Difference between revisions of "Hans Haacke"

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===Essays, articles===
 
===Essays, articles===
  
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* [[Jack Burnham]], "Hans Haacke: Wind and Water Sculpture", ''Tri-Quarterly Supplement'' 1, Evanston, IL: Northwestern University, Spring 1967, pp 1-24. [https://specificobject.com/objects/info.cfm?object_id=3811]
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* [[Jack Burnham]], "Hans Haacke: Wind and Water Sculpture", ''Tri-Quarterly Supplement'' 1, Evanston, IL: Northwestern University, Spring 1967, pp 1-24. [https://specificobject.com/objects/info.cfm?object_id=3811] {{en}}
  
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* [[Jack Burnham]], [[Media:Burnham_Jack_1968_Systems_Esthetics_Artforum.pdf|"Systems Esthetics"]], ''Artforum'' 7:1 (Sep 1968), pp 30-35, [http://www.arts.ucsb.edu/faculty/jevbratt/readings/burnham_se.html HTML]; repr. in Burnham, ''Great Western Salt Works'', 1974.
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* [[Jack Burnham]], [[Media:Burnham_Jack_1968_Systems_Esthetics_Artforum.pdf|"Systems Esthetics"]], ''Artforum'' 7:1 (Sep 1968), pp 30-35, [http://www.arts.ucsb.edu/faculty/jevbratt/readings/burnham_se.html HTML]; repr. in Burnham, ''Great Western Salt Works'', 1974. {{en}}
 
** [[Media:Burnham_Jack_1968_2012_Systemova_estetika.pdf|"Systémová estetika"]], trans. Lenka Dolanová, c2012. {{cz}}
 
** [[Media:Burnham_Jack_1968_2012_Systemova_estetika.pdf|"Systémová estetika"]], trans. Lenka Dolanová, c2012. {{cz}}
 
** "Esthétique des systèmes", trans. Franck Lemonde, in Jack Burnham and Hans Haacke, ''Esthétique des systèmes'', ed. & pref. Emanuele Quinz, postf. Caroline A. Jones, Paris: Les presses du réel, 2015. [http://www.lespressesdureel.com/ouvrage.php?id=3853&menu=1] {{fr}}
 
** "Esthétique des systèmes", trans. Franck Lemonde, in Jack Burnham and Hans Haacke, ''Esthétique des systèmes'', ed. & pref. Emanuele Quinz, postf. Caroline A. Jones, Paris: Les presses du réel, 2015. [http://www.lespressesdureel.com/ouvrage.php?id=3853&menu=1] {{fr}}
  
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* Jack Burnham, [[Media:Burnham_Jack_1969_Real_Time_Systems.pdf|"Real Time Systems"]], ''Artforum'' 8:1 (Sep 1969), pp 49-55; repr. in Burnham, ''Great Western Salt Works'', 1974.
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* Jack Burnham, [[Media:Burnham_Jack_1969_Real_Time_Systems.pdf|"Real Time Systems"]], ''Artforum'' 8:1 (Sep 1969), pp 49-55; repr. in Burnham, ''Great Western Salt Works'', 1974. {{en}}
 
** trans. Franck Lemonde, in Jack Burnham and Hans Haacke, ''Esthétique des systèmes'', ed. & pref. Emanuele Quinz, postf. Caroline A. Jones, Paris: Les presses du réel, 2015. [http://www.lespressesdureel.com/ouvrage.php?id=3853&menu=1] {{fr}}
 
** trans. Franck Lemonde, in Jack Burnham and Hans Haacke, ''Esthétique des systèmes'', ed. & pref. Emanuele Quinz, postf. Caroline A. Jones, Paris: Les presses du réel, 2015. [http://www.lespressesdureel.com/ouvrage.php?id=3853&menu=1] {{fr}}
  
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* Jack Burnham, [https://monoskop.org/images/d/d4/Hans_Haacke_Framing_and_Being_Framed_7_Works_1970-75_1975.pdf#page=127 "Steps in the Formulation of Real-Time Political Art"], in ''Hans Haacke. Framing and Being Framed: 7 Works 1970-75'', Halifax: The Press of the Nova Scotia College of Art and Design, and New York: New York University Press, 1975, pp 127-143.
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* Jack Burnham, [https://monoskop.org/images/d/d4/Hans_Haacke_Framing_and_Being_Framed_7_Works_1970-75_1975.pdf#page=127 "Steps in the Formulation of Real-Time Political Art"], in ''Hans Haacke. Framing and Being Framed: 7 Works 1970-75'', Halifax: The Press of the Nova Scotia College of Art and Design, and New York: New York University Press, 1975, pp 127-143. {{en}}
  
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* Howard S. Becker, John Walton, [https://monoskop.org/images/d/d4/Hans_Haacke_Framing_and_Being_Framed_7_Works_1970-75_1975.pdf#page=145 "Social Science and the Work of Hans Haacke"], in ''Hans Haacke. Framing and Being Framed: 7 Works 1970-75'', Halifax: The Press of the Nova Scotia College of Art and Design, and New York: New York University Press, 1975, pp 145-154.
+
* Howard S. Becker, John Walton, [https://monoskop.org/images/d/d4/Hans_Haacke_Framing_and_Being_Framed_7_Works_1970-75_1975.pdf#page=145 "Social Science and the Work of Hans Haacke"], in ''Hans Haacke. Framing and Being Framed: 7 Works 1970-75'', Halifax: The Press of the Nova Scotia College of Art and Design, and New York: New York University Press, 1975, pp 145-154. {{en}}
  
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* [[Benjamin H.D. Buchloh]], [[Media:Buchloh_Benjamin_HD_1988_Hans_Haacke_Memory_and_Instrumental_Reason.pdf|"Hans Haacke: Memory and Instrumental Reason"]], ''Art in America'', Feb 1988, pp 96ff.
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* [[Benjamin H.D. Buchloh]], [[Media:Buchloh_Benjamin_HD_1988_Hans_Haacke_Memory_and_Instrumental_Reason.pdf|"Hans Haacke: Memory and Instrumental Reason"]], ''Art in America'', Feb 1988, pp 96ff. {{en}}
 +
 
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* Stefan Germer, [https://sci-hub.se/10.2307/779044 "Haacke, Broodthaers, Beuys"], ''October'' 45, Summer 1988, pp 63-75. [https://www.jstor.org/stable/779044] {{en}}
  
 
* Mark Thomson, "Hans Haacke and the Era of Sponsorship", ''Art Monthly'' 129, London, Sep 1989, pp 10-11. [https://www.proquest.com/openview/4243857139069e8556939d0cb2c6461b/1?pq-origsite=gscholar&cbl=2026363] {{en}}
 
* Mark Thomson, "Hans Haacke and the Era of Sponsorship", ''Art Monthly'' 129, London, Sep 1989, pp 10-11. [https://www.proquest.com/openview/4243857139069e8556939d0cb2c6461b/1?pq-origsite=gscholar&cbl=2026363] {{en}}
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* [[Benjamin H.D. Buchloh]], "De l'esthétique d'administration à la critique institutionnelle (Aspects de l'art conceptuel, 1962-1969)", in ''L'art conceptuel, une perspective'', Paris: Musée d’Art Moderne de la Ville de Paris, 1989, pp 25-29; repr. in Buchloh, ''Essais historiques II'', Lyon: Art édition, 1992, pp 155-212. {{fr}}
 +
** [[Media:Buchloh Benjamin HD 1990 Conceptual Art 1962-1969 From the Aesthetic of Administration to the Critique of Institutions.pdf|"Conceptual Art 1962-1969: From the Aesthetic of Administration to the Critique of Institutions"]], ''October'' 55, Winter 1990, pp 105-143. {{en}}
  
 
* Suzanne Weaver, [https://digital.library.unt.edu/ark:/67531/metadc798463/m2/1/high_res_d/1002778413-Weaver.pdf "Hans Haacke: An investigation of four site-specific works that incorporate painting as a means of revealing interrelated cultural, economic, and political systems in society, 1982-1984"], Denton, TX: University of North Texas, 1992. Master's thesis. [https://digital.library.unt.edu/ark:/67531/metadc798463/]
 
* Suzanne Weaver, [https://digital.library.unt.edu/ark:/67531/metadc798463/m2/1/high_res_d/1002778413-Weaver.pdf "Hans Haacke: An investigation of four site-specific works that incorporate painting as a means of revealing interrelated cultural, economic, and political systems in society, 1982-1984"], Denton, TX: University of North Texas, 1992. Master's thesis. [https://digital.library.unt.edu/ark:/67531/metadc798463/]
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* Frazer Ward, [https://sci-hub.se/10.2307/779009 "The Haunted Museum: Institutional Critique and Publicity"], ''October'' 73, Summer 1995, pp 71-89. [https://www.jstor.org/stable/779009] {{en}}
  
 
* Marga Bijvoet, [http://web.archive.org/web/20100520002336/http://www.stichting-mai.de/hwg/amb/aai/art_as_inquiry_05.htm "Hans Haacke: Systems Artist"], ch. 4 in Bijvoet, ''Art As Inquiry: Toward New Collaborations Between Art, Science, and Technology'', Peter Lang, 1997. {{en}}
 
* Marga Bijvoet, [http://web.archive.org/web/20100520002336/http://www.stichting-mai.de/hwg/amb/aai/art_as_inquiry_05.htm "Hans Haacke: Systems Artist"], ch. 4 in Bijvoet, ''Art As Inquiry: Toward New Collaborations Between Art, Science, and Technology'', Peter Lang, 1997. {{en}}
 
** [http://web.archive.org/web/20110719090048/http://www.stichting-mai.de/hwg/amb/aai/kunst_forschung_05.htm "Hans Haacke: System-Künstler"], ch. 4 in Bijvoet, ''Kunst-Forschung'', n.d. {{de}}
 
** [http://web.archive.org/web/20110719090048/http://www.stichting-mai.de/hwg/amb/aai/kunst_forschung_05.htm "Hans Haacke: System-Künstler"], ch. 4 in Bijvoet, ''Kunst-Forschung'', n.d. {{de}}
  
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* Luke Skrebowski, [http://cast.b-ap.net/arc619f11/wp-content/uploads/sites/8/2011/09/skrebowski-HaackesSystemArt.pdf "All Systems Go: Recovering Hans Haacke's Systems Art"], ''Grey Room'' 30 (Winter 2008), pp 54-83. {{en}}
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* Mark Jarzombek, [https://sci-hub.se/https://www.jstor.org/stable/43876259 "Haacke's Condensation Cube: The Machine in the Box and the Travails of Architecture"], ''Thresholds'' 30: "microcosms", Summer 2005, pp 98-105. [https://www.jstor.org/stable/43876259] {{en}}
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* Kirsi Peltomäki, [https://sci-hub.se/https://www.jstor.org/stable/20068566 "Affect and Spectatorial Agency: Viewing Institutional Critique in the 1970s"], ''Art Journal'' 66:4, Winter 2007, pp 36-51. [https://www.jstor.org/stable/20068566] {{en}}
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 +
* Luke Skrebowski, [http://cast.b-ap.net/arc619f11/wp-content/uploads/sites/8/2011/09/skrebowski-HaackesSystemArt.pdf "All Systems Go: Recovering Hans Haacke's Systems Art"], ''Grey Room'' 30, Winter 2008, pp 54-83. {{en}}
  
 
* [[Julia Bryan-Wilson]], [https://monoskop.org/images/d/d2/Bryan-Wilson_Julia_Art_Workers_Radical_Practice_in_the_Vietnam_War_Era_2009.pdf#page=197 "Hans Haacke's Paperwork"], ch. 5 in Bryan-Wilson, ''Art Workers: Radical Practice in the Vietnam War Era'', University of California Press, 2009. {{en}}
 
* [[Julia Bryan-Wilson]], [https://monoskop.org/images/d/d2/Bryan-Wilson_Julia_Art_Workers_Radical_Practice_in_the_Vietnam_War_Era_2009.pdf#page=197 "Hans Haacke's Paperwork"], ch. 5 in Bryan-Wilson, ''Art Workers: Radical Practice in the Vietnam War Era'', University of California Press, 2009. {{en}}
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* Vered Maimon, [https://sci-hub.se/https://www.jstor.org/stable/40368564 "The Third Citizen: On Models of Criticality in Contemporary Artistic Practices"], ''October'' 129, Summer 2009, pp 85-112. [https://www.jstor.org/stable/40368564] {{en}}
  
 
* Caroline A. Jones, [http://www.ahva.ubc.ca/eventpdfs/carolinejones_jci_mar12_12.pdf "Hans Haacke 1967"], in ''Hans Haacke 1967'', MIT Press, 2011, pp 6-28. {{en}}
 
* Caroline A. Jones, [http://www.ahva.ubc.ca/eventpdfs/carolinejones_jci_mar12_12.pdf "Hans Haacke 1967"], in ''Hans Haacke 1967'', MIT Press, 2011, pp 6-28. {{en}}
  
 
* Diana Franssen, [https://vanabbemuseum.nl/onderzoek/bronnen-en-publicaties/artikelen/hans-haacke-8/ "Van Appel tot Zadkine. Hans Haacke (8) / From Apple to Zadkine. Hans Haacke (8)"], Eindhoven: Van Abbemuseum, Mar 2012. {{nl}}/{{en}}
 
* Diana Franssen, [https://vanabbemuseum.nl/onderzoek/bronnen-en-publicaties/artikelen/hans-haacke-8/ "Van Appel tot Zadkine. Hans Haacke (8) / From Apple to Zadkine. Hans Haacke (8)"], Eindhoven: Van Abbemuseum, Mar 2012. {{nl}}/{{en}}
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* Linda Weintraub, "Hans Haacke Ecological/Political/Cultural Systems", in Weintraub, ''[[Media:Weintraub_Linda_To_Life_Eco_Art_in_Pursuit_of_a_Sustainable_Planet_2012.pdf|To Life!: Eco Art in Pursuit of a Sustainable Planet]]'', University of California Press, 2012, pp 69-73. [https://www.jstor.org/stable/10.1525/j.ctv1xxwhw.12]
  
 
* Jeannine Tang, [http://academia.edu/2496744 "Future Circulations: On the Work of Hans Haacke and Maria Eichhorn"], in ''Provenance: An Alternate History of Art'', Getty Research Institute, 2013, pp 173-196. {{en}}
 
* Jeannine Tang, [http://academia.edu/2496744 "Future Circulations: On the Work of Hans Haacke and Maria Eichhorn"], in ''Provenance: An Alternate History of Art'', Getty Research Institute, 2013, pp 173-196. {{en}}
  
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* Luke Skrebowski, [http://sci-hub.st/10.1080/09528822.2013.753195 "After Hans Haacke: Tue Greenfort and Eco-Institutional Critique"], ''Third Text'' 27:1, 2013, pp 115-130.
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* Luke Skrebowski, [http://sci-hub.se/10.1080/09528822.2013.753195 "After Hans Haacke: Tue Greenfort and Eco-Institutional Critique"], ''Third Text'' 27:1, 2013, pp 115-130.
 +
 
 +
* John A. Tyson, [http://sci-hub.se/10.1080/02666286.2015.1032516 "The Context as Host: Hans Haacke’s Art of Textual Exhibition"], ''Word & Image'' 31:3, 2015, pp 213-232.
  
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* John A. Tyson, [http://sci-hub.st/10.1080/02666286.2015.1032516 "The Context as Host: Hans Haacke’s Art of Textual Exhibition"], ''Word & Image'' 31:3, 2015, pp 213-232.
+
* John A. Tyson, "Hans Haacke's Proofs of Commitment", ''Art in Print'' 7:3, Sep-Oct 2017, pp 28-34. [https://www.jstor.org/stable/26408805] {{en}}
  
 
==See also==
 
==See also==

Revision as of 09:29, 9 August 2023

Hans Haacke.jpg

Hans Haacke (12 August 1936, Cologne) is a German-born artist who lives and works in New York.

Hans Haacke studied at the Staatliche Werkakademie in Kassel, Germany, from 1956 to 1960. He was a student of Stanley William Hayter, an English printmaker, draftsman, and painter. From 1961 to 1962 he studied on a Fulbright grant at the Tyler School of Art at Temple University in Philadelphia. From 1967 to 2002 Haacke was a professor at the Cooper Union in New York City. During his years in Germany, he was a member of Zero. In most of his work after the late 1960s, Haacke focused on the art world and the system of exchange between museums and corporations and corporate leaders; he often underlines its effects in site-specific ways. Haacke has been outspoken throughout his career about demystifying the relationship between museums and businesses and their individual practices. [1]

He has had solo exhibitions at the New Museum, New York (1986, 2019); Museo Nacional Centro de Arte Reina Sofía, Madrid (2012); and MIT List Visual Arts Center, Cambridge, MA (1967, 2011); among others. He has participated in international exhibitions including documenta, Kassel (1972, 1982, 1987, 1997, 2017); Lyon Biennial (2017); Venice Biennale (1976, 1993, 2009, 2015); Liverpool Biennial (2014); and others. He has been awarded numerous prizes for his work including the Golden Lion of the Biennale di Venezia in 1993 (which he shared with Nam June Paik), the Arnold-Bode-Prize in 1919 and the Goslarer Kaiserring in 2020.

Catalogues

  • Hans Haacke, vol. 1, Oxford: Museum of Modern Art, 1978, 82 pp; Eindhoven: Van Abbemuseum, 1979, 82 pp. [2] (English)
  • Hans Haacke, vol. 2, London: Tate Gallery, 1984.
  • Hans Haacke: artfairismes, Paris: Centre Georges Pompidou, 1989, 127 pp. Exh. held 3 May-18 Jun 1989.
  • Hans Haacke, for real. Works 1959-2006, eds. Matthias Flügge and Robert Fleck, Düsseldorf: Richter, 2006, 339 pp, IA. Exh. held at the Akademie der Künste, Berlin, and Deichtorhallen Hamburg. (English)
  • Hans Haacke 1967, ed. Caroline A. Jones, Cambridge, MA: MIT List Visual Arts Center, 2011, 28 pp. (English)
  • Hans Haacke: Castles in the Sky, Madrid: Museo Nacional Centro de Arte Reina Sofía, 2012, 174 pp. Buskirk's essay. Publisher. (English)
    • Castillos en el aire, Madrid: Museo Nacional Centro de Arte Reina Sofía, 2012, 174 pp. Publisher. (Spanish)

Writings

  • "Untitled Statement (1967)", in Walter Grasskamp, Molly Nesbit, Jon Bird, Hans Haacke, Phaidon Press, 2004, pp 102-103. On the difference between a "system" and a "sculpture"; previously unpublished.
  • "Essays, Texts, Interviews von 1961-1971", in Hans Haacke. Werkmonographie, intro. Edward F. Fry, Cologne: DuMont Schauberg, 1972, pp 23-54, IA. (German)
  • "The Constituency", Tracks 3:3, Fall 1977.
  • "Symbolic Capital Management, or What To Do With the Good, the True, and the Beautiful" [1977], in The Academy and the Corporate Public, ed. Stephan Dillemuth, Cologne: Permanent Press, 2002, pp 28-39; repr. in Institutional Critique: An Anthology of Artists' Writings, eds. Alexander Alberro and Blake Stimson, MIT Press, 2009. The essay began as a public lecture at the University of California, Berkeley, in 1977; a revised version of the lecture was presented at the Kunsthalle Zurich in 1996. (English)

Conversations, interviews

  • Jeanne Siegel, "An Interview with Hans Haacke", Arts Magazine 45:7, May 1971, pp 18-21; repr. as "Hans Haacke: System Aesthetics", in Jeanne Siegel, Artwords: Discourse on the 60s and 70s, New York: Da Capo Press, 1992, pp 211-220. [4] [5]
  • Margaret Sheffield, "Hans Haacke", Studio International 191:980, Mar-Apr 1976, pp 117-123. TOC.
  • Robin White, "Hans Haacke", View 1:6, Oakland, CA: Crown Point, 1978, 24 pp.
  • with Pierre Bourdieu, Libre-Échange, Paris: Seuil, and Dijon: Les Presses du reel, 1993, 152 pp. Publisher. (French)
    • Free Exchange, Polity Press with Blackwell, 1995, 144 pp. (English)

Literature

Books

  • Walter Grasskamp, Molly Nesbit, Jon Bird, Hans Haacke, Phaidon Press, 2004, 160 pp. [6] (English)
  • Walter Grasskamp, Hans Haacke, Photographic Notes documenta 2 1959, Deutscher Kunstverlag, 2012. (English)
  • Duncan McCorquodale, Hans Haacke: Once Upon a Time..., London: Black Dog, 2013, 109 pp. Publisher. (English)

Essays, articles

  • Jack Burnham, "Hans Haacke: Wind and Water Sculpture", Tri-Quarterly Supplement 1, Evanston, IL: Northwestern University, Spring 1967, pp 1-24. [7] (English)
  • Jack Burnham, "Systems Esthetics", Artforum 7:1 (Sep 1968), pp 30-35, HTML; repr. in Burnham, Great Western Salt Works, 1974. (English)
    • "Systémová estetika", trans. Lenka Dolanová, c2012. (Czech)
    • "Esthétique des systèmes", trans. Franck Lemonde, in Jack Burnham and Hans Haacke, Esthétique des systèmes, ed. & pref. Emanuele Quinz, postf. Caroline A. Jones, Paris: Les presses du réel, 2015. [8] (French)
  • Jack Burnham, "Real Time Systems", Artforum 8:1 (Sep 1969), pp 49-55; repr. in Burnham, Great Western Salt Works, 1974. (English)
    • trans. Franck Lemonde, in Jack Burnham and Hans Haacke, Esthétique des systèmes, ed. & pref. Emanuele Quinz, postf. Caroline A. Jones, Paris: Les presses du réel, 2015. [9] (French)
  • Howard S. Becker, John Walton, "Social Science and the Work of Hans Haacke", in Hans Haacke. Framing and Being Framed: 7 Works 1970-75, Halifax: The Press of the Nova Scotia College of Art and Design, and New York: New York University Press, 1975, pp 145-154. (English)
  • Mark Thomson, "Hans Haacke and the Era of Sponsorship", Art Monthly 129, London, Sep 1989, pp 10-11. [11] (English)
  • Caroline A. Jones, "Hans Haacke 1967", in Hans Haacke 1967, MIT Press, 2011, pp 6-28. (English)
  • John A. Tyson, "Hans Haacke's Proofs of Commitment", Art in Print 7:3, Sep-Oct 2017, pp 28-34. [18] (English)

See also

Links

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