Difference between revisions of "Waldemar Cordeiro"
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* http://143.107.31.231/Acervo_Imagens/Revista/REV045/Media/REV45-05-1.pdf | * http://143.107.31.231/Acervo_Imagens/Revista/REV045/Media/REV45-05-1.pdf | ||
* http://enciclopedia.itaucultural.org.br/en/pessoa297/waldemar-cordeiro | * http://enciclopedia.itaucultural.org.br/en/pessoa297/waldemar-cordeiro | ||
| + | * Adrian Anagnost [https://monoskop.org/images/7/7c/Anagnost_Adrian_Scattered_Wall_Waldemar_Cordeiro_and_Lygia_Clark_in_Spatial_Orders_Social_Forms_2022.pdf|"Scattered Wall: Waldemar Cordeiro and Lygia Clark"], in ''Spatial Orders, Social Forms: Art and the City in Modern Brazil'', New Haven: Yale University Press, 2022. | ||
[[Category:Concrete art|Cordeiro, Waldemar]] [[Category:Computer art|Cordeiro, Waldemar]] | [[Category:Concrete art|Cordeiro, Waldemar]] [[Category:Computer art|Cordeiro, Waldemar]] | ||
Revision as of 19:20, 14 December 2022
Originally a member of the Brazilian avant-garde scene that developed Concrete art in Brazil in the 1950s, Waldemar Cordeiro abandoned paint and canvas in the late 1960s to become one of the international pioneers of computer art.
- Publications
- "Computer plotter art: primeira mostra na América Latina", São Paulo: Mini Galeria USIS, 1970. (Brazilian Portuguese)
- "Arteônica", in Arteônica – o uso criativo de meios eletrônicos nas artes, São Paulo: Editora da Universidade de São Paulo, 1972. (Brazilian Portuguese)
- more
- Literature
- See also
- Links
- http://dada.compart-bremen.de/node/4674
- http://waldemarcordeiro.blogspot.com/
- http://repository.unm.edu/bitstream/handle/1928/11532/Anagnost_Internationalism.pdf
- http://relaunch.compart-bremen.de/public/docUploads/fabris_Waldemar_Cordeiro__Computer_Art_Pioneer.pdf
- http://143.107.31.231/Acervo_Imagens/Revista/REV045/Media/REV45-05-1.pdf
- http://enciclopedia.itaucultural.org.br/en/pessoa297/waldemar-cordeiro
- Adrian Anagnost "Scattered Wall: Waldemar Cordeiro and Lygia Clark", in Spatial Orders, Social Forms: Art and the City in Modern Brazil, New Haven: Yale University Press, 2022.
