Difference between revisions of "Ute Holl"

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'''Ute Holl''' had worked as filmmaker and commissioning editor in Hamburg, Germany, before writing her dissertation on cinematic perception, anthropological filmmaking and cybernetics as critical epistemology, a book published as ''Kino, Trance und Kybernetik'', Berlin 2002. An English translation is currently being prepared at Amsterdam University Press (''Cinema, Trance and Cybernetics'', forthcoming January 2017 [http://en.aup.nl/books/9789089646682-cinema-trance-and-cybernetics.html]). She has then written on music, electro-acoustics and politics (''Moses-Komplex'', Zürich 2014) and held commissioned professorships in Weimar and Cologne. Since 2009 Ute Holl is professor for Media Aesthetics at the University of Basel. Focus of research: History of perception in the 19th and 20th century; Science and technology studies of audiovisual media; media history of acoustics and electro-acoustics as well as radio theory; experimental and ethnographic cinema. [http://performacity.net/?project=ute-holl]
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'''Ute Holl''' had worked as filmmaker and commissioning editor in Hamburg, Germany, before writing her dissertation on cinematic perception, anthropological filmmaking and cybernetics as critical epistemology, a book published as ''Kino, Trance und Kybernetik'', Berlin 2002. An English translation was published by Amsterdam University Press (''Cinema, Trance and Cybernetics'', 2017 [http://en.aup.nl/books/9789089646682-cinema-trance-and-cybernetics.html]). She has then written on music, electro-acoustics and politics (''Moses-Komplex'', Zürich 2014) and held commissioned professorships in Weimar and Cologne. Since 2009 Ute Holl is professor for Media Aesthetics at the University of Basel. Focus of research: History of perception in the 19th and 20th century; Science and technology studies of audiovisual media; media history of acoustics and electro-acoustics as well as radio theory; experimental and ethnographic cinema. [http://performacity.net/?project=ute-holl]
  
 
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Revision as of 14:46, 10 April 2017

Ute Holl had worked as filmmaker and commissioning editor in Hamburg, Germany, before writing her dissertation on cinematic perception, anthropological filmmaking and cybernetics as critical epistemology, a book published as Kino, Trance und Kybernetik, Berlin 2002. An English translation was published by Amsterdam University Press (Cinema, Trance and Cybernetics, 2017 [1]). She has then written on music, electro-acoustics and politics (Moses-Komplex, Zürich 2014) and held commissioned professorships in Weimar and Cologne. Since 2009 Ute Holl is professor for Media Aesthetics at the University of Basel. Focus of research: History of perception in the 19th and 20th century; Science and technology studies of audiovisual media; media history of acoustics and electro-acoustics as well as radio theory; experimental and ethnographic cinema. [2]

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