Difference between revisions of "Josip Seissel"
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| − | + | '''Josip Seissel''' (Jo Klek, Jo; 1904-1987) was an architect, urban planner, and avant-garde artist. | |
| + | |||
| + | He belonged to the circle of ''[[Zenit]]'' magazine which published his collages, photomontages, architectural drafts, drawings, watercolours, temperas, sketches for theatre costumes and a curtain, advertisements, ex-libris etc. He was responsible for the graphic design and layout of several books in Zenit Editions (Marijan Mikac's ''Effect on Defect'' and ''The Monkey Phenomenon''), and represented ''Zenit'' at international exhibitions in the 1920s (Belgrade, Bucharest, Bielefeld, Moscow). His abstract and multidisciplinary work was used by Micić to identify PAFAMA (Papier-Farben-Malerei, the Serbian version of which was ARBOS – (h)ARtija-BOja-Slika [paper-colour-picture]) as an authentic phenomenon of zenitist art. His work is characterised by narrativity, humour and irony of dadaist provenance. Relying on the constructivist principles of the valuation of materials and exploration of space, Klek became involved in non-representational art, quite exceptional in Croatian and Yugoslav art of the early 1920s. | ||
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| + | He earned his degree in architecture at the Technical Faculty in Zagreb in 1929. He was employed at the Department for the Regulation of Zagreb, and later appointed director of the School of Applied Arts. After 1945 he worked at the Ministry of Construction, and from 1965 as a professor at the Faculty of Architecture in Zagreb. In 1962 Seissel became a full member of the Croatian Academy of Science and Arts. With his co-workers Seissel designed the urban plans of certain parts of Zagreb (University and Pioneer Town), studies for the regions of Makarska, Baško Polje, Šibenik, Mljet and Niksic (Montenegro), and independently, plans for the cemetery Miroševac, Maksimir Park, a memorial area in Zagreb, Plitvice Lakes and many others. | ||
| + | |||
| + | ==Works== | ||
| + | <onlyinclude>{{#ifeq:{{{transcludesection|works}}}|works| | ||
| + | <gallery> | ||
| + | Seissel_Josip_1922_Pafama.jpg|''Pafama'', 1922. Collage; pastel/paper. 17 x 17 cm. [http://www.msu.hr/?/hr/48/104319/0/1/ MSU Zagreb]. [http://www.posta.hr/print.aspx?id=3622&m=53256&p=-1] | ||
| + | Klek Jo 1923 Zenithist Theatre.jpg|Designs for ''Le Théâtre zénitiste'', 1923. Centre: stage curtain; left and right: costumes. Printed in [http://digitalna.nb.rs/wb/NBS/casopisi_pretrazivi_po_datumu/Zenit/1923/b024#page/2/mode/1up ''Zenit'' 24] (1923). | ||
| + | Klek Jo 1923 Advertising Kiosk.jpg|''Advertising Kiosk'', 1923. Watercolor. Printed in [http://digitalna.nb.rs/wb/NBS/casopisi_pretrazivi_po_datumu/Zenit/1924/b034#page/11/mode/1up ''Zenit'' 34] (1924). | ||
| + | Klek Jo 1924-25 Vila Zenit.jpg|''Vila Zenit'', 1924-25. | ||
| + | Klek Jo 1924 Zeniteum I sketch.jpg|Sketch for ''Zeniteum I'', 1924. Printed in [http://digitalna.nb.rs/wb/NBS/casopisi_pretrazivi_po_datumu/Zenit/1924/b035#page/5/mode/1up ''Zenit'' 35] (1924). | ||
| + | Klek Josif Untitled.jpg|''Untitled''. Collage. 18.6 x 14 cm. | ||
| + | Klek Jo 1923 Effect on Defect sketch.jpg|Sketch for Marijan Mikac's ''Efekt na defektu'' [Effect on Defect] book cover, 1923. Collage on paper. 19.2 x 20 cm. | ||
| + | Mikac Marijan Efekt na defektu 1923.jpg|Cover of Marijan Mikac's ''Efekt na defektu'' [Effect on Defect], 1923, designed by Jo Klek. | ||
| + | Klek Josip Untitled .jpg|''Untitled''. Collage. 22.7 x 16 cm. | ||
| + | Mikac Marijan Fenomen majmun 1925.jpg|Cover of Marijan Mikac's ''Fenomen majmun'' [Monkey Phenomenon], 1925, designed by Jo Klek. | ||
| + | Klek Jo 1924 collage.jpg|with Ljubomir Micic, ''Во имја зенитизма'', 1924. Collage. Printed in [http://digitalna.nb.rs/wb/NBS/casopisi_pretrazivi_po_datumu/Zenit/1924/b026-33#page/16/mode/1up ''Zenit'' 26-33] (1924). | ||
| + | Seissel Josip 1924 Pomozite studentima.jpg|''Pomozite studentima'', Zagreb, 1924. Poster. | ||
| + | </gallery> | ||
| + | }}</onlyinclude> | ||
| + | |||
| + | <gallery> | ||
| + | Theo_and_Nelly_van_Doesburg_1923.jpg|Theo and Nelly van Doesburg in the studio on Rue du Moulin Vert, Paris. Seissel's poster ''Pomozite studentima'' in the background. | ||
| + | </gallery> | ||
==See also== | ==See also== | ||
| + | * [[Zenit]] | ||
* [[Croatia#Avant-garde]] | * [[Croatia#Avant-garde]] | ||
==Links== | ==Links== | ||
| − | * http://www.avantgarde-museum.com/en/ | + | * [http://www.avantgarde-museum.com/en/museum/collection/authors/josip-seissel-jo-klek~pe4481/ Works and biography] |
| − | * http://www. | + | * http://www.galerie-krinzinger.at/artist/tamaes_kaszaes/work/selected/tamaes_kaszaes_jo_kleks_kiosk__1 |
* http://en.wikipedia.org/wiki/Josip_Seissel | * http://en.wikipedia.org/wiki/Josip_Seissel | ||
| − | [[Category:Constructivism|Seissel, Josip]] | + | [[Category:Constructivism|Seissel, Josip]] [[Category:Zenitism|Seissel, Josip]] |
Latest revision as of 19:33, 4 April 2016
Josip Seissel (Jo Klek, Jo; 1904-1987) was an architect, urban planner, and avant-garde artist.
He belonged to the circle of Zenit magazine which published his collages, photomontages, architectural drafts, drawings, watercolours, temperas, sketches for theatre costumes and a curtain, advertisements, ex-libris etc. He was responsible for the graphic design and layout of several books in Zenit Editions (Marijan Mikac's Effect on Defect and The Monkey Phenomenon), and represented Zenit at international exhibitions in the 1920s (Belgrade, Bucharest, Bielefeld, Moscow). His abstract and multidisciplinary work was used by Micić to identify PAFAMA (Papier-Farben-Malerei, the Serbian version of which was ARBOS – (h)ARtija-BOja-Slika [paper-colour-picture]) as an authentic phenomenon of zenitist art. His work is characterised by narrativity, humour and irony of dadaist provenance. Relying on the constructivist principles of the valuation of materials and exploration of space, Klek became involved in non-representational art, quite exceptional in Croatian and Yugoslav art of the early 1920s.
He earned his degree in architecture at the Technical Faculty in Zagreb in 1929. He was employed at the Department for the Regulation of Zagreb, and later appointed director of the School of Applied Arts. After 1945 he worked at the Ministry of Construction, and from 1965 as a professor at the Faculty of Architecture in Zagreb. In 1962 Seissel became a full member of the Croatian Academy of Science and Arts. With his co-workers Seissel designed the urban plans of certain parts of Zagreb (University and Pioneer Town), studies for the regions of Makarska, Baško Polje, Šibenik, Mljet and Niksic (Montenegro), and independently, plans for the cemetery Miroševac, Maksimir Park, a memorial area in Zagreb, Plitvice Lakes and many others.
Works[edit]
Pafama, 1922. Collage; pastel/paper. 17 x 17 cm. MSU Zagreb. [1]
Designs for Le Théâtre zénitiste, 1923. Centre: stage curtain; left and right: costumes. Printed in Zenit 24 (1923).
Advertising Kiosk, 1923. Watercolor. Printed in Zenit 34 (1924).
Vila Zenit, 1924-25.
Sketch for Zeniteum I, 1924. Printed in Zenit 35 (1924).
Untitled. Collage. 18.6 x 14 cm.
Sketch for Marijan Mikac's Efekt na defektu [Effect on Defect] book cover, 1923. Collage on paper. 19.2 x 20 cm.
Cover of Marijan Mikac's Efekt na defektu [Effect on Defect], 1923, designed by Jo Klek.
Untitled. Collage. 22.7 x 16 cm.
Cover of Marijan Mikac's Fenomen majmun [Monkey Phenomenon], 1925, designed by Jo Klek.
with Ljubomir Micic, Во имја зенитизма, 1924. Collage. Printed in Zenit 26-33 (1924).
Pomozite studentima, Zagreb, 1924. Poster.
Theo and Nelly van Doesburg in the studio on Rue du Moulin Vert, Paris. Seissel's poster Pomozite studentima in the background.
