Difference between revisions of "Helhesten"

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The wartime journal '''Helhesten''' [The Hell-Horse] was published by the eponymous artists' collective involving artists [[Asger Jorn]], Ejler Bille (1910–2004), Henry Heerup (1907–1993), Egill Jacobsen, (1910–1998), and Carl-Henning Pedersen (1913–2007), among others. The journal's twelve issues from April 1941 to November 1944 featured essays on art theory, non-Western artefacts, literature, poetry, film, architecture, and photography, as well as exhibition reviews and profiles of contemporary Danish artists.
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The wartime journal '''Helhesten''' [The Hell-Horse] was published over nine issues (12 numbers) from April 1941 to November 1944 and featured the abstract expressionist art of the Danish avantgarde group of the same name. The issues also included essays on art theory, non-Western artefacts, literature, poetry, film, architecture, and photography, as well as exhibition reviews and profiles of contemporary Danish artists. Helhesten was named for the three-legged horse associated with Scandinavian mythology that symbolised death and illness. The Helhesten group included artists [[Asger Jorn]], Ejler Bille (1910–2004), Henry Heerup (1907–1993), Egill Jacobsen, (1910–1998), Carl-Henning Pedersen (1913–2007), and the architect Robert Dahlmann Olsen, among others.
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; Issues
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* [https://archive.org/details/@takaji on Internet Archive], more on [https://salvaged.work/articles/ salvaged.work]
  
 
; Literature
 
; Literature
* Kerry Greaves, [http://sci-hub.tw/10.1093/oxartj/kct043 "Hell-Horse: Radical Art and Resistance in Nazi-Occupied Denmark"], ''Oxford Art Journal'' 37:1, Mar 2014, pp 47-63.
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* Kerry Greaves, [http://sci-hub.st/10.1093/oxartj/kct043 "Hell-Horse: Radical Art and Resistance in Nazi-Occupied Denmark"], ''Oxford Art Journal'' 37:1, Mar 2014, pp 47-63.
 
* Kerry Greaves, ''[[Media:Greaves_Kerry_Mobilizing_the_Collective_Helhesten_and_the_Danish_Avant-Garde_1934-1946_2015.pdf|Mobilizing the Collective: Helhesten And The Danish Avant-Garde, 1934-1946]]'', City University of New York, 2015, 311 pp. PhD dissertation.
 
* Kerry Greaves, ''[[Media:Greaves_Kerry_Mobilizing_the_Collective_Helhesten_and_the_Danish_Avant-Garde_1934-1946_2015.pdf|Mobilizing the Collective: Helhesten And The Danish Avant-Garde, 1934-1946]]'', City University of New York, 2015, 311 pp. PhD dissertation.
 
* Kerry Greaves, [https://ir.uiowa.edu/cgi/viewcontent.cgi?article=1330&context=dadasur "Thirteen Artists in a Tent: Danish Avant-garde Exhibition Practice during World War II"], ''Dada/Surrealism'' 21, 2017.
 
* Kerry Greaves, [https://ir.uiowa.edu/cgi/viewcontent.cgi?article=1330&context=dadasur "Thirteen Artists in a Tent: Danish Avant-garde Exhibition Practice during World War II"], ''Dada/Surrealism'' 21, 2017.

Latest revision as of 23:42, 27 January 2023

The wartime journal Helhesten [The Hell-Horse] was published over nine issues (12 numbers) from April 1941 to November 1944 and featured the abstract expressionist art of the Danish avantgarde group of the same name. The issues also included essays on art theory, non-Western artefacts, literature, poetry, film, architecture, and photography, as well as exhibition reviews and profiles of contemporary Danish artists. Helhesten was named for the three-legged horse associated with Scandinavian mythology that symbolised death and illness. The Helhesten group included artists Asger Jorn, Ejler Bille (1910–2004), Henry Heerup (1907–1993), Egill Jacobsen, (1910–1998), Carl-Henning Pedersen (1913–2007), and the architect Robert Dahlmann Olsen, among others.

Issues
Literature
Links


Avant-garde and modernist magazines

Poesia (1905-09, 1920), Der Sturm (1910-32), Blast (1914-15), The Egoist (1914-19), The Little Review (1914-29), 291 (1915-16), MA (1916-25), De Stijl (1917-20, 1921-32), Dada (1917-21), Noi (1917-25), 391 (1917-24), Zenit (1921-26), Broom (1921-24), Veshch/Gegenstand/Objet (1922), Die Form (1922, 1925-35), Contimporanul (1922-32), Secession (1922-24), Klaxon (1922-23), Merz (1923-32), LEF (1923-25), G (1923-26), Irradiador (1923), Sovremennaya architektura (1926-30), Novyi LEF (1927-29), ReD (1927-31), Close Up (1927-33), transition (1927-38).