Difference between revisions of "Template:Avant-garde and modernist magazines"
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| − | [[Volné směry]] (1897-1948), [[Mir iskusstva]] (1898-1904), [[Vesy]] (1904-09), [[Poesia]] (1905-09, 1920), [[Zolotoe runo]] (1906-10), [[Apollon]] (1909-17), [[Ukraïnska khata]] (1909-14), [[Der Sturm]] (1910-32), [[Thalia]] (1910-13), [[Trudy i dni]] (1912), [[The Glebe]] (1913-14), [[Ocharovannyi strannik]] (1913-16), [[Revolution]] (1913), [[Blast]] (1914-15), [[Futuristy]] (1914), [[Zeit-Echo]] (1914-17), [[L'Élan]] (1915-16), [[291]] (1915-16), [[Orpheu]] (1915), [[MA]] (1916-25), [[SIC]] (1916-19), [[flamman]] (1916-21), [[The Blind Man]] (1917), [[Nord-Sud]] (1917-18), [[De Stijl]] (1917-20, 1921-32), [[Dada (journal)|Dada]] (1917-21), [[Klingen]] (1917-20, 1942), [[La Cité]] (1919-32), [[Exlex]] (1919-20), [[Action]] (1920-22), [[Proverbe]] (1920-22), [[Ça ira]] (1920-23) [[Zenit]] (1921-26), [[Kinofon]] (1921-22), [[Jednodńuwka futurystuw]] (1921), [[Nowa sztuka]] (1921-22), [[Broom]] (1921-24), [[Jar-Ptitza]] (1921-26), [[Aventure]] (1921-22), [[Spolokhi]] (1921-23), [[Veshch/Gegenstand/Objet]] (1922), [[Kino-fot]] (1922-23), [[Le Coeur à barbe]] (1922), [[Die Form]] (1922, 1925-35), [[Ultra]] (1922), [[Út]] (1922-25), [[Dada-Jok]] (1922), [[Dada Tank]] (1922), [[Dada Jazz]] (1922), [[Contimporanul]] (1922-32), [[Zwrotnica]] (1922-23, 1926-27), [[Secession]] (1922-24), [[Gostinitsa dlya puteshestvuyuschih v prekrasnom]] (1922-24), [[Klaxon]] (1922-23), [[Akasztott Ember]] (1922-23), [[Perevoz Dada]] (1922-49), [[L'Architecture vivante]] (1923-33), [[Merz]] (1923-32), [[LEF]] (1923-25), [[G]] (1923-26), [[Russkoye iskusstvo]] (1923), [[Disk]] (1923-25), [[Egység]] (1923-24), [[Irradiador]] (1923), [[Surréalisme]] (1924), [[Blok]] (1924-26), [[Pásmo]] (1924-26), [[Athena]] (1924-25), [[Punct]] (1924-25), [[75HP]] (1924), [[Periszkop]] (1925-26), [[Integral]] (1925-28), [[Praesens]] (1926, 1930), [[Sovremennaya architektura]] (1926-30), [[Kritisk Revy]] (1926-28), [[Dokumentum]] (1926-27), [[Novyi LEF]] (1927-29), [[i 10]] (1927-29), [[Nova generatsiia]] (1927-30), [[ReD]] (1927-31), [[Dźwignia]] (1927-28), [[Tank]] (1927-28), [[Munka]] (1928-39), [[Quosego]] (1928-29), [[Urmuz]] (1928), [[Revista de Antropofagia]] (1928-29), [[Alge]] (1930-31), [[Levá fronta]] (1930-33), [[Kvart]] (1930-37, 1945-49), [[Spektrum]] (1931-33), [[PLAN]] (1933-36), [[Karavan]] (1934-35), [[aka]] (1937-38). | + | [[Volné směry]] (1897-1948), [[Mir iskusstva]] (1898-1904), [[Vesy]] (1904-09), [[Poesia]] (1905-09, 1920), [[Zolotoe runo]] (1906-10), [[Apollon]] (1909-17), [[Ukraïnska khata]] (1909-14), [[Der Sturm]] (1910-32), [[Thalia]] (1910-13), [[Trudy i dni]] (1912), [[The Glebe]] (1913-14), [[Ocharovannyi strannik]] (1913-16), [[Revolution]] (1913), [[Blast]] (1914-15), [[Futuristy]] (1914), [[Zeit-Echo]] (1914-17), [[L'Élan]] (1915-16), [[291]] (1915-16), [[Orpheu]] (1915), [[MA]] (1916-25), [[SIC]] (1916-19), [[flamman]] (1916-21), [[The Blind Man]] (1917), [[Nord-Sud]] (1917-18), [[De Stijl]] (1917-20, 1921-32), [[Dada (journal)|Dada]] (1917-21), [[Klingen]] (1917-20, 1942), [[La Cité]] (1919-32), [[Exlex]] (1919-20), [[Action]] (1920-22), [[Proverbe]] (1920-22), [[Ça ira]] (1920-23) [[Zenit]] (1921-26), [[Kinofon]] (1921-22), [[Jednodńuwka futurystuw]] (1921), [[Nowa sztuka]] (1921-22), [[Broom]] (1921-24), [[Jar-Ptitza]] (1921-26), [[Aventure]] (1921-22), [[Spolokhi]] (1921-23), [[Veshch/Gegenstand/Objet]] (1922), [[Kino-fot]] (1922-23), [[Le Coeur à barbe]] (1922), [[Die Form]] (1922, 1925-35), [[Ultra]] (1922), [[Út]] (1922-25), [[Dada-Jok]] (1922), [[Dada Tank]] (1922), [[Dada Jazz]] (1922), [[Contimporanul]] (1922-32), [[Zwrotnica]] (1922-23, 1926-27), [[Secession]] (1922-24), [[Gostinitsa dlya puteshestvuyuschih v prekrasnom]] (1922-24), [[Klaxon]] (1922-23), [[Akasztott Ember]] (1922-23), [[Perevoz Dada]] (1922-49), [[L'Architecture vivante]] (1923-33), [[Merz]] (1923-32), [[LEF]] (1923-25), [[G]] (1923-26), [[The Next Call]] (1923-26), [[Russkoye iskusstvo]] (1923), [[Disk]] (1923-25), [[Egység]] (1923-24), [[Irradiador]] (1923), [[Surréalisme]] (1924), [[Blok]] (1924-26), [[Pásmo]] (1924-26), [[Athena]] (1924-25), [[Punct]] (1924-25), [[75HP]] (1924), [[Periszkop]] (1925-26), [[Integral]] (1925-28), [[Praesens]] (1926, 1930), [[Sovremennaya architektura]] (1926-30), [[Kritisk Revy]] (1926-28), [[Dokumentum]] (1926-27), [[Novyi LEF]] (1927-29), [[i 10]] (1927-29), [[Nova generatsiia]] (1927-30), [[ReD]] (1927-31), [[Dźwignia]] (1927-28), [[Tank]] (1927-28), [[Munka]] (1928-39), [[Quosego]] (1928-29), [[Urmuz]] (1928), [[Revista de Antropofagia]] (1928-29), [[Alge]] (1930-31), [[Levá fronta]] (1930-33), [[Kvart]] (1930-37, 1945-49), [[Spektrum]] (1931-33), [[PLAN]] (1933-36), [[Karavan]] (1934-35), [[aka]] (1937-38). |
|} | |} | ||
Revision as of 01:03, 2 February 2014
| Avant-garde and modernist magazines | ||
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Volné směry (1897-1948), Mir iskusstva (1898-1904), Vesy (1904-09), Poesia (1905-09, 1920), Zolotoe runo (1906-10), Apollon (1909-17), Ukraïnska khata (1909-14), Der Sturm (1910-32), Thalia (1910-13), Trudy i dni (1912), The Glebe (1913-14), Ocharovannyi strannik (1913-16), Revolution (1913), Blast (1914-15), Futuristy (1914), Zeit-Echo (1914-17), L'Élan (1915-16), 291 (1915-16), Orpheu (1915), MA (1916-25), SIC (1916-19), flamman (1916-21), The Blind Man (1917), Nord-Sud (1917-18), De Stijl (1917-20, 1921-32), Dada (1917-21), Klingen (1917-20, 1942), La Cité (1919-32), Exlex (1919-20), Action (1920-22), Proverbe (1920-22), Ça ira (1920-23) Zenit (1921-26), Kinofon (1921-22), Jednodńuwka futurystuw (1921), Nowa sztuka (1921-22), Broom (1921-24), Jar-Ptitza (1921-26), Aventure (1921-22), Spolokhi (1921-23), Veshch/Gegenstand/Objet (1922), Kino-fot (1922-23), Le Coeur à barbe (1922), Die Form (1922, 1925-35), Ultra (1922), Út (1922-25), Dada-Jok (1922), Dada Tank (1922), Dada Jazz (1922), Contimporanul (1922-32), Zwrotnica (1922-23, 1926-27), Secession (1922-24), Gostinitsa dlya puteshestvuyuschih v prekrasnom (1922-24), Klaxon (1922-23), Akasztott Ember (1922-23), Perevoz Dada (1922-49), L'Architecture vivante (1923-33), Merz (1923-32), LEF (1923-25), G (1923-26), The Next Call (1923-26), Russkoye iskusstvo (1923), Disk (1923-25), Egység (1923-24), Irradiador (1923), Surréalisme (1924), Blok (1924-26), Pásmo (1924-26), Athena (1924-25), Punct (1924-25), 75HP (1924), Periszkop (1925-26), Integral (1925-28), Praesens (1926, 1930), Sovremennaya architektura (1926-30), Kritisk Revy (1926-28), Dokumentum (1926-27), Novyi LEF (1927-29), i 10 (1927-29), Nova generatsiia (1927-30), ReD (1927-31), Dźwignia (1927-28), Tank (1927-28), Munka (1928-39), Quosego (1928-29), Urmuz (1928), Revista de Antropofagia (1928-29), Alge (1930-31), Levá fronta (1930-33), Kvart (1930-37, 1945-49), Spektrum (1931-33), PLAN (1933-36), Karavan (1934-35), aka (1937-38). | ||
