Difference between revisions of "Pictures (exhibition)"
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[[Image:Pictures_1977_catalogue.jpg|thumb|258px|''Pictures'' catalogue, 1977, [[Media:Pictures_1977_catalogue.pdf|PDF]], [http://issuu.com/artistsspace/docs/77_pictures_catalogue Issuu].]] | [[Image:Pictures_1977_catalogue.jpg|thumb|258px|''Pictures'' catalogue, 1977, [[Media:Pictures_1977_catalogue.pdf|PDF]], [http://issuu.com/artistsspace/docs/77_pictures_catalogue Issuu].]] | ||
| − | An exhibition held at Artists Space, New York City, between 24 September and 29 October 1977. Organized by critic [[Douglas Crimp]], ''Pictures'' | + | An exhibition held at Artists Space, New York City, between 24 September and 29 October 1977. Organized by critic [[Douglas Crimp]], ''Pictures'' included the work of Troy Brauntuch, Jack Goldstein, Sherrie Levine, Robert Longo, and Philip Smith. |
; Publication | ; Publication | ||
Revision as of 11:50, 20 February 2016
An exhibition held at Artists Space, New York City, between 24 September and 29 October 1977. Organized by critic Douglas Crimp, Pictures included the work of Troy Brauntuch, Jack Goldstein, Sherrie Levine, Robert Longo, and Philip Smith.
- Publication
- Douglas Crimp (ed.), Pictures, New York: Artists Space, 1977, 30 pp, PDF, Issuu; essay repr. in X-tra 8:1 (Fall 2005), pp 17-30, HTML, PDF.
- Links
| Art exhibitions and events | ||
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Second Spring Exhibition of OBMOKhU (Moscow, 1920-21), Congress of International Progressive Artists (Düsseldorf, 1922), Congress of the Constructivists and Dadaists (Weimar, 1922), First Russian Art Exhibition (Berlin, 1922), New Art Exhibition (Vilnius, 1923), Zenit Exhibition (Belgrade, 1924), Contimporanul Exhibition (Bucharest, 1924), Machine-Age Exposition (New York, 1927), a.r. International Collection of Modern Art (Łódź, 1931), New Tendencies (Zagreb, 1961-73), The Responsive Eye (New York, 1965), 9 Evenings: Theatre and Engineering (New York, 1966), Cybernetic Serendipity (London, 1968), Live In Your Head: When Attitudes Become Form (Bern, 1969), Information (New York, 1970), Software - Information Technology: Its New Meaning for Art (New York, 1970), Documenta 5 (Kassel, 1972), Pictures (New York, 1977), Biennial of Dissent (Venice, 1977), Les Immatériaux (Paris, 1985), Magiciens de la Terre (Paris, 1989), Hybrid Workspace (Kassel, 1997) | ||
