Difference between revisions of "Ute Holl"
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| − | '''Ute Holl''' had worked as filmmaker and commissioning editor in Hamburg, Germany, before writing her dissertation on cinematic perception, anthropological filmmaking and cybernetics as critical epistemology, a book published as ''Kino, Trance und Kybernetik'', Berlin 2002. An English translation | + | '''Ute Holl''' had worked as filmmaker and commissioning editor in Hamburg, Germany, before writing her dissertation on cinematic perception, anthropological filmmaking and cybernetics as critical epistemology, a book published as ''Kino, Trance und Kybernetik'', Berlin 2002. An English translation was published by Amsterdam University Press (''[https://monoskop.org/log/?p=18914 Cinema, Trance and Cybernetics]'', 2017). She has then written on music, electro-acoustics and politics (''Moses-Komplex'', Zürich 2014) and held commissioned professorships in Weimar and Cologne. Since 2009 Ute Holl is professor for Media Aesthetics at the University of Basel. Focus of research: History of perception in the 19th and 20th century; Science and technology studies of audiovisual media; media history of acoustics and electro-acoustics as well as radio theory; experimental and ethnographic cinema. [http://performacity.net/?project=ute-holl] |
; Links | ; Links | ||
* http://bildevidenz.de/en/fellows/ute-holl/ | * http://bildevidenz.de/en/fellows/ute-holl/ | ||
| − | * http://elise.at/pdf/Dialog_Holl_Schimana_e.pdf | + | * [http://elise.at/pdf/Dialog_Holl_Schimana_e.pdf Dialogue with Holl by Elisabeth Schimana] |
| + | * [https://unibas.academia.edu/UHoll Academia.edu] | ||
[[Category:Writers|Holl, Ute]] | [[Category:Writers|Holl, Ute]] | ||
Latest revision as of 22:45, 25 July 2017
Ute Holl had worked as filmmaker and commissioning editor in Hamburg, Germany, before writing her dissertation on cinematic perception, anthropological filmmaking and cybernetics as critical epistemology, a book published as Kino, Trance und Kybernetik, Berlin 2002. An English translation was published by Amsterdam University Press (Cinema, Trance and Cybernetics, 2017). She has then written on music, electro-acoustics and politics (Moses-Komplex, Zürich 2014) and held commissioned professorships in Weimar and Cologne. Since 2009 Ute Holl is professor for Media Aesthetics at the University of Basel. Focus of research: History of perception in the 19th and 20th century; Science and technology studies of audiovisual media; media history of acoustics and electro-acoustics as well as radio theory; experimental and ethnographic cinema. [1]
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