Difference between revisions of "Rosalind E. Krauss"

From Monoskop
Jump to navigation Jump to search
Line 17: Line 17:
 
* ''Terminal Iron Works: The Sculpture of David Smith'', MIT Press, 1971. Revised from her PhD dissertation, ''The Sculpture of David Smith'' (1969).
 
* ''Terminal Iron Works: The Sculpture of David Smith'', MIT Press, 1971. Revised from her PhD dissertation, ''The Sculpture of David Smith'' (1969).
  
* {{a|Krauss1977}} ''Passages in Modern Sculpture'', MIT Press, 1977, ix+308 pp; New York: Viking, 1977, [[Media:Krauss_Rosalind_E_Passages_in_Modern_Sculpture.pdf|PDF]], [http://gen.lib.rus.ec/book/index.php?md5=9a7232a133a02d8c83c8f964e580f820 PDF], [https://archive.org/details/KraussRosalindEPassagesInModernSculpture IA].
+
* {{a|Krauss1977}} ''[[Media:Krauss_Rosalind_E_Passages_in_Modern_Sculpture.pdf|Passages in Modern Sculpture]]'', MIT Press, 1977, ix+308 pp; New York: Viking, 1977, [http://gen.lib.rus.ec/book/index.php?md5=9a7232a133a02d8c83c8f964e580f820 PDF].
 
** ''Passages: une histoire de la sculpture de Rodin à Smithson'', trans. Claire Brunet, Paris: Macula, 1997, 313 pp. {{fr}}
 
** ''Passages: une histoire de la sculpture de Rodin à Smithson'', trans. Claire Brunet, Paris: Macula, 1997, 313 pp. {{fr}}
 
** ''Passaggi: storia della scultura da Rodin alla Land Art'', trans. Elio Grazioli, Milan: B. Mondadori, 1998, 310 pp. {{it}}
 
** ''Passaggi: storia della scultura da Rodin alla Land Art'', trans. Elio Grazioli, Milan: B. Mondadori, 1998, 310 pp. {{it}}
Line 23: Line 23:
 
** ''Pasajes de la escultura moderna'', trans. Alfredo Brotons Muñoz, Madrid: Akal, 2002, 292 pp. {{es}}
 
** ''Pasajes de la escultura moderna'', trans. Alfredo Brotons Muñoz, Madrid: Akal, 2002, 292 pp. {{es}}
  
* {{a|Krauss1985}} ''The Originality of the Avant-Garde and Other Modernist Myths'', MIT Press, 1985, xii+307 pp. [http://web.mit.edu/allanmc/www/kraussoriginality.pdf Excerpts], [http://aaaaarg.fail/upload/rosalind-krauss-introduction-to-the-originality-of-the-avantegarde.pdf Intro], [http://books.google.com/books?id=D5-C2w8n5NwC&printsec=frontcover]. A collection of essays written between 1977-84. Reviews: [http://www.jstor.org.sci-hub.tw/stable/776815 Bois] (AJ 1985). [http://kirkbrideplan.files.wordpress.com/2012/09/review-of-krauss-the-originality-of-the-avant-garde-and-other-modernist-myths-grids-and-gabliks-has-modernism-failed.pdf Wiseman] (JAE 1986), [http://www.jstor.org.sci-hub.tw/stable/1360418 Partington] (OAJ 1986), [http://www.jstor.org/stable/431118 Karp] (JAAC 1988).
+
* {{a|Krauss1985}} ''[[Media:Krauss Rosalind E The Originality of the Avant-Garde and Other Modernist Myths 1985.pdf|The Originality of the Avant-Garde and Other Modernist Myths]]'', MIT Press, 1985, xii+307 pp. A collection of essays written between 1977-84. Reviews: [http://www.jstor.org.sci-hub.tw/stable/776815 Bois] (AJ 1985). [http://kirkbrideplan.files.wordpress.com/2012/09/review-of-krauss-the-originality-of-the-avant-garde-and-other-modernist-myths-grids-and-gabliks-has-modernism-failed.pdf Wiseman] (JAE 1986), [http://www.jstor.org.sci-hub.tw/stable/1360418 Partington] (OAJ 1986), [http://www.jstor.org/stable/431118 Karp] (JAAC 1988).
** ''L'originalité de l'avant-garde et autres mythes modernistes'', trans. Jean-Pierre Criqui, Paris: Macula, 1993, 358 pp, [[Media:Krauss_Rosalind_L_originalite_de_l_avant-garde_et_autres_mythes_modernistes.pdf|PDF]], [https://archive.org/details/rosalind-krauss-loriginalite-de-lavantgarde-et-autres-mythes-modernistes IA], [http://aaaaarg.fail/static/reader.htm?0=7e7b84acc7595dd38b26a5087144a86d-0 ARG]. {{fr}}
+
** ''[[Media:Krauss_Rosalind_L_originalite_de_l_avant-garde_et_autres_mythes_modernistes.pdf|L'originalité de l'avant-garde et autres mythes modernistes]]'', trans. Jean-Pierre Criqui, Paris: Macula, 1993, 358 pp, [http://aaaaarg.fail/static/reader.htm?0=7e7b84acc7595dd38b26a5087144a86d-0 ARG]. {{fr}}
 
** ''Qian wei de yuan chuang xing'' [前衛的原創性], Tai bei shi: Yuan liu, 1995, 425 pp. {{cn}}
 
** ''Qian wei de yuan chuang xing'' [前衛的原創性], Tai bei shi: Yuan liu, 1995, 425 pp. {{cn}}
 
** ''La Originalidad de la vanguardia y otros mitos modernos'', trans. Adolfo Gómez Cedillo, Madrid: Alianza, 1996, 320 pp. {{es}}
 
** ''La Originalidad de la vanguardia y otros mitos modernos'', trans. Adolfo Gómez Cedillo, Madrid: Alianza, 1996, 320 pp. {{es}}
Line 35: Line 35:
 
** ''Explosante-fixe: photographie & surréalisme'', trans. Dominique Le Bourg, Camille Hercot and Dominique Saran, Paris: Centre Georges Pompidou/Hazan, 1985, 243 pp. Exh. held Apr-Jun 1985. {{fr}}
 
** ''Explosante-fixe: photographie & surréalisme'', trans. Dominique Le Bourg, Camille Hercot and Dominique Saran, Paris: Centre Georges Pompidou/Hazan, 1985, 243 pp. Exh. held Apr-Jun 1985. {{fr}}
  
* ''Richard Serra/Sculpture'', ed. & intro. Laura Rosenstock, New York: Museum of Modern Art, 1986, 182 pp, [[Media:Richard_Serra_Sculpture_MoMA_1986.pdf|PDF]]. Exh. catalogue; with essay by Douglas Crimp. {{en}}
+
* ''[[Media:Richard_Serra_Sculpture_MoMA_1986.pdf|Richard Serra/Sculpture]]'', ed. & intro. Laura Rosenstock, New York: Museum of Modern Art, 1986, 182 pp. Exh. catalogue; with essay by Douglas Crimp. {{en}}
  
 
* {{a|Krauss1990}} ''Le photographique: pour une théorie des écarts. Histoire et théorie de la photographie'', pref. Hubert Damisch, trans. Marc Bloch and Jean Kampf, Paris: Macula, 1990, 232 pp. Collection of essays published in the journals ''October, College Art Journal, Partisan Review'' and ''Degrés'' and exhibition catalogues from 1974-85. [http://www.idixa.net/Pixa/pagixa-0801250752.html TOC]. Review: [http://www.jstor.org.sci-hub.tw/stable/41389324 Murray] (1993-94, EN). {{fr}}
 
* {{a|Krauss1990}} ''Le photographique: pour une théorie des écarts. Histoire et théorie de la photographie'', pref. Hubert Damisch, trans. Marc Bloch and Jean Kampf, Paris: Macula, 1990, 232 pp. Collection of essays published in the journals ''October, College Art Journal, Partisan Review'' and ''Degrés'' and exhibition catalogues from 1974-85. [http://www.idixa.net/Pixa/pagixa-0801250752.html TOC]. Review: [http://www.jstor.org.sci-hub.tw/stable/41389324 Murray] (1993-94, EN). {{fr}}
Line 45: Line 45:
 
* ''Odvrácená strana tvaru... a další'', Prague: Respekt, 1991, 104 pp. {{cz}}
 
* ''Odvrácená strana tvaru... a další'', Prague: Respekt, 1991, 104 pp. {{cz}}
  
* {{a|Krauss1993}} ''The Optical Unconscious'', MIT Press, 1993, 365 pp, [http://monoskop.org/log/?p=5931 Log]. Reviews: [http://www.jstor.org.sci-hub.tw/stable/432046 Horowitz] (JAAC 1994), [http://sci-hub.tw/10.1111/j.1467-8365.1994.tb00602.x Fer] (ArtHist 1994), [http://muse.jhu.edu.sci-hub.tw/article/23016 Smith] (M/M 1995). Commentary: [http://www.newcriterion.com/articles.cfm/Feeling-sorry-for-Rosalind-Krauss-4751 Kimball] (1993), [http://305737.blogspot.com/2013/06/chapter-51-rosalind-krauss.html Elkins] (2013), [http://popcaanz.com/conferenceproceedings_2014/VisualArts_Carlson.pdf Carlson] (2014).
+
* {{a|Krauss1993}} ''[http://monoskop.org/log/?p=5931 The Optical Unconscious]'', MIT Press, 1993, 365 pp. Reviews: [http://www.jstor.org.sci-hub.tw/stable/432046 Horowitz] (JAAC 1994), [http://sci-hub.tw/10.1111/j.1467-8365.1994.tb00602.x Fer] (ArtHist 1994), [http://muse.jhu.edu.sci-hub.tw/article/23016 Smith] (M/M 1995). Commentary: [http://www.newcriterion.com/articles.cfm/Feeling-sorry-for-Rosalind-Krauss-4751 Kimball] (1993), [http://305737.blogspot.com/2013/06/chapter-51-rosalind-krauss.html Elkins] (2013), [http://popcaanz.com/conferenceproceedings_2014/VisualArts_Carlson.pdf Carlson] (2014).
** ''El inconsciente óptico'', trans. J. Miguel Esteban Cloquell, Madrid: Tecnos, 1997, 371 pp, [[Media:Krauss_Rosalind_E_El_inconciente_optico.pdf|PDF]]. {{es}}
+
** ''[[Media:Krauss_Rosalind_E_El_inconciente_optico.pdf|El inconsciente óptico]]'', trans. J. Miguel Esteban Cloquell, Madrid: Tecnos, 1997, 371 pp. {{es}}
** "Optické nevědomí", in ''Před obrazem. Antologie americké výtvarné teorie a kritiky'', ed. Tomáš Pospiszyl, Prague: OSVU 1998, pp 145-173, [http://monoskop.org/log/?p=9855 Log]. Trans. of excerpt. {{cz}}
+
** [https://monoskop.org/images/4/45/Pospiszyl_Tomas_ed_Pred_obrazem_Antologie_americke_vytvarne_teorie_a_kritiky.pdf#page=71 "Optické nevědomí"], in ''[http://monoskop.org/log/?p=9855 Před obrazem. Antologie americké výtvarné teorie a kritiky]'', ed. Tomáš Pospiszyl, Prague: OSVU 1998, pp 145-173. Trans. of excerpt. {{cz}}
 
** ''L'inconscient optique'', trans. Michèle Veubret, Paris: Au même titre, 2002, 469 pp. [http://www.idixa.net/Pixa/pagixa-1112121840.html TOC]. {{fr}}
 
** ''L'inconscient optique'', trans. Michèle Veubret, Paris: Au même titre, 2002, 469 pp. [http://www.idixa.net/Pixa/pagixa-1112121840.html TOC]. {{fr}}
 
** ''Das optisch Unbewusste'', Dresden: Verl. der Kunst, 2004, 350 pp. {{de}}
 
** ''Das optisch Unbewusste'', Dresden: Verl. der Kunst, 2004, 350 pp. {{de}}
Line 56: Line 56:
  
 
* {{a|KraussBois1996}} with Yve Alain Bois, ''L'Informe: mode d'emploi'', Paris: Centre Georges Pompidou, 1996, 251 pp. Catalogue. {{fr}}
 
* {{a|KraussBois1996}} with Yve Alain Bois, ''L'Informe: mode d'emploi'', Paris: Centre Georges Pompidou, 1996, 251 pp. Catalogue. {{fr}}
** ''Formless: A User's Guide'', Zone Books, 1997, 304 pp, [http://monoskop.org/log/?p=1483 Log].
+
** ''[http://monoskop.org/log/?p=1483 Formless: A User's Guide]'', Zone Books, 1997, 304 pp.
  
* {{a|Krauss1999}} ''Bachelors'', MIT Press, 1999, 228 pp, [http://monoskop.org/log/?p=5993 Log], [https://aaaaarg.fail/thing/51c584186c3a0ed90bfe0f00 ARG]. Reviews: [http://www.caareviews.org/reviews/313 Elkins] (CAA 1999), [http://www.leonardo.info/reviews/pre2000/anddu.html Andersson] (Leonardo 2000).
+
* {{a|Krauss1999}} ''[http://monoskop.org/log/?p=5993 Bachelors]'', MIT Press, 1999, 228 pp, [https://aaaaarg.fail/thing/51c584186c3a0ed90bfe0f00 ARG]. Reviews: [http://www.caareviews.org/reviews/313 Elkins] (CAA 1999), [http://www.leonardo.info/reviews/pre2000/anddu.html Andersson] (Leonardo 2000).
  
* {{a|Krauss1999}} ''The Picasso Papers'', MIT Press, 1999, xvi+272 pp, [[Media:Krauss_Rosalind_The_Picasso_Papers.pdf|PDF]], [http://archive.org/details/ThePicassoPapersByRosalindE.Krauss IA], [http://gen.lib.rus.ec/book/index.php?md5=4CFCD8D2468A8EAB3B99540E4DC68164 PDF], [http://aaaaarg.fail/thing/51c58bfe6c3a0eda0bdf8500 ARG]. Review: [http://www.nybooks.com/articles/archives/1999/apr/08/the-fallen-angel/ McCully] (NY Books, 1999, [http://www.nybooks.com/articles/1999/10/07/the-picasso-papers-an-exchange/ reply by Cooper]).
+
* {{a|Krauss1999}} ''[[Media:Krauss_Rosalind_The_Picasso_Papers.pdf|The Picasso Papers]]'', MIT Press, 1999, xvi+272 pp, [http://gen.lib.rus.ec/book/index.php?md5=4CFCD8D2468A8EAB3B99540E4DC68164 PDF], [http://aaaaarg.fail/thing/51c58bfe6c3a0eda0bdf8500 ARG]. Review: [http://www.nybooks.com/articles/archives/1999/apr/08/the-fallen-angel/ McCully] (NY Books, 1999, [http://www.nybooks.com/articles/1999/10/07/the-picasso-papers-an-exchange/ reply by Cooper]).
 
** ''Les papiers de Picasso'', trans. Jean-Louis Houdebine and Sophie Yersin Legrand, Paris: Macula, 1998, 224 pp; 2012. {{fr}}
 
** ''Les papiers de Picasso'', trans. Jean-Louis Houdebine and Sophie Yersin Legrand, Paris: Macula, 1998, 224 pp; 2012. {{fr}}
 
** ''Los papeles de Picasso'', Barcelona: Gedisa, 1999, 237 pp. {{es}}
 
** ''Los papeles de Picasso'', Barcelona: Gedisa, 1999, 237 pp. {{es}}
 
** ''Os papéis de Picasso'', trans. Cristina Cupertino, São Paulo: Iluminuras, 2006, 242 pp. {{br-pt}}
 
** ''Os papéis de Picasso'', trans. Cristina Cupertino, São Paulo: Iluminuras, 2006, 242 pp. {{br-pt}}
  
* {{a|Krauss2000}} ''A Voyage on the North Sea: Art in the Age of the Post-Medium Condition'', London: Thames & Hudson, 2000, 64 pp, [http://monoskop.org/log/?p=7009 Log], [http://aaaaarg.fail/thing/51c584186c3a0ed90b0a1000 ARG]. Based on the 1999 Walter Neurath Memorial Lecture.  
+
* {{a|Krauss2000}} ''[http://monoskop.org/log/?p=7009 A Voyage on the North Sea: Art in the Age of the Post-Medium Condition]'', London: Thames & Hudson, 2000, 64 pp, [http://aaaaarg.fail/thing/51c584186c3a0ed90b0a1000 ARG]. Based on the 1999 Walter Neurath Memorial Lecture.  
 
** ''"A voyage on the North Sea": Broodthaers, das Postmediale'', trans. Sabine Schulz, Zürich: diaphanes, 2008, 87 pp. {{de}}
 
** ''"A voyage on the North Sea": Broodthaers, das Postmediale'', trans. Sabine Schulz, Zürich: diaphanes, 2008, 87 pp. {{de}}
  
* with Hal Foster, Yve-Alain Bois, and Benjamin H. D. Buchloh, ''Art Since 1900: Modernism, Antimodernism, Postmodernism'', London: Thames & Hudson, 2004, 704 pp, [https://aaaaarg.fail/thing/54291408334fe017706299c6 ARG], [http://gen.lib.rus.ec/book/index.php?md5=A050EF6306CDEFEBD5DED69ECD5E891C PDF], [http://archive.org/details/HalFosterRosalindKraussArtSince1900ModernismAntimodernismAndPostmodernism IA]; 2nd ed., rev., 2012, 816 pp. [http://www.thamesandhudson.com/Art_Since_1900/9780500238899] Reviews: [http://www.artforum.com/diary/id=8733 Bishop] (2005), [http://books.guardian.co.uk/review/story/0,12084,1483283,00.html Collings] (2005), [http://www.nytimes.com/2005/12/11/books/review/11gewen.html Gewen] (2005), [http://web.archive.org/web/20130708180417/http://www.lrb.co.uk/v28/n07/frances-richard/white-hat-black-hat Richard] (LRB 2006), [http://leonardo.info/reviews/nov2005/art_dahlberg.html Dahlberg] (2006).
+
* with Hal Foster, Yve-Alain Bois, and Benjamin H. D. Buchloh, ''[http://gen.lib.rus.ec/book/index.php?md5=A050EF6306CDEFEBD5DED69ECD5E891C Art Since 1900: Modernism, Antimodernism, Postmodernism]'', London: Thames & Hudson, 2004, 704 pp, [https://aaaaarg.fail/thing/54291408334fe017706299c6 ARG]; 2nd ed., rev., 2012, 816 pp. [http://www.thamesandhudson.com/Art_Since_1900/9780500238899] Reviews: [http://www.artforum.com/diary/id=8733 Bishop] (2005), [http://books.guardian.co.uk/review/story/0,12084,1483283,00.html Collings] (2005), [http://www.nytimes.com/2005/12/11/books/review/11gewen.html Gewen] (2005), [http://web.archive.org/web/20130708180417/http://www.lrb.co.uk/v28/n07/frances-richard/white-hat-black-hat Richard] (LRB 2006), [http://leonardo.info/reviews/nov2005/art_dahlberg.html Dahlberg] (2006).
 
** ''Arte desde 1900: modernidad, antimodernidad, posmodernidad'', trans. Fabián Chueca, Francisco López and Alfredo Brotons Mun̋oz, Madrid: Akal, 2006, 704 pp. {{es}}
 
** ''Arte desde 1900: modernidad, antimodernidad, posmodernidad'', trans. Fabián Chueca, Francisco López and Alfredo Brotons Mun̋oz, Madrid: Akal, 2006, 704 pp. {{es}}
 
** ''Arte dal 1900 : modernismo, antimodernismo, postmodernismo'', trans. Elio Grazioli, Bologna: Zanichelli, 2006, 704 pp. {{it}}
 
** ''Arte dal 1900 : modernismo, antimodernismo, postmodernismo'', trans. Elio Grazioli, Bologna: Zanichelli, 2006, 704 pp. {{it}}
Line 76: Line 76:
 
* ''Perpetual Inventory'', MIT Press, 2010, 320 pp. [http://www.ub.unibas.ch/tox/IDSBB/005199829/PDF TOC], [https://mitpress.mit.edu/sites/default/files/titles/content/9780262013802_sch_0001.pdf Excerpt], [https://mitpress.mit.edu/books/perpetual-inventory]. Reviews: [http://oaj.oxfordjournals.org.sci-hub.tw/content/36/1/153.extract Trodd] (Oxford Art J), [http://academia.edu/2561189 Bowman] (Art Hist), [http://sci-hub.tw/doi/10.1162/LEON_r_00246 Ione] (Leonardo).  
 
* ''Perpetual Inventory'', MIT Press, 2010, 320 pp. [http://www.ub.unibas.ch/tox/IDSBB/005199829/PDF TOC], [https://mitpress.mit.edu/sites/default/files/titles/content/9780262013802_sch_0001.pdf Excerpt], [https://mitpress.mit.edu/books/perpetual-inventory]. Reviews: [http://oaj.oxfordjournals.org.sci-hub.tw/content/36/1/153.extract Trodd] (Oxford Art J), [http://academia.edu/2561189 Bowman] (Art Hist), [http://sci-hub.tw/doi/10.1162/LEON_r_00246 Ione] (Leonardo).  
  
* ''Under Blue Cup'', MIT Press, 2011, [https://anybody.memoryoftheworld.org/Rosalind%20E.%20Krauss/Under%20Blue%20Cup%20(895)/Under%20Blue%20Cup%20-%20Rosalind%20E.%20Krauss.pdf PDF], [https://aaaaarg.fail/thing/51c58cf66c3a0edb0b540b00 ARG], [http://gen.lib.rus.ec/book/index.php?md5=f32187b4085f2f20ec4d813ac83d6e47 PDF], [http://www.scribd.com/doc/127649067/ Scribd].
+
* ''[http://library.memoryoftheworld.org/b/7YqZVDqzrKuBxGxJ30t4iIqGd_F7rn_sEdQO7g_ycJtHWAA0 Under Blue Cup]'', MIT Press, 2011, [https://aaaaarg.fail/thing/51c58cf66c3a0edb0b540b00 ARG], [http://gen.lib.rus.ec/book/index.php?md5=f32187b4085f2f20ec4d813ac83d6e47 PDF].
 
** ''Sotto la tazza blu'', Milan: ESBMO, 2012, 151 pp. {{it}}
 
** ''Sotto la tazza blu'', Milan: ESBMO, 2012, 151 pp. {{it}}
  
Line 82: Line 82:
  
 
===Editor===
 
===Editor===
* ''October'' journal, New York, since Spring 1976, [https://aaaaarg.fail/maker/53107c4b334fe07269205e4c ARG].
+
* ''[https://aaaaarg.fail/maker/53107c4b334fe07269205e4c October]'' journal, New York, since Spring 1976.
 
* ''The Sculpture of David Smith: A Catalogue Raisonné'', New York: Garland, 1977. Revised from her PhD dissertation, ''The Sculpture of David Smith'' (1969).
 
* ''The Sculpture of David Smith: A Catalogue Raisonné'', New York: Garland, 1977. Revised from her PhD dissertation, ''The Sculpture of David Smith'' (1969).
 
* with Annette Michelson, Douglas Crimp, and Joan Copjec, ''October: The First Decade'', MIT Press, 1987, 468 pp.
 
* with Annette Michelson, Douglas Crimp, and Joan Copjec, ''October: The First Decade'', MIT Press, 1987, 468 pp.
* with Annette Michelson, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, and Silvia Kolbowski, ''October: The Second Decade, 1986-1996'', MIT Press, 1997, [http://gen.lib.rus.ec/book/index.php?md5=6A802173D465AD311E99B35199E40641 PDF], [http://aaaaarg.fail/thing/57fdb6369ff37c496760115b ARG].
+
* with Annette Michelson, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, and Silvia Kolbowski, ''[http://gen.lib.rus.ec/book/index.php?md5=6A802173D465AD311E99B35199E40641 October: The Second Decade, 1986-1996]'', MIT Press, 1997, [http://aaaaarg.fail/thing/57fdb6369ff37c496760115b ARG].
  
 
===Selected essays===
 
===Selected essays===
* "Sense and Sensibility: Reflection on Post '60s Sculpture", ''Artforum'' 12:3, Nov 1973, pp 43-53, [[Media:Krauss_Rosalind_1973_Sense_and_Sensibility_Reflection_on_Post_60s_Sculpture.pdf|PDF]], [http://aaaaarg.fail/static/reader.htm?0=ade3b3f3d6aeac4a98fb490a9c7284e0-0 ARG].
+
* [[Media:Krauss_Rosalind_1973_Sense_and_Sensibility_Reflection_on_Post_60s_Sculpture.pdf|"Sense and Sensibility: Reflection on Post '60s Sculpture"]], ''Artforum'' 12:3, Nov 1973, pp 43-53, [http://aaaaarg.fail/static/reader.htm?0=ade3b3f3d6aeac4a98fb490a9c7284e0-0 ARG].
  
* "Video: The Aesthetics of Narcissism", ''October'' 1 (Spring 1976), pp 50-64, [http://jonahsusskind.com/essays/Krauss_VideoNarcissism.pdf PDF].
+
* [[Media:Krauss Rosalind 1976 Video The Aesthetics of Narcissism.pdf|"Video: The Aesthetics of Narcissism"]], ''October'' 1 (Spring 1976), pp 50-64.
  
* "Notes on the Index: Seventies Art in America", ''October'' 3 (Spring 1977), pp 68-81, [http://afresearchportfolio.weebly.com/uploads/3/8/2/6/3826576/krauss_-_notes_on_an_index_1.pdf PDF]; repr. as "Notes on the Index: Part 1", in Krauss, ''The Originality of the Avant-Garde'', 1985, pp 196-209, [[Media:Krauss_Rosalind_E_1977_1985_Notes_on_the_Index_Part_1.pdf|PDF]].
+
* [http://afresearchportfolio.weebly.com/uploads/3/8/2/6/3826576/krauss_-_notes_on_an_index_1.pdf "Notes on the Index: Seventies Art in America"], ''October'' 3 (Spring 1977), pp 68-81; repr. as [[Media:Krauss_Rosalind_E_1977_1985_Notes_on_the_Index_Part_1.pdf|"Notes on the Index: Part 1"]], in Krauss, ''The Originality of the Avant-Garde'', 1985, pp 196-209.
  
* "Notes on the Index: Seventies Art in America. Part 2", ''October'' 4 (Autumn 1977), pp 58-67, [http://afresearchportfolio.weebly.com/uploads/3/8/2/6/3826576/krauss_-_notes_on_an_index_2.pdf PDF]; repr. as "Notes on the Index: Part 2", in Krauss, ''The Originality of the Avant-Garde'', 1985, pp 210-219.
+
* [http://afresearchportfolio.weebly.com/uploads/3/8/2/6/3826576/krauss_-_notes_on_an_index_2.pdf "Notes on the Index: Seventies Art in America. Part 2"], ''October'' 4 (Autumn 1977), pp 58-67; repr. as "Notes on the Index: Part 2", in Krauss, ''The Originality of the Avant-Garde'', 1985, pp 210-219.
  
* "Tracing Nadar", ''October'' 5: "Photography" (Summer 1978), pp 29-47, [http://heavysideindustries.com/wp-content/uploads/2012/06/rosalind_krauss-tracing_nadar.pdf PDF].
+
* [http://heavysideindustries.com/wp-content/uploads/2012/06/rosalind_krauss-tracing_nadar.pdf "Tracing Nadar"], ''October'' 5: "Photography" (Summer 1978), pp 29-47.
  
 
* "LeWitt in Progress", 1978; repr. in Krauss, ''The Originality of the Avant-Garde'', 1985, pp 244-258.
 
* "LeWitt in Progress", 1978; repr. in Krauss, ''The Originality of the Avant-Garde'', 1985, pp 244-258.
  
* {{a|Krauss1979}} "Sculpture in the Expanded Field", ''October'' 8 (Spring 1979), pp 30-44, [[Media:Krauss_Rosalind_1979_Sculpture_in_the_Expanded_Field.pdf|PDF]], [http://www.onedaysculpture.org.nz/assets/images/reading/Krauss.pdf PDF], [http://aaaaarg.fail/ref/5ac56185662721171907a68a55dba769#0.01 ARG]; repr. in ''The Anti-Aesthetic: Essays on Postmodern Culture'', ed. Hal Foster, Seattle: Bay Press, 1983, pp 31-42, [[Media:Foster_Hal_ed_The_Anti-Aesthetic_Essays_on_Postmodern_Culture.pdf|PDF]]; repr. in Krauss, ''The Originality of the Avant-Garde'', 1985, pp 276-291, [[Media:Krauss_Rosalind_E_1979_1985_Sculpture_in_the_Expanded_Field.pdf|PDF]]; repr. in ''Postmodern Culture'', ed. Hal Foster, London: Pluto, 1985, pp 31-42; repr. in ''Theories of Contemporary Art'', ed. Richard Hertz, Englewood Cliffs, NJ: Prentice-Hall, 1985, pp 215-224.
+
* {{a|Krauss1979}} [[Media:Krauss_Rosalind_1979_Sculpture_in_the_Expanded_Field.pdf|"Sculpture in the Expanded Field"]], ''October'' 8 (Spring 1979), pp 30-44, [https://aaaaarg.fail/thing/51c584176c3a0ed90b170100 ARG]; repr. in ''[[Media:Foster_Hal_ed_The_Anti-Aesthetic_Essays_on_Postmodern_Culture.pdf|The Anti-Aesthetic: Essays on Postmodern Culture]]'', ed. Hal Foster, Seattle: Bay Press, 1983, pp 31-42; [[Media:Krauss_Rosalind_E_1979_1985_Sculpture_in_the_Expanded_Field.pdf|repr. in]] Krauss, ''The Originality of the Avant-Garde'', 1985, pp 276-291; repr. in ''Postmodern Culture'', ed. Hal Foster, London: Pluto, 1985, pp 31-42; repr. in ''Theories of Contemporary Art'', ed. Richard Hertz, Englewood Cliffs, NJ: Prentice-Hall, 1985, pp 215-224.
** "A escultura no campo ampliado", ''Gávea'' 1 (1984), pp 87-93; repr. ''Arte & Ensaios'' 15:17, Rio de Janeiro: EBA, UFRJ, 2008, pp 128-137, [[Media:Krauss_Rosalind_1979_2008_A_escultura_no_campo_ampliado.pdf|PDF]]. {{br-pt}}
+
** [[Media:Krauss_Rosalind_1979_2008_A_escultura_no_campo_ampliado.pdf|"A escultura no campo ampliado"]], ''Gávea'' 1 (1984), pp 87-93; repr. ''Arte & Ensaios'' 15:17, Rio de Janeiro: EBA, UFRJ, 2008, pp 128-137. {{br-pt}}
** "La escultura en el campo expandido", in ''La posmodernidad'', ed. Hal Foster, Barcelona: Kairós, 1985, pp 59-74, [https://monoskop.org/images/4/4e/Foster_Hal_ed_La_posmodernidad.pdf#page=31 PDF], [https://archive.org/stream/FosterHalEdLaPosmodernidad1958/Foster_Hal_ed_La_posmodernidad_1958#page/n30/mode/1up IA].
+
** [https://monoskop.org/images/4/4e/Foster_Hal_ed_La_posmodernidad.pdf#page=31 "La escultura en el campo expandido"], in ''La posmodernidad'', ed. Hal Foster, Barcelona: Kairós, 1985, pp 59-74.
** "Sochařství v rozšířeném poli", ''Konserva / Na hudbu'' 1:3 (1991), pp 7-13; repr. in ''Stav věcí'', ed. Karel Císař, Brno: Dům umění města Brna, 2011, pp 131-143, [[Media:Krauss Rosalind 1979 2011 Socharstvi v rozsirenem poli.pdf|PDF]]. {{cz}}
+
** [[Media:Krauss Rosalind 1979 2011 Socharstvi v rozsirenem poli.pdf|"Sochařství v rozšířeném poli"]], ''Konserva / Na hudbu'' 1:3 (1991), pp 7-13; repr. in ''Stav věcí'', ed. Karel Císař, Brno: Dům umění města Brna, 2011, pp 131-143. {{cz}}
  
* "Grids", ''October'' 9 (Summer 1979), pp 50-64, [http://isites.harvard.edu/fs/docs/icb.topic1050153.files/Grids_Rosalind%20Krauss.pdf PDF]; repr. in Krauss, ''The Originality of the Avant-Garde'', 1985, pp 8-22, [[Media:Krauss_Rosalind_E_1979_1985_Grids.pdf|PDF]].
+
* [http://web.archive.org/web/20170308215911if_/http://isites.harvard.edu/fs/docs/icb.topic1050153.files/Grids_Rosalind%20Krauss.pdf "Grids"], ''October'' 9 (Summer 1979), pp 50-64; [[Media:Krauss_Rosalind_E_1979_1985_Grids.pdf|repr. in]] Krauss, ''The Originality of the Avant-Garde'', 1985, pp 8-22.
  
 
* "Poststructuralism and the Paraliterary", 1980; repr. in Krauss, ''The Originality of the Avant-Garde'', 1985, pp 291-295.
 
* "Poststructuralism and the Paraliterary", 1980; repr. in Krauss, ''The Originality of the Avant-Garde'', 1985, pp 291-295.
  
* "In the Name of Picasso", ''October'' 16, "Art World Follies" (Spring 1981), pp 5-22, [http://arthumanities-crowley.wikispaces.com/file/view/Krauss+-+In+the+Name+of+Picasso.pdf PDF]; repr. in Krauss, ''The Originality of the Avant-Garde'', 1985, pp 23-40.
+
* [http://web.archive.org/web/20170308215911if_/http://isites.harvard.edu/fs/docs/icb.topic1050153.files/Grids_Rosalind%20Krauss.pdf "In the Name of Picasso"], ''October'' 16, "Art World Follies" (Spring 1981), pp 5-22; repr. in Krauss, ''The Originality of the Avant-Garde'', 1985, pp 23-40.
  
 
* "Marcel Duchamp ou le champ imaginaire", trans. Michèle Jeunehomme, ''Degrés'' 26-27 (Spring 1981), pp e1-e20. {{fr}}
 
* "Marcel Duchamp ou le champ imaginaire", trans. Michèle Jeunehomme, ''Degrés'' 26-27 (Spring 1981), pp e1-e20. {{fr}}
Line 115: Line 115:
 
* "Nightwalkers", ''Art Journal'' 41:1 (Spring 1981), pp 33-38.
 
* "Nightwalkers", ''Art Journal'' 41:1 (Spring 1981), pp 33-38.
  
* "The Originality of the Avant-Garde: A Postmodernist Repetition", ''October'' 18 (Fall 1981), pp 47-66, [[Media:Krauss_Rosalind_1981_The_Originality_of_the_Avant-Garde.pdf|PDF]]; repr. in ''Art After Modernism: Rethinking Representation'', ed. Brian Wallis, New York: New York Museum of Contemporary Art, and Boston: Godine, 1984, pp 12-29; repr. as "The Originality of the Avant Garde", in Krauss, ''The Originality of the Avant-Garde'', 1985, pp 151-170, [[Media:Krauss_Rosalind_E_1981_1985_The_Originality_of_the_Avant_Garde.pdf|PDF]], [http://web.mit.edu/allanmc/www/kraussoriginality.pdf PDF]. Written for 'The Theory of the Avant-Garde', a conference held at the University of Iowa, April 9-11, 1981.
+
* [[Media:Krauss_Rosalind_1981_The_Originality_of_the_Avant-Garde.pdf|"The Originality of the Avant-Garde: A Postmodernist Repetition"]], ''October'' 18 (Fall 1981), pp 47-66; repr. in ''Art After Modernism: Rethinking Representation'', ed. Brian Wallis, New York: New York Museum of Contemporary Art, and Boston: Godine, 1984, pp 12-29; repr. as [[Media:Krauss_Rosalind_E_1981_1985_The_Originality_of_the_Avant_Garde.pdf|"The Originality of the Avant Garde"]], in Krauss, ''The Originality of the Avant-Garde'', 1985, pp 151-170. Written for 'The Theory of the Avant-Garde', a conference held at the University of Iowa, April 9-11, 1981.
  
* "The Photographic Conditions of Surrealism", ''October'' 19 (Winter 1981), pp 15-34, [http://aaaaarg.fail/thing/51c584186c3a0ed90beb1100 ARG]; repr. in Krauss, ''The Originality of the Avant-Garde'', 1985, pp 87-118.
+
* [http://aaaaarg.fail/thing/51c584186c3a0ed90beb1100 "The Photographic Conditions of Surrealism"], ''October'' 19 (Winter 1981), pp 15-34; repr. in Krauss, ''The Originality of the Avant-Garde'', 1985, pp 87-118.
 
** "La photographie et le surréalisme", trans. Marie-Anne Lescourret, ''Critique'' 38:426 (Nov 1982), pp 895-914. {{fr}}
 
** "La photographie et le surréalisme", trans. Marie-Anne Lescourret, ''Critique'' 38:426 (Nov 1982), pp 895-914. {{fr}}
  
Line 124: Line 124:
 
* "Contra Carmean: The Abstract Pollock", ''Art in America'' 70:6 (Summer 1982), pp 123-131 & 123-131 & 155; repr. as "Reading Jackson Pollock, Abstractly", in Krauss, ''The Originality of the Avant-Garde'', 1985, pp 221-242.
 
* "Contra Carmean: The Abstract Pollock", ''Art in America'' 70:6 (Summer 1982), pp 123-131 & 123-131 & 155; repr. as "Reading Jackson Pollock, Abstractly", in Krauss, ''The Originality of the Avant-Garde'', 1985, pp 221-242.
  
* "Photography's Discursive Spaces: Landscape/View", ''Art Journal'' 42:4 (Winter 1982), pp 311-319, [http://libgen.io/book/index.php?md5=3FE503EBEE1121A075E950D8589E059C PDF],  [[Media:Krauss_Rosalind_1982_Photographys_Discursive_Spaces_Landscape_View.pdf|PDF]], [http://aaaaarg.fail/ref/c060570f4d92821bff3f0112c9a427f1#0.01 ARG]; repr. in Krauss, ''The Originality of the Avant-Garde'', 1985, pp 131-150.
+
* [[Media:Krauss_Rosalind_1982_Photographys_Discursive_Spaces_Landscape_View.pdf|"Photography's Discursive Spaces: Landscape/View"]], ''Art Journal'' 42:4 (Winter 1982), pp 311-319, [https://aaaaarg.fail/thing/51c58bfe6c3a0eda0b707600 ARG]; repr. in Krauss, ''The Originality of the Avant-Garde'', 1985, pp 131-150.
  
 
* "Sincerely Yours: A Reply", ''October'' 20 (1982), pp 111-130; repr. in Krauss, ''The Originality of the Avant-Garde'', 1985, pp 171-194. Response to Albert E. Elsen's article on National Gallery casting of Rodin's ''Gates of Hell'', "On the Question of Originality: A Letter", ''October'' 20 (Spring 1982), pp 107-109, which commented on Rosalind Krauss' "The Originality of the Avant-Garde" (1981).
 
* "Sincerely Yours: A Reply", ''October'' 20 (1982), pp 111-130; repr. in Krauss, ''The Originality of the Avant-Garde'', 1985, pp 171-194. Response to Albert E. Elsen's article on National Gallery casting of Rodin's ''Gates of Hell'', "On the Question of Originality: A Letter", ''October'' 20 (Spring 1982), pp 107-109, which commented on Rosalind Krauss' "The Originality of the Avant-Garde" (1981).
Line 137: Line 137:
 
** "Objects of My Attention", in ''Man Ray: Objects of My Attention'', New York: Zabriskie Gallery, 1985, pp [1-6]. Written in 1983; catalogue text.
 
** "Objects of My Attention", in ''Man Ray: Objects of My Attention'', New York: Zabriskie Gallery, 1985, pp [1-6]. Written in 1983; catalogue text.
  
* "A Note on Photography and the Simulacral", ''October'' 31 (Winter 1984), pp 49-68, [http://archive.org/details/RosalindKraussANoteOnPhotography1984 IA], [http://faculty.georgetown.edu/irvinem/theory/Krauss-NoteOnPhotographyandtheSimulacral-October-1984.pdf PDF]. A version of this essay was delivered as the keynote address for the National Conference of the Society for Photographic Education in Philadelphia, March 1983.
+
* [http://faculty.georgetown.edu/irvinem/theory/Krauss-NoteOnPhotographyandtheSimulacral-October-1984.pdf "A Note on Photography and the Simulacral"], ''October'' 31 (Winter 1984), pp 49-68. A version of this essay was delivered as the keynote address for the National Conference of the Society for Photographic Education in Philadelphia, March 1983.
  
 
* "Giacometti", in ''`Primitivism' in 20th Century Art: Affinity of the Tribal and the Modern, vol. II'', ed. William Rubin, , New York: Museum of Modern Art/New York Graphic Society Books, and Boston: Little, Brown, 1984, pp 502-533; repr. as "No More Play", in Krauss, ''The Originality of the Avant-Garde'', 1985, pp 42-85.
 
* "Giacometti", in ''`Primitivism' in 20th Century Art: Affinity of the Tribal and the Modern, vol. II'', ed. William Rubin, , New York: Museum of Modern Art/New York Graphic Society Books, and Boston: Little, Brown, 1984, pp 502-533; repr. as "No More Play", in Krauss, ''The Originality of the Avant-Garde'', 1985, pp 42-85.
  
* "Corpus Delicti", in Krauss, Livingston, ''L'Amour fou: Photography & Surrealism'', 1985, pp 57-114; repr. in ''October'' 33 (Summer 1985), pp 31-72, [http://sci-hub.tw/10.2307/778393 PDF], [http://aaaaarg.fail/thing/51c58bfe6c3a0eda0b177b00 ARG].
+
* "Corpus Delicti", in Krauss, Livingston, ''L'Amour fou: Photography & Surrealism'', 1985, pp 57-114; [http://sci-hub.tw/10.2307/778393 repr. in] ''October'' 33 (Summer 1985), pp 31-72, [http://aaaaarg.fail/thing/51c58bfe6c3a0eda0b177b00 ARG].
 
** "Corpus Delicti", in Krauss, Livingston, ''Explosante-fixe: photographie & surréalisme'', 1985, pp 55-112. {{fr}}
 
** "Corpus Delicti", in Krauss, Livingston, ''Explosante-fixe: photographie & surréalisme'', 1985, pp 55-112. {{fr}}
  
* "Photography in the Service of Surrealism", in Krauss, Livingston, ''L'Amour fou: Photography & Surrealism'', 1985, pp 13-42, [[Media:Krauss_Rosalind_1985_Photography_in_the_Service_of_Surrealism.pdf|PDF]].
+
* [[Media:Krauss_Rosalind_1985_Photography_in_the_Service_of_Surrealism.pdf|"Photography in the Service of Surrealism"]], in Krauss, Livingston, ''L'Amour fou: Photography & Surrealism'', 1985, pp 13-42.
 
** "La photographie au service du Surréalisme", in Krauss, Livingston, ''Explosante-fixe: photographie & surréalisme'', 1985. {{fr}}
 
** "La photographie au service du Surréalisme", in Krauss, Livingston, ''Explosante-fixe: photographie & surréalisme'', 1985. {{fr}}
  
Line 151: Line 151:
 
* "Preying on `Primitivism'", ''Art and Text'' 17 (Apr 1985), pp 11-12 & 58-62.
 
* "Preying on `Primitivism'", ''Art and Text'' 17 (Apr 1985), pp 11-12 & 58-62.
  
* "Antivision", ''October'' 36: "Georges Bataille" (Spring 1986), pp 147-154, [http://gen.lib.rus.ec/book/index.php?md5=2E8B189DC9B608E518408DC8F5100214 PDF].
+
* [http://gen.lib.rus.ec/book/index.php?md5=2E8B189DC9B608E518408DC8F5100214 "Antivision"], ''October'' 36: "Georges Bataille" (Spring 1986), pp 147-154.
  
* with Yve-Alain Bois, ''A User's Guide to Entropy'', ''October'' 78 (Autumn 1996), pp 38-88, [http://gen.lib.rus.ec/book/index.php?md5=7B8857CF2EC96EC3E5F2A40F28B9A234 PDF], [http://aaaaarg.fail/thing/51c58bfe6c3a0eda0bda7b00 ARG]
+
* with Yve-Alain Bois, [http://gen.lib.rus.ec/book/index.php?md5=7B8857CF2EC96EC3E5F2A40F28B9A234 "A User's Guide to Entropy"], ''October'' 78 (Autumn 1996), pp 38-88, [http://aaaaarg.fail/thing/51c58bfe6c3a0eda0bda7b00 ARG]
  
* "The Cultural Logic of the Late Capitalist Museum", ''October'' 54 (Autumn 1990), pp 3-17; repr. in Guglielmo Cinque, ''Types of Dependencies'', MIT Press, 1990, [http://www.jstor.org.sci-hub.tw/stable/778666 PDF].
+
* [http://www.jstor.org.sci-hub.tw/stable/778666 "The Cultural Logic of the Late Capitalist Museum"], ''October'' 54 (Autumn 1990), pp 3-17; repr. in Guglielmo Cinque, ''Types of Dependencies'', MIT Press, 1990.
  
* "Motivation of the Sign", in ''Picasso and Braque: A Symposium'', ed. Lynn Zelevansky, New York: Museum of Modern Art, 1992, pp 261-286, [[Media:Krauss_Rosalind_1992_The_Motivation_of_the_Sign.pdf|PDF]].
+
* [[Media:Krauss_Rosalind_1992_The_Motivation_of_the_Sign.pdf|"Motivation of the Sign"]], in ''Picasso and Braque: A Symposium'', ed. Lynn Zelevansky, New York: Museum of Modern Art, 1992, pp 261-286.
  
* "Welcome to the Cultural Revolution", ''October'' 77 (Summer 1996), pp 83-96, [http://faculty.georgetown.edu/irvinem/theory/Krauss-October-77-1996-WelcomeToTheCulturalRevolution.pdf PDF].
+
* [http://faculty.georgetown.edu/irvinem/theory/Krauss-October-77-1996-WelcomeToTheCulturalRevolution.pdf "Welcome to the Cultural Revolution"], ''October'' 77 (Summer 1996), pp 83-96.
  
* "'Informe' without Conclusion", ''October'' 78, (Autumn 1996), pp 89-105, [http://mission17.org/documents/Krauss_Informe.pdf PDF].
+
* [http://mission17.org/documents/Krauss_Informe.pdf "'Informe' without Conclusion"], ''October'' 78 (Autumn 1996), pp 89-105.
  
 
* "Postmodernism’s Museum Without Walls", in ''Thinking About Exhibitions'', eds. R. Greenberg, B. Ferguson and S. Nairne, London: Routledge, 1996; 2005, pp 241-245.
 
* "Postmodernism’s Museum Without Walls", in ''Thinking About Exhibitions'', eds. R. Greenberg, B. Ferguson and S. Nairne, London: Routledge, 1996; 2005, pp 241-245.
  
* "Perpetual Inventory", ''October'' 88, Spring 1999, pp 86-116, [http://www.jstor.org.sci-hub.tw/stable/779226 PDF].
+
* [http://www.jstor.org.sci-hub.tw/stable/779226 "Perpetual Inventory"], ''October'' 88, Spring 1999, pp 86-116.
  
* "Reinventing the Medium", ''Critical Inquiry'' 25:2: "'Angelus Novus': Perspectives on Walter Benjamin" (Winter 1999), pp 289-305, [http://www.jstor.org.sci-hub.tw/stable/1344204 PDF].
+
* [http://www.jstor.org.sci-hub.tw/stable/1344204 "Reinventing the Medium"], ''Critical Inquiry'' 25:2: "'Angelus Novus': Perspectives on Walter Benjamin" (Winter 1999), pp 289-305.
  
* "'Specific' Objects", ''RES: Anthropology and Aesthetics'' 46: "Polemical Objects" (Autumn 2004), pp 221-224, [http://static1.1.sqspcdn.com/static/f/221758/12025076/1304363492603/SpecificObjectsKrauss01.pdf PDF].
+
* [http://static1.1.sqspcdn.com/static/f/221758/12025076/1304363492603/SpecificObjectsKrauss01.pdf "'Specific' Objects"], ''RES: Anthropology and Aesthetics'' 46: "Polemical Objects" (Autumn 2004), pp 221-224.
  
* "Two Moments from the Post-Medium Condition", ''October'' 116 (Spring 2006), pp 55-62, [http://sci-hub.tw/10.1162/octo.2006.116.1.55 PDF].
+
* [http://sci-hub.tw/10.1162/octo.2006.116.1.55 "Two Moments from the Post-Medium Condition"], ''October'' 116 (Spring 2006), pp 55-62.
  
* "Dialectic of Enlightenment: Rosalind E. Krauss on William Kentridge's Norton Lectures", ''Artforum International'' (Summer 2012), pp 121-122, [http://www.goodman-gallery.com/files/upload/news/18878Newsartforum2012.pdf PDF].
+
* [http://www.goodman-gallery.com/files/upload/news/18878Newsartforum2012.pdf "Dialectic of Enlightenment: Rosalind E. Krauss on William Kentridge's Norton Lectures"], ''Artforum International'' (Summer 2012), pp 121-122.
  
 
; More
 
; More
Line 184: Line 184:
 
==Interviews==
 
==Interviews==
 
* Paul Taylor, "Rosalind Krauss", ''Art and Text'' 8 (Summer 1982-83), pp 31-37.
 
* Paul Taylor, "Rosalind Krauss", ''Art and Text'' 8 (Summer 1982-83), pp 31-37.
* with Yve-Alain Bois and Douglas crimp, "A Conversation with Hans Haacke", ''October'' 30, Autumn 1984, pp 23-48, [http://sci-hub.tw/10.2307/778298 PDF].
+
* with Yve-Alain Bois and Douglas Crimp, [http://sci-hub.tw/10.2307/778298 "A Conversation with Hans Haacke"], ''October'' 30, Autumn 1984, pp 23-48.
* David Plante, "The Real Thing: An Interview with Rosalind E. Krauss" [2003], ''ArtCritical'', 2013, [http://www.artcritical.com/2013/08/30/rosalind-krauss-interview/ HTML].
+
* David Plante, [http://www.artcritical.com/2013/08/30/rosalind-krauss-interview/ "The Real Thing: An Interview with Rosalind E. Krauss"] [2003], ''ArtCritical'', 2013.
  
 
==Literature==
 
==Literature==
Line 191: Line 191:
 
* Janet Malcolm, "A Girl of the Zeitgeist", Part II, ''The New Yorker'', 27 Oct 1986. [http://archives.newyorker.com/?i=1986-10-27#folio=046]
 
* Janet Malcolm, "A Girl of the Zeitgeist", Part II, ''The New Yorker'', 27 Oct 1986. [http://archives.newyorker.com/?i=1986-10-27#folio=046]
 
* Scott Rothkopf, "Krauss and the Art of Cultural Controversy", ''The Harvard Crimson'', 16 May 1997.
 
* Scott Rothkopf, "Krauss and the Art of Cultural Controversy", ''The Harvard Crimson'', 16 May 1997.
* Jean Lauzon, "Notes sur l’indice à l’index: contribution au 'photographique' de Rosalind Krauss", ''Horizons philosophiques'' 9:1 (1998), pp 73-85, [http://www.erudit.org/revue/hphi/1998/v9/n1/801092ar.pdf PDF]. {{fr}}
+
* Jean Lauzon, [http://www.erudit.org/revue/hphi/1998/v9/n1/801092ar.pdf "Notes sur l’indice à l’index: contribution au 'photographique' de Rosalind Krauss"], ''Horizons philosophiques'' 9:1 (1998), pp 73-85. {{fr}}
 
* Anna C. Chave, "Minimalism and Biography", ''Art Bulletin'' (Mar 2000).
 
* Anna C. Chave, "Minimalism and Biography", ''Art Bulletin'' (Mar 2000).
* David Carrier, ''Rosalind Krauss and American Philosophical Art Criticism'', Greenwood Publishing, 2002, [http://archive.org/details/DavidCarrierRosalindKraussAndAmericanAmericanPhilosophicalArtCriticism IA], [http://gen.lib.rus.ec/book/index.php?md5=8772F8AE934FE2C41FE2809CD2EBE34E PDF].
+
* David Carrier, ''[http://gen.lib.rus.ec/book/index.php?md5=8772F8AE934FE2C41FE2809CD2EBE34E Rosalind Krauss and American Philosophical Art Criticism]'', Greenwood Publishing, 2002.
 
* David Raskin, "The Shiny Illusionism of Krauss and Judd", ''Art Journal'' (Spring 2006).
 
* David Raskin, "The Shiny Illusionism of Krauss and Judd", ''Art Journal'' (Spring 2006).
* Katia Schneller, "Sur les traces de Rosalind Krauss. La réception française de la notion d’index. 1977-1990", ''Études photographiques'' 21 (Dec 2007), pp 123-143, [http://etudesphotographiques.revues.org/2483 HTML]. {{fr}}
+
* Katia Schneller, [http://etudesphotographiques.revues.org/2483 "Sur les traces de Rosalind Krauss. La réception française de la notion d’index. 1977-1990"], ''Études photographiques'' 21 (Dec 2007), pp 123-143. {{fr}}
* Peter Osborne, ''"October" and the Problem of Formalism'', Barcelona: MACBA, 2013, 22 pp, [http://www.macba.cat/uploads/20130503/QP_28_PeterOsborne.pdf PDF]. {{en}}
+
* Peter Osborne, ''[http://www.macba.cat/uploads/20130503/QP_28_PeterOsborne.pdf "October" and the Problem of Formalism]'', Barcelona: MACBA, 2013, 22 pp. {{en}}
 
* Bojana Matejić, ''Rozalind Kraus'', Belgrade: Orion Art, 2018, 159 pp. [https://www.orionart.rs/knjiga-rozalind-kraus-60] {{sr}}
 
* Bojana Matejić, ''Rozalind Kraus'', Belgrade: Orion Art, 2018, 159 pp. [https://www.orionart.rs/knjiga-rozalind-kraus-60] {{sr}}
  

Revision as of 08:21, 10 February 2019


Judy Olausen, Rosalind Krauss, c1978. [1]
Born November 30, 1941(1941-11-30)
Washington, D.C., United States
Web Aaaaarg, Wikipedia, Using "Academia.edu" as base chain is not permitted during the annotation process., OpenLibrary

Rosalind Epstein Krauss (1941) is an American art critic and theorist. She is a professor at Columbia University in New York City.

Works

(English)

Books

  • Terminal Iron Works: The Sculpture of David Smith, MIT Press, 1971. Revised from her PhD dissertation, The Sculpture of David Smith (1969).
  • Passages in Modern Sculpture, MIT Press, 1977, ix+308 pp; New York: Viking, 1977, PDF.
    • Passages: une histoire de la sculpture de Rodin à Smithson, trans. Claire Brunet, Paris: Macula, 1997, 313 pp. (French)
    • Passaggi: storia della scultura da Rodin alla Land Art, trans. Elio Grazioli, Milan: B. Mondadori, 1998, 310 pp. (Italian)
    • Caminhos da escultura moderna, trans. Julio Fischer, São Paulo: Martins Fontes, 1998, 365 pp. (Brazilian Portuguese)
    • Pasajes de la escultura moderna, trans. Alfredo Brotons Muñoz, Madrid: Akal, 2002, 292 pp. (Spanish)
  • The Originality of the Avant-Garde and Other Modernist Myths, MIT Press, 1985, xii+307 pp. A collection of essays written between 1977-84. Reviews: Bois (AJ 1985). Wiseman (JAE 1986), Partington (OAJ 1986), Karp (JAAC 1988).
    • L'originalité de l'avant-garde et autres mythes modernistes, trans. Jean-Pierre Criqui, Paris: Macula, 1993, 358 pp, ARG. (French)
    • Qian wei de yuan chuang xing [前衛的原創性], Tai bei shi: Yuan liu, 1995, 425 pp. (Chinese)
    • La Originalidad de la vanguardia y otros mitos modernos, trans. Adolfo Gómez Cedillo, Madrid: Alianza, 1996, 320 pp. (Spanish)
    • Die Originalität der Avantgarde und andere Mythen der Moderne, ed. & forew. Herta Wolf, trans. Jörg Heininger, Dresden: Verlag der Kunst, 2000, 372 pp. (German)
    • Podlinnost' avangarda i drugie modernistskie mify [Подлинность авангарда и другие модернистские мифы], trans. Anna Matveeva et al., Moscow: Khudozhestvennyy zhurnal, 2003, PDF. (Russian)
    • in Co je to fotografie?, ed. Karel Císař, Prague: Herrmann a synové, 2004. Trans. of articles "Fotografické podmínky surrealismu", pp 209-233; and "Obraz, text a index. Poznámky k umění 70. let", pp. 251-269 (of "Notes on the Index. Part 1 & 2", pp 196-219). (Czech)
    • Oryginalność awangardy i inne mity modernistyczne, trans. Monika Szuba, Gdańsk: Wydawnictwo Słowo/Obraz Terytoria, 2011, 300 pp. (Polish)
  • with Jane Livingston, L'Amour fou: Photography & Surrealism, Washington, D.C.: Corcoran Gallery of Art, and New York: Abbeville Press, 1985, 243 pp. Catalogue for exh. held Sep-Nov 1985. First Krauss' essay.
    • Explosante-fixe: photographie & surréalisme, trans. Dominique Le Bourg, Camille Hercot and Dominique Saran, Paris: Centre Georges Pompidou/Hazan, 1985, 243 pp. Exh. held Apr-Jun 1985. (French)
  • Richard Serra/Sculpture, ed. & intro. Laura Rosenstock, New York: Museum of Modern Art, 1986, 182 pp. Exh. catalogue; with essay by Douglas Crimp. (English)
  • Le photographique: pour une théorie des écarts. Histoire et théorie de la photographie, pref. Hubert Damisch, trans. Marc Bloch and Jean Kampf, Paris: Macula, 1990, 232 pp. Collection of essays published in the journals October, College Art Journal, Partisan Review and Degrés and exhibition catalogues from 1974-85. TOC. Review: Murray (1993-94, EN). (French)
    • O fotográfico, ed. Etienne Samain, trans. Anne Marie Davée, São Paulo: Hucitec, 1998, 357 pp; 2nd ed., 2005, 349 pp. (Brazilian Portuguese)
    • Das Photographische: eine theorie der Abstände, forew. Hubert Damisch, trans. Henning Schmidgen, Munich: Fink, 1998, 228 pp. (German)
    • Lo fotográfico: por una teoría de los desplazamientos, trans. Cristina Zelich, Barcelona: Gustavo Gili, 2002, 237 pp. Excerpts. (Spanish)
    • Fotograficheskoye: opyt teorii raskhozhdeniy [Фотографическое: опыт теории расхождений], trans. A. Shestakov (А. Шестаков), Moscow: Ad Marginem, 2014, 304 pp. [2] (Russian)
  • Odvrácená strana tvaru... a další, Prague: Respekt, 1991, 104 pp. (Czech)
  • Cindy Sherman: 1979-1993, New York: Rizzoli, 1993, 240 pp. With an essay by Norman Bryson. Excerpt.
    • Cindy Sherman. Arbeiten von 1975 bis 1993, Munich: Schirmer-Mosel, 1993. (German)
  • with Yve Alain Bois, L'Informe: mode d'emploi, Paris: Centre Georges Pompidou, 1996, 251 pp. Catalogue. (French)
  • The Picasso Papers, MIT Press, 1999, xvi+272 pp, PDF, ARG. Review: McCully (NY Books, 1999, reply by Cooper).
    • Les papiers de Picasso, trans. Jean-Louis Houdebine and Sophie Yersin Legrand, Paris: Macula, 1998, 224 pp; 2012. (French)
    • Los papeles de Picasso, Barcelona: Gedisa, 1999, 237 pp. (Spanish)
    • Os papéis de Picasso, trans. Cristina Cupertino, São Paulo: Iluminuras, 2006, 242 pp. (Brazilian Portuguese)
  • with Hal Foster, Yve-Alain Bois, and Benjamin H. D. Buchloh, Art Since 1900: Modernism, Antimodernism, Postmodernism, London: Thames & Hudson, 2004, 704 pp, ARG; 2nd ed., rev., 2012, 816 pp. [3] Reviews: Bishop (2005), Collings (2005), Gewen (2005), Richard (LRB 2006), Dahlberg (2006).
    • Arte desde 1900: modernidad, antimodernidad, posmodernidad, trans. Fabián Chueca, Francisco López and Alfredo Brotons Mun̋oz, Madrid: Akal, 2006, 704 pp. (Spanish)
    • Arte dal 1900 : modernismo, antimodernismo, postmodernismo, trans. Elio Grazioli, Bologna: Zanichelli, 2006, 704 pp. (Italian)
    • Umění po roce 1900: modernismus, antimodernismus, postmodernismus, trans. Josef Hrdlička, Irena Ellis and Jitka Sedláčková, Prague: Slovart, 2007, 704 pp. (Czech)
    • Iskusstvo s 1900 goda: modernizm, antimodernizm, postmodernizm [Искусство с 1900 года: модернизм, антимодернизм, постмодернизм], trans. G. Abdushelishvili, et al., Moscow: Ad Marginem, 2015, 816 pp. [4] (Russian)
  • Under Blue Cup, MIT Press, 2011, ARG, PDF.
    • Sotto la tazza blu, Milan: ESBMO, 2012, 151 pp. (Italian)
  • Willem de Kooning Nonstop: cherchez la femme, University of Chicago Press, 2015, 154 pp, ARG. (English)

Editor

  • October journal, New York, since Spring 1976.
  • The Sculpture of David Smith: A Catalogue Raisonné, New York: Garland, 1977. Revised from her PhD dissertation, The Sculpture of David Smith (1969).
  • with Annette Michelson, Douglas Crimp, and Joan Copjec, October: The First Decade, MIT Press, 1987, 468 pp.
  • with Annette Michelson, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, and Silvia Kolbowski, October: The Second Decade, 1986-1996, MIT Press, 1997, ARG.

Selected essays

  • "LeWitt in Progress", 1978; repr. in Krauss, The Originality of the Avant-Garde, 1985, pp 244-258.
  • "Grids", October 9 (Summer 1979), pp 50-64; repr. in Krauss, The Originality of the Avant-Garde, 1985, pp 8-22.
  • "Poststructuralism and the Paraliterary", 1980; repr. in Krauss, The Originality of the Avant-Garde, 1985, pp 291-295.
  • "In the Name of Picasso", October 16, "Art World Follies" (Spring 1981), pp 5-22; repr. in Krauss, The Originality of the Avant-Garde, 1985, pp 23-40.
  • "Marcel Duchamp ou le champ imaginaire", trans. Michèle Jeunehomme, Degrés 26-27 (Spring 1981), pp e1-e20. (French)
  • "Nightwalkers", Art Journal 41:1 (Spring 1981), pp 33-38.
  • "The Photographic Conditions of Surrealism", October 19 (Winter 1981), pp 15-34; repr. in Krauss, The Originality of the Avant-Garde, 1985, pp 87-118.
    • "La photographie et le surréalisme", trans. Marie-Anne Lescourret, Critique 38:426 (Nov 1982), pp 895-914. (French)
  • "This New Art: To Draw in Space", in Julio Gonzalez: Sculpture & Drawings, October 2-31, 1981, New York: Pace Gallery, 1981, pp [1-6]; repr. in Krauss, The Originality of the Avant-Garde, 1985, pp 119-129.
  • "Contra Carmean: The Abstract Pollock", Art in America 70:6 (Summer 1982), pp 123-131 & 123-131 & 155; repr. as "Reading Jackson Pollock, Abstractly", in Krauss, The Originality of the Avant-Garde, 1985, pp 221-242.
  • "Sincerely Yours: A Reply", October 20 (1982), pp 111-130; repr. in Krauss, The Originality of the Avant-Garde, 1985, pp 171-194. Response to Albert E. Elsen's article on National Gallery casting of Rodin's Gates of Hell, "On the Question of Originality: A Letter", October 20 (Spring 1982), pp 107-109, which commented on Rosalind Krauss' "The Originality of the Avant-Garde" (1981).
  • "When Words Fail", October 22 (Autumn 1982), pp 91-103. When Words Fail was organized by the International Center of Photography and the Goethe House, February 19-21, 1982; it coincided with two exhibitions mounted at the ICP: Avant-Garde Photography in Germany: 1919-1939, and Heinrich Kühn: Turn-of-the-Century Master; this essay is a modified version of the paper read by Rosalind Krauss at the Colloquium When Words Fail in a session devoted to the stylistic results of the new camera technologies of the 1920s.
    • "Quand les mots font défaut", trans. Marc Bloch, Critique 41:459-460 (Aug-Sep 1985), pp 755-760. (French)
  • "Abaisser, étendre, contracter, comprimer, tourner: regarder l'o euvre de Richard Serra", trans. Jean-Pierre Criqui, in Richard Serra, Paris: Centre Georges Pompidou & Le Centre, 1983, pp 29-35. (French)
    • "Richard Serra, a Translation", in Krauss, The Originality of the Avant-Garde, 1985, pp 260-274.
  • "Objets de réflexion critique", trans. Marie-Hélène Dufour, in Man Ray, Objets de mon affection, Paris: Philippe Sers, 1983, pp 10-13. (French)
    • "Objects of My Attention", in Man Ray: Objects of My Attention, New York: Zabriskie Gallery, 1985, pp [1-6]. Written in 1983; catalogue text.
  • "A Note on Photography and the Simulacral", October 31 (Winter 1984), pp 49-68. A version of this essay was delivered as the keynote address for the National Conference of the Society for Photographic Education in Philadelphia, March 1983.
  • "Giacometti", in `Primitivism' in 20th Century Art: Affinity of the Tribal and the Modern, vol. II, ed. William Rubin, , New York: Museum of Modern Art/New York Graphic Society Books, and Boston: Little, Brown, 1984, pp 502-533; repr. as "No More Play", in Krauss, The Originality of the Avant-Garde, 1985, pp 42-85.
  • "Corpus Delicti", in Krauss, Livingston, L'Amour fou: Photography & Surrealism, 1985, pp 57-114; repr. in October 33 (Summer 1985), pp 31-72, ARG.
    • "Corpus Delicti", in Krauss, Livingston, Explosante-fixe: photographie & surréalisme, 1985, pp 55-112. (French)
  • "Photography in the Service of Surrealism", in Krauss, Livingston, L'Amour fou: Photography & Surrealism, 1985, pp 13-42.
    • "La photographie au service du Surréalisme", in Krauss, Livingston, Explosante-fixe: photographie & surréalisme, 1985. (French)
  • "Photography's Exquisite Corpse", in In the Mind's Eye: Dada and Surrealism, ed. Terry Ann R. Neff, Chicago: Museum of Contemporary Art, and New York: Abbeville Press, 1985, pp 43-61. Catalogue text.
  • "Preying on `Primitivism'", Art and Text 17 (Apr 1985), pp 11-12 & 58-62.
  • "Antivision", October 36: "Georges Bataille" (Spring 1986), pp 147-154.
  • "Motivation of the Sign", in Picasso and Braque: A Symposium, ed. Lynn Zelevansky, New York: Museum of Modern Art, 1992, pp 261-286.
  • "Postmodernism’s Museum Without Walls", in Thinking About Exhibitions, eds. R. Greenberg, B. Ferguson and S. Nairne, London: Routledge, 1996; 2005, pp 241-245.
  • "Reinventing the Medium", Critical Inquiry 25:2: "'Angelus Novus': Perspectives on Walter Benjamin" (Winter 1999), pp 289-305.
  • "'Specific' Objects", RES: Anthropology and Aesthetics 46: "Polemical Objects" (Autumn 2004), pp 221-224.
More

Bibliography

Interviews

Literature

Bibliography

See also

Links