Difference between revisions of "Brazil"

From Monoskop
Jump to navigation Jump to search
m (→‎Literature: added citation to new book)
m (Text replacement - "sci-hub.se" to "sci-hub.st")
Line 35: Line 35:
 
** "Theory of the Non-object", in ''The Object'', ed. Antony Hudek, London: Whitechapel, 2014, p 120ff. {{en}}
 
** "Theory of the Non-object", in ''The Object'', ed. Antony Hudek, London: Whitechapel, 2014, p 120ff. {{en}}
 
* Lygia Clark, Hélio Oiticica, ''[http://monoskop.org/log/?p=8342 Cartas, 1964-1974]'', ed. & intro. Luciano Figueiredo, Rio de Janeiro: UFRJ, 1996; 2nd ed., 1998, 264 pp. {{br-pt}}
 
* Lygia Clark, Hélio Oiticica, ''[http://monoskop.org/log/?p=8342 Cartas, 1964-1974]'', ed. & intro. Luciano Figueiredo, Rio de Janeiro: UFRJ, 1996; 2nd ed., 1998, 264 pp. {{br-pt}}
−
* Hélio Oiticica, [https://sci-hub.se/10.1162/artm_a_00212 "The Senses Pointing Toward a New Transformation"] [1969], ''ARTMargins'' 7:2, Jun 2018, pp 129-135. With [https://sci-hub.se/10.1162/artm_a_00211 an introduction by Jo Melvin and Luke Skrebowski]. Written between 18-25 June 1969 in London and submitted to the British art magazine ''Studio International'', but never appeared in print. The essay negotiates art after objecthood and contextualises Oiticica's project to effect a definitive radicalization of anti-art.
+
* Hélio Oiticica, [https://sci-hub.st/10.1162/artm_a_00212 "The Senses Pointing Toward a New Transformation"] [1969], ''ARTMargins'' 7:2, Jun 2018, pp 129-135. With [https://sci-hub.st/10.1162/artm_a_00211 an introduction by Jo Melvin and Luke Skrebowski]. Written between 18-25 June 1969 in London and submitted to the British art magazine ''Studio International'', but never appeared in print. The essay negotiates art after objecthood and contextualises Oiticica's project to effect a definitive radicalization of anti-art.
 
* Ferreira Gullar, ''Experiência neoconcreta: momento-limite da arte'', eds. Augusto Massi and Julia Bussius, São Paulo: Cosac Naify, 2007, 164 pp. {{br-pt}}
 
* Ferreira Gullar, ''Experiência neoconcreta: momento-limite da arte'', eds. Augusto Massi and Julia Bussius, São Paulo: Cosac Naify, 2007, 164 pp. {{br-pt}}
 
* Hélio Oiticica, ''[[Media:Oiticica Helio Experimentar o experimental 2019.pdf|Experimentar o experimental]]'', eds. Marcos Lacerda and Sergio Cohn, Lisbon: oca, 2019, 96 pp. {{pt}}
 
* Hélio Oiticica, ''[[Media:Oiticica Helio Experimentar o experimental 2019.pdf|Experimentar o experimental]]'', eds. Marcos Lacerda and Sergio Cohn, Lisbon: oca, 2019, 96 pp. {{pt}}
Line 44: Line 44:
 
; Literature
 
; Literature
 
* Ronaldo Brito, [http://icaadocs.mfah.org/icaadocs/THEARCHIVE/FullRecord/tabid/88/doc/1091308/language/en-US/Default.aspx "Neoconcretismo: vértice e ruptura do projeto construtivo Brasileiro"], ''Malasartes'' 3, Apr-Jun 1976,  pp 9-13; exp. as ''Neoconcretismo: vértice e ruptura do projeto construtivo Brasileiro'', Rio de Janeiro: Funarte/Instituto Nacional de Artes Plásticas, 1985. {{br-pt}}
 
* Ronaldo Brito, [http://icaadocs.mfah.org/icaadocs/THEARCHIVE/FullRecord/tabid/88/doc/1091308/language/en-US/Default.aspx "Neoconcretismo: vértice e ruptura do projeto construtivo Brasileiro"], ''Malasartes'' 3, Apr-Jun 1976,  pp 9-13; exp. as ''Neoconcretismo: vértice e ruptura do projeto construtivo Brasileiro'', Rio de Janeiro: Funarte/Instituto Nacional de Artes Plásticas, 1985. {{br-pt}}
−
** [https://sci-hub.se/10.1162/OCTO_a_00304 "Neo-concretism, Apex and Rupture of the Brazilian Constructive Project"], trans. Gabriel Pérez-Barreiro with Irene V. Small, ''October'' 161, Summer 2017, pp 89-142. [https://sci-hub.se/10.1162/OCTO_a_00305 Introduction by Irene V. Small]. {{en}}
+
** [https://sci-hub.st/10.1162/OCTO_a_00304 "Neo-concretism, Apex and Rupture of the Brazilian Constructive Project"], trans. Gabriel Pérez-Barreiro with Irene V. Small, ''October'' 161, Summer 2017, pp 89-142. [https://sci-hub.st/10.1162/OCTO_a_00305 Introduction by Irene V. Small]. {{en}}
 
* Mónica Amor, [http://academia.edu/1485924 "From Work to Frame, In-between, and Beyond: Lygia Clark’s and Hélio Oiticica’s Work 1959-1964"], ''Grey Room'' 38, Winter 2010, pp 21-37. {{en}}
 
* Mónica Amor, [http://academia.edu/1485924 "From Work to Frame, In-between, and Beyond: Lygia Clark’s and Hélio Oiticica’s Work 1959-1964"], ''Grey Room'' 38, Winter 2010, pp 21-37. {{en}}
 
* Sérgio B. Martins, [http://academia.edu/2455467 "Phenomenological Openness, Historicist Closure: Revisiting Ferreira Gullar's Theory of the Non-Object"], ''Third Text'' 26:1, 2012, pp 79-90. {{en}}
 
* Sérgio B. Martins, [http://academia.edu/2455467 "Phenomenological Openness, Historicist Closure: Revisiting Ferreira Gullar's Theory of the Non-Object"], ''Third Text'' 26:1, 2012, pp 79-90. {{en}}
Line 96: Line 96:
 
* Felipe Chaimovich, [http://www.oxfordartonline.com/public/page/GAO_free_Brazil_Art_After_1980 "Brazil: Art after 1980"], ''Oxford Art Online'', n.d.
 
* Felipe Chaimovich, [http://www.oxfordartonline.com/public/page/GAO_free_Brazil_Art_After_1980 "Brazil: Art after 1980"], ''Oxford Art Online'', n.d.
 
* Bill Kelley Jr., Grant H. Kester (eds.), ''[http://library.memoryoftheworld.org/#/book/a74b4682-51b4-4101-a6fe-9fc662fe5195 Collective Situations: Readings in Contemporary Latin American Art, 1995-2010]'', Durham: Duke University Press, 2017, 456 pp. Reviews: [http://dx.doi.org/10.3202/caa.reviews.2018.187 Montgomery] (CAA), [https://www.leonardo.info/review/2018/05/review-of-collective-situations-readings-in-contemporary-latin-american-art-1995-2010 Zilberg] (Leonardo).
 
* Bill Kelley Jr., Grant H. Kester (eds.), ''[http://library.memoryoftheworld.org/#/book/a74b4682-51b4-4101-a6fe-9fc662fe5195 Collective Situations: Readings in Contemporary Latin American Art, 1995-2010]'', Durham: Duke University Press, 2017, 456 pp. Reviews: [http://dx.doi.org/10.3202/caa.reviews.2018.187 Montgomery] (CAA), [https://www.leonardo.info/review/2018/05/review-of-collective-situations-readings-in-contemporary-latin-american-art-1995-2010 Zilberg] (Leonardo).
−
* Patrick Frank (ed.), ''[http://library.memoryoftheworld.org/#/book/d50183c3-2247-4ef5-9100-4b29bf1a7f61 Manifestos and Polemics in Latin American Modern Art]'', trans. Patrick Frank, University of New Mexico Press, 2017, 320 pp. Review: [http://sci-hub.se/10.1080/08263663.2017.1415708 Boone] (CJLACS). {{en}}
+
* Patrick Frank (ed.), ''[http://library.memoryoftheworld.org/#/book/d50183c3-2247-4ef5-9100-4b29bf1a7f61 Manifestos and Polemics in Latin American Modern Art]'', trans. Patrick Frank, University of New Mexico Press, 2017, 320 pp. Review: [http://sci-hub.st/10.1080/08263663.2017.1415708 Boone] (CJLACS). {{en}}
 
* Kaira M. Cabañas, ''[http://library.memoryoftheworld.org/#/book/6a97262e-0a33-41d9-aa4c-30b5c9392af2 Learning From Madness: Brazilian Modernism and Global Contemporary Art]'', University of Chicago Press, 2018. {{en}}
 
* Kaira M. Cabañas, ''[http://library.memoryoftheworld.org/#/book/6a97262e-0a33-41d9-aa4c-30b5c9392af2 Learning From Madness: Brazilian Modernism and Global Contemporary Art]'', University of Chicago Press, 2018. {{en}}
  
  
 
{{Countries}}
 
{{Countries}}

Revision as of 23:49, 27 January 2023

Avant-garde

Antropofagia

Concretism, Concrete poetry (1950s)

Poesia-práxis (1960s)

Neoconcretism

Artists
in Rio de Janeiro: Ivan Serpa, Abraham Palatnik, Almir Mavignier, Mário Pedrosa.
Grupo Neoconcreto (1959-1961): Lygia Clark, Hélio Oiticica, Amílcar de Castro, Lygia Pape, Franz Weissmann, Ferreira Gullar.
Writings
  • Ferreira Gullar, "1ª Exposição Neoconcreta", Jornal do Brasil / Suplemento Dominical, Rio de Janeiro, 14 Mar 1959, pp 4-5. [1]
  • "Manifesto Neoconcreto", Jornal do Brasil / Suplemento Dominical, Rio de Janeiro, 21 Mar 1959, pp 4-5. Signed by Amílcar de Castro, Ferreira Gullar, Franz Weissmann, Lygia Clark, Lygia Pape, Reynaldo Jardim, and Theon Spanudis. [2] (Brazilian Portuguese)
  • Ferreira Gullar, "Teoria do não-objeto", Jornal do Brasil / Suplemento Dominical, Rio de Janeiro, 19-20 Dec 1959, p 1; repr. in Projeto Construtivo Brasileiro na Arte: 1950-1962, ed. Aracy A. Amaral, São Paulo: Pinacoteca do Estado de São Paulo, and Rio de Janeiro: MAM-RJ, 1977, pp 85-94. Published as a key contribution to the II Exposição Neoconcreta held in Rio de Janeiro in 1960. [3] [4] [5] (Brazilian Portuguese)
    • "Theory of the Non-object", in The Object, ed. Antony Hudek, London: Whitechapel, 2014, p 120ff. (English)
  • Lygia Clark, Hélio Oiticica, Cartas, 1964-1974, ed. & intro. Luciano Figueiredo, Rio de Janeiro: UFRJ, 1996; 2nd ed., 1998, 264 pp. (Brazilian Portuguese)
  • Hélio Oiticica, "The Senses Pointing Toward a New Transformation" [1969], ARTMargins 7:2, Jun 2018, pp 129-135. With an introduction by Jo Melvin and Luke Skrebowski. Written between 18-25 June 1969 in London and submitted to the British art magazine Studio International, but never appeared in print. The essay negotiates art after objecthood and contextualises Oiticica's project to effect a definitive radicalization of anti-art.
  • Ferreira Gullar, Experiência neoconcreta: momento-limite da arte, eds. Augusto Massi and Julia Bussius, São Paulo: Cosac Naify, 2007, 164 pp. (Brazilian Portuguese)
  • Hélio Oiticica, Experimentar o experimental, eds. Marcos Lacerda and Sergio Cohn, Lisbon: oca, 2019, 96 pp. (Portuguese)
Catalogues
  • Lygia Clark, Rio de Janeiro: Funarto, 1980, 60 pp. With texts by Ferreira Gullar, Mário Pedrosa, and Lygia Clark. (Brazilian Portuguese)
Literature

Arte cinética, Kinetic art

Tropicália (Tropicalismo)

Computer art

Mail art

Video art

New media art, Media culture

Media theory

See also


Retrieved from "https://monoskop.org/index.php?title=Brazil&oldid=115464"