Difference between revisions of "Thomas Crow"

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'''Thomas''' E. '''Crow''' (born 1948) is an American art historian and art critic who is best known for his influential writing on the role of art in modern society and culture.
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'''Thomas E. Crow''' (1948) is an American art historian and art critic. He is a contributing editor to ''Artforum'' magazine.
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Crow is a contributing editor to ''Artforum'' magazine.
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==Publications==
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===Monographs===
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* ''Painters and Public Life in Eighteenth Century Paris'', New Haven and London: Yale University Press, 1985, 290 pp. {{en}}
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** ''Pintura y sociedad en el París del siglo XVIII'', trans. Luis Carlos Benito Cardenal, Madrid: Nerea, 1989, 382 pp. {{es}}
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** ''La peinture et son public à Paris au dix-huitième siècle'', trans. André Jacquesson, Paris: Macula, 2000, 335 pp. {{fr}}
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* ''Emulation: Making Artists for Revolutionary France'', New Haven and London: Yale University Press, 1995. {{en}}
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** ''L'atelier de David: émulation et révolution'', trans. Roger Stuveras, Paris: Gallimard, 1997, 453 pp. {{fr}}
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** ''Emulación: la formación de los artistas para la Francia revolucionaria'', trans. Luis Arenas and Óscar Arenas, Madrid: Machado Libros, 2002, 480 pp. {{es}}
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* ''[https://aaaaarg.fail/thing/5efbc7879ff37c12562e81f2 The Rise of the Sixties: American and European Art in the Era of Dissent, 1955-69]'', New York: Harry N. Abrams, 1996. {{en}}
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** ''Die Kunst der sechziger Jahre von der Pop-art zu Yves Klein und Joseph Beuys'', trans. Claudia Spinner, Cologne: DuMont, 1997, 192 pp. {{de}}
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** ''El Esplendor de los sesenta: arte americano y europeo en la era de la rebeldía 1955-1969'', trans. Selina Blasco, Madrid: Akal, 2001, 192 pp. {{es}}
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* ''[[Media:Crow_Thomas_Modern_Art_in_the_Common_Culture_1996.pdf|Modern Art in the Common Culture]]'', New Haven and London: Yale University Press, 1996. {{en}}
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** ''El arte moderno y la cultura de lo cotidiano'', trans. Joaquín Chamorro Mielke, Madrid: Akal, 2002, 259 pp. {{es}}
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* ''[https://aaaaarg.fail/thing/5bce47709ff37c51c4622bda The Intelligence of Art]'', University of North Carolina Press, 1999. {{en}}
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** ''[[Media:Crow Thomas La inteligencia del arte 2008.pdf|La inteligencia del arte]]'', trans. Laura E. Manríquez, México D.F.: Fondo de Cultura Económica, 2008, 155 pp. {{es}}
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* with Corinne Diserens, et al., ''Gordon Matta-Clark'', London: Phaidon, 2003, 240 pp. {{en}}
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* ''Comprendre Warhol, comprendre l'art contemporain'', Dijon: Les Press du réel, 2013, 44 pp. Lecture. {{fr}}
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* ''The Long March of Pop: Art, Music, and Design 1930 to 1995'', New Haven and London: Yale University Press, 2015. {{en}}
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===Book chapters===
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* [https://monoskop.org/images/0/02/Guilbaut_Serge_ed_Reconstructing_Modernism_Art_in_New_York_Paris_and_Montreal_1945-1964.pdf#page=331 "Saturday Disasters: Trace and Reference in Early Warhol"], in ''Reconstructing Modernism: Art in New York, Paris, and Montreal 1945-1964'', ed. Serge Guilbaut, MIT Press, 1990, pp 311-331.
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* "Cosmic Exile: Turns in the Life and Art of Robert Smithson", in ''Robert Smithson'', ed. Eugenie Tsai, University of California Press, 2004.
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* [[Media:Crow_Thomas_2010_Warhol_among_the_Art_Directors.pdf|"Warhol among the Art Directors"]], in ''Andy Warhol Enterprises'', eds. Sarah Urist Green and Allison Unrue, Hatje Cantz, 2010, pp 99-113.
  
 
==Links==
 
==Links==
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* http://en.wikipedia.org/wiki/Thomas_E._Crow
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* [http://aaaaarg.fail/maker/53108356334fe0726920799e ARG]
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* [http://en.wikipedia.org/wiki/Thomas_E._Crow Wikipedia]
  
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[[Category:Media culture writers}Crow, Thomas]]
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[[Series:Art history]] [[Category:Marxist aesthetics]] {{DEFAULTSORT:Crow, Thomas E}}

Latest revision as of 13:52, 20 December 2023

Thomas E. Crow (1948) is an American art historian and art critic. He is a contributing editor to Artforum magazine.

Publications[edit]

Monographs[edit]

  • Painters and Public Life in Eighteenth Century Paris, New Haven and London: Yale University Press, 1985, 290 pp. (English)
    • Pintura y sociedad en el París del siglo XVIII, trans. Luis Carlos Benito Cardenal, Madrid: Nerea, 1989, 382 pp. (Spanish)
    • La peinture et son public à Paris au dix-huitième siècle, trans. André Jacquesson, Paris: Macula, 2000, 335 pp. (French)
  • Emulation: Making Artists for Revolutionary France, New Haven and London: Yale University Press, 1995. (English)
    • L'atelier de David: émulation et révolution, trans. Roger Stuveras, Paris: Gallimard, 1997, 453 pp. (French)
    • Emulación: la formación de los artistas para la Francia revolucionaria, trans. Luis Arenas and Óscar Arenas, Madrid: Machado Libros, 2002, 480 pp. (Spanish)
  • The Rise of the Sixties: American and European Art in the Era of Dissent, 1955-69, New York: Harry N. Abrams, 1996. (English)
    • Die Kunst der sechziger Jahre von der Pop-art zu Yves Klein und Joseph Beuys, trans. Claudia Spinner, Cologne: DuMont, 1997, 192 pp. (German)
    • El Esplendor de los sesenta: arte americano y europeo en la era de la rebeldía 1955-1969, trans. Selina Blasco, Madrid: Akal, 2001, 192 pp. (Spanish)
  • Modern Art in the Common Culture, New Haven and London: Yale University Press, 1996. (English)
    • El arte moderno y la cultura de lo cotidiano, trans. Joaquín Chamorro Mielke, Madrid: Akal, 2002, 259 pp. (Spanish)
  • with Corinne Diserens, et al., Gordon Matta-Clark, London: Phaidon, 2003, 240 pp. (English)
  • Comprendre Warhol, comprendre l'art contemporain, Dijon: Les Press du réel, 2013, 44 pp. Lecture. (French)
  • The Long March of Pop: Art, Music, and Design 1930 to 1995, New Haven and London: Yale University Press, 2015. (English)

Book chapters[edit]

  • "Saturday Disasters: Trace and Reference in Early Warhol", in Reconstructing Modernism: Art in New York, Paris, and Montreal 1945-1964, ed. Serge Guilbaut, MIT Press, 1990, pp 311-331.
  • "Cosmic Exile: Turns in the Life and Art of Robert Smithson", in Robert Smithson, ed. Eugenie Tsai, University of California Press, 2004.
  • "Warhol among the Art Directors", in Andy Warhol Enterprises, eds. Sarah Urist Green and Allison Unrue, Hatje Cantz, 2010, pp 99-113.

Links[edit]

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