Difference between revisions of "Michael Fried"
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'''Michael M. Fried''' (born 1939) is a poet, art historian, art critic, and literary critic. an art critic and art historian. He is a professor of Humanities and Art History at the Johns Hopkins University, Baltimore. | '''Michael M. Fried''' (born 1939) is a poet, art historian, art critic, and literary critic. an art critic and art historian. He is a professor of Humanities and Art History at the Johns Hopkins University, Baltimore. | ||
| − | ==Books== | + | ==Works== |
| + | ===Books=== | ||
* ''Powers'' (poems), The Review, 1973. | * ''Powers'' (poems), The Review, 1973. | ||
| − | * ''Absorption and Theatricality: Painting and Beholder in the Age of Diderot'', University of California Press, 1980. | + | * ''[[Media:Fried_Michael_Absorption_and_Theatricality_Painting_and_Beholder_in_the_Age_of_Diderot.pdf|Absorption and Theatricality: Painting and Beholder in the Age of Diderot]]'', University of California Press, 1980. |
* ''Realism, Writing, Disfiguration: On Thomas Eakins and Stephen Crane'', University of Chicago Press, 1987. | * ''Realism, Writing, Disfiguration: On Thomas Eakins and Stephen Crane'', University of Chicago Press, 1987. | ||
| − | * ''Courbet's Realism'', University of Chicago Press, 1990. | + | * ''[[Media:Fried_Michael_Courbets_Realism.pdf|Courbet's Realism]]'', University of Chicago Press, 1990. |
* ''To the Center of the Earth'', Noonday Press, 1994. | * ''To the Center of the Earth'', Noonday Press, 1994. | ||
| − | * ''Manet's Modernism'' University of Chicago Press, 1996. | + | * ''[[Media:Fried_Michael_Manets_Modernism_or_The_Face_of_Painting_in_the_1860s.pdf|Manet's Modernism, or, The Face of Painting in the 1860s]]'', University of Chicago Press, 1996. |
* [http://monoskop.org/log/?p=5048 ''Art and Objecthood: Essays and Reviews''], University of Chicago Press, 1998. | * [http://monoskop.org/log/?p=5048 ''Art and Objecthood: Essays and Reviews''], University of Chicago Press, 1998. | ||
* ''Menzel's Realism: Art and Embodiment in Nineteenth-Century'', Yale University Press, 2002. | * ''Menzel's Realism: Art and Embodiment in Nineteenth-Century'', Yale University Press, 2002. | ||
| − | * ''Why Photography Matters as Art as Never Before'', Yale University Press, 2008. | + | * ''[http://aaaaarg.fail/thing/58b6d3e89ff37c253bb6c5f5 Why Photography Matters as Art as Never Before]'', Yale University Press, 2008. |
| − | * ''The Moment of Caravaggio'', Princeton University Press, 2010. | + | * ''[https://aaaaarg.fail/thing/5de59e069ff37c31eb2e81da The Moment of Caravaggio]'', Princeton University Press, 2010. |
| + | * ''[https://aaaaarg.fail/thing/5f81902f9ff37c45292e81bb Four Honest Outlaws: Sala, Ray, Marioni, Gordon]'', Yale University Press, 2011, 224 pp. | ||
| + | * ''[https://aaaaarg.fail/thing/64a1b0409ff37c6d5a2e81c9 French Suite: A Book of Essays]'', Reaktion Books, 2022, 356 pp. | ||
| + | |||
| + | ===Papers (selection)=== | ||
| + | * "Manet's Sources: Aspects of his Art, 1859-1865", ''Artforum'' 8:7, Mar 1969, pp 28-82. | ||
| + | * [http://www.jstor.org.secure.sci-hub.st/stable/1343305 "Painting Memories: On the Containment of the Past in Baudelaire and Manet"], ''Critical Inquiry'' 10:3, Mar 1984, pp 510-542. | ||
| + | |||
| + | ==Literature== | ||
| + | * Jill Beaulieu, Mary Roberts, Toni Ross (eds.), ''[http://libgen.rs/book/index.php?md5=3CD6315C0F98ADC8235AE72C45EA1861 Refracting Vision: Essays on the Writings of Michael Fried]'', Sydney: Power Publications, 2000, 407 pp. | ||
==Links== | ==Links== | ||
| Line 17: | Line 27: | ||
* [http://en.wikipedia.org/wiki/Michael_Fried Fried at Wikipedia] | * [http://en.wikipedia.org/wiki/Michael_Fried Fried at Wikipedia] | ||
| − | {{DEFAULTSORT:Fried, Michael}} | + | [[Series:Art history]] {{DEFAULTSORT:Fried, Michael}} |
Latest revision as of 13:51, 20 December 2023
Michael M. Fried (born 1939) is a poet, art historian, art critic, and literary critic. an art critic and art historian. He is a professor of Humanities and Art History at the Johns Hopkins University, Baltimore.
Works[edit]
Books[edit]
- Powers (poems), The Review, 1973.
- Absorption and Theatricality: Painting and Beholder in the Age of Diderot, University of California Press, 1980.
- Realism, Writing, Disfiguration: On Thomas Eakins and Stephen Crane, University of Chicago Press, 1987.
- Courbet's Realism, University of Chicago Press, 1990.
- To the Center of the Earth, Noonday Press, 1994.
- Manet's Modernism, or, The Face of Painting in the 1860s, University of Chicago Press, 1996.
- Art and Objecthood: Essays and Reviews, University of Chicago Press, 1998.
- Menzel's Realism: Art and Embodiment in Nineteenth-Century, Yale University Press, 2002.
- Why Photography Matters as Art as Never Before, Yale University Press, 2008.
- The Moment of Caravaggio, Princeton University Press, 2010.
- Four Honest Outlaws: Sala, Ray, Marioni, Gordon, Yale University Press, 2011, 224 pp.
- French Suite: A Book of Essays, Reaktion Books, 2022, 356 pp.
Papers (selection)[edit]
- "Manet's Sources: Aspects of his Art, 1859-1865", Artforum 8:7, Mar 1969, pp 28-82.
- "Painting Memories: On the Containment of the Past in Baudelaire and Manet", Critical Inquiry 10:3, Mar 1984, pp 510-542.
Literature[edit]
- Jill Beaulieu, Mary Roberts, Toni Ross (eds.), Refracting Vision: Essays on the Writings of Michael Fried, Sydney: Power Publications, 2000, 407 pp.
