Difference between revisions of "Antoine Schmitt"

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Born 1961 in [[Paris]]. Heir of cybernetic art, artist and programmer, he uses programming as a material to produce installations, CD-ROMs, online exhibitions, and performances in which he confronts the public or performers with autonomous abstract dynamic systems. This work has received awards at international festivals such as medi@terra (1999), Interférences (2000), transmediale.01 (2001), video-dance (2002), Life 5.0 (2002). As a curator, jury member and speaker, he explores the theory and practice of the programmed artwork.  
 
Born 1961 in [[Paris]]. Heir of cybernetic art, artist and programmer, he uses programming as a material to produce installations, CD-ROMs, online exhibitions, and performances in which he confronts the public or performers with autonomous abstract dynamic systems. This work has received awards at international festivals such as medi@terra (1999), Interférences (2000), transmediale.01 (2001), video-dance (2002), Life 5.0 (2002). As a curator, jury member and speaker, he explores the theory and practice of the programmed artwork.  
 
  
 
; Articles
 
; Articles
* ''Antoine Schmitt  in Conversation with Sabine Breitsameter''. March 2002. http://www.swr.de/swr2/audiohyperspace/engl_version/interview/schmitt.html
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* "[http://www.swr.de/swr2/audiohyperspace/engl_version/interview/schmitt.html Living Entities in Multimedia Dataspaces. Antoine Schmitt in Conversation with Sabine Breitsameter]", March 2002.
  
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; Links
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* http://www.gratin.org/as/
  
http://www.gratin.org/as/
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[[Series:Software art|Schmitt, Antoine]]

Latest revision as of 13:44, 3 December 2022

Born 1961 in Paris. Heir of cybernetic art, artist and programmer, he uses programming as a material to produce installations, CD-ROMs, online exhibitions, and performances in which he confronts the public or performers with autonomous abstract dynamic systems. This work has received awards at international festivals such as medi@terra (1999), Interférences (2000), transmediale.01 (2001), video-dance (2002), Life 5.0 (2002). As a curator, jury member and speaker, he explores the theory and practice of the programmed artwork.

Articles
Links