Difference between revisions of "Template:Avant-garde and modernist magazines"
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| − | ! width="100%" style="text-align: center;" | Avant-garde and modernist magazines | + | ! width="100%" style="text-align: center;" | [[Avant-garde and modernist magazines]] |
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| colspan="3" align="center" class="tocpadding" | | | colspan="3" align="center" class="tocpadding" | | ||
| − | [[Volné směry]] (1897-1948), [[Mir iskusstva]] (1898-1904), [[Vesy]] (1904-09), [[Poesia]] (1905-09, 1920), [[Apollon]] (1909-17), [[Der Sturm]] (1910-32), [[Thalia]] (1910-13), [[Trudy i dni]] (1912), [[The Glebe]] (1913-14), [[Blast]] (1914-15), [[Zeit-Echo]] (1914-17), [[L'Élan]] (1915-16), [[291]] (1915-16), [[MA]] (1916-25), [[SIC]] (1916-19), [[flamman]] (1916-21), [[The | + | [[Poesia]] (1905-09, 1920), [[Der Sturm]] (1910-32), [[Blast]] (1914-15), [[The Egoist]] (1914-19), [[The Little Review]] (1914-29), [[291]] (1915-16), [[MA]] (1916-25), [[De Stijl]] (1917-20, 1921-32), [[Dada (journal)|Dada]] (1917-21), [[Noi]] (1917-25), [[391]] (1917-24), [[Zenit]] (1921-26), [[Broom]] (1921-24), [[Veshch/Gegenstand/Objet]] (1922), [[Die Form]] (1922, 1925-35), [[Contimporanul]] (1922-32), [[Secession]] (1922-24), [[Klaxon]] (1922-23), [[Merz]] (1923-32), [[LEF]] (1923-25), [[G]] (1923-26), [[Irradiador]] (1923), [[Sovremennaya architektura]] (1926-30), [[Novyi LEF]] (1927-29), [[ReD]] (1927-31), [[Close Up]] (1927-33), [[transition]] (1927-38). |
| + | |} | ||
| + | {| class="{{if||{{{1|}}}||collapsible collapsed}} toccolours" | ||
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| + | ! width="100%" style="text-align: center;" | Full list | ||
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| + | | colspan="3" align="center" class="tocpadding" | | ||
| + | [[Entretiens politiques et littéraires]] (1890-93), [[Moderní revue]] (1894-1925), [[Volné směry]] (1897-1948), [[Mir iskusstva]] (1898-1904), [[Vesy]] (1904-09), [[Poesia]] (1905-09, 1920), [[Zolotoe runo]] (1906-10), [[The Mask]] (1908-29), [[Apollon]] (1909-17), [[Ukraïnska khata]] (1909-14), [[Der Sturm]] (1910-32), [[Thalia]] (1910-13), [[Rhythm]] (1911-13), [[Trudy i dni]] (1912), [[Simbolul]] (1912), [[The Glebe]] (1913-14), [[Ocharovannyi strannik]] (1913-16), [[Revolution]] (1913), [[Blast]] (1914-15), [[The Little Review]] (1914-29), [[Futuristy]] (1914), [[Zeit-Echo]] (1914-17), [[The Egoist]] (1914-19), [[L'Élan]] (1915-16), [[291]] (1915-16), [[Orpheu]] (1915), [[La Balza futurista]] (1915), [[MA]] (1916-25), [[SIC]] (1916-19), [[flamman]] (1916-21), [[The Blindman]] (1917), [[Nord-Sud]] (1917-18), [[De Stijl]] (1917-20, 1921-32), [[Dada (journal)|Dada]] (1917-21), [[Klingen]] (1917-20, 1942), [[Noi]] (1917-25), [[391]] (1917-24), [[Modernisme et compréhension]] (1917), [[Anarkhiia]] (1917-18), [[Iskusstvo kommuny]] (1918-19), [[Formiści]] (1919-21), [[S4N]] (1919-25), [[La Cité]] (1919-35), [[Aujourd'hui]] (1919), [[Exlex]] (1919-20), [[L'Esprit nouveau]] (1920-25), [[Orfeus]] (1920-21), [[Action]] (1920-22), [[Proverbe]] (1920-22), [[Ça ira]] (1920-23), [[Zenit]] (1921-26), [[Kinofon]] (1921-22), [[Het Overzicht]] (1921-25), [[Jednodńuwka futurystuw]] (1921), [[Nowa sztuka]] (1921-22), [[Broom]] (1921-24), [[Život]] (1921-48), [[Creación]] (1921-24), [[Jar-Ptitza]] (1921-26), [[New York Dada]] (1921), [[Aventure]] (1921-22), [[Spolokhi]] (1921-23), [[Gargoyle]] (1921-22), [[Veshch/Gegenstand/Objet]] (1922), [[Kino-fot]] (1922-23), [[Le Coeur à barbe]] (1922), [[Die Form]] (1922, 1925-35), [[7 Arts]] (1922-28), [[Manomètre]] (1922-28), [[Ultra]] (1922), [[Út]] (1922-25), [[Dada-Jok]] (1922), [[Dada Tank]] (1922), [[Dada Jazz]] (1922), [[Mécano]] (1922-23), [[Contimporanul]] (1922-32), [[Zwrotnica]] (1922-23, 1926-27), [[Secession]] (1922-24), [[Stavba]] (1922-38), [[Gostinitsa dlya puteshestvuyuschih v prekrasnom]] (1922-24), [[Putevi]] (1922-24), [[Klaxon]] (1922-23), [[Akasztott Ember]] (1922-23), [[MSS]] (1922-23), [[Perevoz Dada]] (1922-49), [[Egység]] (1922-24), [[L'Architecture vivante]] (1923-33), [[Merz]] (1923-32), [[LEF]] (1923-25), [[G]] (1923-26), [[The Next Call]] (1923-26), [[Russkoye iskusstvo]] (1923), [[Disk]] (1923-25), [[Irradiador]] (1923), [[Surréalisme]] (1924), [[Almanach Nowej Sztuki]] (1924-25), [[La Révolution surréaliste]] (1924-29), [[Blok]] (1924-26), [[Pásmo]] (1924-26), [[DAV]] (1924-37), [[Bulletin de l'Effort moderne]] (1924-27), [[ABC]] (1924-28), [[CAP]] (1924-28), [[Athena]] (1924-25), [[Punct]] (1924-25), [[75HP]] (1924), [[Le Tour de Babel]] (1925), [[Periszkop]] (1925-26), [[Integral]] (1925-28), [[Praesens]] (1926, 1930), [[Sovremennaya architektura]] (1926-30), [[bauhaus]] (1926-31), [[Das neue Frankfurt]] (1926-31), [[L'Art cinématographique]] (1926-31), [[Dokumentum]] (1926-27), [[Kritisk Revy]] (1926-28), [[Novyi LEF]] (1927-29), [[i 10]] (1927-29), [[Nova generatsiia]] (1927-30), [[ReD]] (1927-31), [[Dźwignia]] (1927-28), [[Tank]] (1927-28), [[Close Up]] (1927-33), [[Horizont]] (1927-32), [[transition]] (1927-38), [[Discontinuité]] (1928), [[Munka]] (1928-39), [[Quosego]] (1928-29), [[Urmuz]] (1928), [[Unu]] (1928-32), [[Revista de Antropofagia]] (1928-29), [[50 u Evropi]] (1928-29), [[Documents]] (1929-30), [[L'Art Contemporain - Sztuka Współczesna]] (1929-30), [[Adam]] (1929-40), [[Art concret]] (1930), [[Zvěrokruh]] (1930), [[Alge]] (1930-31), [[Le Surréalisme au service de la révolution]] (1930-33), [[Levá fronta]] (1930-33), [[Kvart]] (1930-37, 1945-49), [[Nová Bratislava]] (1931-32), [[Linja]] (1931-33), [[Spektrum]] (1931-33), [[Nadrealizam danas i ovde]] (1931-32), [[Ulise]] (1932-33), [[Die neue Stadt]] (1932-33), [[Mouvement]] (1933), [[PLAN]] (1933-36), [[Karavan]] (1934-35), [[Ekran]] (1934), [[Axis (magazine)|Axis]] (1935-37), [[Acéphale]] (1936-39), [[Telehor]] (1936), [[aka]] (1937-38), [[Plastique]] (1937-39), [[Plus]] (1938-39), [[Les Réverbères]] (1938-39). | ||
|} | |} | ||
Latest revision as of 16:16, 15 April 2024
| Avant-garde and modernist magazines | ||
|---|---|---|
|
Poesia (1905-09, 1920), Der Sturm (1910-32), Blast (1914-15), The Egoist (1914-19), The Little Review (1914-29), 291 (1915-16), MA (1916-25), De Stijl (1917-20, 1921-32), Dada (1917-21), Noi (1917-25), 391 (1917-24), Zenit (1921-26), Broom (1921-24), Veshch/Gegenstand/Objet (1922), Die Form (1922, 1925-35), Contimporanul (1922-32), Secession (1922-24), Klaxon (1922-23), Merz (1923-32), LEF (1923-25), G (1923-26), Irradiador (1923), Sovremennaya architektura (1926-30), Novyi LEF (1927-29), ReD (1927-31), Close Up (1927-33), transition (1927-38). | ||
| Full list | ||
|---|---|---|
|
Entretiens politiques et littéraires (1890-93), Moderní revue (1894-1925), Volné směry (1897-1948), Mir iskusstva (1898-1904), Vesy (1904-09), Poesia (1905-09, 1920), Zolotoe runo (1906-10), The Mask (1908-29), Apollon (1909-17), Ukraïnska khata (1909-14), Der Sturm (1910-32), Thalia (1910-13), Rhythm (1911-13), Trudy i dni (1912), Simbolul (1912), The Glebe (1913-14), Ocharovannyi strannik (1913-16), Revolution (1913), Blast (1914-15), The Little Review (1914-29), Futuristy (1914), Zeit-Echo (1914-17), The Egoist (1914-19), L'Élan (1915-16), 291 (1915-16), Orpheu (1915), La Balza futurista (1915), MA (1916-25), SIC (1916-19), flamman (1916-21), The Blindman (1917), Nord-Sud (1917-18), De Stijl (1917-20, 1921-32), Dada (1917-21), Klingen (1917-20, 1942), Noi (1917-25), 391 (1917-24), Modernisme et compréhension (1917), Anarkhiia (1917-18), Iskusstvo kommuny (1918-19), Formiści (1919-21), S4N (1919-25), La Cité (1919-35), Aujourd'hui (1919), Exlex (1919-20), L'Esprit nouveau (1920-25), Orfeus (1920-21), Action (1920-22), Proverbe (1920-22), Ça ira (1920-23), Zenit (1921-26), Kinofon (1921-22), Het Overzicht (1921-25), Jednodńuwka futurystuw (1921), Nowa sztuka (1921-22), Broom (1921-24), Život (1921-48), Creación (1921-24), Jar-Ptitza (1921-26), New York Dada (1921), Aventure (1921-22), Spolokhi (1921-23), Gargoyle (1921-22), Veshch/Gegenstand/Objet (1922), Kino-fot (1922-23), Le Coeur à barbe (1922), Die Form (1922, 1925-35), 7 Arts (1922-28), Manomètre (1922-28), Ultra (1922), Út (1922-25), Dada-Jok (1922), Dada Tank (1922), Dada Jazz (1922), Mécano (1922-23), Contimporanul (1922-32), Zwrotnica (1922-23, 1926-27), Secession (1922-24), Stavba (1922-38), Gostinitsa dlya puteshestvuyuschih v prekrasnom (1922-24), Putevi (1922-24), Klaxon (1922-23), Akasztott Ember (1922-23), MSS (1922-23), Perevoz Dada (1922-49), Egység (1922-24), L'Architecture vivante (1923-33), Merz (1923-32), LEF (1923-25), G (1923-26), The Next Call (1923-26), Russkoye iskusstvo (1923), Disk (1923-25), Irradiador (1923), Surréalisme (1924), Almanach Nowej Sztuki (1924-25), La Révolution surréaliste (1924-29), Blok (1924-26), Pásmo (1924-26), DAV (1924-37), Bulletin de l'Effort moderne (1924-27), ABC (1924-28), CAP (1924-28), Athena (1924-25), Punct (1924-25), 75HP (1924), Le Tour de Babel (1925), Periszkop (1925-26), Integral (1925-28), Praesens (1926, 1930), Sovremennaya architektura (1926-30), bauhaus (1926-31), Das neue Frankfurt (1926-31), L'Art cinématographique (1926-31), Dokumentum (1926-27), Kritisk Revy (1926-28), Novyi LEF (1927-29), i 10 (1927-29), Nova generatsiia (1927-30), ReD (1927-31), Dźwignia (1927-28), Tank (1927-28), Close Up (1927-33), Horizont (1927-32), transition (1927-38), Discontinuité (1928), Munka (1928-39), Quosego (1928-29), Urmuz (1928), Unu (1928-32), Revista de Antropofagia (1928-29), 50 u Evropi (1928-29), Documents (1929-30), L'Art Contemporain - Sztuka Współczesna (1929-30), Adam (1929-40), Art concret (1930), Zvěrokruh (1930), Alge (1930-31), Le Surréalisme au service de la révolution (1930-33), Levá fronta (1930-33), Kvart (1930-37, 1945-49), Nová Bratislava (1931-32), Linja (1931-33), Spektrum (1931-33), Nadrealizam danas i ovde (1931-32), Ulise (1932-33), Die neue Stadt (1932-33), Mouvement (1933), PLAN (1933-36), Karavan (1934-35), Ekran (1934), Axis (1935-37), Acéphale (1936-39), Telehor (1936), aka (1937-38), Plastique (1937-39), Plus (1938-39), Les Réverbères (1938-39). | ||
