Difference between revisions of "Hal Foster"

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* ''The Mink's Cry'', Port Townsend, WA: Bay Press, 1982. A children's story; illustrated by Milo Mottola. [http://www.thestranger.com/seattle/the-mysterious-disappearance-of-bay-press/Content?oid=9829]
 
* ''The Mink's Cry'', Port Townsend, WA: Bay Press, 1982. A children's story; illustrated by Milo Mottola. [http://www.thestranger.com/seattle/the-mysterious-disappearance-of-bay-press/Content?oid=9829]
  
* editor, [http://monoskop.org/log/?p=5869 ''The Anti-Aesthetic: Essays on Postmodern Culture''], Port Townsend, WA: Bay Press, 1983, xvi+159 pp, [[Media:Foster_Hal_ed_The_Anti-Aesthetic_Essays_on_Postmodern_Culture.pdf|PDF]]; repr., New York: New Press, 2002. Essays by Foster (preface), Habermas, Frampton, Krauss, Crimp, Owens, Ulmer, Jameson, Baudrillard, Said. [http://www.lib.uci.edu/about/publications/wellek/krauss/A13_anti_aesthetic.html Reviews].
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* editor, [http://monoskop.org/log/?p=5869 ''The Anti-Aesthetic: Essays on Postmodern Culture''], Port Townsend, WA: Bay Press, 1983, xvi+159 pp, [[Media:Foster_Hal_ed_The_Anti-Aesthetic_Essays_on_Postmodern_Culture.pdf|PDF]]; repr. as ''Postmodern Culture'', London: Pluto Press, 1985,xvi+159 pp, [https://archive.org/details/postmoderncultur0000unse/ IA]; repr., New York: New Press, 2002. Essays by Foster (preface), Habermas, Frampton, Krauss, Crimp, Owens, Ulmer, Jameson, Baudrillard, Said. [http://www.lib.uci.edu/about/publications/wellek/krauss/A13_anti_aesthetic.html Reviews].
 
** ''[[Media:Foster_Hal_ed_La_posmodernidad.pdf|La posmodernidad]]'', Barcelona: Kairós, 1985, 238 pp, [https://aaaaarg.fail/thing/572c2fbb9ff37c05dc61e4c1 ARG]. {{es}}
 
** ''[[Media:Foster_Hal_ed_La_posmodernidad.pdf|La posmodernidad]]'', Barcelona: Kairós, 1985, 238 pp, [https://aaaaarg.fail/thing/572c2fbb9ff37c05dc61e4c1 ARG]. {{es}}
 
** ''Han bigaku: posuto modan no shosō'' [反美学 : ポストモダンの諸相], Tokyo: Keisō Shobō, 1987, 308 pp. {{jp}}
 
** ''Han bigaku: posuto modan no shosō'' [反美学 : ポストモダンの諸相], Tokyo: Keisō Shobō, 1987, 308 pp. {{jp}}
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** ''Shikakuron'' [視覚論], trans. Kurenuma Norihisa, Tokyo: Heibonsha, 2000, 215 pp. {{jp}}
 
** ''Shikakuron'' [視覚論], trans. Kurenuma Norihisa, Tokyo: Heibonsha, 2000, 215 pp. {{jp}}
  
* {{a|Foster1993}} ''[[Media:Foster_Hal_Compulsive_Beauty.pdf|Compulsive Beauty]]'', MIT Press, 1993, 344 pp, [http://gen.lib.rus.ec/book/index.php?md5=8C29B8EB4F86AF50137FE73302F92776 PDF], [https://aaaaarg.fail/thing/572c37409ff37c05da61e1c3 ARG]. [http://mitpress.mit.edu/books/compulsive-beauty] A deconstructive reading of surrealism; based on author's dissertation. Reviews: [http://www.mutualart.com/OpenArticle/Book-reviews----Compulsive-Beauty-by-Hal/C8CBDBBE6EA96D03 Elkins] (1994), [http://www.jstor.org/stable/396259 Genova] (1996), [http://laforum.org/content/articles/moshing-in-the-surrealist-pit-by-kevin-obrien O'Brien] (1997).
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* {{a|Foster1993}} ''[[Media:Foster_Hal_Compulsive_Beauty.pdf|Compulsive Beauty]]'', MIT Press, 1993, 344 pp, [http://libgen.rs/book/index.php?md5=8C29B8EB4F86AF50137FE73302F92776 PDF], [https://aaaaarg.fail/thing/572c37409ff37c05da61e1c3 ARG]. [http://mitpress.mit.edu/books/compulsive-beauty] A deconstructive reading of surrealism; based on author's dissertation. Reviews: [http://www.mutualart.com/OpenArticle/Book-reviews----Compulsive-Beauty-by-Hal/C8CBDBBE6EA96D03 Elkins], [http://www.jstor.org/stable/396259 Genova], [http://laforum.org/content/articles/moshing-in-the-surrealist-pit-by-kevin-obrien O'Brien].
 
** ''Belleza compulsiva'', trans. Tamata Stuby, Buenos Aires: Adriana Hidalgo, 2008, 335 pp. [http://files.psicologiadelarte.webnode.es/200000018-1e8a71f850/%20belleza%20compulsiva.pdf Excerpt]. Review: [http://www.herramienta.com.ar/revista-herramienta-n-41/belleza-compulsiva-de-hal-foster Eseverri]. {{es}}  
 
** ''Belleza compulsiva'', trans. Tamata Stuby, Buenos Aires: Adriana Hidalgo, 2008, 335 pp. [http://files.psicologiadelarte.webnode.es/200000018-1e8a71f850/%20belleza%20compulsiva.pdf Excerpt]. Review: [http://www.herramienta.com.ar/revista-herramienta-n-41/belleza-compulsiva-de-hal-foster Eseverri]. {{es}}  
 
** ''Zoraki güzellik'', trans. Şebnem Kaptan, Istanbul: Ayrıntı, 2011, 255 pp. {{tr}}
 
** ''Zoraki güzellik'', trans. Şebnem Kaptan, Istanbul: Ayrıntı, 2011, 255 pp. {{tr}}
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** ''Gangbakjeok areumdaum'' [강박적 아름다움: 언캐니로 다시 읽는 초현실주의], trans. Juyeon Jo, Paju: Ateu Bukseu, 2018. {{ko}}
  
 
* ''[[Media:Foster_Hal_The_Return_of_the_Real_1996.pdf|The Return of the Real: Art and Theory at the End of the Century]]'', MIT Press, 1996, 321 pp, [[Media:Foster_Hal_Return_of_the_Real_Introduction_Chapters_1-2_with_Notes.pdf|Chs. 1-2]], [[Media:Foster_Hal_Return_of_the_Real_Chapters_5-7_with_Notes_for_Ch_6.pdf|Chs. 5-7]]. [http://mitpress.mit.edu/books/return-real] Suggests that after the models of art-as-text in the 1970s and art-as-simulacrum in the 1980s, we are now witness to a return to the real—to art and theory grounded in the materiality of actual bodies and social sites.
 
* ''[[Media:Foster_Hal_The_Return_of_the_Real_1996.pdf|The Return of the Real: Art and Theory at the End of the Century]]'', MIT Press, 1996, 321 pp, [[Media:Foster_Hal_Return_of_the_Real_Introduction_Chapters_1-2_with_Notes.pdf|Chs. 1-2]], [[Media:Foster_Hal_Return_of_the_Real_Chapters_5-7_with_Notes_for_Ch_6.pdf|Chs. 5-7]]. [http://mitpress.mit.edu/books/return-real] Suggests that after the models of art-as-text in the 1970s and art-as-simulacrum in the 1980s, we are now witness to a return to the real—to art and theory grounded in the materiality of actual bodies and social sites.
** ''[http://gen.lib.rus.ec/book/index.php?md5=f44122a37953bb0fa60aed7ee1bb968e El retorno de lo real: la vanguardia a finales de siglo]'', trans. Alfredo Brotons Muñoz, Madrid: Akal, 2001, [https://aaaaarg.fail/thing/572c66de9ff37c05db61e1e7 ARG]. {{es}}
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** ''[http://libgen.rs/book/index.php?md5=f44122a37953bb0fa60aed7ee1bb968e El retorno de lo real: la vanguardia a finales de siglo]'', trans. Alfredo Brotons Muñoz, Madrid: Akal, 2001, [https://aaaaarg.fail/thing/572c66de9ff37c05db61e1e7 ARG]. {{es}}
 
** ''Silchae ŭi kwihwan: 20-segi mal ui Abanggarŭdŭ'', Pusan Kwangyŏksi: Kyŏsŏng Taehakkyo Ch'ulp'anbu, 2003, 362 pp. {{ko}}
 
** ''Silchae ŭi kwihwan: 20-segi mal ui Abanggarŭdŭ'', Pusan Kwangyŏksi: Kyŏsŏng Taehakkyo Ch'ulp'anbu, 2003, 362 pp. {{ko}}
 
** ''Le retour du réel: la situation actuelle de l'avant-garde'', trans. Yves Cantaine, Frank Pierobon and Daniel Vander Gucht, Brussels: La lettre volée, 2005, 277 pp. {{fr}}
 
** ''Le retour du réel: la situation actuelle de l'avant-garde'', trans. Yves Cantaine, Frank Pierobon and Daniel Vander Gucht, Brussels: La lettre volée, 2005, 277 pp. {{fr}}
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** ''Powrót realnego: awangarda u schyłku XX wieku'', trans. Mateusz Borowski and Małgorzata Sugiera, Kraków: Universitas, 2010, 281 pp. [http://www.universitas.com.pl/ksiazka/Powrot_Realnego__Awangarda_u_schylku_XX_wieku_2838.html] {{pl}}
 
** ''Powrót realnego: awangarda u schyłku XX wieku'', trans. Mateusz Borowski and Małgorzata Sugiera, Kraków: Universitas, 2010, 281 pp. [http://www.universitas.com.pl/ksiazka/Powrot_Realnego__Awangarda_u_schylku_XX_wieku_2838.html] {{pl}}
 
** ''Povratak realnog'', Belgrade: Orion art, 2012, 248 pp. {{sr}}
 
** ''Povratak realnog'', Belgrade: Orion art, 2012, 248 pp. {{sr}}
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** ''[https://aaaaarg.fail/thing/5fb800a79ff37c04ee2e81d2 O retorno do real: a vanguarda no final do século XX]'', trans. Célia Euvaldo, São Paulo: Cosac Naify, 2014. {{br-pt}}
  
* editor, with Gordon Hughes, ''[http://gen.lib.rus.ec/book/index.php?md5=9B110CFE9A5D81B874B28438C39926B1 Richard Serra]'', MIT Press, 2000, 205 pp. Essays by Buchloh, Michelson, Bois, Crimp, Krauss, Foster.
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* editor, with Gordon Hughes, ''[http://libgen.rs/book/index.php?md5=9B110CFE9A5D81B874B28438C39926B1 Richard Serra]'', MIT Press, 2000, 205 pp. Essays by Buchloh, Michelson, Bois, Crimp, Krauss, Foster.
  
* ''[[Media:Foster_Hal_Design_and_Crime_And_Other_Diatribes_2002.pdf|Design and Crime (And Other Diatribes)]]'', London: Verso, 2002, 176 pp; Verso, 2010, 192 pp, [http://gen.lib.rus.ec/book/index.php?md5=EE472F1C5E326A89FE60AD0616EF6141 PDF], [http://aaaaarg.fail/thing/55b3c340334fe06cd5fdcce5 ARG]. [http://www.versobooks.com/books/543-design-and-crime-and-other-diatribes] On "political economy of design: .. the marketing of culture and the branding of identity, the development of spectacle-architecture and the rise of global cities." Parts were first published in the ''London Review of Books''. Reviews: [http://www.thestranger.com/seattle/design-and-crime/Content?oid=11666 Mudede] (2002), [http://sci-hub.tw/10.1353/cul.2003.0034 Howard] (2003), [http://academia.edu/579983/ Atzmon] (2006).
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* ''[[Media:Foster_Hal_Design_and_Crime_And_Other_Diatribes_2002.pdf|Design and Crime (And Other Diatribes)]]'', London: Verso, 2002, 176 pp; Verso, 2010, 192 pp, [http://libgen.rs/book/index.php?md5=EE472F1C5E326A89FE60AD0616EF6141 PDF], [http://aaaaarg.fail/thing/55b3c340334fe06cd5fdcce5 ARG]. [http://www.versobooks.com/books/543-design-and-crime-and-other-diatribes] On "political economy of design: .. the marketing of culture and the branding of identity, the development of spectacle-architecture and the rise of global cities." Parts were first published in the ''London Review of Books''. Reviews: [http://www.thestranger.com/seattle/design-and-crime/Content?oid=11666 Mudede], [http://sci-hub.st/10.1353/cul.2003.0034 Howard], [http://academia.edu/579983/ Atzmon].
 
** ''Design & crime'', Milan: Postmedia, 2002, 141 pp. {{it}}
 
** ''Design & crime'', Milan: Postmedia, 2002, 141 pp. {{it}}
 
** ''Diseño y delito y otras diatribas'', trans. Alfredo Brotons Muñoz, Madrid: Akal, 2004, 176 pp. {{es}}
 
** ''Diseño y delito y otras diatribas'', trans. Alfredo Brotons Muñoz, Madrid: Akal, 2004, 176 pp. {{es}}
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** ''Design a zločin'', Prague: Fra, forthcoming. {{cz}}
 
** ''Design a zločin'', Prague: Fra, forthcoming. {{cz}}
  
* with Rosalind Krauss, Yve-Alain Bois, and Benjamin H. D. Buchloh, ''[http://gen.lib.rus.ec/book/index.php?md5=A050EF6306CDEFEBD5DED69ECD5E891C Art Since 1900: Modernism, Antimodernism, Postmodernism]'', London: Thames & Hudson, 2004, 704 pp; 2nd ed., rev., 2012, 816 pp; [https://aaaaarg.fail/thing/54291408334fe017706299c6 3rd ed.], upd. & exp., 2016, 896 pp. [http://www.thamesandhudson.com/Art_Since_1900/9780500238899] Reviews: [http://www.artforum.com/diary/id=8733 Bishop] (2005), [http://books.guardian.co.uk/review/story/0,12084,1483283,00.html Collings] (2005), [http://www.nytimes.com/2005/12/11/books/review/11gewen.html Gewen] (2005), [https://frieze.com/article/art-1900-modernism-antimodernism-postmodernism Bryson] (2005), [http://arthistory.as.nyu.edu/docs/IO/3644/Karmel_rvw_of_Art_Since_1900.pdf Karmel] (2005), [http://www.ppgav.eba.ufrj.br/wp-content/uploads/2012/01/ae13_resenhas.pdf Sá] (2005 PT), [http://web.archive.org/web/20130708180417/http://www.lrb.co.uk/v28/n07/frances-richard/white-hat-black-hat Richard] (LRB 2006), [http://leonardo.info/reviews/nov2005/art_dahlberg.html Dahlberg] (2006).
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* with Rosalind Krauss, Yve-Alain Bois, and Benjamin H. D. Buchloh, ''[http://libgen.rs/book/index.php?md5=A050EF6306CDEFEBD5DED69ECD5E891C Art Since 1900: Modernism, Antimodernism, Postmodernism]'', London: Thames & Hudson, 2004, 704 pp; 2nd ed., rev., 2012, 816 pp; [https://aaaaarg.fail/thing/54291408334fe017706299c6 3rd ed.], upd. & exp., 2016, 896 pp. [http://www.thamesandhudson.com/Art_Since_1900/9780500238899 Publisher]. Reviews: [http://www.artforum.com/diary/id=8733 Bishop] (Artforum), [http://books.guardian.co.uk/review/story/0,12084,1483283,00.html Collings] (Guardian), [http://www.nytimes.com/2005/12/11/books/review/11gewen.html Gewen] (NY Times), [https://frieze.com/article/art-1900-modernism-antimodernism-postmodernism Bryson] (Frieze), [http://arthistory.as.nyu.edu/docs/IO/3644/Karmel_rvw_of_Art_Since_1900.pdf Karmel], [http://www.ppgav.eba.ufrj.br/wp-content/uploads/2012/01/ae13_resenhas.pdf Sá] (PT), [http://web.archive.org/web/20130708180417/http://www.lrb.co.uk/v28/n07/frances-richard/white-hat-black-hat Richard] (LRB), [http://leonardo.info/reviews/nov2005/art_dahlberg.html Dahlberg] (Leonardo).
** ''Arte desde 1900: modernidad, antimodernidad, posmodernidad'', trans. Fabián Chueca, Francisco López and Alfredo Brotons Mun̋oz, Madrid: Akal, 2006, 704 pp. {{es}}
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** ''[http://libgen.rs/book/index.php?md5=59226B50F14511803BC7F9EE61BC089B Arte desde 1900: modernidad, antimodernidad, posmodernidad]'', trans. Fabián Chueca, Francisco López and Alfredo Brotons Mun̋oz, Madrid: Akal, 2006, 704 pp. {{es}}
** ''Arte dal 1900: modernismo, antimodernismo, postmodernismo'', trans. Elio Grazioli, Bologna: Zanichelli, 2006, 704 pp. {{it}}
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** ''[http://libgen.rs/book/index.php?md5=D0D70C82103DF69D42B9BE7CD2506779 Arte dal 1900: modernismo, antimodernismo, postmodernismo]'', trans. Elio Grazioli, Bologna: Zanichelli, 2006, 704 pp; 3rd ed., 2017, 895 pp. {{it}}
** ''Umění po roce 1900: modernismus, antimodernismus, postmodernismus'', trans. Josef Hrdlička, Irena Ellis and Jitka Sedláčková, Prague: Slovart, 2007, 704 pp. {{cz}}
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** ''[[Media:Foster_Hal et al Umení_po_roce_1900 2007.pdf|Umění po roce 1900: modernismus, antimodernismus, postmodernismus]]'', trans. Josef Hrdlička, Irena Ellis and Jitka Sedláčková, Prague: Slovart, 2007, 704 pp; 2nd ed., exp., Prague: Slovart, 2015, 816 pp. {{cz}}
** ''Iskusstvo s 1900 goda: modernizm, antimodernizm, postmodernizm'' [Искусство с 1900 года: модернизм, антимодернизм, постмодернизм], trans. G. Abdushelishvili, et al., Moscow: Ad Marginem, 2015, 816 pp. [http://admarginem.ru/books/7717/] {{ru}}
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** 1900년 이후의 미술사: 모더니즘, 반모더니즘, 포스트모더니즘, Seoul, 2007, 704 pp; 2nd ed., 2012, 815 pp; 3rd ed., Seoul: 사이언스북스, 2016, 895 pp. {{ko}}
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** ''[http://libgen.rs/book/index.php?md5=3409D38FC8F913718032DBD4D2568F91 Iskusstvo s 1900 goda: modernizm, antimodernizm, postmodernizm]'' [Искусство с 1900 года: модернизм, антимодернизм, постмодернизм], trans. G. Abdushelishvili, et al., Moscow: Ad Marginem (Ад Маргинем), 2015, 816 pp. [http://admarginem.ru/books/7717/ Publisher]. {{ru}}
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** ''Zukan senkyuhyakunen igo no geijutsu'' [図鑑1900年以後の芸術], Tokyo: Tōkyōshoseki (東京書籍), 2019, 895 pp. {{jp}}
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** ''Sztuka po 1900 roku: modernizm, antymodernizm, postmodernizm'', trans. Małgorzata Szubert, Dorota Skalska-Stefańska, and Anna Cichowicz, Warsaw: Arkady, 2023, 896 pp. [https://arkady.eu/ksiazki/historia-sztuki/sztuka-po-1900-roku-modernizm-antymodernizm-postmodernizm/ Publisher]. {{pl}}
  
* ''[http://monoskop.org/log/?p=265 Prosthetic Gods]'', MIT Press, 2004, 455 pp. Argues that two forms came to dominate modernist art above all others: the primitive and the machine; follows upon Foster's ''Compulsive Beauty''. Reviews: [http://www.caareviews.org/reviews/746 Cohen] (2005), [https://frieze.com/article/hal-foster-prosthetic-gods?language=en Bowring] (2005), [http://www.surrealismcentre.ac.uk/papersofsurrealism/journal3/acrobat_files/hopkins.pdf Hopkins] (2005), [http://www.jstor.org.sci-hub.tw/stable/25067237 Cooper] (2006).
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* ''[http://monoskop.org/log/?p=265 Prosthetic Gods]'', MIT Press, 2004, 455 pp. Argues that two forms came to dominate modernist art above all others: the primitive and the machine; follows upon Foster's ''Compulsive Beauty''. Reviews: [http://www.caareviews.org/reviews/746 Cohen], [https://frieze.com/article/hal-foster-prosthetic-gods?language=en Bowring], [http://www.surrealismcentre.ac.uk/papersofsurrealism/journal3/acrobat_files/hopkins.pdf Hopkins], [http://www.jstor.org.sci-hub.st/stable/25067237 Cooper].
 
** ''Dioses prostéticos'', trans. Alfredo Brotons Muñoz, Madrid: Akal, 2008, 383 pp. {{es}}
 
** ''Dioses prostéticos'', trans. Alfredo Brotons Muñoz, Madrid: Akal, 2008, 383 pp. {{es}}
  
 
* editor, with Mark Francis, ''[https://aaaaarg.fail/thing/5dc754679ff37c3d63612620 Pop]'', London: Phaidon, 2005. [http://uk.phaidon.com/store/art/pop-9780714856636/]
 
* editor, with Mark Francis, ''[https://aaaaarg.fail/thing/5dc754679ff37c3d63612620 Pop]'', London: Phaidon, 2005. [http://uk.phaidon.com/store/art/pop-9780714856636/]
  
* {{a|Foster2011}} ''[http://library.memoryoftheworld.org/#/book/dd5675f4-dba3-4d10-b06b-2f592b2108cb The Art-Architecture Complex]'', London: Verso, 2011, 316 pp, [http://aaaaarg.fail/thing/52e095413078883d2700004a EPUB]. [http://www.versobooks.com/books/1438-the-art-architecture-complex] Argues that a fusion of architecture and art is a defining feature of contemporary culture; identifies a "global style" of architecture—as practiced by Norman Foster, Richard Rogers and Renzo Piano—analogous to the international style of Le Corbusier, Gropius and Mies. Reviews: [http://www.theguardian.com/books/2011/sep/16/art-architecture-complex-foster-review Moore] (2011), [http://www.iconeye.com/opinion/review/item/9654-the-art-architecture-complex Long] (2012), [http://arcadenw.org/article/the-art-architecture-complex Cava] (2012), [http://menlopark.ca/hal-foster-the-art-and-architecture-complex/ Home] (2013), [http://marxandphilosophy.org.uk/reviewofbooks/reviews/2014/940 Petts] (2014).
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*{{a|Foster2011}}''[http://library.memoryoftheworld.org/#/book/dd5675f4-dba3-4d10-b06b-2f592b2108cb The Art-Architecture Complex]'', London: Verso, 2011, 316 pp, [http://aaaaarg.fail/thing/52e095413078883d2700004a EPUB]. [http://www.versobooks.com/books/1438-the-art-architecture-complex] Argues that a fusion of architecture and art is a defining feature of contemporary culture; identifies a "global style" of architecture—as practiced by Norman Foster, Richard Rogers and Renzo Piano—analogous to the international style of Le Corbusier, Gropius and Mies. Reviews: [http://www.theguardian.com/books/2011/sep/16/art-architecture-complex-foster-review Moore], [http://www.iconeye.com/opinion/review/item/9654-the-art-architecture-complex Long], [http://arcadenw.org/article/the-art-architecture-complex Cava], [http://menlopark.ca/hal-foster-the-art-and-architecture-complex/ Home], [http://marxandphilosophy.org.uk/reviewofbooks/reviews/2014/940 Petts].
** ''El complejo arte-arquitectura'', trans. José Adrián Vitier, Madrid: Turner, 2013, 346 pp. {{es}}
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** ''[http://libgen.rs/book/index.php?md5=DDFE98A4C3962EF638926DBD06101448 El complejo arte-arquitectura]'', trans. José Adrián Vitier, Madrid: Turner, 2013, 346 pp. {{es}}
 
** ''Sanat mimarlık kompleksi: Küreselleşme çağında sanat, mimarlık ve tasarımın birliği'', trans. Serpil Özaloğlu, Istanbul: İletişim Yayınları, 2013, 365 pp. {{tr}}
 
** ''Sanat mimarlık kompleksi: Küreselleşme çağında sanat, mimarlık ve tasarımın birliği'', trans. Serpil Özaloğlu, Istanbul: İletişim Yayınları, 2013, 365 pp. {{tr}}
 
** ''Āto kenchiku fukugōtai'' [アート建築複合態], trans. Takimoto Masashi, Tokyo: Kajimashuppankai, 2014, 374 pp. {{jp}}
 
** ''Āto kenchiku fukugōtai'' [アート建築複合態], trans. Takimoto Masashi, Tokyo: Kajimashuppankai, 2014, 374 pp. {{jp}}
  
* with Rem Koolhaas, ''[http://library.memoryoftheworld.org/#/book/689bf52a-60d0-4145-bd27-d42a0210f1ef Junkspace / Running Room]'', Notting Hill Editions, 2013. [http://www.nottinghilleditions.com/books/junkspace-running-room/188]
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* with Rem Koolhaas, ''[http://library.memoryoftheworld.org/#/book/689bf52a-60d0-4145-bd27-d42a0210f1ef Junkspace / Running Room]'', Notting Hill Editions, 2013. [http://www.nottinghilleditions.com/books/junkspace-running-room/188 Publisher].
  
* ''The First Pop Age: Painting and Subjectivity in the Art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha'', Princeton University Press, 2012, 352 pp. [http://press.princeton.edu/titles/9511.html] [http://rorotoko.com/interview/20111121_foster_hal_on_first_pop_age_painting_subjectivity/] Suggests that the work of Hamilton, Lichtenstein, Warhol, Richter and Ruscha in the mid-to-late 1950s registers most suggestively a shift in the status of image and subjectivity. Reviews: [http://www.lrb.co.uk/v34/n19/anne-wagner/tomorrow-is-here-again Wagner] (LRB 2012), [http://lirias.kuleuven.be/bitstream/123456789/469280/1/9.+Hal+Foster+-+The+First+Pop+Image.pdf Ionescu] (2014).
+
* ''The First Pop Age: Painting and Subjectivity in the Art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha'', Princeton University Press, 2012, 352 pp. [http://press.princeton.edu/titles/9511.html] [http://rorotoko.com/interview/20111121_foster_hal_on_first_pop_age_painting_subjectivity/] Suggests that the work of Hamilton, Lichtenstein, Warhol, Richter and Ruscha in the mid-to-late 1950s registers most suggestively a shift in the status of image and subjectivity. Reviews: [http://www.lrb.co.uk/v34/n19/anne-wagner/tomorrow-is-here-again Wagner] (LRB), [http://lirias.kuleuven.be/bitstream/123456789/469280/1/9.+Hal+Foster+-+The+First+Pop+Image.pdf Ionescu].
 
** ''Daiichi poppu jidai: hamiruton rikutensutain uōhōru rihitā rushē aruiwa poppu āto o meguru itsutsu no imēji'' [第一ポップ時代: ハミルトン, リクテンスタイン, ウォーホール, リヒター, ルシェー, あるいはポップアートをめぐる五つのイメージ], trans. Nakano Tsutomu, Tokyo: Kawadeshobōshinsha, 2014. {{jp}}
 
** ''Daiichi poppu jidai: hamiruton rikutensutain uōhōru rihitā rushē aruiwa poppu āto o meguru itsutsu no imēji'' [第一ポップ時代: ハミルトン, リクテンスタイン, ウォーホール, リヒター, ルシェー, あるいはポップアートをめぐる五つのイメージ], trans. Nakano Tsutomu, Tokyo: Kawadeshobōshinsha, 2014. {{jp}}
 +
** ''Cheot beonjjae pap ateu sidae'' [첫 번째 팝 아트 시대: 해밀턴, 릭턴스타인, 워홀, 리히터, 루셰이의 회화와 주체성], trans. Juyeon Jo, Seoul: Wokeurum Peureseu, 2021. {{ko}}
  
* ''[http://monoskop.org/log/?p=16629 Bad New Days: Art, Criticism, Emergency]'', London: Verso, 2015, 208 pp, [http://gen.lib.rus.ec/book/index.php?md5=78BC6DF9D209E0470E0108F82718C4E9 PDF]. Examines the evolution of art and criticism in Western Europe and North America over the last 25 years, exploring their dynamic relation to the general condition of emergency instilled by neoliberalism and the war on terror; and offers several paradigms for the art of recent years, which he terms “abject,” “archival,” “mimetic,” and “precarious.“ Reviews: [http://affirmations.arts.unsw.edu.au/index.php?journal=aom&page=article&op=view&path%5B%5D=85&path%5B%5D=90 Steven] (Affirmations 2015), [http://www.theguardian.com/books/2015/sep/03/bad-new-days-art-criticism-emergency-hal-foster-review Dillon] (Guardian 2015), [http://www.artnews.com/2015/09/08/being-a-good-critic-in-a-bad-world-hal-foster-and-the-avant-garde/ Wetzler] (ArtNews 2015).
+
* ''[http://monoskop.org/log/?p=16629 Bad New Days: Art, Criticism, Emergency]'', London: Verso, 2015, 208 pp, [http://libgen.rs/book/index.php?md5=78BC6DF9D209E0470E0108F82718C4E9 PDF]. Examines the evolution of art and criticism in Western Europe and North America over the last 25 years, exploring their dynamic relation to the general condition of emergency instilled by neoliberalism and the war on terror; and offers several paradigms for the art of recent years, which he terms “abject,” “archival,” “mimetic,” and “precarious.“ Reviews: [http://affirmations.arts.unsw.edu.au/index.php?journal=aom&page=article&op=view&path%5B%5D=85&path%5B%5D=90 Steven] (Affirmations), [http://www.theguardian.com/books/2015/sep/03/bad-new-days-art-criticism-emergency-hal-foster-review Dillon] (Guardian), [http://www.artnews.com/2015/09/08/being-a-good-critic-in-a-bad-world-hal-foster-and-the-avant-garde/ Wetzler] (ArtNews).
 +
** ''Bad new days: arte, critica, emergenza'', Milan: Postmedia books, 2019, 177 pp. {{it}}
 +
** [http://libgen.rs/book/index.php?md5=D17B21C643832B02A156592E558F51EB 来日非善: 艺术、批评、紧急事件], Chongqing University Press, 2020. {{cn}}
 +
** ''Zítra bude hůř: umění, kritika, nouzový stav'', trans. Magdalena Jadwiga Härtelová, Prague: Centrum pro současné umění Praha, and INI Project, 2021, 149 pp. [https://cca.fcca.cz/en/publications/hal-foster-zitra-bude-hur-umeni-kritika-nouzovy-stav/ Publisher]. {{cz}}
  
* ''[https://aaaaarg.fail/thing/5ed13da09ff37c4a042e81d6 What Comes after Farce?]'', London: Verso, 2020, 224 pp. [https://www.versobooks.com/books/3170-what-comes-after-farce]. Reviews: [https://www.artnews.com/art-in-america/aia-reviews/hal-foster-book-what-comes-after-farce-1202687610/ Balsom] (Art in America), [https://www.theguardian.com/books/2020/may/14/what-comes-after-farce-hal-foster-review-art-criticism-time-debacle Eagleton] (Guardian), [https://www.art-agenda.com/features/329052/hal-foster-s-what-comes-after-farce Brazil] (Art Agenda).
+
* ''[http://libgen.rs/book/index.php?md5=F876E4257D8B357E75DEDE46B132808E What Comes after Farce? Art and Criticism at a Time of Debacle]'', London: Verso, 2020, 224 pp, [https://aaaaarg.fail/thing/5ed13da09ff37c4a042e81d6 ARG]. [https://www.versobooks.com/books/3170-what-comes-after-farce]. Reviews: [https://www.artnews.com/art-in-america/aia-reviews/hal-foster-book-what-comes-after-farce-1202687610/ Balsom] (Art in America), [https://www.theguardian.com/books/2020/may/14/what-comes-after-farce-hal-foster-review-art-criticism-time-debacle Eagleton] (Guardian), [https://www.art-agenda.com/features/329052/hal-foster-s-what-comes-after-farce Brazil] (Art Agenda).
 +
 
 +
* ''[http://libgen.rs/book/index.php?md5=81CB97BF700074C77B13675AEED4EB67 Brutal Aesthetics: Dubuffet, Bataille, Jorn, Paolozzi, Oldenburg]'', Princeton, NJ: Princeton University Press, 2020, 296 pp, [http://libgen.rs/book/index.php?md5=33E75F9A3F491914223B5ECC88148552 EPUB]. [https://press.princeton.edu/books/hardcover/9780691202600/brutal-aesthetics Publisher].
  
 
===Essays===
 
===Essays===
Line 78: Line 89:
 
* "For a Concept of the Political in Art", ''Art in America'' (Apr 1984); rev. as "For a Concept of the Political in Contemporary Art", in Foster, ''[[Media:Foster_Hal_Recodings_Art_Spectacle_and_Cultural_Politics.pdf|Recodings]]'', 1985, pp 139-156.
 
* "For a Concept of the Political in Art", ''Art in America'' (Apr 1984); rev. as "For a Concept of the Political in Contemporary Art", in Foster, ''[[Media:Foster_Hal_Recodings_Art_Spectacle_and_Cultural_Politics.pdf|Recodings]]'', 1985, pp 139-156.
 
* "(Post)Modern Polemics", ''New German Critique'' 33 (Fall 1984); repr. in ''Perspecta'' 21 (1984); rev. in Foster, ''[[Media:Foster_Hal_Recodings_Art_Spectacle_and_Cultural_Politics.pdf|Recodings]]'', 1985, pp 121-138.
 
* "(Post)Modern Polemics", ''New German Critique'' 33 (Fall 1984); repr. in ''Perspecta'' 21 (1984); rev. in Foster, ''[[Media:Foster_Hal_Recodings_Art_Spectacle_and_Cultural_Politics.pdf|Recodings]]'', 1985, pp 121-138.
* [http://sci-hub.tw/doi/10.2307/778488 "The 'Primitive' Unconscious of Modern Art"], ''October'' 34 (Fall 1985), pp 45-70; rev. as "The 'Primitive' Unconscious of Modern Art, or White Skin Black Masks", in Foster, ''[[Media:Foster_Hal_Recodings_Art_Spectacle_and_Cultural_Politics.pdf|Recodings]]'', 1985, pp 181-210.
+
* [http://sci-hub.st/doi/10.2307/778488 "The 'Primitive' Unconscious of Modern Art"], ''October'' 34 (Fall 1985), pp 45-70; rev. as "The 'Primitive' Unconscious of Modern Art, or White Skin Black Masks", in Foster, ''[[Media:Foster_Hal_Recodings_Art_Spectacle_and_Cultural_Politics.pdf|Recodings]]'', 1985, pp 181-210.
 
* "Readings in Cultural Resistance", in Foster, ''[[Media:Foster_Hal_Recodings_Art_Spectacle_and_Cultural_Politics.pdf|Recodings]]'', 1985, pp 157-180.
 
* "Readings in Cultural Resistance", in Foster, ''[[Media:Foster_Hal_Recodings_Art_Spectacle_and_Cultural_Politics.pdf|Recodings]]'', 1985, pp 157-180.
 
* "The Crux of Minimalism", in ''Individuals: A Selected History of Contemporary Art, 1945-1986'', ed. Howard Singerman, Los Angeles: Museum of Contemporary Art, and New York: Abbeville Press, 1986, pp 162-183; [http://monoskop.org/images/8/88/Foster_Hal_Return_of_the_Real_Introduction_Chapters_1-2_with_Notes.pdf#page=43 repr.] as ch 2 in Foster, ''The Return of the Real'', 1996, pp 35-70, n241-248; rev. as [https://monoskop.org/images/b/b1/Foster_Hal_Prosthetic_Gods.pdf#page=275 "Torn Screens"], ch 7 in Foster, ''Prosthetic Gods'', 2004, pp 256-301.  
 
* "The Crux of Minimalism", in ''Individuals: A Selected History of Contemporary Art, 1945-1986'', ed. Howard Singerman, Los Angeles: Museum of Contemporary Art, and New York: Abbeville Press, 1986, pp 162-183; [http://monoskop.org/images/8/88/Foster_Hal_Return_of_the_Real_Introduction_Chapters_1-2_with_Notes.pdf#page=43 repr.] as ch 2 in Foster, ''The Return of the Real'', 1996, pp 35-70, n241-248; rev. as [https://monoskop.org/images/b/b1/Foster_Hal_Prosthetic_Gods.pdf#page=275 "Torn Screens"], ch 7 in Foster, ''Prosthetic Gods'', 2004, pp 256-301.  
  
* [http://sci-hub.tw/doi/10.2307/778724 "Armor Fou"], ''October'' 56: High/Low: Art and Mass Culture (Spring 1991), pp 64-97.
+
* [http://sci-hub.st/doi/10.2307/778724 "Armor Fou"], ''October'' 56: High/Low: Art and Mass Culture (Spring 1991), pp 64-97.
* [http://sci-hub.tw/doi/10.2307/778871 "Convulsive Identity"], ''October'' 57 (Summer 1991), pp 18-54.
+
* [http://sci-hub.st/doi/10.2307/778871 "Convulsive Identity"], ''October'' 57 (Summer 1991), pp 18-54.
* [http://sci-hub.tw/doi/10.2307/778862 "Postmodernism in Parallax"], ''October'' 63 (Winter 1993), pp 3-20.
+
* [http://sci-hub.st/doi/10.2307/778862 "Postmodernism in Parallax"], ''October'' 63 (Winter 1993), pp 3-20.
 
* [[Media:Foster_Hal_1994_Whats_Neo_about_the_Neo-Avant-Garde.pdf|"What's Neo about the Neo-Avant-Garde?"]], ''October'' 70 (1994), pp 5-32; repr. as [http://monoskop.org/images/8/88/Foster_Hal_Return_of_the_Real_Introduction_Chapters_1-2_with_Notes.pdf#page=11 "Who's Afraid of the Neo-Avant-Garde?"], ch 1 in Foster, ''The Return of the Real'', 1996, pp 1-33, n230-241.  
 
* [[Media:Foster_Hal_1994_Whats_Neo_about_the_Neo-Avant-Garde.pdf|"What's Neo about the Neo-Avant-Garde?"]], ''October'' 70 (1994), pp 5-32; repr. as [http://monoskop.org/images/8/88/Foster_Hal_Return_of_the_Real_Introduction_Chapters_1-2_with_Notes.pdf#page=11 "Who's Afraid of the Neo-Avant-Garde?"], ch 1 in Foster, ''The Return of the Real'', 1996, pp 1-33, n230-241.  
 
** [http://vvp.avu.cz/wp-content/uploads/2014/08/sesit8-foster.pdf "Co je nového na neovantgardě?"], trans. David Kulhánek, ''Sešit'' 8, Prague, 2010, pp 58-94. {{cz}}
 
** [http://vvp.avu.cz/wp-content/uploads/2014/08/sesit8-foster.pdf "Co je nového na neovantgardě?"], trans. David Kulhánek, ''Sešit'' 8, Prague, 2010, pp 58-94. {{cz}}
Line 98: Line 109:
 
* [[Media:Foster_Hal_1996_The_Archive_Without_Museum.pdf|"The Archive without Museums"]], ''October'' 77 (Summer 1996), pp 97-119; rev. as [[Media:Foster_Hal_2002_Antinomies_in_Art_History.pdf|"Antinomies of Art History"]], ch 6 in Foster, ''Design and Crime'', 2002, pp 83-103, n157-165, [https://monoskop.org/images/5/51/Foster_Hal_Design_and_Crime_And_Other_Diatribes_2002.pdf#page=100 PDF].
 
* [[Media:Foster_Hal_1996_The_Archive_Without_Museum.pdf|"The Archive without Museums"]], ''October'' 77 (Summer 1996), pp 97-119; rev. as [[Media:Foster_Hal_2002_Antinomies_in_Art_History.pdf|"Antinomies of Art History"]], ch 6 in Foster, ''Design and Crime'', 2002, pp 83-103, n157-165, [https://monoskop.org/images/5/51/Foster_Hal_Design_and_Crime_And_Other_Diatribes_2002.pdf#page=100 PDF].
 
* [[Media:Foster_Hal_1996_Obscene_Abject_Traumatic.pdf|"Obscene, Abject, Traumatic"]], ''October'' 78 (Autumn 1996), pp 106-124; rev. as [https://monoskop.org/media/text/foster_2015_bad_new_days/#ch-1 "Abject"], ch 1 in Foster, ''Bad New Days'', 2015.
 
* [[Media:Foster_Hal_1996_Obscene_Abject_Traumatic.pdf|"Obscene, Abject, Traumatic"]], ''October'' 78 (Autumn 1996), pp 106-124; rev. as [https://monoskop.org/media/text/foster_2015_bad_new_days/#ch-1 "Abject"], ch 1 in Foster, ''Bad New Days'', 2015.
* [http://sci-hub.tw/doi/10.2307/779236 "An Art of Missing Parts"], ''October'' 92 (Spring 2000), pp 128-156.
+
* [http://sci-hub.st/doi/10.2307/779236 "An Art of Missing Parts"], ''October'' 92 (Spring 2000), pp 128-156.
 
* [http://www.lrb.co.uk/v22/n23/hal-foster/the-great-us-election-disaster "The Great US Election Disaster: The 2000 US Presidential Election"], ''London Review of Books'' 22:23, 30 Nov 2000, pp 36-37.
 
* [http://www.lrb.co.uk/v22/n23/hal-foster/the-great-us-election-disaster "The Great US Election Disaster: The 2000 US Presidential Election"], ''London Review of Books'' 22:23, 30 Nov 2000, pp 36-37.
* [http://sci-hub.tw/10.2307/779085 "Blinded Insights: On the Modernist Reception of the Art of the Mentally Ill"], ''October'' 97 (Summer 2001), pp 3-30.
+
* [http://sci-hub.st/10.2307/779085 "Blinded Insights: On the Modernist Reception of the Art of the Mentally Ill"], ''October'' 97 (Summer 2001), pp 3-30.
* [http://sci-hub.tw/10.2307/779099 "The ABCs of Contemporary Design"], ''October'' 100 (Spring 2002), pp 191-199.
+
* [http://sci-hub.st/10.2307/779099 "The ABCs of Contemporary Design"], ''October'' 100 (Spring 2002), pp 191-199.
 
** [http://www.revistasculturales.com/articulos/62/arquitectura-viva/134/1/voces-en-vanguardia-peque-o-diccionario-de-ideas-del-dise-o-actual.html "Voces en vanguardia. Pequeño diccionario de ideas del diseño actual"], ''Arquitectura Viva'' 93, Nov-Dec 2003, pp 23-31. {{es}}
 
** [http://www.revistasculturales.com/articulos/62/arquitectura-viva/134/1/voces-en-vanguardia-peque-o-diccionario-de-ideas-del-dise-o-actual.html "Voces en vanguardia. Pequeño diccionario de ideas del diseño actual"], ''Arquitectura Viva'' 93, Nov-Dec 2003, pp 23-31. {{es}}
 
** [http://dspace.usc.es/bitstream/10347/6337/1/pg_059-072_quintana3.pdf "Un breve diccionario de las ideas actuales sobre diseño"], trans. Invoca, ''Quintana'' 3 (2004), pp 57-70. {{es}}
 
** [http://dspace.usc.es/bitstream/10347/6337/1/pg_059-072_quintana3.pdf "Un breve diccionario de las ideas actuales sobre diseño"], trans. Invoca, ''Quintana'' 3 (2004), pp 57-70. {{es}}
Line 109: Line 120:
 
** [http://newleftreview.org/article/download_pdf?language=es&id=2434 "Acerca de la primera era del ''pop art''"], ''New Left Review ES'' 19, Jan-Feb 2003, pp 68-87.
 
** [http://newleftreview.org/article/download_pdf?language=es&id=2434 "Acerca de la primera era del ''pop art''"], ''New Left Review ES'' 19, Jan-Feb 2003, pp 68-87.
 
* "In New York: plans for Ground Zero", ''London Review of Books'' 25:6, 20 Mar 2003, pp 16-17. [http://www.lrb.co.uk/v25/n06/hal-foster/in-new-york]
 
* "In New York: plans for Ground Zero", ''London Review of Books'' 25:6, 20 Mar 2003, pp 16-17. [http://www.lrb.co.uk/v25/n06/hal-foster/in-new-york]
* [http://sci-hub.tw/10.2307/3397692 "Dada Mime"], ''October'' 105: Dada (Summer 2003), pp 166-176.
+
* [http://sci-hub.st/10.2307/3397692 "Dada Mime"], ''October'' 105: Dada (Summer 2003), pp 166-176.
 
* [[Media:Foster_Hal_2004_An_Archival_Impulse.pdf|"An Archival Impulse"]], ''October'' 110 (Fall 2004), pp 3-22; rev. as [https://monoskop.org/media/text/foster_2015_bad_new_days/#ch-2 "Archival"], ch 2 in Foster, ''Bad New Days'', 2015.
 
* [[Media:Foster_Hal_2004_An_Archival_Impulse.pdf|"An Archival Impulse"]], ''October'' 110 (Fall 2004), pp 3-22; rev. as [https://monoskop.org/media/text/foster_2015_bad_new_days/#ch-2 "Archival"], ch 2 in Foster, ''Bad New Days'', 2015.
 
* [[Media:Foster_Hal_2004_Vision_Quest_The_Cinema_of_Harun_Farocki.pdf|"Vision Quest: The Cinema of Harun Farocki"]], ''Artforum'' (Nov 2004), pp 156-161 & 250.
 
* [[Media:Foster_Hal_2004_Vision_Quest_The_Cinema_of_Harun_Farocki.pdf|"Vision Quest: The Cinema of Harun Farocki"]], ''Artforum'' (Nov 2004), pp 156-161 & 250.
Line 117: Line 128:
 
* editor, [[Media:Foster_Hal_ed_2009_Questionnaire_on_the_Contemporary.pdf|"Questionnaire on the Contemporary"]], ''October'' 130 (Fall 2009), pp 3-124.  
 
* editor, [[Media:Foster_Hal_ed_2009_Questionnaire_on_the_Contemporary.pdf|"Questionnaire on the Contemporary"]], ''October'' 130 (Fall 2009), pp 3-124.  
 
** [http://www.e-flux.com/journal/12/61333/contemporary-extracts/ "Contemporary Extracts"], ''e-flux'' 12 (1/2010).  
 
** [http://www.e-flux.com/journal/12/61333/contemporary-extracts/ "Contemporary Extracts"], ''e-flux'' 12 (1/2010).  
* [http://sci-hub.tw/10.1162/octo.2010.132.1.30 "Test Subjects"], ''October'' 132 (Spring 2010), pp 30-42.
+
* [http://sci-hub.st/10.1162/octo.2010.132.1.30 "Test Subjects"], ''October'' 132 (Spring 2010), pp 30-42.
* [http://sci-hub.tw/10.1162/OCTO_a_00047 "Savage Minds (A Note on Brutalist Bricolage)"], ''October'' 136 (Spring 2011), pp 182-191.
+
* [http://sci-hub.st/10.1162/OCTO_a_00047 "Savage Minds (A Note on Brutalist Bricolage)"], ''October'' 136 (Spring 2011), pp 182-191.
 
* "Toward a Grammar of Emergency", in ''Thomas Hirschhorn: Establishing a Critical Corpus'', ed. Thomas Bizzarri, Zürich: JRP/Ringier, 2011, pp 162-213; repr. as "Towards a Grammar of Emergency", ''New Left Review'' 68, Mar-Apr 2011, pp 105-118, [http://newleftreview.org/II/68/hal-foster-towards-a-grammar-of-emergency]; upd. as [https://monoskop.org/media/text/foster_2015_bad_new_days/#ch-4 "Precarious"], ch 4 in Foster, ''Bad New Days'', 2015.
 
* "Toward a Grammar of Emergency", in ''Thomas Hirschhorn: Establishing a Critical Corpus'', ed. Thomas Bizzarri, Zürich: JRP/Ringier, 2011, pp 162-213; repr. as "Towards a Grammar of Emergency", ''New Left Review'' 68, Mar-Apr 2011, pp 105-118, [http://newleftreview.org/II/68/hal-foster-towards-a-grammar-of-emergency]; upd. as [https://monoskop.org/media/text/foster_2015_bad_new_days/#ch-4 "Precarious"], ch 4 in Foster, ''Bad New Days'', 2015.
 
** [http://newleftreview.org/article/download_pdf?language=es&id=2888 "Hacia una gramatica de la emergencia"], ''New Left Review ES'' 68, Mar-Apr 2011, pp 93-104. {{es}}
 
** [http://newleftreview.org/article/download_pdf?language=es&id=2888 "Hacia una gramatica de la emergencia"], ''New Left Review ES'' 68, Mar-Apr 2011, pp 93-104. {{es}}
Line 124: Line 135:
 
* "On Richard Hamilton", ''London Review of Books'' 33:19, 6 Oct 2011, p 37. [http://www.lrb.co.uk/v33/n19/hal-foster/on-richard-hamilton]
 
* "On Richard Hamilton", ''London Review of Books'' 33:19, 6 Oct 2011, p 37. [http://www.lrb.co.uk/v33/n19/hal-foster/on-richard-hamilton]
 
* [[Media:Foster_Hal_2012_Post-Critical.pdf|"Post-Critical"]], ''October'' 139 (Winter 2012), pp 3-8; [http://www.brooklynrail.org/2012/12/artseen/post-critical repr. in] ''The Brooklyn Rail'', 10 Dec 2012; rev. as [https://monoskop.org/media/text/foster_2015_bad_new_days/#ch-5 "Post-Critical?"], ch 5 in Foster, ''Bad New Days'', 2015. On Rancière and Latour.
 
* [[Media:Foster_Hal_2012_Post-Critical.pdf|"Post-Critical"]], ''October'' 139 (Winter 2012), pp 3-8; [http://www.brooklynrail.org/2012/12/artseen/post-critical repr. in] ''The Brooklyn Rail'', 10 Dec 2012; rev. as [https://monoskop.org/media/text/foster_2015_bad_new_days/#ch-5 "Post-Critical?"], ch 5 in Foster, ''Bad New Days'', 2015. On Rancière and Latour.
* [http://sci-hub.tw/10.1162/OCTO_a_00095 "Creaturely Cobra"], ''October'' 141 (Summer 2012), pp 4-21.
+
* [http://sci-hub.st/10.1162/OCTO_a_00095 "Creaturely Cobra"], ''October'' 141 (Summer 2012), pp 4-21.
 
* [http://www.lrb.co.uk/v37/n06/hal-foster/after-the-white-cube "After the White Cube"], ''London Review of Books'' 37:6, 19 Mar 2015, pp 25-26. Asks what art museums are for.
 
* [http://www.lrb.co.uk/v37/n06/hal-foster/after-the-white-cube "After the White Cube"], ''London Review of Books'' 37:6, 19 Mar 2015, pp 25-26. Asks what art museums are for.
* [http://sci-hub.tw/10.1162/OCTO_a_00272 "Dailiness According to Demand"], ''October'' 158, Fall 2016, pp 100-112.
+
* [http://sci-hub.st/10.1162/OCTO_a_00272 "Dailiness According to Demand"], ''October'' 158, Fall 2016, pp 100-112.
* [http://sci-hub.tw/10.1162/OCTO_a_00277 "Père Trump"], ''October'' 159, Winter 2017, pp 3-6.
+
* [http://sci-hub.st/10.1162/OCTO_a_00277 "Père Trump"], ''October'' 159, Winter 2017, pp 3-6.
* [http://sci-hub.tw/10.1162/octo_a_00344 "Interdependent Study"], ''October'' 168, Spring 2019, pp 35-42.
+
* [http://sci-hub.st/10.1162/octo_a_00344 "Interdependent Study"], ''October'' 168, Spring 2019, pp 35-42.
* [http://sci-hub.tw/10.1162/octo_a_00367 "Charisma and Catastrophe"], ''October'' 170, Fall 2019, pp 25-30.
+
* [http://sci-hub.st/10.1162/octo_a_00367 "Charisma and Catastrophe"], ''October'' 170, Fall 2019, pp 25-30.
 +
* "Modernism in a Non-Melancholic Key", ''October'' 186, Fall 2023, pp 197–204. [https://doi.org/10.1162/octo_a_00504]
  
 
; More
 
; More
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===Conversations, interviews===
 
===Conversations, interviews===
* with Rosalind Krauss, Silvia Kolbowski, Miwon Kwon, and Benjamin Buchloh, [http://sci-hub.tw/10.2307/778752 "The Politics of the Signifier: A Conversation on the Whitney Biennial"], ''October'' 66 (Autumn 1993), pp 3-27
+
* with Rosalind Krauss, Silvia Kolbowski, Miwon Kwon, and Benjamin Buchloh, [http://sci-hub.st/10.2307/778752 "The Politics of the Signifier: A Conversation on the Whitney Biennial"], ''October'' 66 (Autumn 1993), pp 3-27
 
* with Renée Green, Mitchell Kane, Miwon Kwon, John Lindell, and Helen Molesworth, [[Media:Foster_Green_Kane_Kwon_Lindell_Molesworth_1994_On_Site_Specificity_A_Discussion.pdf|"On Site Specificity: A Discussion"]], ''Documents'' 4-5, New York, 1994.
 
* with Renée Green, Mitchell Kane, Miwon Kwon, John Lindell, and Helen Molesworth, [[Media:Foster_Green_Kane_Kwon_Lindell_Molesworth_1994_On_Site_Specificity_A_Discussion.pdf|"On Site Specificity: A Discussion"]], ''Documents'' 4-5, New York, 1994.
* with Benjamin Buchloh, Rosalind Krauss, Yve-Alain Bois, Denis Hollier, and Helen Molesworth, [http://sci-hub.tw/10.2307/778965 "The Politics of the Signifier II: A Conversation on the 'Informe' and the Abject"], ''October'' 67 (Winter 1994), pp 3-21.
+
* with Benjamin Buchloh, Rosalind Krauss, Yve-Alain Bois, Denis Hollier, and Helen Molesworth, [http://sci-hub.st/10.2307/778965 "The Politics of the Signifier II: A Conversation on the 'Informe' and the Abject"], ''October'' 67 (Winter 1994), pp 3-21.
* with Rosalind Krauss, Denis Hollier, Annette Michelson, Silvia Kolbowski, Martha Buskirk, and Benjamin Buchloh, [http://sci-hub.tw/doi/10.2307/778987 "The Reception of the Sixties"], ''October'' 69 (Summer 1994), pp 3-21.
+
* with Rosalind Krauss, Denis Hollier, Annette Michelson, Silvia Kolbowski, Martha Buskirk, and Benjamin Buchloh, [http://sci-hub.st/doi/10.2307/778987 "The Reception of the Sixties"], ''October'' 69 (Summer 1994), pp 3-21.
* with Silvia Kolbowski, Mignon Nixon, Mary Kelly, Liz Kotz, Simon Leung, and Ayisha Abraham, [http://sci-hub.tw/doi/10.2307/778741 "A Conversation on Recent Feminist Art Practices"], ''October'' 71: feminist issueS (Winter 1995), pp 49-69.
+
* with Silvia Kolbowski, Mignon Nixon, Mary Kelly, Liz Kotz, Simon Leung, and Ayisha Abraham, [http://sci-hub.st/doi/10.2307/778741 "A Conversation on Recent Feminist Art Practices"], ''October'' 71: feminist issueS (Winter 1995), pp 49-69.
* with Tim Dean and Kaja Silverman, [http://sci-hub.tw/doi/10.2307/778995 "A Conversation with Leo Bersani"], ''October'' 82 (Autumn 1997), pp 3-16.
+
* with Tim Dean and Kaja Silverman, [http://sci-hub.st/doi/10.2307/778995 "A Conversation with Leo Bersani"], ''October'' 82 (Autumn 1997), pp 3-16.
* with Denis Hollier, Silvia Kolbowski, and Rosalind Krauss, [http://sci-hub.tw/10.2307/779206 "The MOMA Expansion: A Conversation with Terence Riley"], ''October'' 84 (Spring 1998), pp 3-30.
+
* with Denis Hollier, Silvia Kolbowski, and Rosalind Krauss, [http://sci-hub.st/10.2307/779206 "The MOMA Expansion: A Conversation with Terence Riley"], ''October'' 84 (Spring 1998), pp 3-30.
* with George Baker, Rosalind Krauss, Benjamin Buchloh, Andrea Fraser, David Joselit, James Meyer, Robert Storr, John Miller, and Helen Molesworth, [http://sci-hub.tw/doi/10.2307/779100 "Round Table: The Present Conditions of Art Criticism"], ''October'' 100: Obsolescence (Spring 2002), pp 200-228.
+
* with George Baker, Rosalind Krauss, Benjamin Buchloh, Andrea Fraser, David Joselit, James Meyer, Robert Storr, John Miller, and Helen Molesworth, [http://sci-hub.st/doi/10.2307/779100 "Round Table: The Present Conditions of Art Criticism"], ''October'' 100: Obsolescence (Spring 2002), pp 200-228.
* with Malcolm Turvey, Chrissie Iles, George Baker, Matthew Buckingham, Anthony McCall, [http://sci-hub.tw/10.2307/3397582 "Round Table: The Projected Image in Contemporary Art"], ''October'' 104 (Spring 2003), pp 71-96.
+
* with Malcolm Turvey, Chrissie Iles, George Baker, Matthew Buckingham, Anthony McCall, [http://sci-hub.st/10.2307/3397582 "Round Table: The Projected Image in Contemporary Art"], ''October'' 104 (Spring 2003), pp 71-96.
* with Stan Allen, [http://sci-hub.tw/10.2307/3397631 "A Conversation with Kenneth Frampton"], ''October'' 106 (Autumn 2003), pp 35-58.
+
* with Stan Allen, [http://sci-hub.st/10.2307/3397631 "A Conversation with Kenneth Frampton"], ''October'' 106 (Autumn 2003), pp 35-58.
* with Yve-Alain Bois and Michel Feher, [http://sci-hub.tw/10.1162/OCTO_a_00254 "On Forensic Architecture: A Conversation with Eyal Weizman"], ''October'' 156 (Spring 2016), pp 116-140.
+
* with Yve-Alain Bois and Michel Feher, [http://sci-hub.st/10.1162/OCTO_a_00254 "On Forensic Architecture: A Conversation with Eyal Weizman"], ''October'' 156 (Spring 2016), pp 116-140.
* with Richard Serra, ''[http://library.memoryoftheworld.org/#/book/749fba4d-3584-465f-a2e2-85586ebcdc84 Conversations about Sculpture]'', Yale University Press, 2018, 266 pp.
+
* with Richard Serra, ''[http://library.memoryoftheworld.org/#/book/749fba4d-3584-465f-a2e2-85586ebcdc84 Conversations about Sculpture]'', Yale University Press, 2018, 266 pp, [http://libgen.rs/book/index.php?md5=353E53B2BC620342C5FC1B6E026BC2BA PDF].
 +
 
 +
* with Huey Copeland, David Joselit, and Pamela M. Lee, "A Questionnaire on Decolonization", ''October'' 174, 2020, pp 3–125. [https://doi.org/10.1162/octo_a_00410]
 +
 
 +
* "“The Object Comes Alive”: A Conversation with Claes Oldenburg", ''October'' 182, Fall 2022, pp 111–129. [https://doi.org/10.1162/octo_a_00472]
 +
 
 +
* ''Exit Interview: Benjamin Buchloh in conversation with Hal Foster'', no place press, Apr 2024, 184 pp. [https://noplacepress.com/npp_current%20catalogue.html Publisher]. [https://mitpress.mit.edu/9781949484069/exit-interview/]
  
 
===Reviews===
 
===Reviews===
Line 194: Line 212:
 
* "Nutty Professors: ‘Lingua Franca’", 8 May 2003. Review of Star's ''Quick Studies''. [http://www.lrb.co.uk/v25/n09/hal-foster/nutty-professors]
 
* "Nutty Professors: ‘Lingua Franca’", 8 May 2003. Review of Star's ''Quick Studies''. [http://www.lrb.co.uk/v25/n09/hal-foster/nutty-professors]
 
* "Long Live Aporia!: William Gaddis", 24 Jul 2003. Review of Gaddis' ''Agapē Agape'' and ''The Rush for Second Place''. [http://www.lrb.co.uk/v25/n14/hal-foster/long-live-aporia]
 
* "Long Live Aporia!: William Gaddis", 24 Jul 2003. Review of Gaddis' ''Agapē Agape'' and ''The Rush for Second Place''. [http://www.lrb.co.uk/v25/n14/hal-foster/long-live-aporia]
* [[Media:Foster_Hal_2003_Arty_Party.pdf|"Arty Party: from the ‘society of spectacle’ to the ‘society of extras’"]], 4 Dec 2003. Review of Bourriaud's ''Relational Aesthetics'' and ''Postproduction'' and Obrist's ''Interviews I''. [http://www.lrb.co.uk/v25/n23/hal-foster/arty-party]
+
* [[Media:Foster_Hal_2003_Arty_Party.pdf|"Arty Party: from the ‘society of spectacle’ to the ‘society of extras’"]], 4 Dec 2003, pp 21-22. Review of Bourriaud's ''Relational Aesthetics'' and ''Postproduction'' and Obrist's ''Interviews I''. [http://www.lrb.co.uk/v25/n23/hal-foster/arty-party]
 
* "Go, Modernity: Norman Foster", 22 Jun 2006. Review of two books of Foster. [http://www.lrb.co.uk/v28/n12/hal-foster/go-modernity]
 
* "Go, Modernity: Norman Foster", 22 Jun 2006. Review of two books of Foster. [http://www.lrb.co.uk/v28/n12/hal-foster/go-modernity]
 
* "Wine Flasks in Bordeaux, Sail Spires in Cardiff: Richard Rogers", 19 Oct 2006. Review of Powell's books on Rogers. [http://www.lrb.co.uk/v28/n20/hal-foster/wine-flasks-in-bordeaux-sail-spires-in-cardiff]
 
* "Wine Flasks in Bordeaux, Sail Spires in Cardiff: Richard Rogers", 19 Oct 2006. Review of Powell's books on Rogers. [http://www.lrb.co.uk/v28/n20/hal-foster/wine-flasks-in-bordeaux-sail-spires-in-cardiff]
Line 218: Line 236:
 
* [http://en.wikipedia.org/wiki/Hal_Foster_(art_critic) Wikipedia]
 
* [http://en.wikipedia.org/wiki/Hal_Foster_(art_critic) Wikipedia]
  
[[Category:Art history]] [[Category:Writers]] {{DEFAULTSORT:Foster, Hal}} {{featured_article}}
+
[[Series:Art history]] [[Category:Writers]] {{DEFAULTSORT:Foster, Hal}} {{featured_article}}

Latest revision as of 19:11, 13 April 2024

Harold Foss "Hal" Foster (1955) is an American art critic and historian. He is Townsend Martin '17 Professor of Art and Archaeology at Princeton and co-editor of October.

Works[edit]

(in English unless noted otherwise)

Books[edit]

  • The Mink's Cry, Port Townsend, WA: Bay Press, 1982. A children's story; illustrated by Milo Mottola. [1]
  • editor, The Anti-Aesthetic: Essays on Postmodern Culture, Port Townsend, WA: Bay Press, 1983, xvi+159 pp, PDF; repr. as Postmodern Culture, London: Pluto Press, 1985,xvi+159 pp, IA; repr., New York: New Press, 2002. Essays by Foster (preface), Habermas, Frampton, Krauss, Crimp, Owens, Ulmer, Jameson, Baudrillard, Said. Reviews.
    • La posmodernidad, Barcelona: Kairós, 1985, 238 pp, ARG. (Spanish)
    • Han bigaku: posuto modan no shosō [反美学 : ポストモダンの諸相], Tokyo: Keisō Shobō, 1987, 308 pp. (Japanese)
    • Fan mei xue: hou xian dai wen hua lun ji [反美學 : 後現代文化論集], Xin dian shi: Li xu, 1998, 270 pp. (Chinese)
  • Recodings: Art, Spectacle, Cultural Politics, Port Townsend, WA: Bay Press, 1985, ARG. A collection of criticism published 1982-85 mostly in Art in America and October, 9 texts, revised.
    • Recodificação: arte, espetáculo, política cultural, São Paulo: Paulista, 1996, 295 pp. (Brazilian Portuguese)
  • editor, Discussions in Contemporary Culture, Number One, Seattle: Bay Press, and New York: Dia Art Foundation, 1987, 172 pp, OL, ARG. [2] Based on a series of 6 weekly discussions organised by Foster at Dia Art Foundation in NYC, 10 Feb-17 Mar 1987. Texts by Crow, Rosler, Owens, Crimp, Kruger, Wodiczko, Fried, Krauss, Buchloh, Graham, Rankin, Kolbowski, Clifford, Dominguez, Minh-ha, Jardine, Feher.
  • editor, Vision and Visuality (Discussions in Contemporary Culture, 2), Seattle: Bay Press, and New York: Dia Art Foundation, 1988, 134 pp, ARG. [3] [4] Based on a day-long symposium held on 30 Apr 1988 at Dia's exhibition space in NYC. Texts by Jay, Crary, Krauss, Bryson, Rose.
    • Shikakuron [視覚論], trans. Kurenuma Norihisa, Tokyo: Heibonsha, 2000, 215 pp. (Japanese)
  • Compulsive Beauty, MIT Press, 1993, 344 pp, PDF, ARG. [5] A deconstructive reading of surrealism; based on author's dissertation. Reviews: Elkins, Genova, O'Brien.
    • Belleza compulsiva, trans. Tamata Stuby, Buenos Aires: Adriana Hidalgo, 2008, 335 pp. Excerpt. Review: Eseverri. (Spanish)
    • Zoraki güzellik, trans. Şebnem Kaptan, Istanbul: Ayrıntı, 2011, 255 pp. (Turkish)
    • Gangbakjeok areumdaum [강박적 아름다움: 언캐니로 다시 읽는 초현실주의], trans. Juyeon Jo, Paju: Ateu Bukseu, 2018. (Korean)
  • The Return of the Real: Art and Theory at the End of the Century, MIT Press, 1996, 321 pp, Chs. 1-2, Chs. 5-7. [6] Suggests that after the models of art-as-text in the 1970s and art-as-simulacrum in the 1980s, we are now witness to a return to the real—to art and theory grounded in the materiality of actual bodies and social sites.
    • El retorno de lo real: la vanguardia a finales de siglo, trans. Alfredo Brotons Muñoz, Madrid: Akal, 2001, ARG. (Spanish)
    • Silchae ŭi kwihwan: 20-segi mal ui Abanggarŭdŭ, Pusan Kwangyŏksi: Kyŏsŏng Taehakkyo Ch'ulp'anbu, 2003, 362 pp. (Korean)
    • Le retour du réel: la situation actuelle de l'avant-garde, trans. Yves Cantaine, Frank Pierobon and Daniel Vander Gucht, Brussels: La lettre volée, 2005, 277 pp. (French)
    • Il ritorno del reale: l'avanguardia alla fine del Novecento, Milan: Postmedia, 2006, 255 pp. (Italian)
    • Gerçeğin geri dönüşü: yüzyılın sonunda avangard, trans. Esin Hoşsucu, Istanbul: Ayrıntı, 2009, 282 pp. (Turkish)
    • Powrót realnego: awangarda u schyłku XX wieku, trans. Mateusz Borowski and Małgorzata Sugiera, Kraków: Universitas, 2010, 281 pp. [7] (Polish)
    • Povratak realnog, Belgrade: Orion art, 2012, 248 pp. (Serbian)
    • O retorno do real: a vanguarda no final do século XX, trans. Célia Euvaldo, São Paulo: Cosac Naify, 2014. (Brazilian Portuguese)
  • editor, with Gordon Hughes, Richard Serra, MIT Press, 2000, 205 pp. Essays by Buchloh, Michelson, Bois, Crimp, Krauss, Foster.
  • Design and Crime (And Other Diatribes), London: Verso, 2002, 176 pp; Verso, 2010, 192 pp, PDF, ARG. [8] On "political economy of design: .. the marketing of culture and the branding of identity, the development of spectacle-architecture and the rise of global cities." Parts were first published in the London Review of Books. Reviews: Mudede, Howard, Atzmon.
    • Design & crime, Milan: Postmedia, 2002, 141 pp. (Italian)
    • Diseño y delito y otras diatribas, trans. Alfredo Brotons Muñoz, Madrid: Akal, 2004, 176 pp. (Spanish)
    • Tasarım ve suç: müze - mimarlık - tasarım, trans. Elçin Gen, Istanbul: İletişim, 2004, 198 pp. (Turkish)
    • Dizajn i zločin (i druge polemike), trans. Goran Vujasinović, Zagreb: V.B.Z., 2006, 156 pp. (Croatian)
    • Design & crime, trans. Christophe Jacquet, Laure Manceau, Gauthier Herrmann, et al., Paris: Les Prairies ordinaires, 2008, 184 pp. (French)
    • Dezain to hanzai [デザインと犯罪], trans. Igarashi Kōji, Tokyo: Heibonsha, 2011, 267 pp. (Japanese)
    • Design & Verbrechen und andere Schmähreden, trans. Thomas Atzert, Berlin: Tiamat 2012, 222 pp. (German)
    • Design a zločin, Prague: Fra, forthcoming. (Czech)
  • Prosthetic Gods, MIT Press, 2004, 455 pp. Argues that two forms came to dominate modernist art above all others: the primitive and the machine; follows upon Foster's Compulsive Beauty. Reviews: Cohen, Bowring, Hopkins, Cooper.
    • Dioses prostéticos, trans. Alfredo Brotons Muñoz, Madrid: Akal, 2008, 383 pp. (Spanish)
  • editor, with Mark Francis, Pop, London: Phaidon, 2005. [9]
  • The Art-Architecture Complex, London: Verso, 2011, 316 pp, EPUB. [10] Argues that a fusion of architecture and art is a defining feature of contemporary culture; identifies a "global style" of architecture—as practiced by Norman Foster, Richard Rogers and Renzo Piano—analogous to the international style of Le Corbusier, Gropius and Mies. Reviews: Moore, Long, Cava, Home, Petts.
    • El complejo arte-arquitectura, trans. José Adrián Vitier, Madrid: Turner, 2013, 346 pp. (Spanish)
    • Sanat mimarlık kompleksi: Küreselleşme çağında sanat, mimarlık ve tasarımın birliği, trans. Serpil Özaloğlu, Istanbul: İletişim Yayınları, 2013, 365 pp. (Turkish)
    • Āto kenchiku fukugōtai [アート建築複合態], trans. Takimoto Masashi, Tokyo: Kajimashuppankai, 2014, 374 pp. (Japanese)
  • The First Pop Age: Painting and Subjectivity in the Art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha, Princeton University Press, 2012, 352 pp. [11] [12] Suggests that the work of Hamilton, Lichtenstein, Warhol, Richter and Ruscha in the mid-to-late 1950s registers most suggestively a shift in the status of image and subjectivity. Reviews: Wagner (LRB), Ionescu.
    • Daiichi poppu jidai: hamiruton rikutensutain uōhōru rihitā rushē aruiwa poppu āto o meguru itsutsu no imēji [第一ポップ時代: ハミルトン, リクテンスタイン, ウォーホール, リヒター, ルシェー, あるいはポップアートをめぐる五つのイメージ], trans. Nakano Tsutomu, Tokyo: Kawadeshobōshinsha, 2014. (Japanese)
    • Cheot beonjjae pap ateu sidae [첫 번째 팝 아트 시대: 해밀턴, 릭턴스타인, 워홀, 리히터, 루셰이의 회화와 주체성], trans. Juyeon Jo, Seoul: Wokeurum Peureseu, 2021. (Korean)
  • Bad New Days: Art, Criticism, Emergency, London: Verso, 2015, 208 pp, PDF. Examines the evolution of art and criticism in Western Europe and North America over the last 25 years, exploring their dynamic relation to the general condition of emergency instilled by neoliberalism and the war on terror; and offers several paradigms for the art of recent years, which he terms “abject,” “archival,” “mimetic,” and “precarious.“ Reviews: Steven (Affirmations), Dillon (Guardian), Wetzler (ArtNews).
    • Bad new days: arte, critica, emergenza, Milan: Postmedia books, 2019, 177 pp. (Italian)
    • 来日非善: 艺术、批评、紧急事件, Chongqing University Press, 2020. (Chinese)
    • Zítra bude hůř: umění, kritika, nouzový stav, trans. Magdalena Jadwiga Härtelová, Prague: Centrum pro současné umění Praha, and INI Project, 2021, 149 pp. Publisher. (Czech)

Essays[edit]

  • "The Problem of Pluralism", Art in America, Jan 1982; rev. as "Against Pluralism", in Foster, Recodings, 1985, pp 13-32.
    • Contra el pluralismo, trans. Desiderio Navarro, Valencia: Episteme, 1998, 24 pp; repr. in La Gaceta de Cuba 5, La Habana, Sep-Oct 2000, pp 34-39. (Spanish)
  • "Between Modernism and the Media", Art in America (Summer 1982); rev. in Foster, Recodings, 1985, pp 33-58.
  • "Subversive Signs", Art in America (Nov 1982); rev. in Foster, Recodings, 1985, pp 99-118.
  • "The Expressive Fallacy", Art in America (Jan 1983); rev. in Foster, Recodings, 1985, pp 59-78.
  • "The Art of Spectacle", Art in America (Apr 1983); rev. as "Contemporary Art and Spectacle", in Foster, Recodings, 1985, pp 79-98.
  • "For a Concept of the Political in Art", Art in America (Apr 1984); rev. as "For a Concept of the Political in Contemporary Art", in Foster, Recodings, 1985, pp 139-156.
  • "(Post)Modern Polemics", New German Critique 33 (Fall 1984); repr. in Perspecta 21 (1984); rev. in Foster, Recodings, 1985, pp 121-138.
  • "The 'Primitive' Unconscious of Modern Art", October 34 (Fall 1985), pp 45-70; rev. as "The 'Primitive' Unconscious of Modern Art, or White Skin Black Masks", in Foster, Recodings, 1985, pp 181-210.
  • "Readings in Cultural Resistance", in Foster, Recodings, 1985, pp 157-180.
  • "The Crux of Minimalism", in Individuals: A Selected History of Contemporary Art, 1945-1986, ed. Howard Singerman, Los Angeles: Museum of Contemporary Art, and New York: Abbeville Press, 1986, pp 162-183; repr. as ch 2 in Foster, The Return of the Real, 1996, pp 35-70, n241-248; rev. as "Torn Screens", ch 7 in Foster, Prosthetic Gods, 2004, pp 256-301.
  • "The Passion of the Sign", ch 3 in Foster, The Return of the Real, 1996, pp 71-96, n249-253.
  • "The Art of Cynical Reason", ch 4 in Foster, The Return of the Real, 1996, pp 99-124, n253-260. [14]
  • "The Return of the Real", ch 5 in Foster, The Return of the Real, 1996, pp 127-168, n260-274.
  • "Whatever Happened to Postmodernism?", ch 7 in Foster, The Return of the Real, 1996, pp 205-226, n283-292.
More

Conversations, interviews[edit]

  • with Huey Copeland, David Joselit, and Pamela M. Lee, "A Questionnaire on Decolonization", October 174, 2020, pp 3–125. [21]
  • "“The Object Comes Alive”: A Conversation with Claes Oldenburg", October 182, Fall 2022, pp 111–129. [22]
  • Exit Interview: Benjamin Buchloh in conversation with Hal Foster, no place press, Apr 2024, 184 pp. Publisher. [23]

Reviews[edit]

Exhibition reviews[edit]

in Artforum (selection)
in London Review of Books

Book reviews[edit]

in New Left Review
  • "Art Agonistes", New Left Review 8, Mar-Apr 2001, pp 140-149; repr. as "Art Critics in Extremis", ch 7 in Foster, Design and Crime, 2002, pp 104-122. Review of Newman's Challenging Art: Artforum. [25]
in London Review of Books
  • "Slumming with Rappers at the Roxy", 21 Sep 2000; repr. as "Brow Beaten", ch 1 in Foster, Design and Crime, 2002, pp 3-12. Review of Seabrook's Nobrow.
  • "Hey, that’s me: Bruce Mau", 5 Apr 2001; repr. as "Design and Crime", ch 2 in Foster, Design and Crime, 2002, pp 13-26. Review of Mau's Life Style. [26]
  • "Why all the hoopla?: Frank Gehry", 23 Aug 2001; repr. as "Master Builder", ch 3 in Foster, Design and Crime, 2002, pp 27-42. Review of Cohen's Frank Gehry.
  • "Bigness: Rem Koolhaas", 29 Nov 2001; repr. as "Architecture and Empire", ch 4 in Foster, Design and Crime, 2002, pp 43-62. Review of Koolhaas's Harvard Design School Guide and Great Leap Forward.
  • "Andy Paperbag: Andy Warhol", 21 Mar 2002. Review of Koestenbaum's Andy Warhol. [27]
  • "Expendabilia: Reyner Banham", 9 May 2002. Review of Whiteley's Reyner Banham. [28]
  • "Pop Eye: Handmade Readymades", 22 Aug 2002. Review of Lobel's Image Duplicator. [29]
  • "Nutty Professors: ‘Lingua Franca’", 8 May 2003. Review of Star's Quick Studies. [30]
  • "Long Live Aporia!: William Gaddis", 24 Jul 2003. Review of Gaddis' Agapē Agape and The Rush for Second Place. [31]
  • "Arty Party: from the ‘society of spectacle’ to the ‘society of extras’", 4 Dec 2003, pp 21-22. Review of Bourriaud's Relational Aesthetics and Postproduction and Obrist's Interviews I. [32]
  • "Go, Modernity: Norman Foster", 22 Jun 2006. Review of two books of Foster. [33]
  • "Wine Flasks in Bordeaux, Sail Spires in Cardiff: Richard Rogers", 19 Oct 2006. Review of Powell's books on Rogers. [34]
  • "Global Style: Renzo Piano", 20 Sep 2007. Review of Jodidio's and Buchanan's books on Piano.
  • "Crack Open the Shells: The Situationist Moment", 12 Mar 2009. Review of Debord's Correspondence.
  • "I am the decider: Agamben, Derrida and Santner", 17 Mar 2011. Review of Derrida's The Beast and the Sovereign. [35]
  • "Preposterous Timing", 8 Nov 2012. Review of Nagel's Medieval Modern and Powell's Depositions. [36]
  • "What's the Problem with Critical Art?", 10 Oct 2013. Review of Rancière's Aisthesis.
  • "Exhibitionists", 4 Jun 2015. Review of Obrist's Ways of Curating and Balzer's Curationism.

Miscellanea[edit]

  • Hal Foster Annotates 'The Marriage of Heaven and Hell' by William Blake, Marginalia, 2017. [37]

Interviews[edit]

Links[edit]