Difference between revisions of "Tomáš Pospiszyl"
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* editor, with Eric Rosenzveig, ''[http://monoskop.org/log/?p=7891 CAS: Co to je? / What is it?]'', Prague: NAMU, 2013, 326 pp. {{cz}}/{{en}} | * editor, with Eric Rosenzveig, ''[http://monoskop.org/log/?p=7891 CAS: Co to je? / What is it?]'', Prague: NAMU, 2013, 326 pp. {{cz}}/{{en}} | ||
* ''[[Media:Pospiszyl_Tomas_Asociativni_dejepis_umeni_2014.pdf|Asociativní dějepis umění: poválečné umění napříč generacemi a médii. Koláž, intermediální a konceptuální umění, performance a film]]'', Prague: tranzit.cz, 2014, 208 pp. [http://cz.tranzit.org/cz/publikace/0/publication/tom-pospiszyl-asociativn-djepis-umn-an-associative-history-of-art Publisher]. [http://cz.tranzit.org/en/lecture_discussion/0/2014-12-11/tom-pospiszyl-associative-history-of-art-post-war-art-across-generations-and-media-collage-intermedia-and-conceptual-art-performance-and-film Book launch]. {{cz}} | * ''[[Media:Pospiszyl_Tomas_Asociativni_dejepis_umeni_2014.pdf|Asociativní dějepis umění: poválečné umění napříč generacemi a médii. Koláž, intermediální a konceptuální umění, performance a film]]'', Prague: tranzit.cz, 2014, 208 pp. [http://cz.tranzit.org/cz/publikace/0/publication/tom-pospiszyl-asociativn-djepis-umn-an-associative-history-of-art Publisher]. [http://cz.tranzit.org/en/lecture_discussion/0/2014-12-11/tom-pospiszyl-associative-history-of-art-post-war-art-across-generations-and-media-collage-intermedia-and-conceptual-art-performance-and-film Book launch]. {{cz}} | ||
| + | ** ''An Associative Art History'', trans. Ivan Gutierrez, Prague: tranzit.cz, 2018, 304 pp. {{en}} | ||
===Essays=== | ===Essays=== | ||
Revision as of 10:44, 22 October 2020
Tomáš Pospiszyl (1967) is an art historian, critic and curator based in Prague. He worked as a curator in The National Gallery in Prague (1997-2002), was a research fellow at the Museum of Modern Art in New York (2000), and served at the editorial board of Umelec magazine. Since 2003 he teaches at the Film and TV School of the Academy of Performing Arts in Prague, and since 2012 also at the Academy of Fine Arts, Prague. He is a board member of tranzit.cz. His publications include anthology Primary Documents; A Sourcebook for Eastern and Central European Art since the 1950s (2002), which he edited with Laura Hoptman, two volumes of his essays, Srovnávací studie (2005) and Asociativní dějepis umění (2014), and numerous catalogue essays and magazine articles.
Contents
Publications
Books
- editor & trans., Před obrazem. Antologie americké výtvarné teorie a kritiky, OSVU, 1998, 189 pp. (Czech)
- editor, with Laura Hoptman, Primary Documents: A Sourcebook for Eastern and Central European Art Since the 1950s, eds. Laura Hoptman and Tomáš Pospiszyl, New York: Museum of Modern Art, 2002, 375 pp. (English)
- with Petr Babák, Octobriana a ruský underground. Neuvěřitelný příběh Petra Sadeckého, Prague: Labyrint, 2004, 280 pp. [1] (Czech)
- with Vanda Skálová, Alén Diviš, Prague: Nadace Karla Svolinského a Věry Kubátové, 2005, 252 pp. (Czech)
- Srovnávací studie, Prague: Fra, 2005, 180 pp. (Czech)
- Josef Bolf: velká černá kniha / Big Black Book, Prague: Divus, 2009, 120 pp. [2] (Czech)/(English)
- editor, with Ivan Adamovič, Planeta Eden. Svět zítřka v socialistickém Československu 1948-1978, Prague: Arbor vitae, 2010, 248 pp. [3] (Czech)
- Vladislav Mirvald, Prague: Arbor vitae, 2010, 160 pp. [4] (Czech)
- editor, with Eric Rosenzveig, CAS: Co to je? / What is it?, Prague: NAMU, 2013, 326 pp. (Czech)/(English)
- Asociativní dějepis umění: poválečné umění napříč generacemi a médii. Koláž, intermediální a konceptuální umění, performance a film, Prague: tranzit.cz, 2014, 208 pp. Publisher. Book launch. (Czech)
- An Associative Art History, trans. Ivan Gutierrez, Prague: tranzit.cz, 2018, 304 pp. (English)
Essays
- "Radši bych byl andělem", Artlist, n.d. Written for the exhibition of Jiří Kovanda, Radši bych byl andělem, Josef Sudek Studio, 6 Dec 2006—14 Jan 2007. (Czech)
- "Konec umění", A2 23, Prague, 2007. (Czech)
- "Trojí reflexe Jána Mančušky", Cinepur 52, Jul 2007. (Czech)
- "Look Who’s Watching: Photographic Documentation of Happenings and Performances in Czechoslovakia", in 1968-1989: Political Upheaval and Artistic Change, eds. Claire Bishop and Marta Dziewańska, Warsaw: Museum of Modern Art, 2009, pp 74-87. Proceedings from the 2008 conference. (English)
- "Záhada Emila Filly", Artlist, n.d. Delivered at a conference to accompany the exhibition Roky ve dnech, City Gallery, Sep 2010. (Czech)
- "Artist Run Initiatives (ARI) - cechy ogólne i analiza wybranych przykładów historycznych w Czechosłowacji i Republice Czeskiej" [Artist Run Initiatives (ARI) - the General Features and the Analysis of Selected Historical Examples in Czechoslovakia and the Czech Republic], Sztuka i Dokumentacja 7, Łódź, 2012, pp 38-43. (Polish)
- "Výtvarníci", in Vladimír 518, et al., Kmeny 0, Prague: Bigg Boss, 2013. [5] (Czech)
- "Umění z druhé ruky", in Dokumentace umění, eds. Jan Krtička and Jan Prošek, Ústí nad Labem: Univerzita J. E. Purkyně, 2013, pp 9-15. (Czech)
- "Etude", Manifesta Journal 13, 2013. (English)
- "Milan Knížák and Ken Friedman: Keeping Together Manifestations in a Divided World", post, New York: MoMA, 1 Sep 2015. (English)
- "Filmová montáž a princip montáže v nefilmových oborech. Případová studie: rané koláže Jiřího Koláře", Sešit pro umění, teorii a příbuzné zóny 22, Prague, 2017, pp 42-61. (Czech)
- "Artists in the Service of the Public", Third Text 153: "Actually Existing Artworlds of Socialism", Jul 2018, pp 379-391. (English)
