Difference between revisions of "Kino-fot"

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==Literature==
 
==Literature==
* Christina Lodder, [http://www.tandfonline.com.sci-hub.cc/doi/abs/10.1080/03087298.2000.10443423 "Promoting Constructivism: ''Kino-fot'' and Rodchenko's Move Into Photography"], ''History of Photography'' 24:4 (2000), pp 292-299. {{en}}
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* Christina Lodder, [http://www.tandfonline.com.sci-hub.bz/doi/abs/10.1080/03087298.2000.10443423 "Promoting Constructivism: ''Kino-fot'' and Rodchenko's Move Into Photography"], ''History of Photography'' 24:4 (2000), pp 292-299. {{en}}
  
 
==Links==
 
==Links==

Revision as of 13:12, 6 June 2017

Kino-fot: Zhurnal kinematografii i fotografii [Кино-Фот. Журнал кинематографии и фотографии] was a constructivist journal published by Aleksei Gan in Moscow from August 1922 until early 1923. Five issues appeared in 1922, the sixth followed in 1923. Vladimir Mayakovsky, Dziga Vertov and Lev Kuleshov were among its contributors.

Issues

Kino-fot 1 (25 August 1922). PDF (6 mb), JPGs.
Kino-fot 2 (1922). PDF (10 mb), JPGs.
Kino-fot 3 (1922).
Kino-fot 4 (1922).
Kino-fot 5 (1922).
Kino-fot 6 (1923).

Literature

Links


Avant-garde and modernist magazines

Poesia (1905-09, 1920), Der Sturm (1910-32), Blast (1914-15), The Egoist (1914-19), The Little Review (1914-29), 291 (1915-16), MA (1916-25), De Stijl (1917-20, 1921-32), Dada (1917-21), Noi (1917-25), 391 (1917-24), Zenit (1921-26), Broom (1921-24), Veshch/Gegenstand/Objet (1922), Die Form (1922, 1925-35), Contimporanul (1922-32), Secession (1922-24), Klaxon (1922-23), Merz (1923-32), LEF (1923-25), G (1923-26), Irradiador (1923), Sovremennaya architektura (1926-30), Novyi LEF (1927-29), ReD (1927-31), Close Up (1927-33), transition (1927-38).