Difference between revisions of "Finland"

Revision as of 13:57, 21 December 2013

Ultra: tidskrift för ny konst och litteratur (1922). Edited by Lauri Haarla, Hagar Olsson and Raul af Hallström. [2]
Quosego (1928-29). Four issues were published, in all 209 pages. [3]

Ritva Mitchell, Gate - keeping and Constraints on Gender Equality in Classical Music and Media Arts, "Part 4: Gender Balance in Media Arts", 2003.
Björn Norberg, Jonatan Habib Engqvist, "The Nordic pioneers of New Media Art", Ars Hypermedia, 2009.

	Countries avant-garde, modernism, experimental art, media culture, social practice
Albania, Argentina, Armenia, Australia, Austria, Azerbaijan, Belarus, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Central and Eastern Europe, Chile, China, Croatia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Hungary, Iceland, India, Indonesia, Iran, Ireland, Italy, Japan, Kazakhstan, Kosova, Latvia, Lebanon, Lithuania, Luxembourg, Malta, Mexico, Moldova, Montenegro, Morocco, Netherlands, North Macedonia, Norway, Pakistan, Peru, Poland, Portugal, Romania, Russia, Serbia, Spain, Slovenia, Slovakia, South Korea, Sweden, Switzerland, Turkey, Ukraine, United Kingdom, United States

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 ; Magazines
-* ''Ultra'' (1922). Edited by Lauri Haarla, Hagar Olsson and Raul af Hallström. [http://books.google.com/books?id=bvsfioiQ8k8C&pg=PA673]
+* ''Ultra: tidskrift för ny konst och litteratur'' (1922). Edited by Lauri Haarla, Hagar Olsson and Raul af Hallström. [http://books.google.com/books?id=bvsfioiQ8k8C&pg=PA673]
 * ''Quosego'' (1928-29). Four issues were published, in all 209 pages. [http://books.google.com/books?id=bvsfioiQ8k8C&pg=PA678]