Difference between revisions of "The Responsive Eye"
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| − | [[Image:Seitz_William_C_The_Responsive_Eye_1965.jpg|thumb| | + | [[Image:Seitz_William_C_The_Responsive_Eye_1965.jpg|thumb|350px|Catalogue, [https://monoskop.org/log/?p=2660 Log], [[Media:Seitz_William_C_The_Responsive_Eye_1965.pdf|PDF]].]] |
An op art exhibition held at the Museum of Modern Art in [[New York City]] from 23 February-25 April 1965, curated by William C. Seitz. | An op art exhibition held at the Museum of Modern Art in [[New York City]] from 23 February-25 April 1965, curated by William C. Seitz. | ||
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* [[Victor Vasarely]] | * [[Victor Vasarely]] | ||
* [[Wen-Ying Tsai]] | * [[Wen-Ying Tsai]] | ||
| + | * [https://www.moma.org/artists?exhibition_id=2914&locale=en more] | ||
==Catalogue== | ==Catalogue== | ||
Latest revision as of 23:59, 25 May 2022
An op art exhibition held at the Museum of Modern Art in New York City from 23 February-25 April 1965, curated by William C. Seitz.
- Selected artists
- The Anonima group
- Richard Anuszkiewicz
- Henryk Berlewi
- Ellsworth Kelly
- Alexander Liberman
- Ivan Picelj
- Bridget Riley
- Frank Stella
- Miroslav Šutej
- Victor Vasarely
- Wen-Ying Tsai
- more
Catalogue[edit]
Film[edit]
Links[edit]
| Art exhibitions and events | ||
|---|---|---|
|
Second Spring Exhibition of OBMOKhU (Moscow, 1920-21), Congress of International Progressive Artists (Düsseldorf, 1922), Congress of the Constructivists and Dadaists (Weimar, 1922), First Russian Art Exhibition (Berlin, 1922), New Art Exhibition (Vilnius, 1923), Zenit Exhibition (Belgrade, 1924), Contimporanul Exhibition (Bucharest, 1924), Machine-Age Exposition (New York, 1927), a.r. International Collection of Modern Art (Łódź, 1931), New Tendencies (Zagreb, 1961-73), The Responsive Eye (New York, 1965), 9 Evenings: Theatre and Engineering (New York, 1966), Cybernetic Serendipity (London, 1968), Live In Your Head: When Attitudes Become Form (Bern, 1969), Information (New York, 1970), Software - Information Technology: Its New Meaning for Art (New York, 1970), Documenta 5 (Kassel, 1972), Pictures (New York, 1977), Biennial of Dissent (Venice, 1977), Les Immatériaux (Paris, 1985), Magiciens de la Terre (Paris, 1989), Hybrid Workspace (Kassel, 1997) | ||
