Difference between revisions of "New York City"

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* Clayton Patterson, et al. (eds.), ''Resistance: A Radical Social and Political History of the Lower East Side'', New York: Seven Stories Press, 2006, 672 pp. [https://www.sevenstories.com/books/3872-resistance Publisher]. [https://16beavergroup.org/mondays/2007/06/07/monday-06-04-07-resistance-a-radical-social-and-political-history-of-the-lower-east-side/ Event].
 
* Clayton Patterson, et al. (eds.), ''Resistance: A Radical Social and Political History of the Lower East Side'', New York: Seven Stories Press, 2006, 672 pp. [https://www.sevenstories.com/books/3872-resistance Publisher]. [https://16beavergroup.org/mondays/2007/06/07/monday-06-04-07-resistance-a-radical-social-and-political-history-of-the-lower-east-side/ Event].
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* Marvin J. Taylor (ed.), ''The Downtown Book: The New York Art Scene, 1974–1984'', forew. Lynn Gumpert, Princeton University Press, and New York: Grey Art Gallery and Fales Library, New York University, 2006, 208 pp. [[Media:The Downtown Book The New York Art Scene 1974-1984 2006 Introduction.pdf|Introduction]]. Exh. catalogue. Essays by Marvin J. Taylor, Bernard Gendron, Carlo McCormick, RoseLee Goldberg, Matthew Yokobosky, Robert Seigle, Brian Wallis and Ian Alteveer. [https://greyartgallery.nyu.edu/publications/the-downtown-book-the-new-york-art-scene-1974-1984/ Publisher]. [https://specificobject.com/objects/info.cfm?object_id=12212]
  
 
* [[Alan W. Moore]], [https://monoskop.org/images/b/be/Stimson_Blake_Sholette_Gregory_eds_Collectivism_after_Modernism_The_Art_of_Social_Imagination_after_1945_2007.pdf#page=211 "Artists' Collectives: Focus on New York, 1975-2000"], in ''[https://monoskop.org/log/?p=232 Collectivism After Modernism: The Art of Social Imagination After 1945]'', eds. Blake Stimson and Gregory Sholette, Minneapolis: University of Minnesota Press, 2007, pp 193-221.  
 
* [[Alan W. Moore]], [https://monoskop.org/images/b/be/Stimson_Blake_Sholette_Gregory_eds_Collectivism_after_Modernism_The_Art_of_Social_Imagination_after_1945_2007.pdf#page=211 "Artists' Collectives: Focus on New York, 1975-2000"], in ''[https://monoskop.org/log/?p=232 Collectivism After Modernism: The Art of Social Imagination After 1945]'', eds. Blake Stimson and Gregory Sholette, Minneapolis: University of Minnesota Press, 2007, pp 193-221.  
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* David E. Little, [[Media:Little David 2007_Colab Takes a Piece History Takes It Back Collectivity and New York Alternative Spaces.pdf|"Colab Takes a Piece, History Takes It Back: Collectivity and New York Alternative Spaces"]], ''Art Journal'' 66(1): "Alternative Modes of Distribution", Spring 2007, pp 60–74, [https://archive.vn/ysQoQ HTML]. [https://doi.org/10.1080/00043249.2007.10791241] [http://www.tomotterness.net/bibliography/colab-takes-a-piece-history-takes-it-back-collectivity-and-new-york-alternative-spaces]
  
 
* Christelle Terroni, ''Les Pratiques artistiques des Espaces Alternatifs à New-York, 1969-1980'', Tours: Université François-Rabelais, 2010; rev. as ''New York Seventies. Avant-garde et espaces alternatifs'', Rennes: Presses Universitaires de Rennes, 2015. {{fr}}
 
* Christelle Terroni, ''Les Pratiques artistiques des Espaces Alternatifs à New-York, 1969-1980'', Tours: Université François-Rabelais, 2010; rev. as ''New York Seventies. Avant-garde et espaces alternatifs'', Rennes: Presses Universitaires de Rennes, 2015. {{fr}}

Revision as of 21:18, 9 February 2023

Initiatives

Venues

Initiatives and collectives with no permanent event venue

Events

Past events

Art workers

See also

Publications

  • Cultural Economies: Histories from the Alternative Arts Movement, NYC, ed. Julie Ault, New York: Drawing Center, 1996, 72 pp. [12]
  • Julie Ault (ed.), Alternative Art, New York, 1965-1985: a Cultural Politics Book for the Social Text Collective, University of Minnesota Press, with New York: Drawing Center, 2002, ix+396 pp. Publisher. TOC.
  • Clayton Patterson, et al. (eds.), Resistance: A Radical Social and Political History of the Lower East Side, New York: Seven Stories Press, 2006, 672 pp. Publisher. Event.
  • Marvin J. Taylor (ed.), The Downtown Book: The New York Art Scene, 1974–1984, forew. Lynn Gumpert, Princeton University Press, and New York: Grey Art Gallery and Fales Library, New York University, 2006, 208 pp. Introduction. Exh. catalogue. Essays by Marvin J. Taylor, Bernard Gendron, Carlo McCormick, RoseLee Goldberg, Matthew Yokobosky, Robert Seigle, Brian Wallis and Ian Alteveer. Publisher. [13]
  • Christelle Terroni, Les Pratiques artistiques des Espaces Alternatifs à New-York, 1969-1980, Tours: Université François-Rabelais, 2010; rev. as New York Seventies. Avant-garde et espaces alternatifs, Rennes: Presses Universitaires de Rennes, 2015. (French)
  • Alan W. Moore, Art Gangs: Protest and Counterculture in New York City, Brooklyn, NY: Autonomedia, 2011, 185 pp. Street-level history of artists’ groups and collective activity by artists in New York from 1969 to 1985. Review: Anderson (Oxford Art J).
  • Jessamyn Fiore (ed.), 112 Greene Street: the Early Years, 1970–1974, New York: Radius Books, 2012, 192 pp. Review: Anderson (Oxford Art J).
  • Mary Anne Staniszewski, "Alternatives and Attitudes: Today and Yesterday", in Germano Celant, et al., When Attitudes Become Form: Bern 1969/Venice 2013, Milan: Progetto Prada Arte, 2013, pp 457-468. Publisher.
  • Pauline Chevalier, Une Histoire des espaces alternatifs à New York: de SoHo au South Bronx (1969-1985), Dijon: Les Presses du réel, 2017, 501 pp. Review: Besson (Critique d'art). (French)
  • Steven H. Jaffe, Activist New York: A History of People, Protest, and Politics, forew. Eric Foner, New York University Press, 2018. [18]
  • Klaus Biesenbach, Bettina Funcke (eds.), MoMA PS1: A History, New York: Museum of Modern Art, 2019, 304 pp. [19] [20]


Cities
alternative base

Amsterdam, Bergen, Berlin, Bratislava, Budapest, Kyiv, London, New York City, Oslo, Paris, Prague, Rotterdam, Seoul, Tokyo, Vienna, Warsaw, Zagreb

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