Difference between revisions of "Jodi"

From Monoskop
Jump to navigation Jump to search
 
Line 32: Line 32:
 
** [http://www.spikeartmagazine.com/de/artikel/netart "Das erste Leben der Netzkunst: UBERMORGEN, JODI, Vuk Cosic, Olia Lialina"], trans. Roland Bartl, ''Spike'' 49, Autumn 2016. {{de}}
 
** [http://www.spikeartmagazine.com/de/artikel/netart "Das erste Leben der Netzkunst: UBERMORGEN, JODI, Vuk Cosic, Olia Lialina"], trans. Roland Bartl, ''Spike'' 49, Autumn 2016. {{de}}
 
* Karin de Wild, [http://journal.voca.network/transmissions/ "Transmissions: Traces Of The Past In JODI’s Variable Art"], ''VoCA Journal'', Jun 2017.
 
* Karin de Wild, [http://journal.voca.network/transmissions/ "Transmissions: Traces Of The Past In JODI’s Variable Art"], ''VoCA Journal'', Jun 2017.
 +
 +
* ''[[Media:Navigation Dealing with Jodis WRONG Browser 2022.pdf|Navigation]]'', eds. Inge Hinterwaldner, Daniela Hönigsberg, and Konstantin Mitrokhov, Munich: Open Publishing LMU, 2022, 125 pp. On jodi’s ''%WRONG Browser''. [https://publishing.ub.uni-muenchen.de/index.php/oplmu/catalog/book/120 Publisher].
  
 
==Links==
 
==Links==

Latest revision as of 11:34, 28 February 2024

Based in Dordrecht, the Netherlands, JODI (Joan Heemskerk and Dirk Paesmans) investigate and subvert conventions of the Internet, computer programs, and video and computer games since 1994. Radically disrupting the very language of these systems, including interfaces, commands, errors and code, JODI stages digital interventions that destabilize the relationship between computer technology and its users.

Interviews[edit]

Publications[edit]

Literature[edit]

  • Navigation, eds. Inge Hinterwaldner, Daniela Hönigsberg, and Konstantin Mitrokhov, Munich: Open Publishing LMU, 2022, 125 pp. On jodi’s %WRONG Browser. Publisher.

Links[edit]