Difference between revisions of "Annet Dekker"

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* ''[https://monoskop.org/log/?p=20110 Collecting and Conserving Net Art: Moving beyond Conventional Methods]'', London/New York: Routledge, 2018, x+192 pp.
 
* ''[https://monoskop.org/log/?p=20110 Collecting and Conserving Net Art: Moving beyond Conventional Methods]'', London/New York: Routledge, 2018, x+192 pp.
 
* ''[https://monoskop.org/log/?p=20288 Enduring Liveness: An Imaginary Retrospective of Tino Sehgal’s Constructed Situations]'', Amsterdam: Monoskop, 2018, 89 pp. Artist's book.
 
* ''[https://monoskop.org/log/?p=20288 Enduring Liveness: An Imaginary Retrospective of Tino Sehgal’s Constructed Situations]'', Amsterdam: Monoskop, 2018, 89 pp. Artist's book.
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* editor, ''Curating [in] Digital Art: From Presenting and Collecting Digital Art to Networked Co-curation'', Amsterdam: Valiz, 2020. [http://aaaan.net/curating-in-digital-art-from-presenting-and-collecting-digital-art-to-networked-co-curation/]
  
 
==Links==
 
==Links==

Revision as of 17:20, 3 August 2020

Annet Dekker is an independent researcher and curator. She is Assistant Professor Archival Science at the University of Amsterdam and Visiting Lecturer at London South Bank University. Previously she was Researcher Digital Preservation at Tate, London, tutor at Piet Zwart Institute, Rotterdam, and Fellow at The New Institute, Rotterdam. She initiated aaaan.net with Annette Wolfsberger in 2009; they coordinate artists-in-residences and set up strategic and sustainable collaborations with national and international arts organisations. Previously she worked as Web curator for SKOR (Foundation for Art and Public Domain, 2010–12), was programme manager at Virtueel Platform (2008–10), and head of exhibitions, education and artists-in-residence at the Netherlands Media Art Institute (1999–2008). Together with Annette Wolfsberger, she produced Funware, an international touring exhibition in 2010 and 2011 about fun in software (curated by Olga Goriunova). In 2014, she completed her PhD under the supervision of Matthew Fuller on the conservation of net art at Goldsmiths University of London, Enabling the Future, or How to Survive FOREVER. A study of networks, processes and ambiguity in net art and the need for an expanded practice of conservation.

Publications

Links