Difference between revisions of "Rosalind E. Krauss"
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{{Infobox artist | {{Infobox artist | ||
|image = Rosalind_Kraus_by_Judy_Olausen_c1978.jpg | |image = Rosalind_Kraus_by_Judy_Olausen_c1978.jpg | ||
− | |imagesize = | + | |imagesize = 338px |
|caption = Judy Olausen, ''Rosalind Krauss'', c1978. [http://www.e-flux.com/journal/the-device-laid-bare-on-some-limitations-in-current-art-criticism/] | |caption = Judy Olausen, ''Rosalind Krauss'', c1978. [http://www.e-flux.com/journal/the-device-laid-bare-on-some-limitations-in-current-art-criticism/] | ||
|birth_date = {{birth date|1941|11|30|mf=y}} | |birth_date = {{birth date|1941|11|30|mf=y}} | ||
|birth_place = Washington, D.C., United States | |birth_place = Washington, D.C., United States | ||
− | |web = [[Aaaaarg::http://aaaaarg.fail/maker/5310646b334fe071e0b90787|Aaaaarg]], [[Wikipedia::http://en.wikipedia.org/wiki/Rosalind_Krauss|Wikipedia]], [[ | + | |web = [[Aaaaarg::http://aaaaarg.fail/maker/5310646b334fe071e0b90787|Aaaaarg]], [[Wikipedia::http://en.wikipedia.org/wiki/Rosalind_Krauss|Wikipedia]], [[Academiaedu::http://www.academia.edu/Documents/in/Rosalind_Krauss|Academia.edu]], [[OpenLibrary::http://openlibrary.org/authors/OL35892A|OpenLibrary]] |
}} | }} | ||
'''Rosalind Epstein Krauss''' (1941) is an American art critic and theorist. She is a professor at Columbia University in New York City. | '''Rosalind Epstein Krauss''' (1941) is an American art critic and theorist. She is a professor at Columbia University in New York City. | ||
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==Works== | ==Works== | ||
− | + | {{en}} | |
===Books=== | ===Books=== | ||
− | * ''Terminal Iron Works: The Sculpture of David Smith'', MIT Press, 1971. Revised from her PhD dissertation, ''The Sculpture of David Smith'' (1969). | + | * ''[[Media:Krauss Rosalind Terminal Iron Works The Sculpture of David Smith 1971.pdf|Terminal Iron Works: The Sculpture of David Smith]]'', MIT Press, 1971, 214 pp, [https://archive.org/details/terminalironwork0000krau IA]. Revised from her PhD dissertation, ''The Sculpture of David Smith'' (1969). |
− | * {{a|Krauss1977}} ''Passages in Modern Sculpture'', MIT Press, 1977, ix+308 pp; New York: Viking, 1977 | + | * {{a|Krauss1977}} ''[[Media:Krauss_Rosalind_E_Passages_in_Modern_Sculpture.pdf|Passages in Modern Sculpture]]'', MIT Press, 1977, ix+308 pp; New York: Viking, 1977, [http://libgen.rs/book/index.php?md5=9a7232a133a02d8c83c8f964e580f820 PDF]. |
** ''Passages: une histoire de la sculpture de Rodin à Smithson'', trans. Claire Brunet, Paris: Macula, 1997, 313 pp. {{fr}} | ** ''Passages: une histoire de la sculpture de Rodin à Smithson'', trans. Claire Brunet, Paris: Macula, 1997, 313 pp. {{fr}} | ||
− | ** ''Passaggi: storia della scultura da Rodin alla Land Art'', trans. Elio Grazioli, Milan: B. Mondadori, 1998, 310 pp. {{it}} | + | ** ''Passaggi: storia della scultura da Rodin alla Land Art'', trans. Elio Grazioli, Milan: B. Mondadori, 1998, 310 pp; repr., Milan: Postmedia, 2020, 239 pp. {{it}} |
** ''Caminhos da escultura moderna'', trans. Julio Fischer, São Paulo: Martins Fontes, 1998, 365 pp. {{br-pt}} | ** ''Caminhos da escultura moderna'', trans. Julio Fischer, São Paulo: Martins Fontes, 1998, 365 pp. {{br-pt}} | ||
** ''Pasajes de la escultura moderna'', trans. Alfredo Brotons Muñoz, Madrid: Akal, 2002, 292 pp. {{es}} | ** ''Pasajes de la escultura moderna'', trans. Alfredo Brotons Muñoz, Madrid: Akal, 2002, 292 pp. {{es}} | ||
+ | ** ''Xian dai diao su de bian qian'' [现代雕塑的变迁], Beijing: Zhong guo min zu she ying yi shu chu ban she, 2017, 17+317 pp. {{cn}} | ||
− | * {{a|Krauss1985}} ''The Originality of the Avant-Garde and Other Modernist Myths'', MIT Press, 1985, xii+307 pp | + | * {{a|Krauss1985}} ''[[Media:Krauss Rosalind E The Originality of the Avant-Garde and Other Modernist Myths 1985.pdf|The Originality of the Avant-Garde and Other Modernist Myths]]'', MIT Press, 1985, xii+307 pp. A collection of essays written between 1977-84. Reviews: [http://www.jstor.org.sci-hub.st/stable/776815 Bois] (AJ 1985). [http://kirkbrideplan.files.wordpress.com/2012/09/review-of-krauss-the-originality-of-the-avant-garde-and-other-modernist-myths-grids-and-gabliks-has-modernism-failed.pdf Wiseman] (JAE 1986), [http://www.jstor.org.sci-hub.st/stable/1360418 Partington] (OAJ 1986), [http://www.jstor.org/stable/431118 Karp] (JAAC 1988). |
− | ** ''L'originalité de l'avant-garde et autres mythes modernistes'', trans. Jean-Pierre Criqui, Paris: Macula, 1993, 358 pp | + | ** ''[[Media:Krauss_Rosalind_L_originalite_de_l_avant-garde_et_autres_mythes_modernistes.pdf|L'originalité de l'avant-garde et autres mythes modernistes]]'', trans. Jean-Pierre Criqui, Paris: Macula, 1993, 358 pp. {{fr}} |
** ''Qian wei de yuan chuang xing'' [前衛的原創性], Tai bei shi: Yuan liu, 1995, 425 pp. {{cn}} | ** ''Qian wei de yuan chuang xing'' [前衛的原創性], Tai bei shi: Yuan liu, 1995, 425 pp. {{cn}} | ||
− | ** ''La | + | ** ''La originalidad de la vanguardia y otros mitos modernos'', trans. Adolfo Gómez Cedillo, Madrid: Alianza, 1996, 320 pp. {{es}} |
** ''Die Originalität der Avantgarde und andere Mythen der Moderne'', ed. & forew. Herta Wolf, trans. Jörg Heininger, Dresden: Verlag der Kunst, 2000, 372 pp. {{de}} | ** ''Die Originalität der Avantgarde und andere Mythen der Moderne'', ed. & forew. Herta Wolf, trans. Jörg Heininger, Dresden: Verlag der Kunst, 2000, 372 pp. {{de}} | ||
− | ** ''Podlinnost' avangarda i drugie modernistskie mify'' [Подлинность авангарда и другие модернистские мифы], trans. Anna Matveeva et al., Moscow: Khudozhestvennyy zhurnal, 2003 | + | ** ''[[Media:Krauss_Rozalind_Podlinnost_avangarda_i_drugie_modernistskie_mify.pdf|Podlinnost' avangarda i drugie modernistskie mify]]'' [Подлинность авангарда и другие модернистские мифы], trans. Anna Matveeva et al., Moscow: Khudozhestvennyy zhurnal, 2003. {{ru}} |
** in ''Co je to fotografie?'', ed. Karel Císař, Prague: Herrmann a synové, 2004. Trans. of articles "Fotografické podmínky surrealismu", pp 209-233; and "Obraz, text a index. Poznámky k umění 70. let", pp. 251-269 (of "Notes on the Index. Part 1 & 2", pp 196-219). {{cz}} | ** in ''Co je to fotografie?'', ed. Karel Císař, Prague: Herrmann a synové, 2004. Trans. of articles "Fotografické podmínky surrealismu", pp 209-233; and "Obraz, text a index. Poznámky k umění 70. let", pp. 251-269 (of "Notes on the Index. Part 1 & 2", pp 196-219). {{cz}} | ||
** ''Oryginalność awangardy i inne mity modernistyczne'', trans. Monika Szuba, Gdańsk: Wydawnictwo Słowo/Obraz Terytoria, 2011, 300 pp. {{pl}} | ** ''Oryginalność awangardy i inne mity modernistyczne'', trans. Monika Szuba, Gdańsk: Wydawnictwo Słowo/Obraz Terytoria, 2011, 300 pp. {{pl}} | ||
+ | ** ''Avangyarudo no orijinariti: modanizumu no shinwa'' [アヴァンギャルドのオリジナリティ: モダニズムの神話], trans. Nobuyuki Konishi, Tokyo: Getsuyōsha, 2021, 477 pp. {{jp}} | ||
− | * with Jane Livingston, ''L'Amour fou: Photography & Surrealism'', Washington, D.C.: Corcoran Gallery of Art, and New York: Abbeville Press, 1985, 243 pp. Catalogue for exh. held Sep-Nov 1985. [[Media:Krauss_Rosalind_1986_Photography_in_the_Service_of_Surrealism.pdf| | + | * with Jane Livingston, ''L'Amour fou: Photography & Surrealism'', Washington, D.C.: Corcoran Gallery of Art, and New York: Abbeville Press, 1985, 243 pp, [https://archive.org/details/lamourfouphotogr0000krau IA]. Catalogue for exh. held Sep-Nov 1985. [[Media:Krauss_Rosalind_1986_Photography_in_the_Service_of_Surrealism.pdf|Krauss's opening essay]]. |
** ''Explosante-fixe: photographie & surréalisme'', trans. Dominique Le Bourg, Camille Hercot and Dominique Saran, Paris: Centre Georges Pompidou/Hazan, 1985, 243 pp. Exh. held Apr-Jun 1985. {{fr}} | ** ''Explosante-fixe: photographie & surréalisme'', trans. Dominique Le Bourg, Camille Hercot and Dominique Saran, Paris: Centre Georges Pompidou/Hazan, 1985, 243 pp. Exh. held Apr-Jun 1985. {{fr}} | ||
− | * {{a|Krauss1990}} ''Le photographique: pour une théorie des écarts. Histoire et théorie de la photographie'', pref. Hubert Damisch, trans. Marc Bloch and Jean Kampf, Paris: Macula, 1990, 232 pp. Collection of essays published in the journals ''October, College Art Journal, Partisan Review'' and ''Degrés'' and exhibition catalogues from 1974-85. [http://www.idixa.net/Pixa/pagixa-0801250752.html TOC]. Review: [http://www.jstor.org.sci-hub. | + | * ''[[Media:Richard_Serra_Sculpture_MoMA_1986.pdf|Richard Serra/Sculpture]]'', ed. & intro. Laura Rosenstock, New York: Museum of Modern Art, 1986, 182 pp. Exh. catalogue; with essay by Douglas Crimp. {{en}} |
+ | |||
+ | * {{a|Krauss1990}} ''Le photographique: pour une théorie des écarts. Histoire et théorie de la photographie'', pref. Hubert Damisch, trans. Marc Bloch and Jean Kampf, Paris: Macula, 1990, 232 pp. Collection of essays published in the journals ''October, College Art Journal, Partisan Review'' and ''Degrés'' and exhibition catalogues from 1974-85. [http://www.idixa.net/Pixa/pagixa-0801250752.html TOC]. Review: [http://www.jstor.org.sci-hub.st/stable/41389324 Murray] (1993-94, EN). {{fr}} | ||
** ''O fotográfico'', ed. Etienne Samain, trans. Anne Marie Davée, São Paulo: Hucitec, 1998, 357 pp; 2nd ed., 2005, 349 pp. {{br-pt}} | ** ''O fotográfico'', ed. Etienne Samain, trans. Anne Marie Davée, São Paulo: Hucitec, 1998, 357 pp; 2nd ed., 2005, 349 pp. {{br-pt}} | ||
** ''Das Photographische: eine theorie der Abstände'', forew. Hubert Damisch, trans. Henning Schmidgen, Munich: Fink, 1998, 228 pp. {{de}} | ** ''Das Photographische: eine theorie der Abstände'', forew. Hubert Damisch, trans. Henning Schmidgen, Munich: Fink, 1998, 228 pp. {{de}} | ||
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* ''Odvrácená strana tvaru... a další'', Prague: Respekt, 1991, 104 pp. {{cz}} | * ''Odvrácená strana tvaru... a další'', Prague: Respekt, 1991, 104 pp. {{cz}} | ||
− | * {{a|Krauss1993}} '' | + | * {{a|Krauss1993}} ''[http://monoskop.org/log/?p=5931 The Optical Unconscious]'', MIT Press, 1993, 365 pp. Reviews: [http://www.jstor.org.sci-hub.st/stable/432046 Horowitz] (JAAC 1994), [http://sci-hub.st/10.1111/j.1467-8365.1994.tb00602.x Fer] (ArtHist 1994), [http://muse.jhu.edu.sci-hub.st/article/23016 Smith] (M/M 1995). Commentary: [http://www.newcriterion.com/articles.cfm/Feeling-sorry-for-Rosalind-Krauss-4751 Kimball] (1993), [http://305737.blogspot.com/2013/06/chapter-51-rosalind-krauss.html Elkins] (2013), [http://popcaanz.com/conferenceproceedings_2014/VisualArts_Carlson.pdf Carlson] (2014). |
− | ** ''El inconsciente óptico'', trans. J. Miguel Esteban Cloquell, Madrid: Tecnos, 1997, 371 pp | + | ** ''[[Media:Krauss_Rosalind_E_El_inconciente_optico.pdf|El inconsciente óptico]]'', trans. J. Miguel Esteban Cloquell, Madrid: Tecnos, 1997, 371 pp. {{es}} |
− | ** "Optické nevědomí", in ''Před obrazem. Antologie americké výtvarné teorie a kritiky'', ed. Tomáš Pospiszyl, Prague: OSVU 1998, pp 145-173 | + | ** [https://monoskop.org/images/4/45/Pospiszyl_Tomas_ed_Pred_obrazem_Antologie_americke_vytvarne_teorie_a_kritiky.pdf#page=71 "Optické nevědomí"], in ''[http://monoskop.org/log/?p=9855 Před obrazem. Antologie americké výtvarné teorie a kritiky]'', ed. Tomáš Pospiszyl, Prague: OSVU 1998, pp 145-173. Trans. of excerpt. {{cz}} |
** ''L'inconscient optique'', trans. Michèle Veubret, Paris: Au même titre, 2002, 469 pp. [http://www.idixa.net/Pixa/pagixa-1112121840.html TOC]. {{fr}} | ** ''L'inconscient optique'', trans. Michèle Veubret, Paris: Au même titre, 2002, 469 pp. [http://www.idixa.net/Pixa/pagixa-1112121840.html TOC]. {{fr}} | ||
** ''Das optisch Unbewusste'', Dresden: Verl. der Kunst, 2004, 350 pp. {{de}} | ** ''Das optisch Unbewusste'', Dresden: Verl. der Kunst, 2004, 350 pp. {{de}} | ||
** ''L'inconscio ottico'', trans. Elio Grazioli, Milan: ESBMO, 2008, 359 pp. {{it}} | ** ''L'inconscio ottico'', trans. Elio Grazioli, Milan: ESBMO, 2008, 359 pp. {{it}} | ||
+ | ** ''Shikakuteki muishiki'' [視覚的無意識], trans. Atsushi Tanigawa and Nobuyuki Konishi, Chofu: Getsuyōsha, 2019, 525 pp. {{jp}} | ||
+ | |||
+ | * ''[[Media:Krauss_Rosalind_Cindy_Sherman_1975-1993_1993.pdf|Cindy Sherman: 1979-1993]]'', New York: Rizzoli, 1993, 240 pp, [https://archive.org/details/cindysherman19750000krau_o6k7 IA]. With an essay by Norman Bryson. | ||
+ | ** ''Cindy Sherman. Arbeiten von 1975 bis 1993'', Munich: Schirmer-Mosel, 1993. {{de}} | ||
− | * with Yve Alain Bois, ''L'Informe: mode d'emploi'', Paris: Centre Georges Pompidou, 1996, 251 pp. Catalogue. {{fr}} | + | * {{a|KraussBois1996}} with Yve Alain Bois, ''L'Informe: mode d'emploi'', Paris: Centre Georges Pompidou, 1996, 251 pp, [https://archive.org/details/linformemodedemp0000bois IA]. Catalogue. {{fr}} |
− | ** ''Formless: A User's Guide'', Zone Books, 1997, 304 pp | + | ** ''[http://monoskop.org/log/?p=1483 Formless: A User's Guide]'', Zone Books, 1997, 304 pp. |
− | * {{a|Krauss1999}} '' | + | * {{a|Krauss1999}} ''[http://monoskop.org/log/?p=5993 Bachelors]'', MIT Press, 1999, 228 pp, [https://aaaaarg.fail/thing/51c584186c3a0ed90bfe0f00 ARG]. Reviews: [http://www.caareviews.org/reviews/313 Elkins] (CAA 1999), [http://www.leonardo.info/reviews/pre2000/anddu.html Andersson] (Leonardo 2000). |
+ | ** ''Dokushinshatachi'' [独身者たち], trans. Yasuhiko Inoue, Tokyo: Dokushinshatachi, 2018, 247 pp. {{jp}} | ||
− | * {{a|Krauss1999}} ''The Picasso Papers'', MIT Press, 1999, xvi+272 pp | + | * {{a|Krauss1999}} ''[[Media:Krauss_Rosalind_The_Picasso_Papers.pdf|The Picasso Papers]]'', MIT Press, 1999, xvi+272 pp, [http://libgen.rs/book/index.php?md5=4CFCD8D2468A8EAB3B99540E4DC68164 PDF], [http://aaaaarg.fail/thing/51c58bfe6c3a0eda0bdf8500 ARG]. Review: [http://www.nybooks.com/articles/archives/1999/apr/08/the-fallen-angel/ McCully] (NY Books, 1999, [http://www.nybooks.com/articles/1999/10/07/the-picasso-papers-an-exchange/ reply by Cooper]). |
** ''Les papiers de Picasso'', trans. Jean-Louis Houdebine and Sophie Yersin Legrand, Paris: Macula, 1998, 224 pp; 2012. {{fr}} | ** ''Les papiers de Picasso'', trans. Jean-Louis Houdebine and Sophie Yersin Legrand, Paris: Macula, 1998, 224 pp; 2012. {{fr}} | ||
** ''Los papeles de Picasso'', Barcelona: Gedisa, 1999, 237 pp. {{es}} | ** ''Los papeles de Picasso'', Barcelona: Gedisa, 1999, 237 pp. {{es}} | ||
** ''Os papéis de Picasso'', trans. Cristina Cupertino, São Paulo: Iluminuras, 2006, 242 pp. {{br-pt}} | ** ''Os papéis de Picasso'', trans. Cristina Cupertino, São Paulo: Iluminuras, 2006, 242 pp. {{br-pt}} | ||
− | * {{a|Krauss2000}} ''A Voyage on the North Sea: Art in the Age of the Post-Medium Condition'', Thames & Hudson, 2000, 64 pp | + | * {{a|Krauss2000}} ''[http://monoskop.org/log/?p=7009 A Voyage on the North Sea: Art in the Age of the Post-Medium Condition]'', London: Thames & Hudson, 2000, 64 pp, [http://aaaaarg.fail/thing/51c584186c3a0ed90b0a1000 ARG]. Based on the 1999 Walter Neurath Memorial Lecture. |
** ''"A voyage on the North Sea": Broodthaers, das Postmediale'', trans. Sabine Schulz, Zürich: diaphanes, 2008, 87 pp. {{de}} | ** ''"A voyage on the North Sea": Broodthaers, das Postmediale'', trans. Sabine Schulz, Zürich: diaphanes, 2008, 87 pp. {{de}} | ||
+ | ** ''Bukhae eseoui hanghae'' [북해에서의 항해: 포스트-매체 조건 시대의 미술], trans. Jihun Gim, Seoul: Hyeonsil Munhwa, 2017. {{ko}} | ||
− | * with Hal Foster, Yve-Alain Bois, and Benjamin H. D. Buchloh, ''Art Since 1900: Modernism, Antimodernism, Postmodernism'', London: Thames & Hudson, 2004, 704 pp, [ | + | * with Hal Foster, Yve-Alain Bois, and Benjamin H. D. Buchloh, ''[http://libgen.rs/book/index.php?md5=A050EF6306CDEFEBD5DED69ECD5E891C Art Since 1900: Modernism, Antimodernism, Postmodernism]'', London: Thames & Hudson, 2004, 704 pp; 2nd ed., rev., 2012, 816 pp; [https://aaaaarg.fail/thing/54291408334fe017706299c6 3rd ed.], upd. & exp., 2016, 896 pp. [http://www.thamesandhudson.com/Art_Since_1900/9780500238899 Publisher]. Reviews: [http://www.artforum.com/diary/id=8733 Bishop] (Artforum), [http://books.guardian.co.uk/review/story/0,12084,1483283,00.html Collings] (Guardian), [http://www.nytimes.com/2005/12/11/books/review/11gewen.html Gewen] (NY Times), [https://frieze.com/article/art-1900-modernism-antimodernism-postmodernism Bryson] (Frieze), [http://arthistory.as.nyu.edu/docs/IO/3644/Karmel_rvw_of_Art_Since_1900.pdf Karmel], [http://www.ppgav.eba.ufrj.br/wp-content/uploads/2012/01/ae13_resenhas.pdf Sá] (PT), [http://web.archive.org/web/20130708180417/http://www.lrb.co.uk/v28/n07/frances-richard/white-hat-black-hat Richard] (LRB), [http://leonardo.info/reviews/nov2005/art_dahlberg.html Dahlberg] (Leonardo). |
− | ** ''Arte desde 1900: modernidad, antimodernidad, posmodernidad'', trans. Fabián Chueca, Francisco López and Alfredo Brotons Mun̋oz, Madrid: Akal, 2006, 704 pp. {{es}} | + | ** ''[http://libgen.rs/book/index.php?md5=59226B50F14511803BC7F9EE61BC089B Arte desde 1900: modernidad, antimodernidad, posmodernidad]'', trans. Fabián Chueca, Francisco López and Alfredo Brotons Mun̋oz, Madrid: Akal, 2006, 704 pp. {{es}} |
− | ** ''Arte dal 1900 : modernismo, antimodernismo, postmodernismo'', trans. Elio Grazioli, Bologna: Zanichelli, 2006, 704 pp. {{it}} | + | ** ''[http://libgen.rs/book/index.php?md5=D0D70C82103DF69D42B9BE7CD2506779 Arte dal 1900: modernismo, antimodernismo, postmodernismo]'', trans. Elio Grazioli, Bologna: Zanichelli, 2006, 704 pp; 3rd ed., 2017, 895 pp. {{it}} |
− | ** ''Umění po roce 1900: modernismus, antimodernismus, postmodernismus'', trans. Josef Hrdlička, Irena Ellis and Jitka Sedláčková, Prague: Slovart, 2007, 704 pp. {{cz}} | + | ** ''[[Media:Foster_Hal et al Umení_po_roce_1900 2007.pdf|Umění po roce 1900: modernismus, antimodernismus, postmodernismus]]'', trans. Josef Hrdlička, Irena Ellis and Jitka Sedláčková, Prague: Slovart, 2007, 704 pp; 2nd ed., exp., Prague: Slovart, 2015, 816 pp. {{cz}} |
− | ** ''Iskusstvo s 1900 goda: modernizm, antimodernizm, postmodernizm'' [Искусство с 1900 года: модернизм, антимодернизм, постмодернизм], trans. G. Abdushelishvili, et al., Moscow: Ad Marginem, 2015, 816 pp. [http://admarginem.ru/books/7717/] {{ru}} | + | ** 1900년 이후의 미술사: 모더니즘, 반모더니즘, 포스트모더니즘, Seoul, 2007, 704 pp; 2nd ed., 2012, 815 pp; 3rd ed., Seoul: 사이언스북스, 2016, 895 pp. {{ko}} |
+ | ** ''[http://libgen.rs/book/index.php?md5=3409D38FC8F913718032DBD4D2568F91 Iskusstvo s 1900 goda: modernizm, antimodernizm, postmodernizm]'' [Искусство с 1900 года: модернизм, антимодернизм, постмодернизм], trans. G. Abdushelishvili, et al., Moscow: Ad Marginem (Ад Маргинем), 2015, 816 pp. [http://admarginem.ru/books/7717/ Publisher]. {{ru}} | ||
+ | ** ''Zukan senkyuhyakunen igo no geijutsu'' [図鑑1900年以後の芸術], Tokyo: Tōkyōshoseki (東京書籍), 2019, 895 pp. {{jp}} | ||
+ | ** ''Sztuka po 1900 roku: modernizm, antymodernizm, postmodernizm'', trans. Małgorzata Szubert, Dorota Skalska-Stefańska, and Anna Cichowicz, Warsaw: Arkady, 2023, 896 pp. [https://arkady.eu/ksiazki/historia-sztuki/sztuka-po-1900-roku-modernizm-antymodernizm-postmodernizm/ Publisher]. {{pl}} | ||
− | * ''Perpetual Inventory'', MIT Press, 2010, 320 pp. [http://www.ub.unibas.ch/tox/IDSBB/005199829/PDF TOC], [https://mitpress.mit.edu/sites/default/files/titles/content/9780262013802_sch_0001.pdf Excerpt], [https://mitpress.mit.edu/books/perpetual-inventory]. Reviews: [http://oaj.oxfordjournals.org.sci-hub. | + | * ''[[Media:Krauss Rosalind E Perpetual Inventory 2010.pdf|Perpetual Inventory]]'', MIT Press, 2010, 320 pp, [https://archive.org/details/perpetualinvento0000krau IA]. [http://www.ub.unibas.ch/tox/IDSBB/005199829/PDF TOC], [https://mitpress.mit.edu/sites/default/files/titles/content/9780262013802_sch_0001.pdf Excerpt], [https://mitpress.mit.edu/books/perpetual-inventory]. Reviews: [http://oaj.oxfordjournals.org.sci-hub.st/content/36/1/153.extract Trodd] (Oxford Art J), [http://academia.edu/2561189 Bowman] (Art Hist), [http://sci-hub.st/doi/10.1162/LEON_r_00246 Ione] (Leonardo). |
− | * ''Under Blue Cup'', MIT Press, 2011, [ | + | * ''[http://library.memoryoftheworld.org/#/book/81ec8635-ab8a-44fd-aa2a-df6fa7a2e0b5 Under Blue Cup]'', MIT Press, 2011, [https://aaaaarg.fail/thing/51c58cf66c3a0edb0b540b00 ARG], [http://libgen.rs/book/index.php?md5=f32187b4085f2f20ec4d813ac83d6e47 PDF]. |
** ''Sotto la tazza blu'', Milan: ESBMO, 2012, 151 pp. {{it}} | ** ''Sotto la tazza blu'', Milan: ESBMO, 2012, 151 pp. {{it}} | ||
+ | |||
+ | * ''[http://library.memoryoftheworld.org/#/book/8dc61dbb-5c6d-4a84-a219-b19ee4a10524 Willem de Kooning Nonstop: cherchez la femme]'', University of Chicago Press, 2015, 154 pp, [http://aaaaarg.fail/thing/59d0cd669ff37c0dbf0070eb ARG]. {{en}} | ||
+ | |||
+ | * ''Izbrani spisi o fotografiji'', trans. Domen Kavčič, afterw. Jan Babnik, Ljubljana: Membrana, 2016, 80 pp. Selected essays. {{sl}} | ||
===Editor=== | ===Editor=== | ||
− | * ''October'' journal, New York, since 1976 | + | * ''[https://aaaaarg.fail/maker/53107c4b334fe07269205e4c October]'' journal, New York, since Spring 1976. |
* ''The Sculpture of David Smith: A Catalogue Raisonné'', New York: Garland, 1977. Revised from her PhD dissertation, ''The Sculpture of David Smith'' (1969). | * ''The Sculpture of David Smith: A Catalogue Raisonné'', New York: Garland, 1977. Revised from her PhD dissertation, ''The Sculpture of David Smith'' (1969). | ||
− | * with Annette Michelson, | + | * with Annette Michelson, Douglas Crimp, and Joan Copjec, ''October: The First Decade'', MIT Press, 1987, 468 pp. |
+ | * with Annette Michelson, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, and Silvia Kolbowski, ''[http://libgen.rs/book/index.php?md5=6A802173D465AD311E99B35199E40641 October: The Second Decade, 1986-1996]'', MIT Press, 1997, [http://aaaaarg.fail/thing/57fdb6369ff37c496760115b ARG]. | ||
+ | * ''[http://library.memoryoftheworld.org/#/book/99add3a4-f0a7-41ce-8bdf-086e06c36741 William Kentridge]'', MIT Press (October Files), 2017, 208 pp. [https://mitpress.mit.edu/books/william-kentridge] | ||
===Selected essays=== | ===Selected essays=== | ||
− | * " | + | * "Montage ''October'': Dialectic of the Shot", ''Artforum'' 11:5, Jan 1973, pp 61-66; [http://sci-hub.st/10.1162/OCTO_a_00313 repr.], ''October'' 162, Fall 2017, pp 133-144. |
− | * " | + | * [[Media:Krauss_Rosalind_1973_Sense_and_Sensibility_Reflection_on_Post_60s_Sculpture.pdf|"Sense and Sensibility: Reflection on Post '60s Sculpture"]], ''Artforum'' 12:3, Nov 1973, pp 43-53, [http://aaaaarg.fail/static/reader.htm?0=ade3b3f3d6aeac4a98fb490a9c7284e0-0 ARG]. |
− | * " | + | * [[Media:Krauss Rosalind 1976 Video The Aesthetics of Narcissism.pdf|"Video: The Aesthetics of Narcissism"]], ''October'' 1 (Spring 1976), pp 50-64. |
− | * "Notes on the Index: Seventies Art in America | + | * [http://sci-hub.st/10.2307/778437 "Notes on the Index: Seventies Art in America"], ''October'' 3 (Spring 1977), pp 68-81; repr. as [[Media:Krauss_Rosalind_E_1977_1985_Notes_on_the_Index_Part_1.pdf|"Notes on the Index: Part 1"]], in Krauss, ''The Originality of the Avant-Garde'', 1985, pp 196-209. |
− | * " | + | * [http://sci-hub.st/10.2307/778480 "Notes on the Index: Seventies Art in America. Part 2"], ''October'' 4 (Autumn 1977), pp 58-67; repr. as "Notes on the Index: Part 2", in Krauss, ''The Originality of the Avant-Garde'', 1985, pp 210-219. |
− | * " | + | * [http://sci-hub.st/10.2307/778643 "Tracing Nadar"], ''October'' 5: "Photography" (Summer 1978), pp 29-47. |
− | * | + | * [http://sci-hub.st/10.2307/778617 "LeWitt in Progress"], ''October'' 6 (Autumn, 1978), pp 46-60; repr. in Krauss, ''The Originality of the Avant-Garde'', 1985, pp 244-258. |
− | |||
− | |||
− | |||
− | * " | + | * {{a|Krauss1979}} [[Media:Krauss_Rosalind_1979_Sculpture_in_the_Expanded_Field.pdf|"Sculpture in the Expanded Field"]], ''October'' 8 (Spring 1979), pp 30-44, [https://aaaaarg.fail/thing/51c584176c3a0ed90b170100 ARG]; repr. in ''[[Media:Foster_Hal_ed_The_Anti-Aesthetic_Essays_on_Postmodern_Culture.pdf|The Anti-Aesthetic: Essays on Postmodern Culture]]'', ed. Hal Foster, Seattle: Bay Press, 1983, pp 31-42; [[Media:Krauss_Rosalind_E_1979_1985_Sculpture_in_the_Expanded_Field.pdf|repr. in]] Krauss, ''The Originality of the Avant-Garde'', 1985, pp 276-291; repr. in ''Postmodern Culture'', ed. Hal Foster, London: Pluto, 1985, pp 31-42; repr. in ''Theories of Contemporary Art'', ed. Richard Hertz, Englewood Cliffs, NJ: Prentice-Hall, 1985, pp 215-224. |
+ | ** [[Media:Krauss_Rosalind_1979_2008_A_escultura_no_campo_ampliado.pdf|"A escultura no campo ampliado"]], ''Gávea'' 1 (1984), pp 87-93; repr. ''Arte & Ensaios'' 15:17, Rio de Janeiro: EBA, UFRJ, 2008, pp 128-137. {{br-pt}} | ||
+ | ** [https://monoskop.org/images/4/4e/Foster_Hal_ed_La_posmodernidad.pdf#page=31 "La escultura en el campo expandido"], in ''La posmodernidad'', ed. Hal Foster, Barcelona: Kairós, 1985, pp 59-74. | ||
+ | ** "Sochařství v rozšířeném poli", ''Konserva / Na hudbu'' 1:3 (1991), pp 7-13; [[Media:Krauss Rosalind 1979 2011 Socharstvi v rozsirenem poli.pdf|repr. in]] ''Stav věcí'', ed. Karel Císař, Brno: Dům umění města Brna, 2011, pp 131-143. {{cz}} | ||
− | * " | + | * [http://sci-hub.st/10.2307/778321 "Grids"], ''October'' 9 (Summer 1979), pp 50-64; [[Media:Krauss_Rosalind_E_1979_1985_Grids.pdf|repr. in]] Krauss, ''The Originality of the Avant-Garde'', 1985, pp 8-22. |
− | * " | + | * [http://sci-hub.st/10.2307/3397700 "Poststructuralism and the Paraliterary"], ''October'' 13 (Summer 1980), pp 36-40; repr. in Krauss, ''The Originality of the Avant-Garde'', 1985, pp 291-295. |
+ | |||
+ | * [http://sci-hub.st/10.2307/778371 "In the Name of Picasso"], ''October'' 16: "Art World Follies" (Spring 1981), pp 5-22; repr. in Krauss, ''The Originality of the Avant-Garde'', 1985, pp 23-40. | ||
* "Marcel Duchamp ou le champ imaginaire", trans. Michèle Jeunehomme, ''Degrés'' 26-27 (Spring 1981), pp e1-e20. {{fr}} | * "Marcel Duchamp ou le champ imaginaire", trans. Michèle Jeunehomme, ''Degrés'' 26-27 (Spring 1981), pp e1-e20. {{fr}} | ||
− | * "Nightwalkers", ''Art Journal'' 41:1 (Spring 1981), pp 33-38. | + | * [http://sci-hub.st/10.2307/776513 "Nightwalkers"], ''Art Journal'' 41:1 (Spring 1981), pp 33-38. |
− | * "The Originality of the Avant-Garde: A Postmodernist Repetition", ''October'' 18 (Fall 1981), pp 47-66 | + | * [[Media:Krauss_Rosalind_1981_The_Originality_of_the_Avant-Garde.pdf|"The Originality of the Avant-Garde: A Postmodernist Repetition"]], ''October'' 18 (Fall 1981), pp 47-66; repr. in ''Art After Modernism: Rethinking Representation'', ed. Brian Wallis, New York: New York Museum of Contemporary Art, and Boston: Godine, 1984, pp 12-29; repr. as [[Media:Krauss_Rosalind_E_1981_1985_The_Originality_of_the_Avant_Garde.pdf|"The Originality of the Avant Garde"]], in Krauss, ''The Originality of the Avant-Garde'', 1985, pp 151-170. Written for 'The Theory of the Avant-Garde', a conference held at the University of Iowa, April 9-11, 1981. |
+ | ** [https://monoskop.org/images/d/de/Krauss_Rosalind_L_originalite_de_l_avant-garde_et_autres_mythes_modernistes.pdf#page=64 "L'originalité de l'avant-garde: une répétition post-moderniste"], trans. Jean-Pierre Criqui, in Krauss, ''L'originalité de l'avant-garde et autres mythes modernistes'', Paris: Macula, 1993, pp 129-149. {{fr}} | ||
+ | ** "Pôvodnosť avantgardy: postmodernistická repetícia", trans. Jozef Cseres, ''Profil'' 8:1-2, 2001, pp 80-90. {{sk}} | ||
+ | ** [https://monoskop.org/images/e/e2/Krauss_Rozalind_Podlinnost_avangarda_i_drugie_modernistskie_mify.pdf#page=147 "Podlinnost' avangarda"] [Подлинность авангарда], in Krauss, ''Podlinnost' avangarda i drugie modernistskie mify'' [Подлинность авангарда и другие модернистские мифы], Moscow: Khudozhestvennyy zhurnal, 2003, pp 153-173. {{ru}} | ||
− | * "The Photographic Conditions of Surrealism", ''October'' 19 (Winter 1981), pp 15-34 | + | * [http://sci-hub.st/10.2307/778652 "The Photographic Conditions of Surrealism"], ''October'' 19 (Winter 1981), pp 15-34; repr. in Krauss, ''The Originality of the Avant-Garde'', 1985, pp 87-118. |
** "La photographie et le surréalisme", trans. Marie-Anne Lescourret, ''Critique'' 38:426 (Nov 1982), pp 895-914. {{fr}} | ** "La photographie et le surréalisme", trans. Marie-Anne Lescourret, ''Critique'' 38:426 (Nov 1982), pp 895-914. {{fr}} | ||
* "This New Art: To Draw in Space", in ''Julio Gonzalez: Sculpture & Drawings, October 2-31, 1981'', New York: Pace Gallery, 1981, pp [1-6]; repr. in Krauss, ''The Originality of the Avant-Garde'', 1985, pp 119-129. | * "This New Art: To Draw in Space", in ''Julio Gonzalez: Sculpture & Drawings, October 2-31, 1981'', New York: Pace Gallery, 1981, pp [1-6]; repr. in Krauss, ''The Originality of the Avant-Garde'', 1985, pp 119-129. | ||
− | * "Contra Carmean: The Abstract Pollock", ''Art in America'' 70:6 (Summer 1982), pp | + | * "Contra Carmean: The Abstract Pollock", ''Art in America'' 70:6 (Summer 1982), pp 123-131 & 155; repr. as "Reading Jackson Pollock, Abstractly", in Krauss, ''The Originality of the Avant-Garde'', 1985, pp 221-242. |
− | * "Photography's Discursive Spaces: Landscape/View", ''Art Journal'' 42:4 (Winter 1982), pp 311-319, [ | + | * [[Media:Krauss_Rosalind_1982_Photographys_Discursive_Spaces_Landscape_View.pdf|"Photography's Discursive Spaces: Landscape/View"]], ''Art Journal'' 42:4 (Winter 1982), pp 311-319, [https://aaaaarg.fail/thing/51c58bfe6c3a0eda0b707600 ARG]; repr. in Krauss, ''The Originality of the Avant-Garde'', 1985, pp 131-150. |
− | * "Sincerely Yours: A Reply", ''October'' 20 (1982), pp 111-130; repr. in Krauss, ''The Originality of the Avant-Garde'', 1985, pp 171-194. Response to Albert E. Elsen's article on National Gallery casting of Rodin's ''Gates of Hell'', "On the Question of Originality: A Letter", ''October'' 20 (Spring 1982), pp 107-109, which commented on Rosalind Krauss' "The Originality of the Avant-Garde" (1981). | + | * [http://sci-hub.st/10.2307/778610 "Sincerely Yours: A Reply"], ''October'' 20 (1982), pp 111-130; repr. in Krauss, ''The Originality of the Avant-Garde'', 1985, pp 171-194. Response to Albert E. Elsen's article on National Gallery casting of Rodin's ''Gates of Hell'', "On the Question of Originality: A Letter", ''October'' 20 (Spring 1982), pp 107-109, which commented on Rosalind Krauss' "The Originality of the Avant-Garde" (1981). |
− | * "When Words Fail", ''October'' 22 (Autumn 1982), pp 91-103. ''When Words Fail'' was organized by the International Center of Photography and the Goethe House, February 19-21, 1982; it coincided with two exhibitions mounted at the ICP: ''Avant-Garde Photography in Germany: 1919-1939'', and ''Heinrich Kühn: Turn-of-the-Century Master''; this essay is a modified version of the paper read by Rosalind Krauss at the Colloquium ''When Words Fail'' in a session devoted to the stylistic results of the new camera technologies of the 1920s. | + | * [http://sci-hub.st/10.2307/778365 "When Words Fail"], ''October'' 22 (Autumn 1982), pp 91-103. ''When Words Fail'' was organized by the International Center of Photography and the Goethe House, February 19-21, 1982; it coincided with two exhibitions mounted at the ICP: ''Avant-Garde Photography in Germany: 1919-1939'', and ''Heinrich Kühn: Turn-of-the-Century Master''; this essay is a modified version of the paper read by Rosalind Krauss at the Colloquium ''When Words Fail'' in a session devoted to the stylistic results of the new camera technologies of the 1920s. |
** "Quand les mots font défaut", trans. Marc Bloch, ''Critique'' 41:459-460 (Aug-Sep 1985), pp 755-760. {{fr}} | ** "Quand les mots font défaut", trans. Marc Bloch, ''Critique'' 41:459-460 (Aug-Sep 1985), pp 755-760. {{fr}} | ||
+ | |||
+ | * [http://sci-hub.st/10.1080/00043249.1982.10792816 "Photography's Discursive Spaces: Landscape/View"], ''Art Journal'' 42(4): "The Crisis in the Discipline", Winter 1982, pp 311-319. | ||
+ | |||
+ | * [http://sci-hub.st/10.1080/00043249.1983.10792208 "Changing the Work of David Smith"], ''Art Journal'' 43(1): "Are We Ready to Memoralize Kandinsky?", Spring 1983, pp 89-95. | ||
* "Abaisser, étendre, contracter, comprimer, tourner: regarder l'o euvre de Richard Serra", trans. Jean-Pierre Criqui, in ''Richard Serra'', Paris: Centre Georges Pompidou & Le Centre, 1983, pp 29-35. {{fr}} | * "Abaisser, étendre, contracter, comprimer, tourner: regarder l'o euvre de Richard Serra", trans. Jean-Pierre Criqui, in ''Richard Serra'', Paris: Centre Georges Pompidou & Le Centre, 1983, pp 29-35. {{fr}} | ||
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** "Objects of My Attention", in ''Man Ray: Objects of My Attention'', New York: Zabriskie Gallery, 1985, pp [1-6]. Written in 1983; catalogue text. | ** "Objects of My Attention", in ''Man Ray: Objects of My Attention'', New York: Zabriskie Gallery, 1985, pp [1-6]. Written in 1983; catalogue text. | ||
− | * "A Note on Photography and the Simulacral", ''October'' 31 | + | * [http://sci-hub.st/10.2307/778356 "A Note on Photography and the Simulacral"], ''October'' 31, Winter 1984, pp 49-68. A version of this essay was delivered as the keynote address for the National Conference of the Society for Photographic Education in Philadelphia, March 1983. |
* "Giacometti", in ''`Primitivism' in 20th Century Art: Affinity of the Tribal and the Modern, vol. II'', ed. William Rubin, , New York: Museum of Modern Art/New York Graphic Society Books, and Boston: Little, Brown, 1984, pp 502-533; repr. as "No More Play", in Krauss, ''The Originality of the Avant-Garde'', 1985, pp 42-85. | * "Giacometti", in ''`Primitivism' in 20th Century Art: Affinity of the Tribal and the Modern, vol. II'', ed. William Rubin, , New York: Museum of Modern Art/New York Graphic Society Books, and Boston: Little, Brown, 1984, pp 502-533; repr. as "No More Play", in Krauss, ''The Originality of the Avant-Garde'', 1985, pp 42-85. | ||
− | * "Corpus Delicti", in Krauss, Livingston, ''L'Amour fou: Photography & Surrealism'', 1985, pp 57-114; repr. in ''October'' 33 | + | * "Corpus Delicti", in Krauss, Livingston, ''L'Amour fou: Photography & Surrealism'', 1985, pp 57-114; [http://sci-hub.st/10.2307/778393 repr. in] ''October'' 33, Summer 1985, pp 31-72, [http://aaaaarg.fail/thing/51c58bfe6c3a0eda0b177b00 ARG]. |
** "Corpus Delicti", in Krauss, Livingston, ''Explosante-fixe: photographie & surréalisme'', 1985, pp 55-112. {{fr}} | ** "Corpus Delicti", in Krauss, Livingston, ''Explosante-fixe: photographie & surréalisme'', 1985, pp 55-112. {{fr}} | ||
− | * "Photography in the Service of Surrealism", in Krauss, Livingston, ''L'Amour fou: Photography & Surrealism'', 1985, pp 13-42 | + | * [[Media:Krauss_Rosalind_1985_Photography_in_the_Service_of_Surrealism.pdf|"Photography in the Service of Surrealism"]], in Krauss, Livingston, ''L'Amour fou: Photography & Surrealism'', 1985, pp 13-42. |
** "La photographie au service du Surréalisme", in Krauss, Livingston, ''Explosante-fixe: photographie & surréalisme'', 1985. {{fr}} | ** "La photographie au service du Surréalisme", in Krauss, Livingston, ''Explosante-fixe: photographie & surréalisme'', 1985. {{fr}} | ||
* "Photography's Exquisite Corpse", in ''In the Mind's Eye: Dada and Surrealism'', ed. Terry Ann R. Neff, Chicago: Museum of Contemporary Art, and New York: Abbeville Press, 1985, pp 43-61. Catalogue text. | * "Photography's Exquisite Corpse", in ''In the Mind's Eye: Dada and Surrealism'', ed. Terry Ann R. Neff, Chicago: Museum of Contemporary Art, and New York: Abbeville Press, 1985, pp 43-61. Catalogue text. | ||
− | * "Preying on `Primitivism'", ''Art and Text'' 17 | + | * "Preying on `Primitivism'", ''Art and Text'' 17, Apr 1985, pp 11-12 & 58-62. |
− | * "Antivision", ''October'' 36: "Georges Bataille" | + | * [http://libgen.rs/book/index.php?md5=2E8B189DC9B608E518408DC8F5100214 "Antivision"], ''October'' 36: "Georges Bataille", Spring 1986, pp 147-154. |
− | * with Yve-Alain Bois, | + | * with Yve-Alain Bois, [http://libgen.rs/book/index.php?md5=7B8857CF2EC96EC3E5F2A40F28B9A234 "A User's Guide to Entropy"], ''October'' 78, Autumn 1996, pp 38-88, [http://aaaaarg.fail/thing/51c58bfe6c3a0eda0bda7b00 ARG] |
− | * "The Cultural Logic of the Late Capitalist Museum", ''October'' 54 | + | * [http://www.jstor.org.sci-hub.st/stable/778666 "The Cultural Logic of the Late Capitalist Museum"], ''October'' 54 Autumn 1990, pp 3-17; repr. in Guglielmo Cinque, ''Types of Dependencies'', MIT Press, 1990. |
− | * "Motivation of the Sign", in ''Picasso and Braque: A Symposium'', ed. Lynn Zelevansky, New York: Museum of Modern Art, 1992, pp 261-286 | + | * [[Media:Krauss_Rosalind_1992_The_Motivation_of_the_Sign.pdf|"Motivation of the Sign"]], in ''Picasso and Braque: A Symposium'', ed. Lynn Zelevansky, New York: Museum of Modern Art, 1992, pp 261-286. |
− | * | + | * [http://faculty.georgetown.edu/irvinem/theory/Krauss-October-77-1996-WelcomeToTheCulturalRevolution.pdf "Welcome to the Cultural Revolution"], ''October'' 77, Summer 1996, pp 83-96. |
− | * "'Informe' without Conclusion", ''October'' 78, | + | * [http://mission17.org/documents/Krauss_Informe.pdf "'Informe' without Conclusion"], ''October'' 78, Autumn 1996, pp 89-105. |
* "Postmodernism’s Museum Without Walls", in ''Thinking About Exhibitions'', eds. R. Greenberg, B. Ferguson and S. Nairne, London: Routledge, 1996; 2005, pp 241-245. | * "Postmodernism’s Museum Without Walls", in ''Thinking About Exhibitions'', eds. R. Greenberg, B. Ferguson and S. Nairne, London: Routledge, 1996; 2005, pp 241-245. | ||
− | * | + | * [http://www.jstor.org.sci-hub.st/stable/779226 "Perpetual Inventory"], ''October'' 88, Spring 1999, pp 86-116. |
− | * "Reinventing the Medium", ''Critical Inquiry'' 25:2: "'Angelus Novus': Perspectives on Walter Benjamin" | + | * [http://www.jstor.org.sci-hub.st/stable/1344204 "Reinventing the Medium"], ''Critical Inquiry'' 25:2: "'Angelus Novus': Perspectives on Walter Benjamin", Winter 1999, pp 289-305. |
− | * "'Specific' Objects", ''RES: Anthropology and Aesthetics'' 46: "Polemical Objects" | + | * [http://static1.1.sqspcdn.com/static/f/221758/12025076/1304363492603/SpecificObjectsKrauss01.pdf "'Specific' Objects"], ''RES: Anthropology and Aesthetics'' 46: "Polemical Objects", Autumn 2004, pp 221-224. |
− | * "Two Moments from the Post-Medium Condition", ''October'' 116 | + | * [http://sci-hub.st/10.1162/octo.2006.116.1.55 "Two Moments from the Post-Medium Condition"], ''October'' 116, Spring 2006, pp 55-62. |
− | * "Dialectic of Enlightenment: Rosalind E. Krauss on William Kentridge's Norton Lectures", ''Artforum International'' | + | * [http://sci-hub.st/10.1162/octo.2007.121.1.111 "LeWitt's Ark"], ''October'' 121, Summer 2007, pp 111-113. |
+ | * [http://sci-hub.st/10.1162/octo.2008.124.1.125 "Giovanni Anselmo: Matter and Monochrome"], ''October'' 124, Spring 2008, pp 125-136. | ||
+ | * [http://sci-hub.st/10.1162/octo.2009.127.1.155 "In Memory of Robert Rauschenberg (1925-2008)"], ''October'' 127, Winter 2009, pp 155-157. | ||
+ | * [http://sci-hub.st/10.1162/OCTO_a_00014 "The Angel of History"], ''October'' 134, Fall 2010, pp 111-121. | ||
+ | * [http://sci-hub.st/10.1162/OCTO_a_00054 "The Slung Leg Hypothesis"], ''October'' 136, Spring 2011, pp 218-221. | ||
+ | * [http://sci-hub.st/10.1162/OCTO_a_00053 "Clock Time"], ''October'' 136, Spring 2011, pp 213-217. | ||
+ | |||
+ | * [http://www.goodman-gallery.com/files/upload/news/18878Newsartforum2012.pdf "Dialectic of Enlightenment: Rosalind E. Krauss on William Kentridge's Norton Lectures"], ''Artforum International'', Summer 2012, pp 121-122. | ||
+ | * [http://sci-hub.st/10.1162/octo_a_00341 "The Troubles of the Neck"], ''October'' 167, Winter 2019, pp 171-175. | ||
+ | * [http://sci-hub.st/10.1162/octo_a_00363 "Beginnings"], ''October'' 169, Summer 2019, pp 164-166. | ||
+ | * [https://sci-hub.st/10.1162/octo_a_00382 "Between the Book and the Lamp"], ''October'' 171, Winter 2020, pp 142-146. | ||
; More | ; More | ||
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* [http://www.idixa.net/Pixa/pagixa-1107262150.html in French], 26 July 2011. | * [http://www.idixa.net/Pixa/pagixa-1107262150.html in French], 26 July 2011. | ||
− | ==Interviews== | + | ==Interviews, conversations== |
+ | |||
* Paul Taylor, "Rosalind Krauss", ''Art and Text'' 8 (Summer 1982-83), pp 31-37. | * Paul Taylor, "Rosalind Krauss", ''Art and Text'' 8 (Summer 1982-83), pp 31-37. | ||
− | * with Yve-Alain Bois and Douglas | + | |
− | * David Plante, "The Real Thing: An Interview with Rosalind E. Krauss" [2003], ''ArtCritical'', 2013, [http:// | + | * with Yve-Alain Bois and Douglas Crimp, [http://sci-hub.st/10.2307/778298 "A Conversation with Hans Haacke"], ''October'' 30, Autumn 1984, pp 23-48. |
+ | |||
+ | * [https://brooklynrail.org/2012/02/art/rosalind-krauss-with-yve-alain-bois "Rosalind Krauss with Yve-Alain Bois"], ''The Brooklyn Rail'', Feb 2012. | ||
+ | ** Yve-Alain Bois, [https://doi.org/10.11606/issn.2178-0447.ars.2018.151800 "Entrevista com Rosalind Krauss"], trans. Leonardo Nones, ''ARS'' 16:34, São Paulo, 2018, pp 29-54. {{br-pt}} | ||
+ | |||
+ | * David Plante, [http://www.artcritical.com/2013/08/30/rosalind-krauss-interview/ "The Real Thing: An Interview with Rosalind E. Krauss"] [2003], ''ArtCritical'', 2013. | ||
+ | |||
+ | * with Manuel Borja-Villel, Benjamin H. D. Buchloh, Christophe Cherix, Rachel Haidu, and Trevor Stark, [http://sci-hub.st/10.1162/OCTO_a_00245 "The Moment of Marcel Broodthaers? A Conversation"], ''October'' 155, Winter 2016, pp 111-150. | ||
==Literature== | ==Literature== | ||
Line 183: | Line 229: | ||
* Janet Malcolm, "A Girl of the Zeitgeist", Part II, ''The New Yorker'', 27 Oct 1986. [http://archives.newyorker.com/?i=1986-10-27#folio=046] | * Janet Malcolm, "A Girl of the Zeitgeist", Part II, ''The New Yorker'', 27 Oct 1986. [http://archives.newyorker.com/?i=1986-10-27#folio=046] | ||
* Scott Rothkopf, "Krauss and the Art of Cultural Controversy", ''The Harvard Crimson'', 16 May 1997. | * Scott Rothkopf, "Krauss and the Art of Cultural Controversy", ''The Harvard Crimson'', 16 May 1997. | ||
− | * Jean Lauzon, "Notes sur l’indice à l’index: contribution au 'photographique' de Rosalind Krauss", ''Horizons philosophiques'' 9:1 (1998), pp 73-85 | + | * Jean Lauzon, [http://www.erudit.org/revue/hphi/1998/v9/n1/801092ar.pdf "Notes sur l’indice à l’index: contribution au 'photographique' de Rosalind Krauss"], ''Horizons philosophiques'' 9:1 (1998), pp 73-85. {{fr}} |
* Anna C. Chave, "Minimalism and Biography", ''Art Bulletin'' (Mar 2000). | * Anna C. Chave, "Minimalism and Biography", ''Art Bulletin'' (Mar 2000). | ||
− | * David Carrier, '' | + | * David Carrier, ''[http://libgen.rs/book/index.php?md5=8772F8AE934FE2C41FE2809CD2EBE34E Rosalind Krauss and American Philosophical Art Criticism]'', Greenwood Publishing, 2002. |
* David Raskin, "The Shiny Illusionism of Krauss and Judd", ''Art Journal'' (Spring 2006). | * David Raskin, "The Shiny Illusionism of Krauss and Judd", ''Art Journal'' (Spring 2006). | ||
− | * Katia Schneller, "Sur les traces de Rosalind Krauss. La réception française de la notion d’index. 1977-1990", ''Études photographiques'' 21 (Dec 2007), pp 123-143 | + | * Katia Schneller, [http://etudesphotographiques.revues.org/2483 "Sur les traces de Rosalind Krauss. La réception française de la notion d’index. 1977-1990"], ''Études photographiques'' 21 (Dec 2007), pp 123-143. {{fr}} |
− | * Peter Osborne, ''"October" and the Problem of Formalism'', Barcelona: MACBA, 2013, 22 pp, [ | + | * Peter Osborne, ''[http://www.macba.cat/uploads/20130503/QP_28_PeterOsborne.pdf "October" and the Problem of Formalism]'', Barcelona: MACBA, 2013, 22 pp. {{en}} |
+ | * Spyros Papapetros, Julian Rose (eds.), ''Retracing the Expanded Field: Encounters between Art and Architecture'', MIT Press, 2014, 288 pp. [https://mitpress.mit.edu/books/retracing-expanded-field] {{en}} | ||
+ | * Bojana Matejić, ''Rozalind Kraus'', Belgrade: Orion Art, 2018, 159 pp. [https://www.orionart.rs/knjiga-rozalind-kraus-60] {{sr}} | ||
; Bibliography | ; Bibliography | ||
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* [http://www.theartstory.org/critic-krauss-rosalind.htm Krauss at The Art Story] | * [http://www.theartstory.org/critic-krauss-rosalind.htm Krauss at The Art Story] | ||
− | [[ | + | [[Series:Art history]] [[Series:Art writers]] [[Series:Writers]] |
+ | {{DEFAULTSORT:Krauss, Rosalind}} {{featured_article}} |
Latest revision as of 12:31, 20 December 2023
Judy Olausen, Rosalind Krauss, c1978. [1] | |
Born |
November 30, 1941 Washington, D.C., United States |
---|---|
Web | Aaaaarg, Wikipedia, Academia.edu, OpenLibrary |
Rosalind Epstein Krauss (1941) is an American art critic and theorist. She is a professor at Columbia University in New York City.
Works[edit]
(English)
Books[edit]
- Terminal Iron Works: The Sculpture of David Smith, MIT Press, 1971, 214 pp, IA. Revised from her PhD dissertation, The Sculpture of David Smith (1969).
- Passages in Modern Sculpture, MIT Press, 1977, ix+308 pp; New York: Viking, 1977, PDF.
- Passages: une histoire de la sculpture de Rodin à Smithson, trans. Claire Brunet, Paris: Macula, 1997, 313 pp. (French)
- Passaggi: storia della scultura da Rodin alla Land Art, trans. Elio Grazioli, Milan: B. Mondadori, 1998, 310 pp; repr., Milan: Postmedia, 2020, 239 pp. (Italian)
- Caminhos da escultura moderna, trans. Julio Fischer, São Paulo: Martins Fontes, 1998, 365 pp. (Brazilian Portuguese)
- Pasajes de la escultura moderna, trans. Alfredo Brotons Muñoz, Madrid: Akal, 2002, 292 pp. (Spanish)
- Xian dai diao su de bian qian [现代雕塑的变迁], Beijing: Zhong guo min zu she ying yi shu chu ban she, 2017, 17+317 pp. (Chinese)
- The Originality of the Avant-Garde and Other Modernist Myths, MIT Press, 1985, xii+307 pp. A collection of essays written between 1977-84. Reviews: Bois (AJ 1985). Wiseman (JAE 1986), Partington (OAJ 1986), Karp (JAAC 1988).
- L'originalité de l'avant-garde et autres mythes modernistes, trans. Jean-Pierre Criqui, Paris: Macula, 1993, 358 pp. (French)
- Qian wei de yuan chuang xing [前衛的原創性], Tai bei shi: Yuan liu, 1995, 425 pp. (Chinese)
- La originalidad de la vanguardia y otros mitos modernos, trans. Adolfo Gómez Cedillo, Madrid: Alianza, 1996, 320 pp. (Spanish)
- Die Originalität der Avantgarde und andere Mythen der Moderne, ed. & forew. Herta Wolf, trans. Jörg Heininger, Dresden: Verlag der Kunst, 2000, 372 pp. (German)
- Podlinnost' avangarda i drugie modernistskie mify [Подлинность авангарда и другие модернистские мифы], trans. Anna Matveeva et al., Moscow: Khudozhestvennyy zhurnal, 2003. (Russian)
- in Co je to fotografie?, ed. Karel Císař, Prague: Herrmann a synové, 2004. Trans. of articles "Fotografické podmínky surrealismu", pp 209-233; and "Obraz, text a index. Poznámky k umění 70. let", pp. 251-269 (of "Notes on the Index. Part 1 & 2", pp 196-219). (Czech)
- Oryginalność awangardy i inne mity modernistyczne, trans. Monika Szuba, Gdańsk: Wydawnictwo Słowo/Obraz Terytoria, 2011, 300 pp. (Polish)
- Avangyarudo no orijinariti: modanizumu no shinwa [アヴァンギャルドのオリジナリティ: モダニズムの神話], trans. Nobuyuki Konishi, Tokyo: Getsuyōsha, 2021, 477 pp. (Japanese)
- with Jane Livingston, L'Amour fou: Photography & Surrealism, Washington, D.C.: Corcoran Gallery of Art, and New York: Abbeville Press, 1985, 243 pp, IA. Catalogue for exh. held Sep-Nov 1985. Krauss's opening essay.
- Explosante-fixe: photographie & surréalisme, trans. Dominique Le Bourg, Camille Hercot and Dominique Saran, Paris: Centre Georges Pompidou/Hazan, 1985, 243 pp. Exh. held Apr-Jun 1985. (French)
- Richard Serra/Sculpture, ed. & intro. Laura Rosenstock, New York: Museum of Modern Art, 1986, 182 pp. Exh. catalogue; with essay by Douglas Crimp. (English)
- Le photographique: pour une théorie des écarts. Histoire et théorie de la photographie, pref. Hubert Damisch, trans. Marc Bloch and Jean Kampf, Paris: Macula, 1990, 232 pp. Collection of essays published in the journals October, College Art Journal, Partisan Review and Degrés and exhibition catalogues from 1974-85. TOC. Review: Murray (1993-94, EN). (French)
- O fotográfico, ed. Etienne Samain, trans. Anne Marie Davée, São Paulo: Hucitec, 1998, 357 pp; 2nd ed., 2005, 349 pp. (Brazilian Portuguese)
- Das Photographische: eine theorie der Abstände, forew. Hubert Damisch, trans. Henning Schmidgen, Munich: Fink, 1998, 228 pp. (German)
- Lo fotográfico: por una teoría de los desplazamientos, trans. Cristina Zelich, Barcelona: Gustavo Gili, 2002, 237 pp. Excerpts. (Spanish)
- Fotograficheskoye: opyt teorii raskhozhdeniy [Фотографическое: опыт теории расхождений], trans. A. Shestakov (А. Шестаков), Moscow: Ad Marginem, 2014, 304 pp. [2] (Russian)
- Odvrácená strana tvaru... a další, Prague: Respekt, 1991, 104 pp. (Czech)
- The Optical Unconscious, MIT Press, 1993, 365 pp. Reviews: Horowitz (JAAC 1994), Fer (ArtHist 1994), Smith (M/M 1995). Commentary: Kimball (1993), Elkins (2013), Carlson (2014).
- El inconsciente óptico, trans. J. Miguel Esteban Cloquell, Madrid: Tecnos, 1997, 371 pp. (Spanish)
- "Optické nevědomí", in Před obrazem. Antologie americké výtvarné teorie a kritiky, ed. Tomáš Pospiszyl, Prague: OSVU 1998, pp 145-173. Trans. of excerpt. (Czech)
- L'inconscient optique, trans. Michèle Veubret, Paris: Au même titre, 2002, 469 pp. TOC. (French)
- Das optisch Unbewusste, Dresden: Verl. der Kunst, 2004, 350 pp. (German)
- L'inconscio ottico, trans. Elio Grazioli, Milan: ESBMO, 2008, 359 pp. (Italian)
- Shikakuteki muishiki [視覚的無意識], trans. Atsushi Tanigawa and Nobuyuki Konishi, Chofu: Getsuyōsha, 2019, 525 pp. (Japanese)
- Cindy Sherman: 1979-1993, New York: Rizzoli, 1993, 240 pp, IA. With an essay by Norman Bryson.
- Cindy Sherman. Arbeiten von 1975 bis 1993, Munich: Schirmer-Mosel, 1993. (German)
- with Yve Alain Bois, L'Informe: mode d'emploi, Paris: Centre Georges Pompidou, 1996, 251 pp, IA. Catalogue. (French)
- Formless: A User's Guide, Zone Books, 1997, 304 pp.
- Bachelors, MIT Press, 1999, 228 pp, ARG. Reviews: Elkins (CAA 1999), Andersson (Leonardo 2000).
- Dokushinshatachi [独身者たち], trans. Yasuhiko Inoue, Tokyo: Dokushinshatachi, 2018, 247 pp. (Japanese)
- The Picasso Papers, MIT Press, 1999, xvi+272 pp, PDF, ARG. Review: McCully (NY Books, 1999, reply by Cooper).
- Les papiers de Picasso, trans. Jean-Louis Houdebine and Sophie Yersin Legrand, Paris: Macula, 1998, 224 pp; 2012. (French)
- Los papeles de Picasso, Barcelona: Gedisa, 1999, 237 pp. (Spanish)
- Os papéis de Picasso, trans. Cristina Cupertino, São Paulo: Iluminuras, 2006, 242 pp. (Brazilian Portuguese)
- A Voyage on the North Sea: Art in the Age of the Post-Medium Condition, London: Thames & Hudson, 2000, 64 pp, ARG. Based on the 1999 Walter Neurath Memorial Lecture.
- "A voyage on the North Sea": Broodthaers, das Postmediale, trans. Sabine Schulz, Zürich: diaphanes, 2008, 87 pp. (German)
- Bukhae eseoui hanghae [북해에서의 항해: 포스트-매체 조건 시대의 미술], trans. Jihun Gim, Seoul: Hyeonsil Munhwa, 2017. (Korean)
- with Hal Foster, Yve-Alain Bois, and Benjamin H. D. Buchloh, Art Since 1900: Modernism, Antimodernism, Postmodernism, London: Thames & Hudson, 2004, 704 pp; 2nd ed., rev., 2012, 816 pp; 3rd ed., upd. & exp., 2016, 896 pp. Publisher. Reviews: Bishop (Artforum), Collings (Guardian), Gewen (NY Times), Bryson (Frieze), Karmel, Sá (PT), Richard (LRB), Dahlberg (Leonardo).
- Arte desde 1900: modernidad, antimodernidad, posmodernidad, trans. Fabián Chueca, Francisco López and Alfredo Brotons Mun̋oz, Madrid: Akal, 2006, 704 pp. (Spanish)
- Arte dal 1900: modernismo, antimodernismo, postmodernismo, trans. Elio Grazioli, Bologna: Zanichelli, 2006, 704 pp; 3rd ed., 2017, 895 pp. (Italian)
- Umění po roce 1900: modernismus, antimodernismus, postmodernismus, trans. Josef Hrdlička, Irena Ellis and Jitka Sedláčková, Prague: Slovart, 2007, 704 pp; 2nd ed., exp., Prague: Slovart, 2015, 816 pp. (Czech)
- 1900년 이후의 미술사: 모더니즘, 반모더니즘, 포스트모더니즘, Seoul, 2007, 704 pp; 2nd ed., 2012, 815 pp; 3rd ed., Seoul: 사이언스북스, 2016, 895 pp. (Korean)
- Iskusstvo s 1900 goda: modernizm, antimodernizm, postmodernizm [Искусство с 1900 года: модернизм, антимодернизм, постмодернизм], trans. G. Abdushelishvili, et al., Moscow: Ad Marginem (Ад Маргинем), 2015, 816 pp. Publisher. (Russian)
- Zukan senkyuhyakunen igo no geijutsu [図鑑1900年以後の芸術], Tokyo: Tōkyōshoseki (東京書籍), 2019, 895 pp. (Japanese)
- Sztuka po 1900 roku: modernizm, antymodernizm, postmodernizm, trans. Małgorzata Szubert, Dorota Skalska-Stefańska, and Anna Cichowicz, Warsaw: Arkady, 2023, 896 pp. Publisher. (Polish)
- Perpetual Inventory, MIT Press, 2010, 320 pp, IA. TOC, Excerpt, [3]. Reviews: Trodd (Oxford Art J), Bowman (Art Hist), Ione (Leonardo).
- Under Blue Cup, MIT Press, 2011, ARG, PDF.
- Sotto la tazza blu, Milan: ESBMO, 2012, 151 pp. (Italian)
- Willem de Kooning Nonstop: cherchez la femme, University of Chicago Press, 2015, 154 pp, ARG. (English)
- Izbrani spisi o fotografiji, trans. Domen Kavčič, afterw. Jan Babnik, Ljubljana: Membrana, 2016, 80 pp. Selected essays. (Slovenian)
Editor[edit]
- October journal, New York, since Spring 1976.
- The Sculpture of David Smith: A Catalogue Raisonné, New York: Garland, 1977. Revised from her PhD dissertation, The Sculpture of David Smith (1969).
- with Annette Michelson, Douglas Crimp, and Joan Copjec, October: The First Decade, MIT Press, 1987, 468 pp.
- with Annette Michelson, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, and Silvia Kolbowski, October: The Second Decade, 1986-1996, MIT Press, 1997, ARG.
- William Kentridge, MIT Press (October Files), 2017, 208 pp. [4]
Selected essays[edit]
- "Montage October: Dialectic of the Shot", Artforum 11:5, Jan 1973, pp 61-66; repr., October 162, Fall 2017, pp 133-144.
- "Sense and Sensibility: Reflection on Post '60s Sculpture", Artforum 12:3, Nov 1973, pp 43-53, ARG.
- "Video: The Aesthetics of Narcissism", October 1 (Spring 1976), pp 50-64.
- "Notes on the Index: Seventies Art in America", October 3 (Spring 1977), pp 68-81; repr. as "Notes on the Index: Part 1", in Krauss, The Originality of the Avant-Garde, 1985, pp 196-209.
- "Notes on the Index: Seventies Art in America. Part 2", October 4 (Autumn 1977), pp 58-67; repr. as "Notes on the Index: Part 2", in Krauss, The Originality of the Avant-Garde, 1985, pp 210-219.
- "Tracing Nadar", October 5: "Photography" (Summer 1978), pp 29-47.
- "LeWitt in Progress", October 6 (Autumn, 1978), pp 46-60; repr. in Krauss, The Originality of the Avant-Garde, 1985, pp 244-258.
- "Sculpture in the Expanded Field", October 8 (Spring 1979), pp 30-44, ARG; repr. in The Anti-Aesthetic: Essays on Postmodern Culture, ed. Hal Foster, Seattle: Bay Press, 1983, pp 31-42; repr. in Krauss, The Originality of the Avant-Garde, 1985, pp 276-291; repr. in Postmodern Culture, ed. Hal Foster, London: Pluto, 1985, pp 31-42; repr. in Theories of Contemporary Art, ed. Richard Hertz, Englewood Cliffs, NJ: Prentice-Hall, 1985, pp 215-224.
- "A escultura no campo ampliado", Gávea 1 (1984), pp 87-93; repr. Arte & Ensaios 15:17, Rio de Janeiro: EBA, UFRJ, 2008, pp 128-137. (Brazilian Portuguese)
- "La escultura en el campo expandido", in La posmodernidad, ed. Hal Foster, Barcelona: Kairós, 1985, pp 59-74.
- "Sochařství v rozšířeném poli", Konserva / Na hudbu 1:3 (1991), pp 7-13; repr. in Stav věcí, ed. Karel Císař, Brno: Dům umění města Brna, 2011, pp 131-143. (Czech)
- "Grids", October 9 (Summer 1979), pp 50-64; repr. in Krauss, The Originality of the Avant-Garde, 1985, pp 8-22.
- "Poststructuralism and the Paraliterary", October 13 (Summer 1980), pp 36-40; repr. in Krauss, The Originality of the Avant-Garde, 1985, pp 291-295.
- "In the Name of Picasso", October 16: "Art World Follies" (Spring 1981), pp 5-22; repr. in Krauss, The Originality of the Avant-Garde, 1985, pp 23-40.
- "Marcel Duchamp ou le champ imaginaire", trans. Michèle Jeunehomme, Degrés 26-27 (Spring 1981), pp e1-e20. (French)
- "Nightwalkers", Art Journal 41:1 (Spring 1981), pp 33-38.
- "The Originality of the Avant-Garde: A Postmodernist Repetition", October 18 (Fall 1981), pp 47-66; repr. in Art After Modernism: Rethinking Representation, ed. Brian Wallis, New York: New York Museum of Contemporary Art, and Boston: Godine, 1984, pp 12-29; repr. as "The Originality of the Avant Garde", in Krauss, The Originality of the Avant-Garde, 1985, pp 151-170. Written for 'The Theory of the Avant-Garde', a conference held at the University of Iowa, April 9-11, 1981.
- "L'originalité de l'avant-garde: une répétition post-moderniste", trans. Jean-Pierre Criqui, in Krauss, L'originalité de l'avant-garde et autres mythes modernistes, Paris: Macula, 1993, pp 129-149. (French)
- "Pôvodnosť avantgardy: postmodernistická repetícia", trans. Jozef Cseres, Profil 8:1-2, 2001, pp 80-90. (Slovak)
- "Podlinnost' avangarda" [Подлинность авангарда], in Krauss, Podlinnost' avangarda i drugie modernistskie mify [Подлинность авангарда и другие модернистские мифы], Moscow: Khudozhestvennyy zhurnal, 2003, pp 153-173. (Russian)
- "The Photographic Conditions of Surrealism", October 19 (Winter 1981), pp 15-34; repr. in Krauss, The Originality of the Avant-Garde, 1985, pp 87-118.
- "La photographie et le surréalisme", trans. Marie-Anne Lescourret, Critique 38:426 (Nov 1982), pp 895-914. (French)
- "This New Art: To Draw in Space", in Julio Gonzalez: Sculpture & Drawings, October 2-31, 1981, New York: Pace Gallery, 1981, pp [1-6]; repr. in Krauss, The Originality of the Avant-Garde, 1985, pp 119-129.
- "Contra Carmean: The Abstract Pollock", Art in America 70:6 (Summer 1982), pp 123-131 & 155; repr. as "Reading Jackson Pollock, Abstractly", in Krauss, The Originality of the Avant-Garde, 1985, pp 221-242.
- "Photography's Discursive Spaces: Landscape/View", Art Journal 42:4 (Winter 1982), pp 311-319, ARG; repr. in Krauss, The Originality of the Avant-Garde, 1985, pp 131-150.
- "Sincerely Yours: A Reply", October 20 (1982), pp 111-130; repr. in Krauss, The Originality of the Avant-Garde, 1985, pp 171-194. Response to Albert E. Elsen's article on National Gallery casting of Rodin's Gates of Hell, "On the Question of Originality: A Letter", October 20 (Spring 1982), pp 107-109, which commented on Rosalind Krauss' "The Originality of the Avant-Garde" (1981).
- "When Words Fail", October 22 (Autumn 1982), pp 91-103. When Words Fail was organized by the International Center of Photography and the Goethe House, February 19-21, 1982; it coincided with two exhibitions mounted at the ICP: Avant-Garde Photography in Germany: 1919-1939, and Heinrich Kühn: Turn-of-the-Century Master; this essay is a modified version of the paper read by Rosalind Krauss at the Colloquium When Words Fail in a session devoted to the stylistic results of the new camera technologies of the 1920s.
- "Quand les mots font défaut", trans. Marc Bloch, Critique 41:459-460 (Aug-Sep 1985), pp 755-760. (French)
- "Photography's Discursive Spaces: Landscape/View", Art Journal 42(4): "The Crisis in the Discipline", Winter 1982, pp 311-319.
- "Changing the Work of David Smith", Art Journal 43(1): "Are We Ready to Memoralize Kandinsky?", Spring 1983, pp 89-95.
- "Abaisser, étendre, contracter, comprimer, tourner: regarder l'o euvre de Richard Serra", trans. Jean-Pierre Criqui, in Richard Serra, Paris: Centre Georges Pompidou & Le Centre, 1983, pp 29-35. (French)
- "Richard Serra, a Translation", in Krauss, The Originality of the Avant-Garde, 1985, pp 260-274.
- "Objets de réflexion critique", trans. Marie-Hélène Dufour, in Man Ray, Objets de mon affection, Paris: Philippe Sers, 1983, pp 10-13. (French)
- "Objects of My Attention", in Man Ray: Objects of My Attention, New York: Zabriskie Gallery, 1985, pp [1-6]. Written in 1983; catalogue text.
- "A Note on Photography and the Simulacral", October 31, Winter 1984, pp 49-68. A version of this essay was delivered as the keynote address for the National Conference of the Society for Photographic Education in Philadelphia, March 1983.
- "Giacometti", in `Primitivism' in 20th Century Art: Affinity of the Tribal and the Modern, vol. II, ed. William Rubin, , New York: Museum of Modern Art/New York Graphic Society Books, and Boston: Little, Brown, 1984, pp 502-533; repr. as "No More Play", in Krauss, The Originality of the Avant-Garde, 1985, pp 42-85.
- "Corpus Delicti", in Krauss, Livingston, L'Amour fou: Photography & Surrealism, 1985, pp 57-114; repr. in October 33, Summer 1985, pp 31-72, ARG.
- "Corpus Delicti", in Krauss, Livingston, Explosante-fixe: photographie & surréalisme, 1985, pp 55-112. (French)
- "Photography in the Service of Surrealism", in Krauss, Livingston, L'Amour fou: Photography & Surrealism, 1985, pp 13-42.
- "La photographie au service du Surréalisme", in Krauss, Livingston, Explosante-fixe: photographie & surréalisme, 1985. (French)
- "Photography's Exquisite Corpse", in In the Mind's Eye: Dada and Surrealism, ed. Terry Ann R. Neff, Chicago: Museum of Contemporary Art, and New York: Abbeville Press, 1985, pp 43-61. Catalogue text.
- "Preying on `Primitivism'", Art and Text 17, Apr 1985, pp 11-12 & 58-62.
- "Antivision", October 36: "Georges Bataille", Spring 1986, pp 147-154.
- with Yve-Alain Bois, "A User's Guide to Entropy", October 78, Autumn 1996, pp 38-88, ARG
- "The Cultural Logic of the Late Capitalist Museum", October 54 Autumn 1990, pp 3-17; repr. in Guglielmo Cinque, Types of Dependencies, MIT Press, 1990.
- "Motivation of the Sign", in Picasso and Braque: A Symposium, ed. Lynn Zelevansky, New York: Museum of Modern Art, 1992, pp 261-286.
- "Welcome to the Cultural Revolution", October 77, Summer 1996, pp 83-96.
- "'Informe' without Conclusion", October 78, Autumn 1996, pp 89-105.
- "Postmodernism’s Museum Without Walls", in Thinking About Exhibitions, eds. R. Greenberg, B. Ferguson and S. Nairne, London: Routledge, 1996; 2005, pp 241-245.
- "Perpetual Inventory", October 88, Spring 1999, pp 86-116.
- "Reinventing the Medium", Critical Inquiry 25:2: "'Angelus Novus': Perspectives on Walter Benjamin", Winter 1999, pp 289-305.
- "'Specific' Objects", RES: Anthropology and Aesthetics 46: "Polemical Objects", Autumn 2004, pp 221-224.
- "Two Moments from the Post-Medium Condition", October 116, Spring 2006, pp 55-62.
- "LeWitt's Ark", October 121, Summer 2007, pp 111-113.
- "Giovanni Anselmo: Matter and Monochrome", October 124, Spring 2008, pp 125-136.
- "In Memory of Robert Rauschenberg (1925-2008)", October 127, Winter 2009, pp 155-157.
- "The Angel of History", October 134, Fall 2010, pp 111-121.
- "The Slung Leg Hypothesis", October 136, Spring 2011, pp 218-221.
- "Clock Time", October 136, Spring 2011, pp 213-217.
- "Dialectic of Enlightenment: Rosalind E. Krauss on William Kentridge's Norton Lectures", Artforum International, Summer 2012, pp 121-122.
- "The Troubles of the Neck", October 167, Winter 2019, pp 171-175.
- "Beginnings", October 169, Summer 2019, pp 164-166.
- "Between the Book and the Lamp", October 171, Winter 2020, pp 142-146.
- More
Bibliography[edit]
- Eddie Yeghiayan, "Rosalind Krauss. A Selected Bibliography", 2000.
- in French, 26 July 2011.
Interviews, conversations[edit]
- Paul Taylor, "Rosalind Krauss", Art and Text 8 (Summer 1982-83), pp 31-37.
- with Yve-Alain Bois and Douglas Crimp, "A Conversation with Hans Haacke", October 30, Autumn 1984, pp 23-48.
- "Rosalind Krauss with Yve-Alain Bois", The Brooklyn Rail, Feb 2012.
- Yve-Alain Bois, "Entrevista com Rosalind Krauss", trans. Leonardo Nones, ARS 16:34, São Paulo, 2018, pp 29-54. (Brazilian Portuguese)
- David Plante, "The Real Thing: An Interview with Rosalind E. Krauss" [2003], ArtCritical, 2013.
- with Manuel Borja-Villel, Benjamin H. D. Buchloh, Christophe Cherix, Rachel Haidu, and Trevor Stark, "The Moment of Marcel Broodthaers? A Conversation", October 155, Winter 2016, pp 111-150.
Literature[edit]
- "Rosalind Krauss", in Judy K. Collischan Van Wagner, Women Shaping Art: Profiles of Power, New York: Praeger, 1984, pp 149-164.
- Janet Malcolm, "A Girl of the Zeitgeist", Part II, The New Yorker, 27 Oct 1986. [5]
- Scott Rothkopf, "Krauss and the Art of Cultural Controversy", The Harvard Crimson, 16 May 1997.
- Jean Lauzon, "Notes sur l’indice à l’index: contribution au 'photographique' de Rosalind Krauss", Horizons philosophiques 9:1 (1998), pp 73-85. (French)
- Anna C. Chave, "Minimalism and Biography", Art Bulletin (Mar 2000).
- David Carrier, Rosalind Krauss and American Philosophical Art Criticism, Greenwood Publishing, 2002.
- David Raskin, "The Shiny Illusionism of Krauss and Judd", Art Journal (Spring 2006).
- Katia Schneller, "Sur les traces de Rosalind Krauss. La réception française de la notion d’index. 1977-1990", Études photographiques 21 (Dec 2007), pp 123-143. (French)
- Peter Osborne, "October" and the Problem of Formalism, Barcelona: MACBA, 2013, 22 pp. (English)
- Spyros Papapetros, Julian Rose (eds.), Retracing the Expanded Field: Encounters between Art and Architecture, MIT Press, 2014, 288 pp. [6] (English)
- Bojana Matejić, Rozalind Kraus, Belgrade: Orion Art, 2018, 159 pp. [7] (Serbian)
- Bibliography
- Texts on Rosalind Krauss, compiled by Eddie Yeghiayan.