belsona Books, 2012, 417 pp.
 
* Thomas Bey William Bailey, ''[http://monoskop.org/log/?p=8155 Micro Bionic: Radical Electronic Music & Sound Art in the 21st Century]'', Creation Books, 2009; 2nd ed., Belsona Books, 2012, 417 pp.
 +
 
* Salomé Voegelin, ''[http://monoskop.org/log/?p=6036 Listening to Noise and Silence: Towards a Philosophy of Sound Art]'', Continuum, 2010, 256 pp. "[This text] is about sound art in that it focuses on sound as its 'object' of investigation; and it is philosophical in that it speculates and inquires into new ways to consider art, the world and our position within the production of art and the world through a sonic sensibility." (xiv)
 
* Salomé Voegelin, ''[http://monoskop.org/log/?p=6036 Listening to Noise and Silence: Towards a Philosophy of Sound Art]'', Continuum, 2010, 256 pp. "[This text] is about sound art in that it focuses on sound as its 'object' of investigation; and it is philosophical in that it speculates and inquires into new ways to consider art, the world and our position within the production of art and the world through a sonic sensibility." (xiv)
−
* Peter Kiefer (ed.), ''Klangräume der Kunst'', Heidelberg: Kehrer, 2010. With Video-DVD. {{de}} [http://www.musikderzeit.de/de_DE/journal/current/showarticle,33113.html Review].
+
 
−
* Llorenç Barber, Montserrat Palacios, ''La mosca tras la oreja: de la música experimental al arte sonoro en España'', Madrid: Autor, 2010. With 4-CD. {{es}} [http://arsonal-arsonal.blogspot.com/2010/10/llorenc-barber-montserrat-palacios-la.html]
+
* Peter Kiefer (ed.), ''Klangräume der Kunst'', Heidelberg: Kehrer, 2010. With Video-DVD. [http://www.musikderzeit.de/de_DE/journal/current/showarticle,33113.html Review]. {{de}}
−
* Galen Joseph-Hunter, Penny Duff, Maria Papadomanolaki (eds.), ''Transmission Arts: Artists & Airwaves'', PAJ Publications, with free103point9, 2011, 169 pp. [https://wavefarm.org/ta/about Project website]. [https://cris.brighton.ac.uk/ws/portalfiles/portal/484190/Transmission_Arts_Book_Cover.pdf Cover]. [https://wavefarm.org/wf/archive/ah1hz2]  [https://muse.jhu.edu/article/315500/pdf] [https://data.wavefarm.org/2007/07/08.transmissionworks.pdf]. Review: [https://sci-hub.se/10.1162/LEON_r_00392 Barber] (Leonardo).
+
 
−
* Peter Price, ''Resonance: Philosophy for Sonic Art'', New York: Atropos Press, 2011, 324 pp. [http://www.atropospress.com/publications/resonance-philosophy-for-sonic-art/]
+
* Llorenç Barber, Montserrat Palacios, ''La mosca tras la oreja: de la música experimental al arte sonoro en España'', Madrid: Autor, 2010. With 4-CD. [http://arsonal-arsonal.blogspot.com/2010/10/llorenc-barber-montserrat-palacios-la.html] {{es}}
 +
 
 +
* Galen Joseph-Hunter, Penny Duff, Maria Papadomanolaki (eds.), ''Transmission Arts: Artists & Airwaves'', PAJ Publications, with free103point9, 2011, 169 pp. [https://wavefarm.org/ta/about Project website]. [https://cris.brighton.ac.uk/ws/portalfiles/portal/484190/Transmission_Arts_Book_Cover.pdf Cover]. [https://wavefarm.org/wf/archive/ah1hz2]  [https://muse.jhu.edu/article/315500/pdf] [https://data.wavefarm.org/2007/07/08.transmissionworks.pdf]. Review: [https://sci-hub.st/10.1162/LEON_r_00392 Barber] (Leonardo).
 +
 
 +
* Peter Price, ''Resonance: Philosophy for Sonic Art'', New York: Atropos Press, 2011, 324 pp. [http://www.atropospress.com/publications/resonance-philosophy-for-sonic-art/ Publisher].
 +
 
 
* Jøran Rudi (ed.), ''Soundscape i kunsten / Soundscape in the Arts'', Oslo: NOTAM, 2011, 336 pp. Contributions by Natasha Barrett, Bill Fontana, Kristof Georgen, Henrik Hellstenius, Francisco Lòpez, David Monacchi, Camille Norment, Jøran Rudi, Kjell Samkopf, Owe Svensson, Gisle Tveito, Anders Vinjar and Jana Winderen. [http://www.joranrudi.no/mediefiler/Soundscape%20i%20kunsten,%20forord.pdf Foreword], [http://www.joranrudi.no/mediefiler/Soundscape%20i%20kunsten.pdf Rudi's essay], [http://www.joranrudi.no/mediefiler/Soundscape%20og%20lytting.pdf Rudi's essay #2], [http://www.joranrudi.no/mediefiler/Intervju%20med%20Jana%20Winderen.pdf Interview with Jana Winderen], [http://www.joranrudi.no/mediefiler/Intervju%20med%20Bill%20Fontana.pdf Interview with Bill Fontana]. {{no}}/{{en}}
 
* Jøran Rudi (ed.), ''Soundscape i kunsten / Soundscape in the Arts'', Oslo: NOTAM, 2011, 336 pp. Contributions by Natasha Barrett, Bill Fontana, Kristof Georgen, Henrik Hellstenius, Francisco Lòpez, David Monacchi, Camille Norment, Jøran Rudi, Kjell Samkopf, Owe Svensson, Gisle Tveito, Anders Vinjar and Jana Winderen. [http://www.joranrudi.no/mediefiler/Soundscape%20i%20kunsten,%20forord.pdf Foreword], [http://www.joranrudi.no/mediefiler/Soundscape%20i%20kunsten.pdf Rudi's essay], [http://www.joranrudi.no/mediefiler/Soundscape%20og%20lytting.pdf Rudi's essay #2], [http://www.joranrudi.no/mediefiler/Intervju%20med%20Jana%20Winderen.pdf Interview with Jana Winderen], [http://www.joranrudi.no/mediefiler/Intervju%20med%20Bill%20Fontana.pdf Interview with Bill Fontana]. {{no}}/{{en}}
 +
 
* Carsten Seiffarth, Carsten Stabenow, Golo Föllmer (eds.), ''[https://monoskop.org/log/?p=6479 Sound Exchange: Anthology of Experimental Music Cultures in Central and Eastern Europe 1950-2010]'', Saarbrücken: PFAU, 2012, 400 pp. {{en}}/{{de}}
 
* Carsten Seiffarth, Carsten Stabenow, Golo Föllmer (eds.), ''[https://monoskop.org/log/?p=6479 Sound Exchange: Anthology of Experimental Music Cultures in Central and Eastern Europe 1950-2010]'', Saarbrücken: PFAU, 2012, 400 pp. {{en}}/{{de}}
 +
 
* Lars Mørch Finborud, ''Mot det totale museum; Henie Onstad kunstsenter og tidsbasert kunst 1961-2011'', Oslo: Forlaget, 2012, 305 pp. [http://issuu.com/forlagetpress/docs/9788275476041 Excerpt]. [https://fpress.no/boker/mot-det-totale-museum] {{no}}  
 
* Lars Mørch Finborud, ''Mot det totale museum; Henie Onstad kunstsenter og tidsbasert kunst 1961-2011'', Oslo: Forlaget, 2012, 305 pp. [http://issuu.com/forlagetpress/docs/9788275476041 Excerpt]. [https://fpress.no/boker/mot-det-totale-museum] {{no}}  
 +
 
* Joe Banks, ''Rorschach Audio – Art and Illusion for Sound'', London: Disinformation, 2012, 192 pp. [https://rorschachaudio.com/ Project website]. [https://earroom.wordpress.com/2017/03/04/joe-banks-disinformation/ Interview]. [https://www.bps.org.uk/psychologist/rorschach-audio-art-and-illusion-sound] [http://strangeattractor.co.uk/shoppe/rorschach-audio/]
 
* Joe Banks, ''Rorschach Audio – Art and Illusion for Sound'', London: Disinformation, 2012, 192 pp. [https://rorschachaudio.com/ Project website]. [https://earroom.wordpress.com/2017/03/04/joe-banks-disinformation/ Interview]. [https://www.bps.org.uk/psychologist/rorschach-audio-art-and-illusion-sound] [http://strangeattractor.co.uk/shoppe/rorschach-audio/]
 
** Τζό Μπανκς, ''Rorschach Audio'', trans. Γιώργος Καναβός, Athens: Topovoros, 2022, 224 pp. [https://topovoros.gr/catalogue/rorschach-audio/ Publisher]. {{gr}}
 
** Τζό Μπανκς, ''Rorschach Audio'', trans. Γιώργος Καναβός, Athens: Topovoros, 2022, 224 pp. [https://topovoros.gr/catalogue/rorschach-audio/ Publisher]. {{gr}}
−
* Lin Chiwei (林其蔚), ''超越聲音藝術-前衛主義、聲音機器、聽覺現代性'' [Chao yue sheng yin yi shu: qian wei zhu yi, sheng yin ji qi, ting jue xian dai xing; Beyond Sound Art: The Avant Garde, Sound Machines, and the Modernity of Hearing], Taipei: Artist Publishing (藝術家出版社), 2012, 351 pp. [http://sndart.com/2013sh/林其蔚-超越聲音藝術/ Excerpt]. {{zh}}. First monograph on Chinese sound art. [http://www.aaa.org.hk/Collection/Details/52726]
+
 
 +
* Lin Chiwei (林其蔚), ''[http://libgen.rs/book/index.php?md5=2E6AB15F012F356501E8E0F698002575 Chao yue sheng yin yi shu: qian wei zhu yi, sheng yin ji qi, ting jue xian dai xing]'' [超越聲音藝術-前衛主義、聲音機器、聽覺現代性; Beyond Sound Art: The Avant Garde, Sound Machines, and the Modernity of Hearing], Taipei: Artist Publishing (藝術家出版社), 2012, 351 pp. [http://sndart.com/2013sh/林其蔚-超越聲音藝術/ Excerpt]. First monograph on Chinese sound art. [http://www.aaa.org.hk/Collection/Details/52726] {{zh}}
 +
 
 
* Andrey Smirnov, ''[http://monoskop.org/log/?p=8860 Sound in Z: Experiments in Sound and Electronic Music in Early 20th-century Russia]'',  London: Koenig Books & Sound and Music, 2013, 281 pp.
 
* Andrey Smirnov, ''[http://monoskop.org/log/?p=8860 Sound in Z: Experiments in Sound and Electronic Music in Early 20th-century Russia]'',  London: Koenig Books & Sound and Music, 2013, 281 pp.
−
* Douglas Kahn, ''Earth Sound Earth Signal: Energies and Earth Magnitude in the Arts'', University of California Press, 2013, 344 pp. [http://www.ucpress.edu/book.php?isbn=9780520257559]
+
 
 +
* Douglas Kahn, ''[http://libgen.rs/book/index.php?md5=C9A66E57C691A1B7F3A80812CFC5B345 Earth Sound Earth Signal: Energies and Earth Magnitude in the Arts]'', University of California Press, 2013, 344 pp. [http://www.ucpress.edu/book.php?isbn=9780520257559 Publisher].
 +
 
 
* Seth Kim-Cohen, ''[http://monoskop.org/log/?p=13768 Against Ambience]'', Bloomsbury, 2013.  
 
* Seth Kim-Cohen, ''[http://monoskop.org/log/?p=13768 Against Ambience]'', Bloomsbury, 2013.  
−
* eldritch Priest, ''Boring Formless Nonsense: Experimental Music and the Aesthetics of Failure'', Bloomsbury, 2013. [http://www.bloomsbury.com/us/boring-formless-nonsense-9781441122131/], [http://xenopraxis.net/readings/priest_BFNch3.pdf Excerpt]. Reviews: [http://muse.jhu.edu/journals/symploke/v021/21.1-2.hainge.pdf Hainge] (2013), [http://review31.co.uk/article/view/169/this-is-all-bullshit-really Key] (2013), [http://neural.it/2013/09/eldritch-priest-boring-formless-nonsense-experimental-music-and-the-aesthetics-of-failure/ Neural] (2013), [http://andrewhugill.com/writings/BoringFormlessNonsense.pdf Hugill] (2015).
+
 
−
* Eleni Ikoniadou, ''The Rhythmic Event: Art, Media, and the Sonic'', MIT Press, 2014, 136 pp. [http://mitpress.mit.edu/books/rhythmic-event]
+
* eldritch Priest, ''[http://libgen.rs/book/index.php?md5=434A8215613E9E351211678CC5549694 Boring Formless Nonsense: Experimental Music and the Aesthetics of Failure]'', Bloomsbury, 2013. [http://www.bloomsbury.com/us/boring-formless-nonsense-9781441122131/ Publisher]. [http://xenopraxis.net/readings/priest_BFNch3.pdf Excerpt]. Reviews: [http://muse.jhu.edu/journals/symploke/v021/21.1-2.hainge.pdf Hainge], [http://review31.co.uk/article/view/169/this-is-all-bullshit-really Key], [http://neural.it/2013/09/eldritch-priest-boring-formless-nonsense-experimental-music-and-the-aesthetics-of-failure/ Neural], [http://andrewhugill.com/writings/BoringFormlessNonsense.pdf Hugill].
 +
 
 +
* Eleni Ikoniadou, ''[http://libgen.rs/book/index.php?md5=EA1E79B5544666001160725E8E94C883 The Rhythmic Event: Art, Media, and the Sonic]'', MIT Press, 2014, 136 pp, [http://libgen.rs/book/index.php?md5=DEA02F273CAAA82B7667C00E552D34AE EPUB]. [http://mitpress.mit.edu/books/rhythmic-event Publisher].
 +
 
 
* ''[https://monoskop.org/log/?p=17820 Invisible Places, Sounding Cities: Sound, Urbanism and Sense of Place]'', eds. Raquel Castro and Miguel Carvalhais, Viseu: Jardins Efémeros, 2014, 808 pp. Proceedings.
 
* ''[https://monoskop.org/log/?p=17820 Invisible Places, Sounding Cities: Sound, Urbanism and Sense of Place]'', eds. Raquel Castro and Miguel Carvalhais, Viseu: Jardins Efémeros, 2014, 808 pp. Proceedings.
 +
 
* Thomas Gardner, Salomé Voegelin (eds.), ''Colloquium: Sound Art and Music'', Winchester, WA: Zero Books, 2016, 217 pp. Based on a 2012 colloquium at University of the Arts London. [http://www.zero-books.net/books/colloquium-sound-art-music]
 
* Thomas Gardner, Salomé Voegelin (eds.), ''Colloquium: Sound Art and Music'', Winchester, WA: Zero Books, 2016, 217 pp. Based on a 2012 colloquium at University of the Arts London. [http://www.zero-books.net/books/colloquium-sound-art-music]
−
* Frederick Bianchi, V.J. Manzo (eds.), ''Environmental Sound Artists: In Their Own Words'', Oxford University Press, 2016, 232 pp. [https://global.oup.com/academic/product/environmental-sound-artists-9780190234621?lang=en&cc=gb]
+
 
−
* Yael Kaduri (eds.), ''The Oxford Handbook of Sound and Image in Western Art'', Oxford University Press, 2016, 552 pp. [https://global.oup.com/academic/product/the-oxford-handbook-of-sound-and-image-in-western-art-9780199841547]
+
* Frederick Bianchi, V.J. Manzo (eds.), ''[http://libgen.rs/book/index.php?md5=BD4374B34B7CA3C994189EFE231913F9 Environmental Sound Artists: In Their Own Words]'', Oxford University Press, 2016, 232 pp. [https://global.oup.com/academic/product/environmental-sound-artists-9780190234621?lang=en&cc=gb Publisher].
−
* Marcel Cobussen, Vincent Meelberg, Barry Truax (eds.), ''The Routledge Companion to Sounding Art'', Routledge, 2017, 482 pp. [https://www.routledge.com/The-Routledge-Companion-to-Sounding-Art/Cobussen-Meelberg-Truax/p/book/9781138780613]
+
 
−
* Will Schrimshaw, ''[https://aaaaarg.fail/thing/5a18b7899ff37c093809f932 Immanence and Immersion: On the Acoustic Condition in Contemporary Art]'', Bloomsbury Academic, 2017, 216 pp. [https://www.bloomsbury.com/uk/immanence-and-immersion-9781501315855/]
+
* Yael Kaduri (eds.), ''The Oxford Handbook of Sound and Image in Western Art'', Oxford University Press, 2016, 552 pp. [https://global.oup.com/academic/product/the-oxford-handbook-of-sound-and-image-in-western-art-9780199841547 Publisher].
 +
 
 +
* Marcel Cobussen, Vincent Meelberg, Barry Truax (eds.), ''The Routledge Companion to Sounding Art'', Routledge, 2017, 482 pp. [https://www.routledge.com/The-Routledge-Companion-to-Sounding-Art/Cobussen-Meelberg-Truax/p/book/9781138780613 Publisher].
 +
 
 +
* Will Schrimshaw, ''[https://aaaaarg.fail/thing/5a18b7899ff37c093809f932 Immanence and Immersion: On the Acoustic Condition in Contemporary Art]'', Bloomsbury, 2017, 216 pp. [https://www.bloomsbury.com/uk/immanence-and-immersion-9781501315855/ Publisher].
 +
 
 
* Caleb Kelly, ''[http://library.memoryoftheworld.org/#/book/104f1645-3ff1-4837-b25d-b8666a81d727 Gallery Sound]'', New York: Bloomsbury, 2017, 176 pp. Review: [https://www.leonardo.info/review/2017/12/review-of-gallery-sound Barber] (Leonardo).
 
* Caleb Kelly, ''[http://library.memoryoftheworld.org/#/book/104f1645-3ff1-4837-b25d-b8666a81d727 Gallery Sound]'', New York: Bloomsbury, 2017, 176 pp. Review: [https://www.leonardo.info/review/2017/12/review-of-gallery-sound Barber] (Leonardo).
−
* Christoph Cox, ''[http://library.memoryoftheworld.org/#/book/84448ac3-8669-424b-8be0-472b8f37026a Sonic Flux: Sound, Art, and Metaphysics]'', University of Chicago Press, 2018, 272 pp. [https://www.press.uchicago.edu/ucp/books/book/chicago/S/bo27886631.html]
+
 
−
* Esther Venrooy, ''Sounding Things Out: A Journey through Music and Sound Art'', Eindhoven: Onomatopee, 2018, 144 pp. [https://www.onomatopee.net/exhibition/there-is-nothing-connected-nothing-distinct/#publication_2308]
+
* Christoph Cox, ''[http://library.memoryoftheworld.org/#/book/84448ac3-8669-424b-8be0-472b8f37026a Sonic Flux: Sound, Art, and Metaphysics]'', University of Chicago Press, 2018, 272 pp. [https://www.press.uchicago.edu/ucp/books/book/chicago/S/bo27886631.html Publisher].
−
* Jørgen Larsson, ''Håndbok for lydarbeid i visningsrom'', eds. Sissel Lillebostad and Bjørnar Habbestad, Bergen: Lydgalleriet, 2018, 200 pp. [http://www.jorgenlarsson.org/index.php/en/projects/51] [http://www.lydgalleriet.no/archive/boklansering-handbok-for-lydarbeid-i-visningsrom] {{no}}
+
 
−
* Peter Weibel (ed.), ''Sound Art: Sound as a Medium of Art'', MIT Press, 2019, 744 pp. [https://mitpress.mit.edu/books/sound-art]  
+
* Esther Venrooy, ''Sounding Things Out: A Journey through Music and Sound Art'', Eindhoven: Onomatopee, 2018, 144 pp. [https://www.onomatopee.net/exhibition/there-is-nothing-connected-nothing-distinct/#publication_2308 Publisher].
−
* Alan Licht, ''[http://library.memoryoftheworld.org/#/book/bcb15a45-d167-4134-bda1-05be4a65accc Sound Art Revisited]'', Bloomsbury Academic, 2019.
+
 
−
* José Luis Espejo (ed.), ''[https://issuu.com/exitmedia/docs/escucha_por_favor_completo Escucha, por favor: 13 textos sobre sonido para el arte reciente]'', Madrid: Exit, 2019, 252 pp. [https://exitmedia.net/EXIT/es/exit-libris/235-escucha-por-favor.html Publisher]. [https://joseluisespejo.net/escucha-por-favor-2/ Editor]. {{es}}
+
* Jørgen Larsson, ''Håndbok for lydarbeid i visningsrom'', eds. Sissel Lillebostad and Bjørnar Habbestad, Bergen: Lydgalleriet, 2018, 200 pp. [http://www.jorgenlarsson.org/index.php/en/projects/51 Author]. [http://www.lydgalleriet.no/archive/boklansering-handbok-for-lydarbeid-i-visningsrom Publisher]. {{no}}
−
* Sanne Krogh Groth, Holger Schulze (eds.), ''[https://aaaaarg.fail/thing/5f2456b89ff37c174b2e81d0 The Bloomsbury Handbook of Sound Art]'', Bloomsbury Academic, 2020, 576 pp. [https://www.bloomsbury.com/uk/the-bloomsbury-handbook-of-sound-art-9781501338793/]  
+
 
 +
* Peter Weibel (ed.), ''Sound Art: Sound as a Medium of Art'', MIT Press, 2019, 744 pp. [https://mitpress.mit.edu/books/sound-art Publisher].
 +
 
 +
* Alan Licht, ''[http://library.memoryoftheworld.org/#/book/bcb15a45-d167-4134-bda1-05be4a65accc Sound Art Revisited]'', Bloomsbury, Aug 2019, 208 pp. [https://www.bloomsbury.com/us/sound-art-revisited-9781501333132/ Publisher].
 +
 
 +
* José Luis Espejo (ed.), ''[[:File:Espejo_Jose_Luis_ed_Escucha_por_favor_13_textos_sobre_sonido_para_el_arte_reciente_2019.pdf|Escucha, por favor: 13 textos sobre sonido para el arte reciente]]'', Madrid: Exit, 2019, 252 pp. [https://exitmedia.net/EXIT/es/exit-libris/235-escucha-por-favor.html Publisher]. [https://joseluisespejo.net/escucha-por-favor-2/ Editor]. {{es}}
 +
 
 +
* Caterina Tomeo (ed.), ''Sonic Arts. Tra esperienza percettiva e ascolto attivo'', Rome: Castelvecchi, 2019, 176 pp. [https://www.castelvecchieditore.com/prodotto/sonic-arts/ Publisher]. {{it}}
 +
 
 +
* Sanne Krogh Groth, Holger Schulze (eds.), ''[http://libgen.rs/book/index.php?md5=B2A0F3DE05C70006F0AA9BF94D5A1F72 The Bloomsbury Handbook of Sound Art]'', Bloomsbury Academic, 2020, 576 pp, [https://aaaaarg.fail/thing/5f2456b89ff37c174b2e81d0 ARG]. [https://www.bloomsbury.com/uk/the-bloomsbury-handbook-of-sound-art-9781501338793/ Publisher].
 +
 
 
* Sissel Lillebostad, Julie Lillelien Porter, Samuel Brzeski (eds.), ''[https://monoskop.org/log/?p=22717 Lydgalleriet Retrospective 2005-2020]'', Bergen: Lydgalleriet, 2020, 235 pp.
 
* Sissel Lillebostad, Julie Lillelien Porter, Samuel Brzeski (eds.), ''[https://monoskop.org/log/?p=22717 Lydgalleriet Retrospective 2005-2020]'', Bergen: Lydgalleriet, 2020, 235 pp.
 +
 
* Cathy Lane, Angus Carlyle, ''Sound Arts Now'', Uniformbooks, 2021, 240 pp. Features 20 interviews. [https://www.thewire.co.uk/in-writing/book-extracts/read-an-excerpt-from-sound-arts-now-by-cathy-lane-angus-carlyle Excerpt]. [https://www.crisap.org/research/projects/sound-arts-now/]
 
* Cathy Lane, Angus Carlyle, ''Sound Arts Now'', Uniformbooks, 2021, 240 pp. Features 20 interviews. [https://www.thewire.co.uk/in-writing/book-extracts/read-an-excerpt-from-sound-arts-now-by-cathy-lane-angus-carlyle Excerpt]. [https://www.crisap.org/research/projects/sound-arts-now/]
 +
 
* Jane Grant, John Matthias, David Prior (eds.), ''Oxford Handbook of Sound Art'', Oxford: Oxford University Press, 2021, 632 pp. [https://global.oup.com/academic/product/the-oxford-handbook-of-sound-art-9780190274054 Publisher].
 
* Jane Grant, John Matthias, David Prior (eds.), ''Oxford Handbook of Sound Art'', Oxford: Oxford University Press, 2021, 632 pp. [https://global.oup.com/academic/product/the-oxford-handbook-of-sound-art-9780190274054 Publisher].
 +
 +
* Raoul Mörchen, Carsten Seiffarth (eds.), ''Listening / Hearing'', Mainz: Schott Music, 2021, 344 pp. [https://www.schott-music.com/de/listening-hearing-no557778.html Publisher]. {{de}}
 +
 +
* Jing Wang, ''[http://libgen.rs/book/index.php?md5=FDF080BE72014138BB2571317493FE36 Half Sound, Half Philosophy: Aesthetics, Politics, and History of China's Sound Art]'', Bloomsbury, 2021, 232 pp. [https://www.bloomsbury.com/uk/half-sound-half-philosophy-9781501333484/ Publisher].
 +
 +
* Elena Biserna (ed.), ''Going Out: Walking, Listening, Soundmaking'', Dijon: Les presses du réel, and umland, 2022, 580 pp. [https://www.lespressesdureel.com/EN/ouvrage.php?id=10227 Publisher].
 +
 +
* Katsushi Nakagawa (中川克志), サウンド・アートとは何か: 音と耳に関わる現代アートの四つの系譜 [What is Sound Art?: Four genealogies of Sound in the Arts], Nakanishiya, 2023, 286 pp. First comprehensive description of the term and the genre of sound art in Japanese. [https://www.nakanishiya.co.jp/book/b10044931.html Publisher]. {{jp}}
 +
 +
* Bernd Herzogenrath (ed.), ''[http://libgen.rs/book/index.php?md5=59299057244BB8CB111D823B4D8CDD93 A Sound Word Almanac]'', Bloomsbury, Dec 2023, 168 pp, [http://libgen.rs/book/index.php?md5=97406402F53416529A0E2BF9BD494B6B EPUB]. [https://www.bloomsbury.com/us/sound-word-almanac-9798765109052/ Publisher].
  
 
* [http://www.march.es/arte/madrid/exposiciones/arte-sonoro/bibliografia.aspx?l=2#monografias more]
 
* [http://www.march.es/arte/madrid/exposiciones/arte-sonoro/bibliografia.aspx?l=2#monografias more]
Line 228: Line 388:
 
[[Image:Kunstjournalen_B-post_2012_Sound.jpg|thumb|350px|''Kunstjournalen B-post:'' "Sound / Lyd", 2012. [https://www.kunstjournalen.no/en/12/index.html View online] (EN/NO).]]
 
[[Image:Kunstjournalen_B-post_2012_Sound.jpg|thumb|350px|''Kunstjournalen B-post:'' "Sound / Lyd", 2012. [https://www.kunstjournalen.no/en/12/index.html View online] (EN/NO).]]
  
−
===Journal issues===
+
==Journal issues==
 
* ''3rd Degree'' 4: Special Issue: "Earshot" (1988), ed. Shelly Cox, et al.
 
* ''3rd Degree'' 4: Special Issue: "Earshot" (1988), ed. Shelly Cox, et al.
 
* ''Art & Text'' 31: Special Issue on Sound (Dec-Feb 1989), ed. Martin Harrison, et al.
 
* ''Art & Text'' 31: Special Issue on Sound (Dec-Feb 1989), ed. Martin Harrison, et al.
Line 244: Line 404:
 
* [[Media:Open_9_Sound.pdf|''Open'' 9: "Sound. Sound in Art and Culture"]], Rotterdam: nai010, Nov 2005.
 
* [[Media:Open_9_Sound.pdf|''Open'' 9: "Sound. Sound in Art and Culture"]], Rotterdam: nai010, Nov 2005.
 
** ''Open'' 9: "Geluid. Geluid in kunst en cultuur", Rotterdam: nai010, 2005. {{nl}}
 
** ''Open'' 9: "Geluid. Geluid in kunst en cultuur", Rotterdam: nai010, 2005. {{nl}}
−
* ''Positionen'' 65: "Klangkunst", Großstückenfeld: Positionen, Nov 2005. {{de}} [http://shop.positionen.net/product_info.php?cPath=1_50&op=list&sort=products_sort_order&page=12&cPath=1_50&products_id=13]
+
* [[Media:Verksted 4 Sonic North 2005.pdf|''Verksted'' 4: "Sonic North"]], eds. Sindre Andersen, Ute Meta Bauer, and Christiane Erharter, Oslo: Office for Contemporary Art, 2005, 102 pp, [https://archive.org/details/sonicnorth0000unse IA]. [https://www.oca.no/publications/verksted/82-92495-03-7/ Publisher].
 +
* ''Positionen'' 65: "Klangkunst", Großstückenfeld: Positionen, Nov 2005. [http://shop.positionen.net/product_info.php?cPath=1_50&op=list&sort=products_sort_order&page=12&cPath=1_50&products_id=13] {{de}}
 
* ''[http://iowareview.uiowa.edu/TIRW/TIRW_Archive/feb06/feb06_txt.html The Iowa Review Web 8(1): Special issue on Sound Art]'', ed. Ben Basan, Feb/Mar 2006.
 
* ''[http://iowareview.uiowa.edu/TIRW/TIRW_Archive/feb06/feb06_txt.html The Iowa Review Web 8(1): Special issue on Sound Art]'', ed. Ben Basan, Feb/Mar 2006.
 
* John Grzinich (ed.), [http://maaheli.ee/heli/files/Sound_Art_Special.pdf ''kunst.ee: Estonian Quarterly of Art and Visual Culture''], Special section on Sound Art, Jun 2006.
 
* John Grzinich (ed.), [http://maaheli.ee/heli/files/Sound_Art_Special.pdf ''kunst.ee: Estonian Quarterly of Art and Visual Culture''], Special section on Sound Art, Jun 2006.
Line 267: Line 428:
 
* ''OEI'': "Ljudkonst", eds. Åsa Stjerna and Andreas Engström, Stockholm: OEI, May 2019. [http://oei.nu/w/3.html] {{sw}}
 
* ''OEI'': "Ljudkonst", eds. Åsa Stjerna and Andreas Engström, Stockholm: OEI, May 2019. [http://oei.nu/w/3.html] {{sw}}
 
* [https://www.erudit.org/fr/revues/circuit/2020-v30-n1-circuit05265/ ''Circuit: musiques contemporaines'' 30(1): "Art + son = art sonore ?"], ed. Annelies Fryberger, Montréal: Presses de l’Université de Montréal, 2020, 108 pp. [https://revuecircuit.ca/collection/30_1/index.php]. Review: [https://journals.openedition.org/critiquedart/68021 Christoffel] (Critique d'art). {{fr}},{{en}}
 
* [https://www.erudit.org/fr/revues/circuit/2020-v30-n1-circuit05265/ ''Circuit: musiques contemporaines'' 30(1): "Art + son = art sonore ?"], ed. Annelies Fryberger, Montréal: Presses de l’Université de Montréal, 2020, 108 pp. [https://revuecircuit.ca/collection/30_1/index.php]. Review: [https://journals.openedition.org/critiquedart/68021 Christoffel] (Critique d'art). {{fr}},{{en}}
 +
* [[Media:Sensitive Sound Recordings 2022.pdf|''Prace Kulturoznawcze'' 26(1): "Sensitive Sound Recordings"]], eds. Renata Tańczuk and Sławomir Wieczorek, Wrocław: Wydawnictwo Uniwersytetu Wrocławskiego, 2022, 146 pp. [https://wuwr.pl/pkult/issue/view/859 Publisher]. [https://cense.earth/the-second-life-of-recorded-sounds-2020-publication]
 +
* ''A2'' 5: "Non-music", Prague, Mar 2023. [https://www.advojka.cz/archiv/2023/5] {{cz}}
  
−
===Essays (selection)===
+
==Essays (selection)==
 
* David Toop, "Sonic Boom", in ''Sonic Boom: The Art of Sound'', London: Hayward Gallery, 2000, pp 107-131. "[Sound art is] sound combined with visual art practices" (107).
 
* David Toop, "Sonic Boom", in ''Sonic Boom: The Art of Sound'', London: Hayward Gallery, 2000, pp 107-131. "[Sound art is] sound combined with visual art practices" (107).
 
* Max Neuhaus, [http://www.max-neuhaus.info/soundworks/soundart/SoundArt.pdf "Sound Art?"], in ''Volume: Bed of Sound'', New York: P.S. 1 Contemporary Art Center, 2000.
 
* Max Neuhaus, [http://www.max-neuhaus.info/soundworks/soundart/SoundArt.pdf "Sound Art?"], in ''Volume: Bed of Sound'', New York: P.S. 1 Contemporary Art Center, 2000.
Line 287: Line 450:
 
* Volker Straebel, [http://www.straebel.de/praxis/text/pdf-MusikKonzepte_Klanginstallation.pdf "Zur frühen Geschichte und Typologie der Klanginstallation"], in ''Klangkunst'', ed. Ulrich Tadday, Munich: Richard Boorberg, 2008, pp 24-46. {{de}}
 
* Volker Straebel, [http://www.straebel.de/praxis/text/pdf-MusikKonzepte_Klanginstallation.pdf "Zur frühen Geschichte und Typologie der Klanginstallation"], in ''Klangkunst'', ed. Ulrich Tadday, Munich: Richard Boorberg, 2008, pp 24-46. {{de}}
 
* Alan Licht, [http://www.academia.edu/4708397/ "Sound Art: Origins, development and ambiguities"], ''Organised Sound'' 14:1 (April 2009), pp 3-10. "The roots of sound art lie in the disjunction of soundand image afforded by the inventions of the telephone and audio recording as well as the ages-old notion of acoustic space" (4).
 
* Alan Licht, [http://www.academia.edu/4708397/ "Sound Art: Origins, development and ambiguities"], ''Organised Sound'' 14:1 (April 2009), pp 3-10. "The roots of sound art lie in the disjunction of soundand image afforded by the inventions of the telephone and audio recording as well as the ages-old notion of acoustic space" (4).
−
* Andreas Engström, Åsa Stjerna, [https://sci-hub.se/10.1017/S135577180900003X "Sound Art or ''Klangkunst''? A Reading of the German and English Literature on Sound Art"], ''Organised Sound'' 14:1, Apr 2009, pp 11-18.
+
* Andreas Engström, Åsa Stjerna, [https://sci-hub.st/10.1017/S135577180900003X "Sound Art or ''Klangkunst''? A Reading of the German and English Literature on Sound Art"], ''Organised Sound'' 14:1, Apr 2009, pp 11-18.
 
* Joseph Nechvatal, [http://www.hz-journal.org/n15/nechvatal.html "Towards a Sound Ecstatic Electronica"], ''HZ'' 15 (September 2010), Stockholm: Fylkingen. [http://post.thing.net/node/1981]
 
* Joseph Nechvatal, [http://www.hz-journal.org/n15/nechvatal.html "Towards a Sound Ecstatic Electronica"], ''HZ'' 15 (September 2010), Stockholm: Fylkingen. [http://post.thing.net/node/1981]
 
* Robert Michael Brain, [http://web.duke.edu/philartslit/Sawyer/BrainTalk.pdf "Genealogy of 'Zang Tumb Tumb': Experimental Phonetics, Vers Libre, and Modernist Sound Art"], ''Grey Room'' 43 (Spring 2011), pp 88-117.
 
* Robert Michael Brain, [http://web.duke.edu/philartslit/Sawyer/BrainTalk.pdf "Genealogy of 'Zang Tumb Tumb': Experimental Phonetics, Vers Libre, and Modernist Sound Art"], ''Grey Room'' 43 (Spring 2011), pp 88-117.
Line 294: Line 457:
 
* Brian Kane, [http://nonsite.org/article/musicophobia-or-sound-art-and-the-demands-of-art-theory "Musicophobia, or Sound Art and the Demands of Art Theory"], ''Nonsite'' 8 (20 Jan 2013). [http://www.scribd.com/doc/215726772]
 
* Brian Kane, [http://nonsite.org/article/musicophobia-or-sound-art-and-the-demands-of-art-theory "Musicophobia, or Sound Art and the Demands of Art Theory"], ''Nonsite'' 8 (20 Jan 2013). [http://www.scribd.com/doc/215726772]
 
* Edwin Lo (羅潤庭), [http://web.archive.org/web/20150926031204/sndart.com/2013sh/edwin-lo-the-state-of-sound-practices-in-hong-kong/ "The State of Sound Practices in Hong Kong"] / [http://web.archive.org/web/20160324073449/http://sndart.com/2013sh/edwin-lo-essay/ 香港聲音實踐現況], 2013. {{en}}/{{zh}}
 
* Edwin Lo (羅潤庭), [http://web.archive.org/web/20150926031204/sndart.com/2013sh/edwin-lo-the-state-of-sound-practices-in-hong-kong/ "The State of Sound Practices in Hong Kong"] / [http://web.archive.org/web/20160324073449/http://sndart.com/2013sh/edwin-lo-essay/ 香港聲音實踐現況], 2013. {{en}}/{{zh}}
−
* Gascia Ouzounian, [http://sci-hub.se/10.1017/CBO9780511675850.003 "Sound Installation Art: From Spatial Poetics to Politics"], ''Music, Sound and Space: Transformations of Public and Private Experience'', ed. Georgina Born, Cambridge: Cambridge University Press, 2013, pp 73-89. [http://www.cambridge.org/asia/catalogue/catalogue.asp?isbn=9780521764247]
+
* Gascia Ouzounian, [http://sci-hub.st/10.1017/CBO9780511675850.003 "Sound Installation Art: From Spatial Poetics to Politics"], ''Music, Sound and Space: Transformations of Public and Private Experience'', ed. Georgina Born, Cambridge: Cambridge University Press, 2013, pp 73-89. [http://www.cambridge.org/asia/catalogue/catalogue.asp?isbn=9780521764247]
 
* Gascia Ouzounian, "Sound Art", in ''Oxford Encyclopedia of Aesthetics'', 2nd ed., Oxford University Press, 2014, pp 27-31. [https://www.oxfordreference.com/view/10.1093/acref/9780199747108.001.0001/acref-9780199747108-e-684]
 
* Gascia Ouzounian, "Sound Art", in ''Oxford Encyclopedia of Aesthetics'', 2nd ed., Oxford University Press, 2014, pp 27-31. [https://www.oxfordreference.com/view/10.1093/acref/9780199747108.001.0001/acref-9780199747108-e-684]
 
* Hugo Paquete, [https://www.researchgate.net/publication/314373797 "Meta-escuta: objeto-sonoro espetro, imanência vibrátil e resto cognitivo"], in ''Dispositivos na prática artística contemporânea #2", ed. Eduarda Neves, Centro de Estudos Arnaldo Araújo da CESAP/ESAP, 2015. {{pt}}
 
* Hugo Paquete, [https://www.researchgate.net/publication/314373797 "Meta-escuta: objeto-sonoro espetro, imanência vibrátil e resto cognitivo"], in ''Dispositivos na prática artística contemporânea #2", ed. Eduarda Neves, Centro de Estudos Arnaldo Araújo da CESAP/ESAP, 2015. {{pt}}
−
* Katsushi Nakagawa, Tomotaro Kaneko, [http://sci-hub.se/10.1162/LMJ_a_01024 "A Documentation of Sound Art in Japan: ''Sound Garden'' (1987–1994) and the Sound Art Exhibitions of 1980s Japan"], ''Leonardo Music Journal'' 27, Dec 2017, pp 82-86.
+
* Katsushi Nakagawa, Tomotaro Kaneko, [http://sci-hub.st/10.1162/LMJ_a_01024 "A Documentation of Sound Art in Japan: ''Sound Garden'' (1987–1994) and the Sound Art Exhibitions of 1980s Japan"], ''Leonardo Music Journal'' 27, Dec 2017, pp 82-86.
 
* Edward Sanderson, [http://www.randian-online.com/np_feature/is-sound-critical-grounds-for-sound-research-and-practice/ "Is Sound Critical?—”Grounds for Sound” Research and Practice"], ''Ran Dian'', 29 Jun 2018. On critical sound art in China.
 
* Edward Sanderson, [http://www.randian-online.com/np_feature/is-sound-critical-grounds-for-sound-research-and-practice/ "Is Sound Critical?—”Grounds for Sound” Research and Practice"], ''Ran Dian'', 29 Jun 2018. On critical sound art in China.
 
*{{a|Dunaway2020}}Judy Dunaway, [https://online.ucpress.edu/res/article/1/1/25/109397/ "The Forgotten 1979 MoMA Sound Art Exhibition"], ''Resonance'' 1:1, Spring 2020, pp 25-46, [[Media:Dunaway Judy 2020 The Forgotten 1979 MoMA Sound Art Exhibition.pdf|PDF]].
 
*{{a|Dunaway2020}}Judy Dunaway, [https://online.ucpress.edu/res/article/1/1/25/109397/ "The Forgotten 1979 MoMA Sound Art Exhibition"], ''Resonance'' 1:1, Spring 2020, pp 25-46, [[Media:Dunaway Judy 2020 The Forgotten 1979 MoMA Sound Art Exhibition.pdf|PDF]].
 
* Katsushi Nakagawa, "History of Sound in the Arts in Japan Between the 1960s and 1990s", in ''Fractured Scenes: Underground Music-Making in Hong Kong and East Asia'', eds. Damien Charrieras and François Mouillot, Springer, 2021, pp 225-239. [https://link.springer.com/chapter/10.1007/978-981-15-5913-6_16]
 
* Katsushi Nakagawa, "History of Sound in the Arts in Japan Between the 1960s and 1990s", in ''Fractured Scenes: Underground Music-Making in Hong Kong and East Asia'', eds. Damien Charrieras and François Mouillot, Springer, 2021, pp 225-239. [https://link.springer.com/chapter/10.1007/978-981-15-5913-6_16]
  
−
===Theses===
+
==Theses==
 
* Gascia Ouzounian, ''[http://escholarship.org/uc/item/4d50k2fp.pdf Sound Art and Spatial Practices: Situating Sound Installation Art Since 1958]'', San Diego: University of California, 2008, 373 pp. PhD dissertation.
 
* Gascia Ouzounian, ''[http://escholarship.org/uc/item/4d50k2fp.pdf Sound Art and Spatial Practices: Situating Sound Installation Art Since 1958]'', San Diego: University of California, 2008, 373 pp. PhD dissertation.
 
* Elizabeth Biggs, ''[http://www.betseybiggs.org/files/text/biggs_everyoneplay_diss.pdf Everyone Play: Sound, Public Space, and the (Re)Making of Place]'', Princeton, NJ: Princeton University, 2009, 143 pp. PhD dissertation.
 
* Elizabeth Biggs, ''[http://www.betseybiggs.org/files/text/biggs_everyoneplay_diss.pdf Everyone Play: Sound, Public Space, and the (Re)Making of Place]'', Princeton, NJ: Princeton University, 2009, 143 pp. PhD dissertation.
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* Linnea Semmerling, ''Listening on Display: Exhibiting Sounding Artworks 1960s-now'', Maastricht: Maastricht University, 2020. PhD dissertation. [https://linneasemmerling.com/Research] [https://www.leoalmanac.org/explorative-listening-a-phenomenological-approach-to-sounding-artworks-at-museums-linnea-semmerling/] [https://fasos.maastrichtuniversity.nl/weekly/online-phd-defence-linnea-semmerling-on-thursday-30-april/] [http://www.maastrichtsts.nl/listening-on-display/]
 
* Linnea Semmerling, ''Listening on Display: Exhibiting Sounding Artworks 1960s-now'', Maastricht: Maastricht University, 2020. PhD dissertation. [https://linneasemmerling.com/Research] [https://www.leoalmanac.org/explorative-listening-a-phenomenological-approach-to-sounding-artworks-at-museums-linnea-semmerling/] [https://fasos.maastrichtuniversity.nl/weekly/online-phd-defence-linnea-semmerling-on-thursday-30-april/] [http://www.maastrichtsts.nl/listening-on-display/]
  
−
===List discussions===
+
==List discussions==
 
* [http://lists.cofa.unsw.edu.au/pipermail/empyre/2014-June/thread.html "New Sonic Paths: Sound Studies Expanded"], ''-empyre'', July 2014. Moderated by Renate Ferro, Timothy Murray, et al. [http://lists.cofa.unsw.edu.au/pipermail/empyre/2014-June/007156.html Intro].
 
* [http://lists.cofa.unsw.edu.au/pipermail/empyre/2014-June/thread.html "New Sonic Paths: Sound Studies Expanded"], ''-empyre'', July 2014. Moderated by Renate Ferro, Timothy Murray, et al. [http://lists.cofa.unsw.edu.au/pipermail/empyre/2014-June/007156.html Intro].
  
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[[Image:Schaeffer_Pierre_Traite_des_objets_musicaux.jpg|thumb|350px|Pierre Schaeffer, ''Traité des objets musicaux'', 1966. Contains [[Media:Schaeffer_Pierre_1966_2004_Acousmatics.pdf|"Acousmatics"]] (EN).]]
 
[[Image:Schaeffer_Pierre_Traite_des_objets_musicaux.jpg|thumb|350px|Pierre Schaeffer, ''Traité des objets musicaux'', 1966. Contains [[Media:Schaeffer_Pierre_1966_2004_Acousmatics.pdf|"Acousmatics"]] (EN).]]
  
−
===Film documentaries===
+
==Film documentaries==
 
* ''[http://allsoundsconsidered.com/ All Sounds Considered]'', dir. Florence Müller and Goran Vejvoda, 2017, 96 min.
 
* ''[http://allsoundsconsidered.com/ All Sounds Considered]'', dir. Florence Müller and Goran Vejvoda, 2017, 96 min.
  
−
===Primary references===
+
==Primary references==
 
* Athanasius Kircher, ''[[Media:Kircher_Athanasius_Phonurgia_nova.pdf|Phonurgia nova, sive conjugium mechanico-physicum artis & natvrae paranympha phonosophia concinnatum]]'', Kempten: Rudolph Dreherr, 1673. {{la}}. Early book on sound, acoustics and music; describes acoustic apparatuses and phenomena such as the ''tuba stentorophonica'' [the loud trumpet], the ''statua citofonica'' [the talking statue], or the Aeolian harp. Scans online: [http://digital.slub-dresden.de/en/workview/dlf/1421/11/], [http://gallica.bnf.fr/ark:/12148/bpt6k111869n.r]. Commentaries: [http://www.digicult.it/digimag/issue-055/athanasius-kircher-arca-musarithmica-and-many-sound-devices/], [http://webistem.com/acoustics2008/acoustics2008/cd1/data/articles/000807.pdf].  
 
* Athanasius Kircher, ''[[Media:Kircher_Athanasius_Phonurgia_nova.pdf|Phonurgia nova, sive conjugium mechanico-physicum artis & natvrae paranympha phonosophia concinnatum]]'', Kempten: Rudolph Dreherr, 1673. {{la}}. Early book on sound, acoustics and music; describes acoustic apparatuses and phenomena such as the ''tuba stentorophonica'' [the loud trumpet], the ''statua citofonica'' [the talking statue], or the Aeolian harp. Scans online: [http://digital.slub-dresden.de/en/workview/dlf/1421/11/], [http://gallica.bnf.fr/ark:/12148/bpt6k111869n.r]. Commentaries: [http://www.digicult.it/digimag/issue-055/athanasius-kircher-arca-musarithmica-and-many-sound-devices/], [http://webistem.com/acoustics2008/acoustics2008/cd1/data/articles/000807.pdf].  
 
* {{a|Russolo1916}} Luigi Russolo, ''[[Media:Russolo_Luigi_L_Arte_dei_rumori.pdf|L’Arte dei rumori]]'', Milan: Edizione Futuriste di Poesia, 1916, 92 pp. {{it}}. The manifesto was first published on 11 March 1913.  
 
* {{a|Russolo1916}} Luigi Russolo, ''[[Media:Russolo_Luigi_L_Arte_dei_rumori.pdf|L’Arte dei rumori]]'', Milan: Edizione Futuriste di Poesia, 1916, 92 pp. {{it}}. The manifesto was first published on 11 March 1913.  
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* David Toop, ''[http://monoskop.org/log/?p=599 Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds]'', Serpent’s Tail, 1995, 306 pp; 2001.
 
* David Toop, ''[http://monoskop.org/log/?p=599 Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds]'', Serpent’s Tail, 1995, 306 pp; 2001.
  
−
===Bibliographies===
+
==Bibliographies==
 
* [http://soundartarchive.net/articles/ Selected articles on sound art at SoundArtArchive.net]
 
* [http://soundartarchive.net/articles/ Selected articles on sound art at SoundArtArchive.net]
 
* [http://joy.nujus.net//SAET/index.php?page=Papers Articles and papers on sound art], compiled by Jérôme Joy and Thom Holmes.
 
* [http://joy.nujus.net//SAET/index.php?page=Papers Articles and papers on sound art], compiled by Jérôme Joy and Thom Holmes.
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* [http://www.outside-sounds.com Outside Sounds: Extrapool Sound Archive], eds. Wesley Goatley and Extrapool.
 
* [http://www.outside-sounds.com Outside Sounds: Extrapool Sound Archive], eds. Wesley Goatley and Extrapool.
  
−
==See also==
+
==Notes==
−
[[Field recording]], [[Radio art]], [[Streaming media]], [[Sound studies]], [[Noise]], [[Circuit bending]], [[SuperCollider]].
+
 
 +
The works are in English unless noted otherwise.
 +
 
 +
For publications on individual artists, see their respective [[#Pages|pages]]. For related publications, see [[Radio art]], [[Sound poetry]], [[Field recording]], [[Electroacoustic music]], [[Noise]], [[Electroacoustic music]], [[Noise]], [[Circuit bending]], [[SuperCollider]], [[Streaming media|Streaming]].
 +
 
 +
sound art, Klangkunst, sound installation (since late 1960s), Klanginstallation, sound-space-art (Leitner c1971 [http://www.kunstjournalen.no/12_eng/carsten-seiffarth-about-sound-installation-art]), sound sculpture (see [[#Grayson1975|Grayson 1975]]), Klangskulptur, sound walk, sonic art (see [[#Wishart1985|Wishart 1985]]), musicalization of sound (see [[#LanderLexier1990|Lander 1990]]), sound in the arts (see [[#Kahn1999|Kahn 1999]]), audio art (see [[#Foellmer2004|Föllmer 2004]]), Audiokunst, sound in art
  
  
 
{{Art}}
 
{{Art}}
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{{Sound and Music}}
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{{featured article}}
 
{{featured article}}

Latest revision as of 20:23, 30 August 2024

sound art, Klangkunst, sound installation, Klanginstallation, sound-space-art, sound sculpture, Klangskulptur, sound walk, sonic art, musicalization of sound, sound in the arts, audio art, Audiokunst, sound in art

Artists, events, initiatives[edit]

Compilations[edit]

  • Sound Sculptures, Wergo, 1985, 2-LP. Curated by Klaus Hinrich Stahmer.
  • From The Pages Of Experimental Musical Instruments series, 8 volumes, Experimental Musical Instruments, 1986-1993. Cassettes. Curated by Bart Hopkins.
  • Tellus 24: FluxTellus, 1990. Cassette.

See also the sections Magazines, Catalogues and Monographs below.

Journals and Magazines[edit]

  • Sound Image: A Magazine of Aural and Visual Arts, 3 vols., Deerfield, MA: Sound Image Inc., 1975-77. LP-magazine. Published by Jim Metzner. Volume 1, [1].
  • The Wire, London, since 1982.
  • Essays in Sound, eds. Shaun Davies, Annemarie Jonson, et al., Newtown, NSW: Contemporary Sound Arts, 1992; 1995; 1996; 1999.
  • Sound Arts: Xebec SoundCulture Membership Magazine, Kobe: Xebec Corporation, 1994-1998.
  • Acoustic Space, eds. Rasa Šmite, Raitis Šmits, et al., Riga: E-Lab and Xchange Network, quasi-annually since 1998. [2] [3] (English)/(Latvian)
  • Hz, ed. Sachiko Hayashi, Stockholm: Fylkingen, since 2000. Online open-access journal. [4]
  • China: the Sonic Avant-Garde, 2 issues, 2005-2006. (Chinese)
  • Field Notes, eds. Daniel Knef and Lasse-Marc Riek, Hanau: Gruenrekorder, 2008 ff. (English)/(German)
  • Writing Around Sound, 3+ issues, since 2015. Print journal that engages with audio culture and sonic art in New Zealand.
  • Disclaimer, Melbourne: Liquid Architecture, since 2019.
  • Grapefruits: A Fanzine on Female* Composers and Sound Artists, 4+ issues, Düsseldorf: Institute for Music and Media--RSH Düsseldorf, since 2019. Review: Neural. [5]
  • Resonance: The Journal of Sound and Culture, eds. Jay Needham and Phylis West Johnson, University of California Press, since 2020.
The Record as Artwork: From Futurism to Conceptual Art, 1977, Log, PDF.
A Sound Selection: Audio Works by Artists, 1980, Log, PDF.
Für Augen und Ohren: von der Spieluhr zum akustischen Environment, 1980, Log, PDF.
Broken Music: Artists' Recordworks, 1989, Log, PDF (DE, EN, FR).
Ars Electronica: Der freie Klang, 1987. PDFs (DE).
Heidi Grundmann (ed.), Zeitgleich, 1994, HTML (EN/DE).
Klangkunst, 1996, Log, PDF, Documentary. (DE)
Noises and Whispers in Avant-Gardes: Early Sound Art Works, 1909-1945, 2004. PDF, MP3s.
Miguel Molina Alarcón, Baku: Symphony of Sirens: Sound Experiments in The Russian Avant-Garde, 2008.

Catalogues[edit]

  • For Eyes & Ears, ed. Nicolas Calas, New York: Cordier & Ekstrom, 1964, [4] pp. Exh. held at Cordier & Ekstrom Gallery; 3-25 Jan 1964. Exh. reviews: NYT, NYT. [6]
  • Sound, Light, Silence: Art That Performs, ed. Ralph T. Coe, Kansas City, MO: The Nelson Gallery, 1966, [32] pp. Exh. held at Nelson Gallery/Atkins Museum; 4 Nov-4 Dec 1966. [7] [8]
  • Sound, ed. & intro. Ray Pierotti, New York: Museum of Contemporary Crafts, 1969, [6] pp. Exh. held 25 Oct 1969-4 Jan 1970.
  • Hören, sehen. Texte, Bilder, Environment, Bremen: Kunsthalle Bremen, 1972, 24 pp. Exh. held 6 May-11 Jun 1972. (German)
  • Sehen um zu hören. Objekte und Konzerte zur visuellen Musik der 60er Jahre, ed. Inge Baecker, Düsseldorf: Städtische Kunsthalle Düsseldorf, 1975, 75 pp. Exh. held 17-26 Oct 1975. [11] [12] (German)
  • Sounds: 4 Lainoc: Sound/Environments by 4 Artists, ed. Betty Turnbull, Newport Beach, CA: Newport Harbor Art Museum, 1975. Exh. held 8 Dec 1975-11 Jan 1976.
  • 6° Internationaal Mixed-Media Festival 1976, Ghent: Stichting Logos, 1976. Held at Koninklijke Academie voor Schone Kunsten, Ghent; 26-29 Jan 1976.
  • Bild. Raum. Klang. 11 internationale Künstler, ed. T. Deecke, Bonn-Bad Godesberg: Deutschen Akademischen Austauschdienst, 1976, [52] pp. Exh. held at Wissenschaftszentrum, Bonn-Bad Godesberg; 12 Nov-15 Dec 1976. [13]
  • VIIe Internationaal Mixed-Media Festival 1977, Ghent: Stichting Logos, 1977. Held at Museum voor Hedendaagse Kunst, Ghent; 21 Feb-3 Mar 1977.
  • VIIIe Internationaal Mixed-Media Festival 1978, Ghent: Stichting Logos, 1978. Held at Oranjehuis, Antwerp; 5-12 Feb 1978.
  • Audio Art, Luzern: Apropos, 1978, [21] pp. Text by Richard Kostelanetz. Exh. held at Apropos, Luzern/CH, Mar-Apr 1978. (English)/(German)
  • Sound: An Exhibition of Sound Sculpture, Instrument Building and Acoustically Tuned Spaces, Pasadena, CA: Los Angeles Institute of Contemporary Art, 1979, 68 pp. With 12" LP containing 26 tracks [14]. Large-scale exhibition curated by Robert Smith and Robert Wilhite; held at Los Angeles Institute of Contemporary Art, 14 Jul-31 Aug 1979; and in a vastly expanded version at Project Studios 1 (Institute for Art and Urban Resources, today's MoMA PS1), New York, 30 Sep-18 Nov 1979. [15]
  • Für Augen und Ohren: von der Spieluhr zum akustischen Environment. Objekte, Installationen, Performances, eds. René Block, Lorenz Dombois, Nele Hertling and Barbara Volkmann, Berlin: Akademie der Künste, 1980, 312 pp. Catalogue for a large-scale exhibition held at the Akademie der Künste, 20 Jan-2 Mar 1980; curated by Nele Hertling and René Block. Essays by Dieter Krickeberg, Siegfried Wendel, Wolf D. Kuehnelt, Juan Allende-Blin, Billy Klüver, René Block; chronology by Helmut Danninger. Documentary. Radio report. (German)
    • Écouter par les yeux: Objets et environnements sonores, Paris: Musée d'art moderne de la Ville de Paris, with Berlin: Akademie der Künste, 1980, 144 pp. Catalogue for an exhibition held on 18 June-24 August 1980 at Musée d'Art Moderne de la Ville de Paris. Essays by Suzanne Pagé, Franck Popper, René Block. Works by L. Anderson, Ben, Beuys, Cage, Filiou, Kienholz, Kounellis, Ray, B. Lavier, D. Oppenheim, Paik, Sarkis, Satie, Takis, Vostell, Watts. [16] (French)
  • Soundings, ed. Suzanne Delehanty, Purchase, NY: Neuberger Museum/State University of New York, 1981, 96 pp. Exh. held 20 Sep-23 Dec 1981. Essays by Suzanne Delehanty, Dore Ashton, Germano Celant and Lucy Fischer.
  • Sonorità prospettiche: suono, ambiente, immagine / Perspectival Sonorities: Sound, Environment, Image, ed. Franco Masotti, Rimini: Il Comune editions, 1982, 183 pp. Catalogue for an exhibition dedicated to Athanasius Kircher, curated by Franco Masotti and held on 30 January-15 March 1982 in Rimini. Exhibition review. (Italian)/(English) Introduction also in (German).
  • Audio, ed. Peter R. Meyer, Stockholm: Moderna Museet, 1983, [49] pp. Exh. held 12 Mar-10 Apr 1983. (Swedish),(English)
  • Vito Acconci, William Hellermann, Don Goddard, Sound/Art, New York: The Foundation, 1984, 29 pp. With an essay by Don Goddard. Exhibition curated by William Hellermann and held simultaneously at SculptureCenter’s former location on East 69th Street in Manhattan and the Brooklyn Arts and Cultural Association (now Brooklyn Arts Council). [17]
  • Vom Klang der Bilder: Die Musik in der Kunst des 20. Jahrhunderts, ed. Karin von Maur, Munich: Prestel, 1985. For an exhibition held at Staatsgalerie, Stuttgart. (German)
  • ECHO: The Images of Sound, ed. Paul Panhuysen, Eindoven: Het Apollohuis, 1986, 144 pp. [18]
  • Sound Re Visited: An Anthology Concerning Sound in Art / Geluid Her Zien: Een Anthologie Over Geluid in Kunst, Amsterdam: VOID, 1987, 48+51 pp. Exhibition catalogue published in conjunction with "Sound 'Re' Visited," a festival on sound in the visual arts, held in nine Amsterdam venues, 7-29 April 1987. Texts by Ursula Block, Germano Celant, Hetty Huisman, Harry Ruhé, William Furlong, Gerald Lindahl and Louwrien Wijers. [19] (English)/(Dutch)
  • ECHO. The Images Of Sound II, Eindhoven: Het Apollohuis, 1987. CD with 38-page booklet. Festival held in Eindhoven, 1 May-14 Jun 1987. Excerpts from CD. [20] [21]
  • Extended Play, eds. Ursula Block and Christian Marclay, New York: Emily Harvey Gallery, 1988, [53] pp. With an audio disc (33 1/3 rpm). Exh. held 12 Feb-12 Mar 1988.
  • Broken Music: Artists' Recordworks, eds. Ursula Block and Michael Glasmeier, Berlin: Berliner Künstlerprogramm des DAAD & gelbe Musik Berlin, 1989, 278 pp; repr., facs., New York: Primary Information, 2018. Exh. held at daadgalerie Berlin (18 Dec 1988-12 Feb 1989), Magasin Grenoble (30 Sep-26 Nov 1989), 8th Biennale of Sydney (12 May-9 Jun 1990), and Musée d'art contemporain de Montréal (4 Nov 1990-10 Feb 1991). Writings by Block, Adorno, Moholy-Nagy, Dubuffet, a.o. A nearly 200-page bibliography of artists' records. Publisher. (German),(English),(French)
  • Moments Sonores (Oto no aru Bijutsu) [Fine Art Having Sound], Tochigi: Tochigi Prefectural Museum of Fine Arts, 1989. Exh. held 13 Aug-2 Sep 1989. (Japanese)
  • d.i.s.c.o.t.h.è.q.u.e. … Expériences Sonores d’Artistes, 1989. Exhibition curated by Mauricio Nanucci and Blandine Bardonnet at Maison du Livre, de l’Image et du Son, Villeurbanne, France, Oct–Nov 1989. [22] [23]
  • Klangkunst, ed. Akademie der Künste Berlin, Munich: Prestel, 1996, 303 pp. Sonambiente festival held in Berlin, 9 Aug-8 Sep 1996. Documentary (50 min), [25]. (German)
  • singuhr — hoergalerie in parochial: Klangkunst — Ausstellungen 1996-1998, eds. Susanne Binas and Carsten Seiffarth, Saarbrücken: PFAU, 1998, 120 pp. [26] (German)
  • The American Century: Art & Culture 1950-2000, ed. Lisa Phillips, New York: The Whitney Museum, with W.W. Norton, 1999, 398 pp. The exhibition included I Am Sitting in a Room: Sound Works by American Artists 1950-2000 programme curated by Stephen Vitiello, 11-16 Jan 2000. [27], [28], Review of the programme, Interview with the curator.
  • Sound Art - Sound as Media, eds. Minoru Hatanaka and Takeo Nozaki, Tokyo: NTT, 2000, 80 pp. With CD. Exhibition held at NTT [ICC], Tokyo, 28 Jan-12 Mar 2000. Texts by Minoru Hatanaka and Rob Young. [29]
    • サウンド・アート -　音というメディア, 2000. [30] (Japanese)
  • Sonic Boom: The Art of Sound, London: Hayward Gallery, 2000, 128 pp. With 2-CD. Large-scale exhibition curated by David Toop; held 27 Apr-18 Jun 2000. CD, [31] [32].
  • Volume: Bed of Sound, New York: P.S. 1 Contemporary Art Center, 2000. "CD-catalog", with liner notes by Max Neuhaus. Exhibition curated by Elliot Sharp and Alanna Heiss; held 2 Jul-19 Nov 2000. [33] [34] [35]
  • Resonanzen/Resonances. Aspekte der Klangkunst/Aspects of Sound Art, ed. Bernd Schulz, Heidelberg: Kehrer, 2002, 174 pp. With CD. Exhibitions held at Stadtgalerie Saarbrücken; 6 Jun-25 Aug and 15 Sep-24 Nov 2002. Essays on sound art and documentation of works by Bosshard, de Marinis, Julius, Kubisch, Leitner, Oldorp, Osborn, Riches, Roden, Stache, Yui. Schulz: "Sound art is an art form [..] in which sound has become material within the context of an expanded concept of sculpture [..] for the most part works that are space-shaping and space-claiming in nature" (14). (English)/(German)
  • Sonic Process: une nouvelle géographie des sons, Paris: Centre Georges Pompidou, 2002, 309 pp. Exh. held 16 Oct 2002-6 Jan 2003 at Centre Pompidou, Paris, and 18 Mar-21 May 2003 at Podewil, Berlin. Essay by Van Assche. Exh. booklet. Exh. review: Sterken (NL). Commentary: Fryberger. (French)
  • Sons & lumières: une histoire du son dans l'art du XXe siècle, ed. Sophie Duplaix, Paris: Centre Georges Pompidou, 2004, 375 pp. [36] [37] (French)
  • Sonambiente Berlin 2006: Klang Kunst Sound Art, eds. Helga de la Motte-Haber, Matthias Osterwold and Georg Weckwerth, Heidelberg: Kehrer, with Berlin: Akademie der Künste, 2006, 408 pp. Texts by Helga de la Motte-Haber, Christian Scheib, Gerhard Rühm, Christoph Cox, Claudia Tittel, Rolf Langebartels, Uwe Rüth, Sabine Sanio, Marion Saxer, Sabine Breitsameter, Akio Suzuki, Andres Bosshard, Khaled Saleh, Detlev Ipsen, Gordon Monahan, Julie H. Reiss, Raimar Stange, Lutz Fahrenkrog-Petersen, Rolf Großmann, Nicolas Collins, Jörg Stelkens, Paul B. Davis, Sven König, Golo Föllmer, Gerhard Eckel, Stefan Weinzierl + Kees Tazelaar, Christopher Frauenberger, Frieder Butzmann, Markus Bodden, Nele Hertling. [38] [39] (German)/(English)
  • LARM: Från munhåla till laptop: ljud i nordisk konst / From Mouth Cavity to Laptop: The Sound of Nordic Art, eds. Maria Bjurestam, Maria Hägglund, Mona Petersson, and Liv Strand, Kabusa, 2007, 27 pp. With 2 CDs. Texts by Maja Ratkje, Stine Hebert, Catharina Dyrssen, Natasha Barrett, Yvonne Spielmann, Thomas Millroth, Adina Popescu, Zeenath Hasan, Søssa Jørgensen, Yngvild Færøy, Grethe Melby, Johanna Gustafsson, Anne Hilde Neset, Nina Björk Eliasson, Pauline Oliveros, Maria Bjurestam, Bodil Persson, Ina Blom, Kristin Björk Kristjansdottir, Thor Magnusson, Karl Holmqvist, Mika Hannula, Meena Kaunisto, Elisabet Indra Ragnarsdottir, Liv Strand. [40] [41] [42] (Swedish)/(English)
  • Miguel Molina Alarcón, Baku: Symphony of Sirens: Sound Experiments in The Russian Avant-Garde. Original Documents and Reconstructions of 72 Key Works of Music, Poetry and Agitprop from the Russian Avantgardes (1908-1942), London: ReR Megacorp, 2008, 72 pp. With 2-CD. [43]
  • Jøran Rudi (ed.), Absorpsjon og resonans – lyd og mening / Absorption and Resonance: Sound and Meaning, Oslo: NOTAM, 2008, 168 pp. Texts by Katharine Norman, Leigh Landy, Jøran Rudi, Aeron Bergman and Steinar Sekkingstad. Rudi's essay. Exh. held at held at Henie Onstad Arts Center. (Norwegian)/(English)
  • The Art of Listening, Seoul: Arts Council Korea, 2008. With DVD. [44] (English)/(Korean)
  • singuhr - hoergalerie in parochial 1996-2006: sound art in berlin, eds. Carsten Seiffarth and Markus Steffens, Heidelberg: Kehrer, 2010, 296 pp. With DVD (74 audio tracks). [45] [46] (German)/(English)
  • Andrey Smirnov, Liubov Pchelkina, Pokolenie Z [ПОКОЛЕНИЕ Z], St. Petersburg: PRO ARTE Foundation, 2010, 20 pp. Booklet-newspaper of the Generation Z exhibition. (Russian)
  • A House Full of Music: Strategies in Music and Art, eds. Ralf Beil, Peter Kraut and Institut Mathildenhöhe Darmstadt, Hatje Cantz, 2012, 416 pp. With CD. Catalogue for an exhibition curated by Ralf Beil, Mathildenhöhe Museum, Darmstadt, 13 May-9 September 2012. Texts by Ralf Beil, Stefan Fricke, Peter Kraut, Thomas Schäfer and others. [48] [49]
    • Kunst zum Hören: A House Full of Music: Strategien in Musik und Kunst, 2012, 52 p. Parallel edition in German. (German)
  • Sound Art. Klang als Medium der Kunst, ed. Julia Gerlach, Karlsruhe: ZKM, 2012, 44 pp. Exhibition curated by Peter Weibel; held at ZKM, 17 Mar 2012-6 Jan 2013. (German)
  • Records by Artists: 1958-1990, ed. Giorgio Maffei, Perugia: Viaindustriae Edizioni, and Ravenna: Danilo Montanari Editore, 2013. Exhibition curated by Giorgio Maffei; held at Biblioteca Universitaria, Bologna, Sep-Oct 2013. A selection of 130 artists records chosen among Maffei’s personal collection. [50] [51]
  • Sünkroonist väljas. Helikunstist vaatega minevikku / Out of Sync. Looking Back at the History of Sound Art, eds. Ragne Nukk and Kati Ilves, Tallinn: Kumu Art Museum, 2013, 128 pp. On the developments in Estonian sound art from the 1960s to the present day. Exh. held 27 Sep 2013-12 Jan 2014. [52] (Estonian)/(English)
  • Art or Sound, ed. & intro. Germano Celant, Milan: Progetto Prada Arte, 2014, 520 pp. Excerpt. Exh. held at Fondazione Prada, Venice, 7 Jun-3 Nov 2014. [53] [54] (English),(Italian)
  • singuhr — hoergalerie 2007-2014: sound installation art in berlin, eds. Carsten Seiffarth und Markus Steffens, Heidelberg: Kehrer, 2016, 272 pp. With DVD (34 audio tracks). [55] [56] (German)/(English)
  • Soundtracks, forew. Neal Benezra, intro. Rudolf Frieling and Tanya Zimbardo, ed. Jennifer Knox White, San Francisco: San Francisco Museum of Art, 2017. Digital catalogue; with contributions by Dena Beard, Chris Downey, Rudolf Frieling, Brandon LaBelle, Frank Smigiel, and Tanya Zimbardo. Exh. curated by Rudolf Frieling and Tanya Zimbardo; held 15 Jul 2017-1 Jan 2018.
  • Escuchar con los ojos. Arte sonoro en España, 1961-2016, Madrid: Fundación Juan March, 2016. Book + MP3. Exhibition held at Museo de Arte Abstracto Español, Cuenca, 16 Jun-18 Sep 2016; Museu Fundación Juan March, Palma, 10 Feb-21 May 2016; Fundación Juan March, Madrid, 14 Oct 2016-15 Jan 2017. Curated by Manuel Fontán del Junco, José Iges and José Luis Maire. (Spanish)
  • Sounds Remote, 2 vols., eds. Kirsty Collander-Brown, Maria Papadomanolaki, Dawn Scarfe, and Grant Smith, Devon: Uniformbooks, and London: SoundCamp, 2016, 28+28 pp. An inventory and reader of the sounds, sites and streams assembled for the Soundcamp/Reveil radio broadcast on 2 to 3 May 2015. [57] [58]
  • zwischen grenzen: klangräume in mexiko und deutschland / entre límites: espacios sonoros en méxico y alemania / sound spaces in mexico & germany: 2015-2017, eds. Carsten Seiffarth and Markus Steffens, Berlin: Singuhr Editions, 2018, 80 pp. (German)/(Spanish)/(English)
  • Unplugged, ed. David Korecký, Prague: Galerie Rudolfinum, 2020, 24 pp. Exhibition. Publisher. (English)
  • Místa chvění. Zvuk jako médium, eds. Jakub Frank and Anežka Chalupová, Humpolec: 8smička, 2023, 171 pp. Exhibition. Exh. review: Dolanová (Artalk.cz). [59] (Czech)
  • Atmosphere of Sound: Sonic Art in Times of Climate Disruption, eds. Victoria Vesna and Anuradha Vikram, Los Angeles: UCLA Art Sci Center, Sep 2024, 250 pp. With essays by Victoria Vesna, Anuradha Vikram, Ivana Dama, Aisen Caro Chacin, Carlo Ventura, Stephanie Loveless, Lena Ortega Atristain, and María Antonia González Valerio and a round table with scientific and artistic researchers. TOC. Multi-exhibition program (Sep 2024-Jun 2025). Project website.
Further exhibitions, without catalogue
  • Sound Sculpture As, Museum of Conceptual Art, San Francisco, 30 Apr 1970. Curated by Tom Marioni. [60]
  • Sound as Visual / Visual as Sound, Vehicule, Montreal, Mar 1973; Wayne State College, Detroit, Jun 1973.
  • Audio Works, Artists Space, New York, 21 Jan-18 Feb 1978.
  • Künstlerschallplatten, Gelbe Musik, Berlin, 1 Feb-15 Mar 1983. Curated by Ursula Block.
  • Künstlerschallplatten gelbe Musik, Galerie Vorsetzen, Hamburg, 14 Mar-4 Apr 1987. Curated by Ursula Block.

See also SAET: Sound Art Exhibitions Timeline compiled by Jérôme Joy and Thom Holmes (former version) and an overview of group exhibitions of sound art from 1964-2012 in Maes 2013.

John Grayson (ed.), Sound Sculpture, 1975. PDF.
Dan Lander, Micah Lexier (eds.), Sound by Artists, 1990, Log, PDF.

Anthologies[edit]

  • Sound Re Visited: An Anthology Concerning Sound in Art, 1987. Catalogue. (see above)
  • Sound by Artists, eds. Dan Lander and Micah Lexier, Toronto: Art Metropole, and Banff, Alberta: Walter Phillips Gallery, 1990, 385 pp; facs.repr., Blackwood Gallery and Charivari Press, 2013, 372 pp. Essays on sound art by writers and artists including Bruce Barber, John Cage, Ihor Holubizky, Douglas Kahn, Christina Kubisch, Annea Lockwood, Alvin Lucier, Christian Marclay, Ian Murray, Rita McKeough, Max Neuhaus, and many others. [66] [67]
  • Caleb Kelly (ed.), Sound, London: Whitechapel Gallery, with MIT Press, 2011, 239 pp. "This anthology argues for sound's importance within contemporary art itself. In doing so it [does] not focus primarily on ‘sound art’ – although it includes all the relevant discussions of this term. Rather, the focus is on ‘listening’ to the visual arts." (15)

Book series[edit]

  • Sound Studies, Bloomsbury.
  • Critical Ear, Errant Bodies. Series of monographs featuring contemporary artists working with sound, experimental music and electronic media.
  • Errant Bodies: Anthologies. Publications exploring themes related to sound art, performance, radio and spatial practices.
Trevor Wishart, On Sonic Art, 1985/1996. Download.
Douglas Kahn, Noise, Water, Meat: A History of Sound in the Arts, 1999. Download.
Allen S. Weiss (ed.), Experimental Sound & Radio, 2000. Download.
Seth Kim-Cohen, In the Blink of an Ear: Toward a Non-Cochlear Sonic Art, 2009. Download.
Salomé Voegelin, Listening to Noise and Silence, 2010. Download.

Monographs, Edited books[edit]

  • Peter Chamberlain, An Investigation of Sound/sculpture Relationships, New York: State University College, 1976, 134 pp. [68]
  • Trevor Wishart, On Sonic Art, Harwood Academic Publishers, 1985; 2nd ed., ed. Simon Emmerson, Routledge, 1996, 357 pp. "[S]onic art includes music and electroacoustic music. At the same time [..] it cross[es] over into areas which have been categorised distinctly as text-sound and as sound-effects. [..] I have chosen the title On Sonic Art to encompass the arts of organising sound-events in time. This, however, is merely a convenient fiction for those who cannot bear to see the use of the word 'music' extended. For me, all these areas fall within the category I call 'music'." (4)
  • Helga de la Motte-Haber, Musik und Bildende Kunst. Von der Tonmalerei zur Klangskulptur, Laaber: Laaber-Verlag, 1990.
  • René van Peer, Interviews with Sound Artists: Taking Part in the Festival ECHO, The Images of Sound II, Eindoven: Het Apollohuis, 1993, 149 pp. Interviews with Joe Jones, Richard Lerman, Jean Weinfeld, Martin Riches, Takehisa Kosugi, Horst Rickels, Johan Goedhart, Terry Fox, Christina Kubisch, Jim Pomeroy, Walter Fähnrich, Yoshi Wada, Paul Panhuysen. Most interviews took place in 1987. [69]
  • Achim Wollscheid, The Terrorized Term, Frankfurt/M: Selektion, 1996, 167 pp. [70] [71]
  • Ulrike Roos, Markus Müller (eds.), Jahresring 45 / Jahrbuch für moderne Kunst: Make it Funky. Crossover zwischen Musik, Pop, Avantgarde und Kunst, Cologne: Oktagon, 1998, 355 pp. [72] (German)
  • Douglas Kahn, Noise, Water, Meat: A History of Sound in the Arts, MIT Press, 1999, 455 pp. Sparked by Dan Lander's idea of "musicalization of sound" presented in the volume Sound by Artists. ([73]; 363-4, n22). "By sound I mean sounds, voices, and aurality--all that might fall within or touch on auditive phenomena, whether this involves actual sonic or auditive events or ideas about sound or listening; sounds actually heard or heard in myth, idea, or implication; sounds heard by everyone or imagined by one person alone; or sounds as they fuse with the sensorium as a whole" (3).
  • Helga de la Motte-Haber (ed.), Klangkunst: Tönende Objekte und klingende Räume, Laaber: Laaber-Verlag, 1999, 352 pp. Review, Review. (German)
  • Brandon LaBelle, Steve Roden (eds.), Site of Sound: Of Architecture and the Ear, Los Angeles: Errant Bodies/Smart Art, 1999, 178 pp. With CD. [74]
  • Karin von Maur, The Sound of Painting: Music in Modern Art, Prestel, 1999, 128 pp.
  • Teddy Hultberg, SoundArt: Swedish Contemporary Sound Artists, Stockholm: STIM / Svensk Musik, Sep 2001, 143 pp. With 2 CDs. [75] (English)
  • Thomas Millroth, et al. (eds.), Look at the Music / SeeSound: Antologi, Ystad: Ystads konstmuseum, Brösarp: Neon Gallery, and Roskilde: Museet for Samtidskunst, 2002, 120 pp. With 2 CDs. (Danish),(Swedish)
    • Look at the Music/SeeSound: A Sound Art Anthology, Ystad: Ystad Art Museum, Brösarp: Neon Gallery, and Roskilde: Museum of Contemporary Art, 2002, 120 pp. With 2 CDs. Excerpt (pp 1-38). (English)
  • Ken Ehrlich, Brandon LaBelle (eds.), Surface Tension: Problematics of Site, Los Angeles: Errant Bodies, 2003, 328 pp. With CD. Texts by Kim Abeles, Carol Brown, CopenhagenOffice, Octavio Camargo, Jeremiah Day/Concrete Steps, Dispute Resolution Services, Jennifer Gabrys, Jen Hofer/Melissa Dyne, Lucy R. Lippard, Colette Meacher, Christof Migone/Alexander St-Onge (undo), Laurie Palmer, Lize Mogel, Michael Rakowitz, Jane Rendell, Lizzie Scott, Atau Tanaka, and WochenKlausur. [76]
  • Jim Drobnick (ed.), Aural Cultures, Toronto: YYZ Books, Banff: Walter Philips Gallery Editions, 2004, 288 pp. With Audio CD. [77], Review.
  • Anne Thurmann-Jajes, Sabine Breitsameter, Winfried Pauleit (eds.), Sound Art: Zwischen Avantgarde und Popkultur / Sound Art: Between Avant-Garde and Pop Culture, Cologne: Salon, 2006, 239 pp. With Audio-CD. Documentation of the conference held on 30 September-2 October 2005 on the occasion of an exhibition, 21 August-27 November 2005, Neuen Museum Weserburg Bremen. Texts by Sabine Breitsameter, Winfried Pauleit, Anne Thurmann-Jajes, Barbara Barthelmes, Julia Kursell, Martin Maurach, Daniel Gethmann, Wolfgang Hagen, Peter Frank, Sten Hanson, Heidi Grundmann, Barbara Flückiger. [79] (German),(English)
  • Alan Licht, Sound Art: Beyond Music, Between Categories, New York: Rizzoli, 2007, 304 pp. With CD. Foreword by Jim O’Rourke. [80], CD, Review. "Sound art belongs in an exhibition situation rather than a performance situation. [It is non-narrative, and only] rarely attempts to create a portrait or capture the soul of a human being, or express something about the interaction of human beings—its main concern is sound as a phenomenon of nature and/or technology." (14)
  • Alexis Bhagat, Gregory Gangemi (eds.), Sound Generation, Brooklyn: Autonomedia, 2008; rev.ed., Brooklyn: Autonomedia, 2013. A collection of interviews with contemporary sound artists and composers.
  • Ulrich Tadday (ed.), Klangkunst, Munich: Richard Boorberg, 2008, 199 pp. Excerpt. Contributions by Helga de la Motte, Volker Straebel, Sabine Sanio, Uwe Rüth, Wolfgang Heiniger, Julia H. Schröder, Christoph Metzger, Bernd Schulz/Carsten Seiffarth, Claudia Tittel, and Marion Saxer. (German)
  • Seth Kim-Cohen, In the Blink of an Ear: Toward a Non-Cochlear Sonic Art, New York and London: Continuum, 2009, 296 pp. "If [Duchampian] non-retinal visual art is liberated to ask questions that the eye alone cannot answer, then a non-cochlear sonic art appeals to exigencies out of earshot. But the eye and the ear are not denied or discarded. A conceptual sonic art would necessarily engage both the non-cochlear and the cochlear, and the constituting trace of each in the other." (xxi)
  • Craig Dworkin, Unheard Music, information as material, 2010, 30 pp. A survey of almost one hundred compositions and performances of silent music.
  • Salomé Voegelin, Listening to Noise and Silence: Towards a Philosophy of Sound Art, Continuum, 2010, 256 pp. "[This text] is about sound art in that it focuses on sound as its 'object' of investigation; and it is philosophical in that it speculates and inquires into new ways to consider art, the world and our position within the production of art and the world through a sonic sensibility." (xiv)
  • Peter Kiefer (ed.), Klangräume der Kunst, Heidelberg: Kehrer, 2010. With Video-DVD. Review. (German)
  • Llorenç Barber, Montserrat Palacios, La mosca tras la oreja: de la música experimental al arte sonoro en España, Madrid: Autor, 2010. With 4-CD. [81] (Spanish)
  • Galen Joseph-Hunter, Penny Duff, Maria Papadomanolaki (eds.), Transmission Arts: Artists & Airwaves, PAJ Publications, with free103point9, 2011, 169 pp. Project website. Cover. [82] [83] [84]. Review: Barber (Leonardo).
  • Peter Price, Resonance: Philosophy for Sonic Art, New York: Atropos Press, 2011, 324 pp. Publisher.
  • Lars Mørch Finborud, Mot det totale museum; Henie Onstad kunstsenter og tidsbasert kunst 1961-2011, Oslo: Forlaget, 2012, 305 pp. Excerpt. [85] (Norwegian)
  • Joe Banks, Rorschach Audio – Art and Illusion for Sound, London: Disinformation, 2012, 192 pp. Project website. Interview. [86] [87]
    • Τζό Μπανκς, Rorschach Audio, trans. Γιώργος Καναβός, Athens: Topovoros, 2022, 224 pp. Publisher. (Greek)
  • Thomas Gardner, Salomé Voegelin (eds.), Colloquium: Sound Art and Music, Winchester, WA: Zero Books, 2016, 217 pp. Based on a 2012 colloquium at University of the Arts London. [89]
  • Yael Kaduri (eds.), The Oxford Handbook of Sound and Image in Western Art, Oxford University Press, 2016, 552 pp. Publisher.
  • Marcel Cobussen, Vincent Meelberg, Barry Truax (eds.), The Routledge Companion to Sounding Art, Routledge, 2017, 482 pp. Publisher.
  • Esther Venrooy, Sounding Things Out: A Journey through Music and Sound Art, Eindhoven: Onomatopee, 2018, 144 pp. Publisher.
  • Jørgen Larsson, Håndbok for lydarbeid i visningsrom, eds. Sissel Lillebostad and Bjørnar Habbestad, Bergen: Lydgalleriet, 2018, 200 pp. Author. Publisher. (Norwegian)
  • Peter Weibel (ed.), Sound Art: Sound as a Medium of Art, MIT Press, 2019, 744 pp. Publisher.
  • Caterina Tomeo (ed.), Sonic Arts. Tra esperienza percettiva e ascolto attivo, Rome: Castelvecchi, 2019, 176 pp. Publisher. (Italian)
  • Cathy Lane, Angus Carlyle, Sound Arts Now, Uniformbooks, 2021, 240 pp. Features 20 interviews. Excerpt. [90]
  • Jane Grant, John Matthias, David Prior (eds.), Oxford Handbook of Sound Art, Oxford: Oxford University Press, 2021, 632 pp. Publisher.
  • Raoul Mörchen, Carsten Seiffarth (eds.), Listening / Hearing, Mainz: Schott Music, 2021, 344 pp. Publisher. (German)
  • Elena Biserna (ed.), Going Out: Walking, Listening, Soundmaking, Dijon: Les presses du réel, and umland, 2022, 580 pp. Publisher.
  • Katsushi Nakagawa (中川克志), サウンド・アートとは何か: 音と耳に関わる現代アートの四つの系譜 [What is Sound Art?: Four genealogies of Sound in the Arts], Nakanishiya, 2023, 286 pp. First comprehensive description of the term and the genre of sound art in Japanese. Publisher. (Japanese)
Kunstjournalen B-post: "Sound / Lyd", 2012. View online (EN/NO).

Journal issues[edit]

Essays (selection)[edit]

Theses[edit]

List discussions[edit]

Athanasius Kircher, Phonurgia nova, 1673. View online.
John Cage, Silence, 1961. Download.
Pierre Schaeffer, Traité des objets musicaux, 1966. Contains "Acousmatics" (EN).

Film documentaries[edit]

Primary references[edit]

  • Athanasius Kircher, Phonurgia nova, sive conjugium mechanico-physicum artis & natvrae paranympha phonosophia concinnatum, Kempten: Rudolph Dreherr, 1673. (Latin). Early book on sound, acoustics and music; describes acoustic apparatuses and phenomena such as the tuba stentorophonica [the loud trumpet], the statua citofonica [the talking statue], or the Aeolian harp. Scans online: [119], [120]. Commentaries: [121], [122].
  • Luigi Russolo, L’Arte dei rumori, Milan: Edizione Futuriste di Poesia, 1916, 92 pp. (Italian). The manifesto was first published on 11 March 1913.
  • Erik Satie, Musiques d'ameublement, Salabert, 1999. 'Furniture music' scores written from 1917 to the 1920s. See also J.R.F., "Conseils d’été", Vogue 1 (15 June 1920), Paris, p 15, a column mentioning their first performance by Satie: "Furniture music? It is music that must be played between the acts of a theatrical or musical spectacle, and which contributes, like the sets, the curtains or the furniture of the hall in creating an atmosphere. The musical motifs are repeated without stop and it is useless, says Erik Satie, to listen to them: one lives in their ambiance without paying them any attention. It’s up to you to find a way to hear this musique d’ameublement and to devise an opinion on the topic. But that has nothing to do with the furniture we’re so taken with this season. It’s just an opportunity to make and hear music, the passion of the moment." (trans. from Mary E. Davis, Erik Satie, 2007, p 128)
  • Pierre Schaeffer, À la recherche d'une musique concrète, Paris: Seuil, 1952. (French)
    • In Search of a Concrete Music, trans. John Dack and Christine North, University of California Press, 2012, 244 pp.
  • John Cage, Silence: Lectures and Writings, Wesleyan University Press, 1961, 276 pp.
  • Pierre Schaeffer, Traité des objets musicaux, Paris: Seuil, 1966; 2nd ed., 1977. (French)
    • Includes the essay "Acousmatics"; trans. in Audio Culture: Readings in Modern Music, eds. Christoph Cox and Daniel Warner, Bloomsbury, 2004, pp 76-81. Trained as a radio engineer and announcer, Schaeffer was fascinated by the fact that radio and recording made possible a new experience of sound--what he called "reduced listening" or "acousmatic listening"--that disclosed a new domain of sounds--objets sonores or sonorous objects, the objects of "acousmatic listening".
  • Bernhard Leitner, "Sound Architecture - Space created through traveling sound", Artforum 9:7 (March 1971), New York.
  • Bernhard Leitner, "Sound Space Manifesto", New York, 1977.
  • R. Murray Schafer, The Tuning of the World: Toward a Theory of Soundscape Design, New York: Knopf, 1977; repr. as The Soundscape: Our Sonic Environment and the Tuning of the World, Rochester, VT: Destiny Books, 1993, 320 pp.
  • Brian Eno, "Ambient Music", Ambient 1: Music for Airports, EG Records, 1978. Liner notes to LP/cassette. [123] [124]. See also "Ambient Music", in Audio Culture: Readings in Modern Music, eds. Christoph Cox and Daniel Warner, Bloomsbury, 2004, pp 94-97, written in 1996; and discussion of his self-published Music for Non-Musicians, c1970, in Eno and Mills, More Dark than Shark, 1986.
  • David Toop, Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds, Serpent’s Tail, 1995, 306 pp; 2001.

Bibliographies[edit]

Resources[edit]

UbuWeb Sound.
Continuo's Documents.

Notes[edit]

The works are in English unless noted otherwise.

For publications on individual artists, see their respective pages. For related publications, see Radio art, Sound poetry, Field recording, Electroacoustic music, Noise, Electroacoustic music, Noise, Circuit bending, SuperCollider, Streaming.

sound art, Klangkunst, sound installation (since late 1960s), Klanginstallation, sound-space-art (Leitner c1971 [126]), sound sculpture (see Grayson 1975), Klangskulptur, sound walk, sonic art (see Wishart 1985), musicalization of sound (see Lander 1990), sound in the arts (see Kahn 1999), audio art (see Föllmer 2004), Audiokunst, sound in art



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