Difference between revisions of "Berlin"

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* [https://savvy-contemporary.com/en/projects/2022/magical-hackerism/ Magical Hackerism], research, exhibition, netting, performances, 2022-2023
 
* [https://savvy-contemporary.com/en/projects/2022/magical-hackerism/ Magical Hackerism], research, exhibition, netting, performances, 2022-2023
 
* [https://www.monomsound.com/events/monomspatialfestival Spatial], festival for spatial sound, music, art and technology, 2022
 
* [https://www.monomsound.com/events/monomspatialfestival Spatial], festival for spatial sound, music, art and technology, 2022
 +
* [https://soundwatch.de/ Sound Watch], music film festival, *2017
 
* [https://state-studio.com/festival State], festival for open science, art and society, *2014
 
* [https://state-studio.com/festival State], festival for open science, art and society, *2014
 
* [[SuperCollider User Meetings, Berlin|SuperCollider User Meetings]], 2011
 
* [[SuperCollider User Meetings, Berlin|SuperCollider User Meetings]], 2011

Revision as of 12:19, 7 November 2022

Initiatives

Venues
Art museums and centres
Past venues

-able (gallery, -2014), Altes Finanzamt (Neukölln, -2015), Antje Øklesund (audiovisual laboratory, -2017), A Public Library (Kreuzberg, 2015), Automaten (club, 2001-2004), Echo Bücher (space for contemporary music, sound and club culture, Gesundbrunnen, 2013-2018), Enblanco Projektraum (project space, Kreuzberg, 2009-2013), Fischbüro (cultural club, 1986-1989), Galerie René Block (1964-1979), General Public (sound art gallery, 2005-2015), Intersoup (music venue, Prenzlauer Berg), Kunstfabrik (culture space, 2002-2008), LEAP (Mitte, 2011-2015), M12, Maria am Ostbahnhof (club), Media Arts Lab Künstlerhaus Bethanien, NK (2009-2015), Or Gallery Berlin (2010-2015), Pflüger68 (exhibition space, 2007-2015), pickledfeet (Mitte, -2008), Pirate Cinema Berlin, Podewil centre (1992-2004), Quiet Cue (2009-2016), Raum (Wedding, 2006-2007) Raum18 (Neukölln, 2009-2010), Singuhr Hoergalerie (sound art gallery, 1996-2014), Spektrum (art & science community space with makerlab, 2014-2019) [2], Stattbad (culture centre, Wedding, 2001-2015), Stralau 68, Tesla (media art lab, 2005-2007), tmp (artistic project spaces, 2007-2011), Underground Zero (club, *2007), White Rabbit (gallery & music venue, -2012), Zentrale-Randlage (2005-2007).

Initiatives with no permanent event venue

Events

Past events

Academy programs

Hermann von Helmholtz-Zentrum für Kulturtechnik HU, Institut für Zeitbasierte Medien UDK, Institut für transmediale Gestaltung UDK, Film- und Medienkunst ADK (*1984), Audiovisual Communication GWK UDK, Medientheorien IMM HU.

Art workers

Publications

  • Théo Lessour, Berlin sampler, Paris: Ollendorff & Desseins, 2009, 354+[11] pp. (French)
    • Berlin Sampler: From Cabaret to Techno: 1904-2012, A Century Of Berlin Music, trans. Sean Kearney, Berlin: Ollendorff, 2012, 365 pp.
  • Burkhard Beins, Christian Kesten, Gisela Nauck, Andrea Neumann (eds.), Echtzeitmusik Berlin: Selbstbestimmung einer Szene / Self-Defining a Scene, Hofheim am Taunus: Wolke, 2011, 416 pp. [8] (German)/(English)
  • Felix Denk, Sven von Thülen, Der Klang der Familie, Suhrkamp, 2012, 423 pp. Online companion. (German)
    • The Sound of Family: Berlin, Techno and the Reunification, Books on Demand, 2014. [9]
  • Stefanie Seidl, Wolfgang Farkas, Heiko Zwirner (eds.), Nachtleben in Berlin: 1974 bis Heute, Metrolit, 2013. (German)
  • Kati Krause, Ole Schulz, "Our Own Private Germany", Matter, 8 Nov 2014. On squatting in 1990s Berlin.
  • Sven Marquardt, Die Nacht ist Leben: Autobiographie, Ullstein, 2014, 224 pp. [10] (German)
  • Peter Cusack, Berlin Sonic Places: A Brief Guide, ed. DAAD Artists-in-Berlin Program, Hofheim am Taunus: Wolke, 2017, 96 pp. Audio recordings. [11]
  • Briana Jennifer Smith, Creative Alternatives: Experimental Art and Cultural Politics in Berlin, 1971-1999, Graduate College of The University of Iowa, 2017. PhD dissertation.
  • Annette Maechtel, Das Temporäre politisch denken. Raumproduktion im Berlin der frühen 1990er Jahre, Berlin: b_books, 2020, 450 pp. Review: Conrads (TAZ). (German)
  • Birgit Eusterschulte, et al., Neuverhandlungen von Kunst. Diskurse und Praktiken seit 1990 am Beispiel Berlin, Bielefeld: transcript, 2020, 148 pp. TOC, Introduction. Publisher. (German)
  • Briana J. Smith, Free Berlin: Art, Urban Politics, and Everyday Life, MIT Press, 2022, 328 pp. Publisher.


Cities
alternative base

Amsterdam, Bergen, Berlin, Bratislava, Budapest, Kyiv, London, New York City, Oslo, Paris, Prague, Rotterdam, Seoul, Tokyo, Vienna, Warsaw, Zagreb