Difference between revisions of "Rudolf Arnheim"

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'''Rudolf Arnheim''' (July 15, 1904 – June 9, 2007) was a German-born author, art and film theorist, and perceptual psychologist. His major books are ''Visual Thinking'' (1969), ''The Power of the Center: A Study of Composition in the Visual Arts'' (1982), and ''Art and Visual Perception: A Psychology of the Creative Eye'' (1954). He lived in Germany, Italy, England, and the United States.
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{{Infobox artist
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|image = Rudolf_Arnheim.jpg
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|imagesize = 350px
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|caption=Rudolf Arnheim by John Gay, 1950s.
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|birth_date = {{birth date|1904|07|15|mf=y}}
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|birth_place = Berlin, German Empire
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|death_date = {{Death date and age|2007|06|9|1904|07|15|mf=y}}
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|death_place = Ann Arbor, Michigan, USA
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|web = [[Aaaaarg::http://aaaaarg.fail/maker/53106d94334fe07269202117|Aaaaarg]], [[Wikipedia::https://en.wikipedia.org/wiki/Rudolf_Arnheim|Wikipedia]], 
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[[InternetArchive::https://archive.org/search.php?query=Rudolf%20Arnheim|Internet Archive]].
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}}
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'''Rudolf Arnheim''' (1904 – 2007) was a German-born author, art and film theorist, and perceptual psychologist. His major books are ''Visual Thinking'' (1969), ''The Power of the Center: A Study of Composition in the Visual Arts'' (1982), and ''Art and Visual Perception: A Psychology of the Creative Eye'' (1954). He lived in Germany, Italy, England, and the United States.
  
 
==Works==
 
==Works==

Revision as of 10:02, 4 September 2017


Rudolf Arnheim by John Gay, 1950s.
Born July 15, 1904(1904-07-15)
Berlin, German Empire
Died June 9, 2007(2007-06-09) (aged 102)
Ann Arbor, Michigan, USA
Web

Aaaaarg, Wikipedia,

Internet Archive.

Rudolf Arnheim (1904 – 2007) was a German-born author, art and film theorist, and perceptual psychologist. His major books are Visual Thinking (1969), The Power of the Center: A Study of Composition in the Visual Arts (1982), and Art and Visual Perception: A Psychology of the Creative Eye (1954). He lived in Germany, Italy, England, and the United States.

Works

Works are in English unless otherwise stated. Green and blue links point to digital versions of publications available on Monoskop or other digital libraries (sometimes using abbreviations).

Books

  • Film als Kunst, Berlin: Rowohlt, 1932, 344 pp; new ed., afterw. Helmut H. Diederichs, Frankfurt am Main: Fischer, 1979, 348 pp. (German)
    • Film as Art, University of California Press, 1957, 230 pp. (English)
    • Kino kak iskusstvo, Moscow, 1960. (Russian)
    • Film jako sztuka, trans. Wanda Wertenstein, Warsaw: Wydawnictwa artystyczne i filmowe, 1961, 187+16 pp. (Polish)
    • Film kao umetnost, trans. Dušan Stojanović, intro. Vladimir Petrić, Belgrade: Narodna knjiga, 1962, xlvii+259 pp. (Serbo-Croatian)
    • A film mint művészet, trans. Zsuzsa Szekeres, Budapest: Magyar filmtudományi Intézet és Filmarchívum, 1962, 265 pp; repr., Budapest: Gondolat, 1985. (Hungarian)
    • Le cinéma est un art, trans. Françoise Pinel, Paris: L'Arche, 1989, 237 pp. (French)
    • Kinoto kato izkustvo: studii i statii [Киното като изкуство: Студии и статии], ed. Aleksandŭr Grozev, trans. Gergana Fŭrkova, Sofia: Nauka i Izkustvo, 1989, 443 pp. (Bulgarian)
    • Film kot umetnost, trans. Petra Kaloh, afterw. Vid Pečjak, Ljubljana: Krtina, 2000, 167 pp. (Slovenian)
  • Radio: An Art of Sound, trans. Margaret Ludwig and Herbert Read, London: Faber and Faber, 1936, xvi+296 pp; New York: Arno Press, 1971, 287 pp. (English)
    • Rundfunk als Hörkunst, Munich: Hanser, 1979, 168 pp. (German)
    • La radio cerca la sua forma, trentadue tavole fuori testo, Milan: Ulrico Hoepli, 1937, xvi+288 pp. (Italian)
    • La radio: l'arte dell'ascolto, trans. Kurt Röllin, pref. Emilio Garroni, Rome: Riuniti, 1987, xiv+168 pp; 2nd ed. as La radio l'arte dell'ascolto: e altri saggi, Rome: Editori riuniti, 1993. (Italian)
    • Radio, trans. Lambert Barthélémy with Gilles Moutot, pref. Martin Kaltenecker, Paris: Van Dieren, 2005, 269 pp. (French)
  • Toward a Psychology of Art, University of California Press, 1949; 1966. (English)
    • Vers une psychjologie de l'art: suite d'essais, trans. Nina Godneff, Paris: Seghers, 1973, 397 pp. (French)
  • Art and Visual Perception: A Psychology of the Creative Eye, University of California Press, 1954; exp. & rev. ed., 1974, 508 pp. (English)
    • Kunst und Sehen: Psychologie des Schöpferischen Auges, Berlin: W. de Gruyter, 1965, 19+436 pp. (German)
    • Umetnost i vizuelno opažanje: psihologija stvaralačkog gledanja, trans. Vojin Stojić, Belgrade: Umetnička akademija, 1971, 461 pp; 2nd ed., Belgrade: Univerzitet umetnosti, 1987, 435 pp. (Serbo-Croatian)
    • Iskusstvo i vizualnoe vospriyatie, trans. V.N. Samokhin, Moscow: Progress, 1974, 392 pp; 2000. (Russian)
    • Sztuka i percepcja wzrokowa: psychologia twórczego oka, trans. Jolanta Mach, Warsaw: Wydawnictwa Artystyczne i Filmowe, 1978, 505 pp; repr., Gdańsk: Wydaw. słowo/obraz terytoria, 2004; repr., Łódź: Officyna, 2013. (Polish)
    • Arta şi percepţia vizuală: o psihologie a văzului creator, trans. Florin Ionescu, intro. Victor Ernest Masek, Bucharest: Meridiane, 1979, 491 pp; 2nd ed., Iaşi: Polirom, 2011, 500 pp, ARG. (Romanian)
    • A vizuális élmény: az alkotó látás pszichológiája, trans. József Szili and Gyula Tellér, Budapest: Gondolat, 1979, 559 pp; repr., Budapest: Aldus, 2004. (Hungarian)
    • Arte y percepción visual, trans. María Luisa Balseiro, 1979; 2002. (Spanish)
    • Arte e percepção visual, trans. Ivonne Terezinha de Faria, 1980; 2005. (Brazilian Portuguese)
    • Yi shu yu shi zhi jiao: shi jiao yi shu xin li xue, trans. Shouyao Teng and Jiangyuan Zhu, Beijing: Zhong guo she hui ke xue chu ban she, 1984, 640 pp; repr., Cheng dou: Si chuan ren min chu ban she, 1998. (Chinese)
  • Picasso's Guernica, University of California Press, 1962; 1974. (English)
    • "Pikasoova Gernika: geneza jedne slike", trans. Vojin Stojić, Časopis za književnost, umetnost i kulturu, Vrnjačka banja, 1974, pp 646-788. (Serbo-Croatian)
  • Visual Thinking, University of California Press, 1969. (English)
    • Anschauliches Denken : zur Einheit von Bild und Begriff, Cologne: DuMont, 1972, 322 pp. (German)
    • Shikakuteki shikō: sōzō shinrigaku no sekai [視覚的思考 : 創造心理学の世界], trans. Kazuo Seki, Tokyo: Bijutsu Shuppansha, 1974. (Japanese)
    • La pensée visuelle, trans. Claude Noël and Marc Le Cannu, Paris: Flammarion, 1976, 354 pp. (French)
    • Vizuelno mišljenje: jedinstvo slike i pojma, trans. Vojin Stojić, Belgrade: Unverzitet umetnosti u Beogradu, 1985, 285 pp. (Serbo-Croatian)
    • El pensamiento visual, trans. Rubén Masera, Barcelona: Paidós, 1986, ARG. (Spanish)
    • Shi jue si wei: shen mei zhi jue xin li xue [视觉思维: 审美直觉心理学], trans. Shouyao Teng, Beijing: Guang ming ri bao chu ban she, 1986. (Chinese)
    • Görsel düşünme, trans. Rahmi Öğdül, Istanbul: Metis Yayınları, 2007. (Turkish)
    • Myślenie wzrokowe, trans. Marek Chojnacki, Gdańsk: Wydawnictwo Słowo/Obraz Terytoria, 2011, 397 pp. (Polish)
  • editor, Art et perception: compte rendu du 2e Congrès extraordinaire / Art and Perception: Minutes of the 2nd Congress Extraordinary, Ottawa: International Association of Art Critics, 1970, 211 pp. (French)/(English)
  • The Dynamics of Architectural Form, University of California Press, 1977. (English)
    • La forma visual de la arquitectura, trans. Esther Labarta, Barcelona: Gustavo Gili, 1978, 229 pp. (Spanish)
    • Dinamika architekturnych form, Moscow: Strojizdat, 1984, 191 pp. (Russian)
    • Dynamique de la forme architecturale, trans. Michèle Schoffeniels-Jeunehomme and Geneviève Van Cauwenberge, Brussels: Pierre Mardaga, 1986, 284 pp. (French)
    • Dynamika formy architektonicznej, trans. Adam Grzeliński and Dariusz Juruś, Łódź: Officyna, 2016, 302 pp. (Polish)
  • The Power of the Center: A Study of Composition in the Visual Arts, University of California Press, 1982, 249 pp; rev.ed., 1988, x+239 pp. (English)
    • Die Macht der Mitte. Eine Kompositionslehre für die bildenten Künste, Cologne, 1983. (German)
    • El poder del centro: estudio sobre la composición en las artes visuales, Madrid: Alianza, 1984, 250 pp. (Spanish)
    • Forţa centrului vizual: un studiu al compoziţiei în artele vizuale, trans. Luminiţa Ciocan, pref. Lucian Dragomirescu, Bucharest: Meridiane, 1991, 239 pp; repr., Iaşi: Polirom, 2012, 216 pp, ARG. Excerpts. (Romanian)
    • Kompozice podle Rudolfa Arnheima, trans. Josef Hlaváček, intro. Jiří David, Prague: Univerzita Karlova, Pedagogická fakulta, 1997, 78 pp. (Czech)
  • New Essays on the Psychology of Art, University of California Press, 1986, xi+331 pp. (English)
    • Novye ocherki po psikhologii iskusstva [Новые очерки по психологии искусства], Moscow: Prometei, 1994, 352 pp. (Russian)
    • Novi eseji o psihologiji umjetnosti, trans. Vesna Domany-Hardy, Zagreb: Matica hrvatska, 2008, 342 pp. (Croatian)
  • Parables of Sun Light: Observations on Psychology, the Arts, and the Rest, University of California Press, 1989, ix+369 pp. (English)
  • The Split and the Structure: Twenty-Eight Essays, University of California Press, 1996, ix+184 pp. (English)

Selected articles

Literature

  • Ian Verstegen, Arnheim, Gestalt and Art: A Psychological Theory, Vienna: Springer, 2005. (English)

Links


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