Difference between revisions of "Pirate radio"
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==See also== | ==See also== | ||
| − | [[Net radio]] | + | [[Community radio]], [[Net radio]] |
{{Sound and Music}} | {{Sound and Music}} | ||
Latest revision as of 17:03, 20 April 2024
Also free radio.
Literature[edit]
- Robert Chapman, Selling the Sixties: The Pirates and Pop Music Radio, Routledge, 1992, 295 pp.
- Ron Sakolsky, Stephen Dunifer (eds.), Seizing the Airwaves: A Free Radio Handbook, AK Press, 1998, 212 pp.
- Matthew Fuller, "The R, the A, the D, the I, the O: The Media Ecology of Pirate Radio", ch. 1 in Fuller, Media Ecologies: Materialist Energies in Art and Technoculture, MIT Press, 2005, pp 13-53.
- Adrian Johns, Death of a Pirate: British Radio and the Making of the Information Age, W.W. Norton, 2010, 305 pp.
- Rodolphe Durand, Jean-Philippe Vergne, L’Organisation Pirate: Essai sur l’évolution du capitalisme, Lormont: Le Bord de l’Eau, Lormont, 2010. (French)
- The Pirate Organization: Lessons from the Fringes of Capitalism, Boston: Harvard Business Review Press, 2012.
- Arno van der Hoeven, "The Popular Music Heritage of the Dutch Pirates", Media, Culture & Society 34:8 (2012), pp 927-943.
- Christina Dunbar-Hester, Low Power to the People: Pirates, Protest, and Politics in FM Radio Activism, MIT Press, 2014, 320 pp. [1]
See also[edit]
| Sound and Music communities of practice |
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Music magazines, Radio art, Pirate radio, Community radio, Electroacoustic music, Computer music, Sound art, Field recording, Noise, Cassette culture, Max/MSP, Pure Data, SuperCollider, Net radio, Live coding, Writers. Art and culture, Contents, Index, About. | ||
