Difference between revisions of "Annet Dekker"

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* ''[https://monoskop.org/log/?p=20288 Enduring Liveness: An Imaginary Retrospective of Tino Sehgal’s Constructed Situations]'', Amsterdam: Monoskop, 2018, 89 pp. Artist's book.
 
* ''[https://monoskop.org/log/?p=20288 Enduring Liveness: An Imaginary Retrospective of Tino Sehgal’s Constructed Situations]'', Amsterdam: Monoskop, 2018, 89 pp. Artist's book.
 
* editor, ''Curating Digital Art: From Presenting and Collecting Digital Art to Networked Co-curation'', Amsterdam: Valiz, 2021, 256 pp. [https://valiz.nl/publicaties/curating-digital-art.html] [http://aaaan.net/curating-in-digital-art-from-presenting-and-collecting-digital-art-to-networked-co-curation/] [https://twitter.com/aaaannet/status/1364987566185979905]
 
* editor, ''Curating Digital Art: From Presenting and Collecting Digital Art to Networked Co-curation'', Amsterdam: Valiz, 2021, 256 pp. [https://valiz.nl/publicaties/curating-digital-art.html] [http://aaaan.net/curating-in-digital-art-from-presenting-and-collecting-digital-art-to-networked-co-curation/] [https://twitter.com/aaaannet/status/1364987566185979905]
* editor, with Gabriella Giannachi, ''Documentation as Art: Expanded Digital Practices'', Routledge, 2022, 216 pp. [https://www.routledge.com/Documentation-as-Art-Expanded-Digital-Practices/Dekker-Giannachi/p/book/9780367673123 Publisher]. [https://documentingdigitalart.exeter.ac.uk/publications/] [https://www.centreforthestudyof.net/?page_id=758]
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* editor, with Gabriella Giannachi, ''[http://libgen.rs/book/index.php?md5=D9AB0B6EFC64E10CE006B9CD8BBCE9F2 Documentation as Art: Expanded Digital Practices]'', Routledge, 2023, 216 pp. [https://www.routledge.com/Documentation-as-Art-Expanded-Digital-Practices/Dekker-Giannachi/p/book/9780367673123 Publisher]. [https://documentingdigitalart.exeter.ac.uk/publications/] [https://www.centreforthestudyof.net/?page_id=758]
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* editor, with Gabriella Giannachi, [https://perfomap.de/map14/editorial-14 ''MAP - Media / Archive / Performance'' 14: "Doing Documentation"], Mar 2024.
  
 
==Links==
 
==Links==
* [http://aaaan.net Home page]
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* [http://aaaan.net/ Website]
* [https://amsterdam.academia.edu/annetdekker Academia.edu]
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* [https://uva.academia.edu/annetdekker Academia.edu]
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* [[Base:Mastodon|Mastodon:]] [[Mastodon::https://post.lurk.org/@aaaannet]], [https://mastodon.social/@aaaannet]
 
* [http://twitter.com/aaaannet Twitter]
 
* [http://twitter.com/aaaannet Twitter]
* [[Mastodon::https://mastodon.social/@aaaannet]] [[Base:Mastodon|(Mastodon)]]
 
 
* [https://www.uva.nl/en/profile/d/e/a.dekker/a.dekker.html Profile on U Amsterdam]
 
* [https://www.uva.nl/en/profile/d/e/a.dekker/a.dekker.html Profile on U Amsterdam]
 
* [https://nl.wikipedia.org/wiki/Annet_Dekker Wikipedia-NL]
 
* [https://nl.wikipedia.org/wiki/Annet_Dekker Wikipedia-NL]
  
[[Category:Media archives]] [[Category:Software art]] [[Category:Writers]]  
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[[Series:Writers]] [[Series:Art writers]] [[Series:Net art]] [[Series:Software art]] [[Series:Art conservation]]
 
{{DEFAULTSORT:Dekker, Annet}}
 
{{DEFAULTSORT:Dekker, Annet}}

Revision as of 14:07, 2 April 2024

Annet Dekker is an independent researcher and curator. She is Assistant Professor Archival Science at the University of Amsterdam and Visiting Lecturer at London South Bank University. Previously she was Researcher Digital Preservation at Tate, London, tutor at Piet Zwart Institute, Rotterdam, and Fellow at The New Institute, Rotterdam. She initiated aaaan.net with Annette Wolfsberger in 2009; they coordinate artists-in-residences and set up strategic and sustainable collaborations with national and international arts organisations. Previously she worked as Web curator for SKOR (Foundation for Art and Public Domain, 2010–12), was programme manager at Virtueel Platform (2008–10), and head of exhibitions, education and artists-in-residence at the Netherlands Media Art Institute (1999–2008). Together with Annette Wolfsberger, she produced Funware, an international touring exhibition in 2010 and 2011 about fun in software (curated by Olga Goriunova). In 2014, she completed her PhD under the supervision of Matthew Fuller on the conservation of net art at Goldsmiths University of London, Enabling the Future, or How to Survive FOREVER. A study of networks, processes and ambiguity in net art and the need for an expanded practice of conservation.

Publications

Links